Preliminary Conference Program
2006 SCMS Conference
Media and the Americas
Please use the index to locate your scheduled proposal(s). If there are minor changes (affiliation, order of presentations or spelling corrections) to your panels, workshops or papers, please send the corrections to office@cmstudies.org by January 9, 2006. Please note that we cannot accommodate requests for changes in the scheduled day or time of panels or workshops or late requests for equipment. The SCMS office staff will contact individuals regarding equipment availability by February 1.
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Please Note: Corrections will not appear in the preliminary conference program. All corrections will be printed in the final conference program.
Schedule of Events At A Glance
Program Sessions
Thursday, March 2, 2006 12:00 noon
- 1:45 pm (Session A)
A1: Identity and Subjectivity in Global Media
Room: Pavilion A
Chair: Alison Patterson (University of Pittsburgh)
Zala Volcic (University of Queensland, Australia), ""That's Me": Reality TV and its
democratic promise in former Yugoslavia"
Bjorn Ingvoldstad (Indiana University), "The paradox of "national cinema" in
Lithuania"
Willow Mullins (University of Missouri, Columbia), "Re-Presentation of Identity in
Modern Kyrgyz Film"
Alison Patterson (University of Pittsburgh), "To Think, To Eat, To Speak: The
‘Language’ of Jan Svankmajer’s Surrealist Cinema"
A2: Rethinking American Genres
Room: Pavilion B
Chair: Mark Lynn Anderson (University of Pittsburgh)
William Siska (Northwestern University), "The American West in Film (Not the
Western)"
Jean O'Reilly (University of Connecticut), "CSI Tarrytown: Literary adaptation,
Sleepy Hollow, and the Detective Story Tradition"
Neal King (Virginia Tech University), "Hollywood Visions of Women Doing Men's
Work"
Mark Lynn Anderson (University of Pittsburgh), "Devastatingly Beautiful: Glamour,
Deviance, and *The Devil Is a Woman*"
A3: Class Issues in Reality TV
Room: Pavilion C
Chair: Susan Ryan (College of New Jersey)
Joy Fuqua (Tulane University), "Miracle Work and Real(ity) Estate:Extreme Makeover:
Home Edition’s Renovation of Class"
Beth Pentney (Simon Fraser University), "Inscribing Class onto the Female Body: North
American Reality-Based Makeover shows"
Helen Wood (University of Manchester, UK), "Telling the Classed Self: Reality
television and audience negotiations of ethics."
Brian Gibson (Independent Scholar), "Organizing Reality: Labor Struggles in Reality
TV"
Sponsor: Caucus on Class
A4: Performance, Affect, Fold: Deleuze In-Between
Media
Room: Pavilion D
Chair: Amy Herzog (Queens College, City University of New York)
Amy Herzog (Queens College, City University of New York), "Suspended Gestures:
Performance, Affect, and the Face in Cinema"
Elena del Rio (University of Alberta), "Mulholland Drive: Powers of Affection, Powers
of the False"
Laura Marks (Simon Fraser University), "Algorithmic Abstraction, Perceptual
Unfolding, and Artificial Life"
Suzanne Buchan (University College for the Creative Arts), "Mindscapes, Dreamscapes
and Impossible Places: The Spatial Imagination of Animation"
A5: Swedish Side Tracks: The Case of Experimental
Cinema
Room: Junior A
Chair: Astrid Widding (Stockholm University)
John Sundholm (Karlstad University), "Swedish Film Culture in the Early 50s: the open
discourse of experimental film and the closed discourse of film historiography"
Lars Gustaf Andersson (Lund University), "Movements and Mirrors: Peter Weiss and the
Emergence of Swedish Experimental Cinema"
Astrid Widding (Stockholm University), "Experimental film in Sweden – national
cinema or international avant-garde?"
Respondent: Sean Cubitt (University of Waikato)
A6: Film Theory in the Digital Age
Room: Junior B
Chair: James Tobias (University of California, Riverside)
Christopher Pavsek (Haverford College), ""Is the Mall a Prison? Digital Technology
and Cinema Practice According to Harun Farocki""
Jay Douglas (University of Southern California), "Narrative in the Age of Artificial
Intelligence"
Anton Soderman (Brown University), "The Index and the Algorithm"
James Tobias (University of California, Riverside), "Alice, at Play: Media
Transitions and Medial Agency, from the Photographs of Charles Dodgson to "American
McGee’s Alice""
A7: Exotic and Erotic
Room: Junior C
Chair: Drew Todd (San José State University)
Hoang Tan Nguyen (University of California, Berkeley), "GAM4SEX: Cruising Asian Male
Bodies Online"
Jo Smith (University of Auckland), "The Plasticity of Ethnicity: Maori Masculinity in
Hollywood Film"
Drew Todd (San José State University), "Pansies, Psychos, and Playboys: An
Historical Overview of Dandyism in Twentieth-Century Popular Culture"
A8: Workshop: A Future for Theory
Room: Junior D
Chair: Brian Price (Oklahoma State University)
Workshop Participants:
Catherine Benamou (University of Michigan)
Edward Branigan (University of California, Santa Barbara)
Meghan Sutherland (Northwestern University)
Amy Villarejo (Cornell University)
A9: Beyond the Passion and the Fury: The 'Everyday Sacred'
on Screen
Room: Parksville
Chair: Linda Ehrlich (Case Western Reserve University)
Linda Ehrlich (Case Western Reserve University), "Kore-eda Hirokazu and the
Paradoxical Everyday"
Patrick Brereton (Dublin City University), "'Everyday Sacred' and Childhood
Innoncence in "Into the West" and "In America""
S. Brent Plate (Texas Christian University), "The Footprints of Film: After Images of
Religion in American Topographies"
James Quandt (Cinematheque), "What the Devil? Bresson's "Le diable
probablement""
A10: Travelling Films: Film Festivals in the Gobal
Economy
Room: Granville
Chair: Soojeong Ahn (University of Nottingham)
Soojeong Ahn (University of Nottingham), "Contemporary South Korean Cinema and Pusan
International Film Festival"
Li Yang (University of Texas, Austin), "International Film Festivals and
China’s Two Art Waves"
Julian Stringer (University of Nottingham), "Genre films and Festival Communities:
Lessons from Nottingham, 1991-2000"
Elizabeth Czach (University of Rochester), "Official Selections:Film Festivals,
Canadian Film, and Globalized Networks of Film Distribution"
A11: Women of the International Star System
Room: Galiano
Chair: Antje Ascheid (University of Georgia)
Ethan de Seife (Wesleyan University), "The Director and the Bombshell: Jayne
Mansfield in the Films of Frank Tashlin"
Christopher Loftus (George Mason University), "“Like Water, Like Wine, Like
Life:” Monica Bellucci, the Italian Female Star, and the Ideology of the
Body."
