CA450 History of Broadcasting in the United States Spring 2002
Tues. and Thurs. 2:30-3:45 1651 Humanities
Screening Wed. 4-6 1651 Humanities
Professor Michele Hilmes mhilmes@facstaff.wisc.edu
6156 Vilas Hall 262-2547
Office hours: Tues. and Thurs. 11-12 am and by appointment
This course examines U.S. broadcasting in historical perspective, not only as an industry but as an institution of cultural identity. Basic definitions, functions, and the development of industry structures will be analyzed and linked to the texts they created and the audiences they served. Students should complete this class with a better understanding of the many economic, regulatory, social and political factors that led to the development of television as we know it, as well as the role that broadcasting has played in the shaping of American culture.
Texts: Michele Hilmes, Only Connect: A Cultural History of Broadcasting in the United States (available at Rainbow Book Cooperative, 426 W. Gillman St.)
_____________,
editor, Connections (Reading packet - available at Coles Copy Center,
555-B State St. - lower level of The Den)
Evaluation:
Two take-home essay exams @ 20% 40%
Research paper – 8-10 pp.
Topic statement 5%
Proposal 10%
Paper 35%
Attendance and participation 10%
All exams and papers must be completed to receive a grade
for this class. Make up exams will be
scheduled only in cases of documented hardship. Grades on written assignments will be penalized if handed in
late. Attendance at screenings is mandatory, and regular attendance at lectures
is strongly encouraged.
2/22 Intro, screenings
Screening: Empire of the Air, Part I
2/24 Chapter 1
2/29 Chapter 2 pp. 16-24, Winston “How Are Media Born?”
Screening: Empire of the Air, Part II
2/31 Chapter 2 pp. 24-33
2/5 Chapter 3 pp. 35-45, Goodman and Gring, “The Radio Act of 1927”
Exam I handed out
Screening: Radio programs
2/7 Chapter 3 pp. 46-59
2/12 Chapter 4, pp. 62-72, McChesney, “Crusade Against Mammon”
Screening: The Case of Amos ‘n’ Andy
2/14 Chapter 4, pp. 72-85
2/19 Chapter
5, pp. 88- 97 Exam I Due
Screening: Jack
Benny, Stella Dallas, Fibber McGee and Molly
2/21 Chapter 5, pp. 97-115
2/26 Chapter
6, pp. 118-129, Meehan, “Why We Don’t Count”
Screening: War broadcasts
2/28 Chapter 6, pp. 129-146
3/5 Chapter 7, pp. 150-165, Karnick, “NBC and the Innovation of Television News”
Paper
topic statements due
Screening: TV News, Drama
3/7 Chapter 7, pp. 165-181, Lipsitz, “The Meaning of Memory”
3/12 Chapter
8, pp. 183-198, Haralovich, “Sitcoms
and Suburbs”
Screening: TV Sitcoms
3/14 Chapter 8, pp. 198-215, Spigel, “From Domestic Space to Outer Space”
3/19 Chapter
9, pp. 218-240, Vianello, “The Rise of the Telefilm”
Screening: Smothers Brothers, All In the Family
3/21 Chapter 9, pp. 240-252, Pach, “And That’s The Way It Was” Proposals Due
3/26, 3/28 Spring Break
4/2 Chapter
10, pp. 255-271, Williams, “Feeding Off the Past”
Screening: the Silverman era
4/4 Chapter 10, pp. 271-289, Edgerton, “High Concept, Small Screen”
4/9 Chapter
11, pp. 291-294; Screening That 80s Show
Screening: Frank’s Place, Cosby, Roseanne
4/11 Chapter 11, pp. 294-309, Aufderheide, “Cable Television and the Public Interest”
4/16 Chapter
11, pp. 309-326, Gray, “Recodings” Papers
Due
Screening: My
So-Called Life, Twin Peaks
4/18 Chapter
12, 329-350, Rowland, “US Broadcasting Policy and the Public Interest”
Exam II handed out
4/23 Chapter 12, pp. 350-365, Becker, “Prime-Time Television in the Gay Nineties”
Screening: Ellen,
Seinfeld, Friends
4/25 Chapter 13, pp. 279-292, Boddy, “US Television Abroad”
4/30 Chapter 13, pp. 292-303, Curtin, “Feminine Desire in the Age of Satellite TV”
Screening: international programs
5/2 Chapter 14
Exam II Due Monday
May 6 by 4:30