Antje Ascheid (University of Georgia), "Post-War Princess: Romy Schneider and Sissi
as Political Myths"
A12: Racial Negotiations in Televiison and Film
Room: Orca
Chair: Miriam Petty (Rutgers University)
Adam Segal (New York University/Tisch), "Diluted "Blackness": The Rise of the Black
Urban Romantic Comedy"
Derek Kane-Meddock (New York University), "Never Touch a Black Man's Radio: "Rush
Hour" and the New Cultural Politics of the Biracial Buddy Film"
Josh Stenger (Wheaton College), "From Beach Parties to Blaxploitation: American
International Pictures, Exploitation Film and Geographies of Race"
Racquel Gates (Northwestern University), ""Sampling": A New Metaphor for
Understanding Black Film and Television"
A13: Asian Cinema in a Transnational Context
Room: Finback
Chair: Peter X Feng (University of Delaware)
Sangjoon Lee (New York University), "Transnational East Asian cinema productions and
inter-cultural representations – Windstruck (2004) and Love with an Alien
(1959)"
Brian Ruh (Indiana University), "Complicating Transnational Asian Cinema:
Nationality, Technology, and Authorship in Pen-Ek Ratanaruang’s "Last Life in
the Universe""
Ling Yen Chua (Nanyang Technological University) and Aquilia Pieter, "Globalization,
pan-Asian co-productions and Singapore national cinema"
Kim Worthy (Wagner College), "Magical Socialism: Vietnamese Cinema after
Reforms"
A14: Diaspora and Immigration
Room: Port Alberni
Chair: Daisuke Miyao (University of Oregon)
Catherine Portuges (University of Massachusetts, Amherst), "Michael Curtiz: A
Budapest Emigre in Hollywood"
Vinay Swamy (University of Washington), "Marivaux in the Suburbs : Reframing Language
in Kechiche’s "L’Esquive" (2003)"
Karin Hamm-Ehsani (Union College), "No Home in Sight: Moving Images of Kurdish
Diasporic Experience in Yüksel Yavuz’ German Film "Kleine Freiheit" [A
Little Bit of Freedom] (2002)"
Daisuke Miyao (University of Oregon), "The Mask: Transnational Stardom of Sessue
Hayakawa and Redefinition of Silent Film Acting"
A15: Utopias Lost and Found
Room: Port Hardy
Chair: Scott Bukatman (Stanford University)
Ernesto Acevedo-Muñoz (University of Colorado, Boulder), "Chasing Che: The
Motorcycle Diaries and the new Pan American utopia."
Linda Robinson (Northwestern University), "Playground or Lost Utopia: The Nostalgia
of Walt Disney and Rod Serling for America's Turn-of-the-Century Small Town"
Steve Spence (Clayton State University), "New Media and Social Justice: Digitizing
Martin Luther King"
Scott Bukatman (Stanford University), "A Day in New York: On the Town and The
Clock"
A16: Space, Place, and Media: Lived Environments On Screen
and Off
Room: Beluga - Thursday only
Chair: David Coon (Indiana University)
Adrienne L. McLean (University of Texas, Dallas), "Our Eyes Met Across the
Footlights: Theatrical Space(s), Performance, and Intimacy in Hollywood Film"
David Coon (Indiana University), "Building Suspense: Architecture, Space, and Drama
in Psycho, Rear Window, and Lifeboat"
Emily Pugh (City University of New York Graduate Center), "Space, Film, and Urban
Identity: the Berlin State Library in Wings of Desire"
Max Dawson (Northwestern University), ""Do More. Miss Nothing." Television, New
Media, and Domestic Space"
Thursday, March 2, 2006 2:00-3:45
pm (Session B)
B1: Post-Auteur Auteurs
Room: Pavilion A
Chair: Corinn Columpar (University of Toronto)
Marwa Maziad (University of Washington), "Youssef Chahine's Cinema: "The Hospitable
Space between Self and Other.""
Imke Meyer (Bryn Mawr College), "Empire’s Remains: Michael Haneke’s Time
of the Wolf."
Katrina Boyd (University of Oklahoma), "Collision, Collusion and Collage in Beyond
the Sea, or Can the Biopic and the Musical Coexist in a Postmodern
Star-vehicle?"
Corinn Columpar (University of Toronto), "Substantiating the Superficial: The
Politics of Beauty in Sally Potter's The Man Who Cried"
B2: Aesthetics of the Contemporary Hollywood
Blockbuster
Room: Pavilion B
Chair: Warren Buckland (Chapman University)
Alison McMahan (Homunculus Productions), "The Pataphysical Films of Tim Burton"
Bradley Schauer (University of Wisconsin-Madison), "Critics, Clones, and Narrative in
the Franchise Blockbuster"
Warren Buckland (Chapman University), "The Secular Magic of Steven Spielberg"
Barbara Klinger (Indiana University), "Sending Up the Blockbuster: Film Shorts and
the Internet Parody Industry"
B3: Audiences, Space, and Cultural Geographies of
Fandom
Room: Pavilion C
Chair: Derek Johnson (University of Wisconsin, Madison)
Co-chair: Jonathan Gray (Fordham University)
Will Brooker (Kingston University), "I Want To Believe: The X-Files and Symbolic
Pilgrimage"
Derek Johnson (University of Wisconsin, Madison), "Story World, Cultural Citizenship,
and the Public Sphere: Fan Navigation of Institutional Spaces in 24"
Brian Longhurst (University of Salford), "Audiences, Cultural Change and the
Performance of the Ordinary"
Kimberly Schimmel (Kent State University), Denise Bielby (University of
California, Santa Barbara) and C. Lee Harrington (Miami University),
"Fandom: Sport Studies and Fan Studies Perspectives"
B4: Educational Film: Spectatorship, Film Culture, and
Cinematic Knowledge
Room: Pavilion D
Chair: Elizabeth Wiatr (Boise State University)
Jennifer Horne (Bryn Mawr College), "“Borrowing Privileges: The Post-theatrical
Film, The Public Library, and Educational Viewership”"
Anna McCarthy (New York University), "Mortimer Adler, Thor Heyerdahl, and Stanley
Milgram: Experimental Filmmakers of the Cold War"
Charles Acland (Concordia University), "Celluloid Classrooms and Everyday
Projectionists:"
Elizabeth Wiatr (Boise State University), "Documentary's Other: Educational Sound
Film and Citizenship"
B5: Italian Cinema and Media
Room: Junior A
Chair: Lance Rhoades (University of Washington)
Michela Ardizzoni (University of Louisville), "GLOBAL FORMATS, REGIONAL ACCENTS: WHEN
TELEVISION REINVENTS THE NATION."
Gloria Monti (Independent Scholar), "Blasetti & Rossellini: The Two Italies of
1945"
Lance Rhoades (University of Washington), "Joined at the Ship: Opera and Politics in
Fellini’s E la nave va"
B6: Media Convergence across the Americas: Myths,
Contradictions and Challenges
Room: Junior B
Chair: John McMurria (DePaul University)
Vanda Rideout (University of New Brunswick), "Social Impact of Canada’s
Communication Convergence Policy"
John McMurria (DePaul University), "Regulatory Legacies and Recent Challenges to the
Neo-liberal Consensus in Media Convergence Policies in the US"
Alison Beale (Simon Fraser University), "Creative Cities and Gender: Toward an
Evaluation of Policy"
Alex M. Saragoza (University of California, Berkeley), "Televisa and the
Transnational Spanish-language Broadcasting Market: Challenges to Mexico’s
Dominant Media Conglomerate"
B7: Indian Cinema
Room: Junior C
Chair: Aswin Punathambekar (University of Wisconsin, Madison)
Jyotika Virdi (University of Windsor), "Ominous Beginnings in Nishant/Night’s
End (Shyam Benegal, 1975)"
Neepa Majumdar (University of Pittsburgh), "Immortal Story or Nightmare? [ital] Dr.
Kotnis [ital] Between Art and Exploitation"
Meheli Sen (Emory University), "Debonair Dev: Genre, Masculinity and the Hindi
Crime-melodrama"
Aswin Punathambekar (University of Wisconsin, Madison), "Filmi Addas: Indian Cinema,
New Media, and Participatory Culture"
B8: Workshop: The Public Intellectual in the 21st
Century
Room: Junior D
Chair: Marsha Cassidy (University of Illinois, Chicago)
Co-chair: Norma Coates (University of Western Ontario)
Workshop Participants:
Anne Penman (Independent Scholar)
Michael Kackman (University of Texas, Austin)
Sarah Churchwell (University of East Anglia)
Mark Anthony Neal (Duke University)
Virginia Wexman (University of Illinois, Chicago)
Sponsor: Television Studies Interest Group
B9: The Culture of Torture
Room: Parksville
Chair: Julia Lesage (University of Oregon)
John Mowitt (University of Minnesota), "Retaking THE BATTLE OF ALGIERS"
Sasha Torres (University of Western Ontario), "The Culture of Torture: 24 and Threat
Matrix"
Julia Lesage (University of Oregon), "LAW AND ORDER and Abu Ghraib"
B10: Television, Reality, and the Limits of Reality
TV
Room: Granville
Chair: Christine Sprengler (University of Western Ontario)
Julie Russo (Brown University), "Inside Out: Television on Television"
Jennifer Bottinelli (Kutztown University), "Claiming Authenticity: Documentary Film,
Reality Television, and Folklore"
Elizabeth Nathanson (Northwestern University), "“You Dirty, Dirty
People”: Contemporary Television Shows Us How To Clean Up Our Act"
Christine Sprengler (University of Western Ontario), "Consumer Capitalism, Postwar
Television and the Aesthetics of the New Nostalgia Film"
B11: Comedy, Gender, and Transgressive Bodies
Room: Galiano
Chair: Emily Fox-Kales (Northwestern University/Harvard Med School)
Linda Mizejewski (Ohio State University), "“Queen Latifah and Josephine Baker:
Race, the Unruly Woman, and Romantic Comedy”"
Emily Fox-Kales (Northwestern University/Harvard Med School), "“How Shallow is
Shallow Hal? : Defending Against the Big Mama”"
Raphael Raphael (University of Oregon), "“Our Exceptional and Grotesque Body:
Considering the Grotesque"
Respondent: Kathleen Karlyn (University of Oregon)
B12: New Views on African American Films and
Filmmakers
Room: Orca
Chair: Tonia Edwards (Indiana University)
Elizabeth Reich (Rutgers University), "Doing Time in the Post-9/11: Race and Time and
American Space in Spike Lee's "25th Hour""
Tommy Gustafsson (Lund University), "The visual re-creation of black people in a
“white” country. Oscar Micheaux in Swedish film culture in the
20s."
Michael Gillespie (New York University), "Blackness, Noir, and the Absurd: Devil In A
Blue Dress, Deep Cover, and Clockers"
Tonia Edwards (Indiana University), "Counter Narratives: Zora Neale Hurston,
Ethnographic Filmmaking, and a Hyperrealist Everyday"
B13: “Media Asia”: Transmedia Interactions in
East Asian Cinema
Room: Finback
Chair: James Udden (Gettysburg College)
Co-chair: Jinhee Choi (Carleton University)
Jinhee Choi (Carleton University), "(Impossible) Romance of Their Own? Korean
Romantic Teen Pics and the Guiyeoni Syndrome"
Mitsuyo Wada-Marciano (Carleton University), ""Documenting New Japan: Trans-Media
Aesthetic in the Contemporary Japanese Cinema""
Hiroshi Kitamura (College of William and Mary), "Eiga no tomo, Hollywood Fandom, and
Post-World War II Japan"
James Udden (Gettysburg College), "Brink of Extinction: Can Taiwanese Television Save
the Local Film Industry?"
B14: Aboriginal Peoples Television Network (APTN)
Room: Port Alberni
Chair: Sigurjon Baldur Hafsteinsson (Temple University)
Kelly Harrison (Trent University), "From Wumpa to Katchwa: Indigenous Knowledge and
the Aboriginal Peoples Television Network"
Christine Ramsay (University of Regina), "APTN’s Moccasin Flats: Masculinity,
Race, and Aboriginal Identity in Regina’s Urban ‘Hood"
Sigurjon Baldur Hafsteinsson (Temple University), "The Social Mandate of APTN"
Doris Baltruschat (Simon Fraser University), "Featuring First Nations’
Narratives in International Film and TV Co-productions"
Marian Bredin (Brock University), "APTN and Its Audiences"
B15: New Research in (Screen) Performance Studies
Room: Port Hardy
Chair: Cynthia Baron (Bowling Green State University)
Martin Shingler (Staffordshire University), "The Moon and the Stars at the end of
_Now Voyager_: Performing Melodramatic Dialogue in the Studio Era"
Philip Drake (University of Stirling), "Re-conceptualizing Method acting: stars and
supporting characters in _The Godfather_ (1971)"
Kevin Esch (University of Iowa), "On the Synthespian: Digital Acting and
Proprietary Culture"
Cynthia Baron (Bowling Green State University), "Strasberg’s Method: A Fraction
of the Stanislavsky System"
B16: The geopolitics of art cinema: postwar cinema,
history, and the political image.
Room: Beluga - Thursday only
Chair: Rosalind Galt (University of Iowa)
Co-chair: Karl Schoonover (Independent Scholar)
Karl Schoonover (Independent Scholar), "'Inevitably Obscene:' Or How the Corporeal
Defined Neorealism"
Manishita Dass (Swarthmore College), "Dwelling in Loss: Ritwik Ghatak’s Cinema
of Displacement"
Rosalind Galt (University of Iowa), "Negative spaces: Catalan identity, historical
trauma and the Barcelona School."
Respondent: Adam Lowenstein (University of Pittsburgh)
Thursday, March 2, 2006 4:00-5:45
pm (Session C)
C1: The Moving Picture: Cinematic Motion and
Emotion
Room: Pavilion A
Chair: Patrick Keating (Washington University, St. Louis)
Co-chair: Lisa Dombrowski (Wesleyan University)
Jennifer Barker (University of Wisconsin, Milwaukee), "Running Like a Girl"
Kaveh Askari (University of California, Berkeley), "On the Contemplation of Static
Pictures in Early American Film Theory"
Lisa Dombrowski (Wesleyan University), "Adrift in Time: Free Floating Camera
Movement, Memory, and Loss"
Patrick Keating (Washington University, St. Louis), "The City in Motion: Dynamism,
Simultaneity, Seriality"
C2: Resituating Film Noir
Room: Pavilion B
Chair: Kevin Hagopian (Penn State University)
John Orr (University of Edinburgh), "Californian Noir - Is it European?"
Sam Mithani (University of Southern California), "Giving Voice to Ben Chaplin:
African-American Representation in Abraham Polonsky’s Body and Soul
(1947)"
Joshua Hirsch (University of North Texas), "Ideological Hermeneutics of Force of
Evil"
Kevin Hagopian (Penn State University), ""'We're Both Part of the Same Hypocrisy,
Senator':"
C3: Advertising and Promotion
Room: Pavilion C
Chair: Amy Lawrence (Dartmouth College)
Melanie Selfe (University of East Anglia), "Going West with 'Stetson': The pioneering
role of product placement in marketing 'Whoopee!' and its New York icons across
America."
Stephen Groening (University of Minnesota), "Virtual Shopping versus Actual
Merchandising: The (New) Spaces and Places of Television Consumption"
Paul Young (Vanderbilt University), ""How far is realism to be carried?": An
Intermedia Approach to Realism in Early U.S. Cinema"
Amy Lawrence (Dartmouth College), "The Beating Human Heart: GE and the Image
Archive"
C4: Professing Film Studies: Disciplinary Explorations
Room: Pavilion D
Chair: Michael Zryd (York University)
John Frankfurt (Columbia University), "Cinema Studies in the Age of Digital
Learning"
Fernando Mascarello (UNISINOS, Brazil), "Film Studies in Brazil: Textualism and
Glauberianism"
Elizabeth Conley (University of Utah), "Film Studies Under Attack: Academic Integrity
in conflict with students' sincerely-held core beliefs"
Michael Zryd (York University), "Non-fiction Film and the Development of North
American Film Studies in the 1960s"
C5: The Undercurrents of Danish Dogma Style
Room: Junior A
Chair: Johannes Riis (University of Copenhagen)
Torben Grodal (University of Copenhagen), "Dogma, Heresy, and Lars von Trier’s
Anti-Realism"
Johannes Riis (University of Copenhagen), "Acting Styles in Recent Danish Cinema: Two
Approaches to Improvisation"
Hanna Laakso (Concordia University), "The impact of Strindberg’s theatrical
legacy on the Danish Dogma films"
Jan Simons (University of Amsterdam), "Dogmatic Games"
C6: Workshop: Workshop: Not Just Funny Bunnies: The
Interdisciplinary Futures of Animation Publishing and Opportunities for New
Scholarship
Room: Junior B
Chair: Suzanne Buchan (University College for the Creative Arts)
Workshop Participants:
Bob Rehak (Indiana University, Bloomington)
Janeann Dill (New College of University, Alabama)
Leslie Bishko (Emily Carr Institute of Art, Design and Media)
C7: Auteurs of Film Music
Room: Junior C
Chair: Neil Lerner (Davidson College)
Daniel Yezbick (Peninsula College), "Citizen Thane: Bernard Herrmann’s scores
for the Mercury Text recordings and their influence on the soundscapes of Orson
Welles’ Citizen Kane"
Nathan Platte (University of Michigan), "The Sound of Prestige: Erich Wolfgang
Korngold, Warner Bros. and the Score for "A Midsummer Night’s Dream"
(1935)"
Carol Vernallis (Communication / Wayne State University), "Audio-Visual Connection,
Experience and Emotion in Eternal Sunshine of the Spotless Mind"
Neil Lerner (Davidson College), "The Horrors of the Left Hand: Music and Disability
in The Beast With Five Fingers"
C8: Science and the Cinema
Room: Junior D
Chair: Jackie Stacey (Lancaster University)
Marie-Luise Angerer (Art Academy of Media, Cologne), "Let's Be Moved: Affect and
Desire"
Lisa Cartwright (University of California, San Diego), "A New Theory of the Subject:
The Science of Affect in Psychoanalytic Film Theory"
Valerie Hartouni (University of California, San Diego), "Technocolor
Technoscience"
Jackie Stacey (Lancaster University), "Genetic Visions: The Uncanny Architectures of
Intimacy in Code 46"
C9: Revisiting the Local-Global, Popular Culture, and
Stephen Chow
Room: Parksville
Chair: Xiangyang Chen (New York University)
Xiangyang Chen (New York University), "Stephen Chow, Moleitau Comedy and the Question
of Nativism"
Kin Yan Szeto (Appalachian State University), "Chinese Comedy Film and the Fantasy of
Globalization: A Comparative Study of Stephen Chow and Feng Xiaogang"
Shi-Yan Chao (New York University), "Stephen Chow at a Local-Global
Intersection"
Li Zeng (Northwestern University), "Dahua Fan Culture on Chinese University Campus:
Reception of Stephen Chow’s Da Hua Xi You"
C10: Four of a Kind: Analyses of TV Poker
Room: Granville
Chair: Scott Ruston (University of Southern California)
Scott Ruston (University of Southern California), "Going All In: TV Poker and
American Television"
Susan Pearlman (University of Texas, Austin), "That's Edutainment! Celebrity as
Teacher in Bravo's "Celebrity Poker Showdown""
Joanna Slimmer (University of Texas, Austin), "TV Poker, Gender, and the Unfriendly
Confines of Sports Programming"
Tom Galaraga (University of Southern California), "Poker Evolved: Decoding the
Panoptic Gaze of the Lip-Stick Camera"
C11: Rethinking Shock Value: Contemporary Representations
of Sexuality
Room: Galiano
Chair: Jean Ma (Bard College)
Susan Ericsson (Northwestern University), "Libidinal Disillusionment: Youth Sexuality
in US Cinema"
Jean Ma (Bard College), "Discordant Desires: The Piano Teacher"
Jonathan M. Hall (University of California Irvine), "Birth of the Precocious
Adult"
Respondent: Tim Palmer (University of North Carolina Wilmington)
C12: Workshop: Welcome to the Archives: New Opportunities
for Research
Room: Orca
Chair: Eric Schaefer (Emerson College)
Co-chair: Snowden Becker (Academy Film Archive)
Workshop Participants:
Janna Jones (University of South Florida) and Mark Neumann (University of South Florida)
Mark Quigley (University of California, Los Angeles)
Lindy Leong (Visual Communications)
Julie Buck (Harvard Film Archive)
Margaret Compton (Walter J. Brown Media Archive)
Sponsor: Media Archive Committee
C13: New Discourses in sub-Saharan African Cinema
Room: Finback
Chair: Sheila Petty (University of Regina)
Sheila Petty (University of Regina), "New Genres, New Modes of Expression: the
Emergence of the African Musical in “Karmen Gei” and “Madame
Brouette”"
Sada Niang (University of Victoria), "The Contexts of African Films: Institutional
and Artistic"
Alexie Tcheuyap (University of Calgary), "Between Myth and Tragedy: Some Intertextual
Constructions of African Cinema"
C14: Latin American Media
Room: Port Alberni
Chair: Cristiani Bilhalva (University of Southern California)
Mary Leonard (University of Puerto Rico), "New Directions in Latin American
Television"
Mario Alfonso Murillo (Hofstra University), "Indigenous Communication in Colombia:
Community Radio, Civil Conflict and Popular Resistance by the Nasa People of Northern
Cauca"
Chad Beck (Indiana University, Bloomington), "Telesur: The Latin American al
Jazeera"
Cristiani Bilhalva (University of Southern California), "The Zapatistas and the
Internet: a Case Study on Voice, Agency, and the Media"
C15: On Michael Haneke
Room: Port Hardy
Chair: John David Rhodes (University of York)
Mattias Frey (Harvard University), "Reading Michael Haneke’s Transnational
Cinema from the Pages of the Feuilleton"
Brian Price (Oklahoma State University), "Pain and the Commodity Character of
Art"
John David Rhodes (University of York), "Haneke, the Long Take, Realism"
Christopher Sharrett (Seton Hall University), "Michael Haneke and the Discontents of
European Culture"
Thursday, March 2,
2006 6:00-8:00 pm (Plenary 1)
Plenary Session 1: Media and the Americas
Room: Pavilion D
Speakers:
TBA
Thursday, March 2,
2006 8:00-9:00 pm (Reception)
Opening Reception
Room: Junior D
Friday, March 3,
2006 7:30-8:30 am (Meetings)
African/African-American Caucus
Room: Granville
Women's Caucus
Room: Galiano
European Scholars Interest Group
Room: Orca
Friday, March 3, 2006 8:30-10:15
am (Session D)
D1: Coming of Age in a Post-Feminist World
Room: Pavilion A
Chair: Kathleen Karlyn (University of Oregon)
Mary Wiles (University of Canterbury), "NARRATING THE FEMININE NATION: THE
COMING-OF-AGE GIRL IN CONTEMPORARY NEW ZEALAND CINEMA"
HIlary Radner (University of Otago), "Educating the girl after feminism: films for
“femmes”, 1989-2004"
Susan Crutchfield (University of Wisconsin, La Crosse), "Blonde Ambitions: Britney
Spears as Madonna's "Heiress Apparent""
Kathleen Karlyn (University of Oregon), "Film as Cultural Antidote: Thirteen, an
Anti-Epic"
D2: Making Comedy Central: Re-Evaluating the Importance of
Keystone
Room: Pavilion B
Chair: Simon Joyce (College of William and Mary)
Simon Joyce (College of William and Mary), "Genre Parody and Comedic Burlesque:
Keystone's Meta-Cinematic Satires"
Joanna E. Rapf (University of Oklahoma), "‘A Monstrous World’: Roscoe
“Fatty” Arbuckle's Evolution at Keystone"
Rob King (University of Michigan), "“Uproarious Inventions”: The Keystone
Film Company, Modernity, and the Art of the Motor"
Jennifer Bean (University of Washington-Seattle), "The Art of Falling Apart: Keystone
Slapstick"
D3: Television beyond borders: Transnational television
industries and globalization theory
Room: Pavilion C
Chair: Tim Havens (The University of Iowa)
Barbara Selznick (University of Arizona), "Between Borders of Theory and Practice:
Understanding International Co-Productions"
Serra Tinic (University of Alberta), "Trading in Culture: The Cultural Economy of
Canadian Television"
Tim Havens (The University of Iowa), "The Cultural Economics of Transnational
Television Exchange"
Denise Bielby (University of California, Santa Barbara) and C. Lee Harrington (Miami
University), "Genre, Aesthetic Elements, and the Global Market for Television"
D4: Are Docs, Blogs, and Other Online Media Changing
Political Discourse?
Room: Pavilion D
Chair: Ruma Sen (Ramapo College of New Jersey)
Susan Ryan (College of New Jersey), "Politicizing the Archive: “Found”
Footage and Documentary Discourse"
Kelly Dolak (Ramapo College of New Jersey), "Documentary in the Age of Corporate and
PR Journalism"
Wazhmah Osman (New York University), "The Packaging of Third World Voices for First
World Audiences"
Lynne Jackson (St. Francis College), "Micromovies and New Possibilities for the
Documentary"
Sponsor: Caucus on Class
D5: Contemporary Spanish Comedy
Room: Junior A
Chair: Jay Beck (DePaul University)
Miguel Fernandez Labayen (Universidad Autónoma de Barcelona), "Playing with
the Beast: Modes, codes and loans in contemporary Spanish comedy"
Vicente Rodriguez Ortega (New York University), "Exorcising his Rights: Multi-generic
Appropriations in Alex de la Iglesia's El Dia de la Bestia"
Jay Beck (DePaul University), "The Law of Diminishing Returns: Pedro Almodóvar
and Comedy"
Respondent: Steven Marsh (University of South Carolina)
Sponsor: Latino/a Caucus
D6: Melodrama Worldwide
Room: Junior B
Chair: Carl Plantinga (Calvin College)
Carol Donelan (Carleton College), "Titanic Media and the Unsinkable Mode of
Melodrama"
Billy Vermillion (University of Wisconsin, Madison), "Politics and "Decent People":
The Family Melodrama and East European Art Cinema"
Brenda Austin-Smith (University of Manitoba), "The Trial of Motherhood: The Ethics of
Murder in the Maternal Melodrama"
Carl Plantinga (Calvin College), "The Traumatic Pleasures of "Titanic""
D7: Media and Society in the Digital Age
Room: Junior C
Chair: Susan Murray (New York University)
Vanessa Bertozzi (Massachusetts Institute of Technology), "“Unschooled:
Homeschoolers on New Media”"
Mark Wolf (Concordia University, Wisconsin), "The Subcreation of Transmedia
Worlds"
Shazia Iftkhar (University of Wisconsin, Madison), "Working for Netflix: Technology
and Consumer Labor on the Web"
Susan Murray (New York University), "Digital Images and Our Changing Notions of
Everyday Aesthetics"
D8: Lost in The Fifties: Culture, Gender and Social
Construction
Room: Junior D
Chair: Wheeler Winston Dixon (University of Nebraska, Lincoln)
Wheeler Winston Dixon (University of Nebraska, Lincoln), "The Passion of Fred F.
Sears"
Gwendolyn Audrey Foster (University of Nebraska, Lincoln), "Housewife With A Gun:
Barbara Stanwyck's Gender Instabilities in "Crime of Passion""
Rebecca Bell-Metereau (Texas State University), "Architecture of Anxiety: Spatial
Dynamics in American Film of the 1950s"
Mary Beth Haralovich (University of Arizona), "“Psychopaths sell like
hotcakes”: Performance of Mental Instability in Selected 1950s films"
D9: Contemporary Documentary
Room: Parksville
Chair: Qi Wang (University of California, Los Angeles)
David Johnson (Salisbury University), "“You Must Never Listen to This”:
Aural Mysteries and Werner Herzog’s _Grizzly Man_"
Elizabeth Affuso (University of Southern California), "Adoption Autobiography and the
Search for Self: "Finding Christa" and "First Person Plural""
Lindy Leong (Visual Communications), "Ethnographic Spectacle and Documentary in
Post-War Vietnamese Films"
Qi Wang (University of California, Los Angeles), "Negotiating Space and Power in
Contemporary Chinese Documentaries"
D10: Sound-tracking: Music and Affect in Contemporary
Media
Room: Granville
Chair: Lucas Hilderbrand (New York University)
Bhaskar Sarkar (University of California, Santa Barbara), "The Mellifluous Illogics
of “Bollywood Musicals”"
Michelle Stewart (State University of New York, Purchase College), "The Sounds of
Sex: Music and Affect in Recent Feminist Cinema"
Lucas Hilderbrand (New York University), "The Playlist's the Thing: The O.C., Youth
and Compilation Affects"
Jose Freire (New York University), "“History Is for Pissing On”: Punk
Rock in the Period Piece"
D11: Movie Masculinity
Room: Galiano
Chair: Jill Dione (University of Pittsburgh)
Timothy Shary (Clark University), ""Man to Mann: Masculine Crisis in the Crime Films
of Michael Mann""
Jacqueline Reich (State University of New York at Stony Brook), ""The Thrill of
Victory: Fascism, Masculinity, and Sports in Italian Cinema, 1930-1943""
Donna Peberdy (University of Nottingham), ""ŒSticking Feathers Up Your Butt
Does Not Make You a Chicken¹ Performing the Wild Man in 1990s Masculinity
Crisis Narratives""
Jill Dione (University of Pittsburgh), ""From Global to Microscopic: The Shifting
Focus of the Turn-of-the-Millennium Movie Hero""
D12: Ethnicity and Nation in American Film Music
Room: Orca
Chair: Caryl Flinn (University of Arizona)
Kathryn Kalinak (Rhode Island College), ""How the West was Sung: STAGECOACH and
American Folk Song""
Caryl Flinn (University of Arizona), "Ethel Merman: Not Quite White"
Krin Gabbard (State University of New York, Stony Brook), "Autobiography as
Transformation: The Case of Miles Davis"
Respondent: David Lugowski (Manhattanville College)
D13: North-African cinemas: aesthetics, politics, and
economy.
Room: Finback
Chair: Laura Marks (Simon Fraser University)
Robert Lang (University of Hartford), "It Takes A lot of Madmen to Make a People
Free: Allegories of Resistane in Nadina El Fani’s Bedwin Hacker (Tunisia,
2002)"
Suzanne Gauch (Temple University), "Alternate Exit: Farida Benlyazid’s A Door
to the Sky"
Kevin Dwyer (American University in Cairo), "Distinctive Features: National and
International Aspects of Moroccan and Egyptian Cinemas"
Sponsor: Middle East Caucus
D14: Deleuze and 'Other' Cinemas
Room: Port Alberni
Chair: David Martin-Jones (University of St. Andrews)
Patricia Pisters (University of Amsterdam), "‘The Invention of
Identities’ in Moroccan and Amazigh Cinema"
Bill Marshall (University of Glasgow), "Deleuze, Quebec and Cinemas of Minor
Frenchness"
David Martin-Jones (University of St. Andrews), "Deleuze, Narrative and National
Identity in recent South Korean Cinema"
Luiz-Felipe Soares (Universidade do Sul de, Santa Catarina), "Genital impacts"
D15: Workshop: Interviewing Filmmakers: Making the
Encounter Meaningful
Room: Port Hardy
Chair: Angelica Fenner (University of Toronto)
Workshop Participants:
Anne Ciecko (University of Massachusetts, Amherst)
Laurence Green (York University)
Angelica Fenner (University of Toronto)
Kass Banning (University of Toronto)
Friday, March 3, 2006 10:30-12:15
am (Session E)
E1: Mixed Race in Hollywood Film and Performance
Room: Pavilion A
Chair: Camilla Fojas (DePaul University)
K. Gibel Azoulay, "Miscegenation on Screen in Retrospect: Reassessing ‘The
Invisibility of Whiteness’ Argument"
Mary Beltran (University of Wisconsin), "Hollywood’s Mixed Race/Mestiza Latina,
From Ramona (1910+) to Sisterhood of the Traveling Pants (2005)"
Camilla Fojas (DePaul University), "Mixed-Race on the Border: Westerns and National
Identity"
Chris Holmlund (University of Tennessee), "Fill in the Blanks: Keanu Reeves, Mixed
Race, and Post-Method Minimalist Performance"
Sponsor: Latino/a Caucus and African/African American Caucus
E2: The Canadian Imaginary: Paradise in the North or Cheap
Labor Market?
Room: Pavilion B
Chair: Dennis Broe (Long Island University)
Camille Johnson-Yale (University of Illinois, Urbana-Champaign), "Hollywood versus
the World: A Rhetorical History of Runaway Production in the U.S."
Shaun Huston (Western Oregon University), "Geopolitics/Film Politics: the BC Film
Commission and the Meaning of the U.S.-Canadian Border"
John McCullough (York University), "Localism, Humanism, and Representations of
Canadian Space"
Kia Afra (Brown University), "Global vs. Local in the Cinematic City: Making
Vancouver (In)Visible in the New Entertainment Economy"
Sponsor: Caucus on Class
E3: Television Histories
Room: Pavilion C
Chair: Janet Staiger (University of Texas, Austin)
Daniel Steinhart (University of California, Los Angeles), "Independent Voice: The TV
Work of Jon Alpert"
Mary Wilson (University of Southern California), "Television Archiving: Examining
Choices in Preservation"
Larissa Faulkner (Brock University), "An Inside Job: Race, Media and Belafonte
Productions"
Janet Staiger (University of Texas, Austin), "The Fans of Perry Mason, or the Case of
What People Write to Famous Authors"
E4: The Work of Cinephilia in the Age of CGI
Reproduction
Room: Pavilion D
Chair: Scott Balcerzak (University of Florida)
Co-chair: Jason Sperb (Indiana University)
Tobey Crockett (University of California, Irvine Visual Studies), "The Camera as
Camera: How CGI Changes the World as We Know It"
Jun Okada (University of California, Los Angeles), "Amélie Pas Jolie: The
Digital Contamination of Analog Pleasures"
Jenna Ng (University College London), "The Inspiration of Pleasure: Cinephilia as
Epiphany"
Elizabeth A. Lathrop (Independent Scholar), "An Orchid in the Land of Technology: The
Aura of the Human in the Age of Digital Cinema"
E5: Italian Political Cinema: Beyond Neorealism
Room: Junior A
Chair: William Watson (University of Arizona)
Marguerite Waller (University of California, Riverside), "Flutists and Fascists:
Aesthetics, Politics, and the Production of Space in Fellini and Nichetti"
Carlo Testa (University of British Columbia), "The Political Nature of Memory: A
Gramscian-Pasolinian View about Asymmetrical Recording of Violence in Post-WWII
Italian Cinema"
William Watson (University of Arizona), "Free Kitty: The Conflation of Feline and
Feminine as Political Metaphor in Wertmüller’s Love and Anarchy and
Bertolucci’s 1900"
Tamao Nakahara (University of California, Berkeley), "Adultery in the Middle Ages,
Italian Style"
E6: Workshop: Youth Culture in Global Cinema
Room: Junior B
Chair: Timothy Shary (Clark University)
Co-chair: Alexandra Seibel (New York University)
Workshop Participants:
Mick Broderick (Murdoch University)
Sarah Projansky (University of Illinois, Urbana-Champaign)
Mary Wiles (University of Canterbury)
Kimberley Monteyne (New York University)
Stephen Tropiano (Ithaca College)
E7: Workshop: Fair Use, Intellectual Property and Copyright
in the Information Age: Should SCMS Take a Stand?
Room: Junior C
Chair: Anna Everett (University of California, Santa Barbara)
Workshop Participants:
Andrew Miller (Sacred Heart University)
Anne Friedberg (University of Southern California)
James Castonguay (Sacred Heart University)
Peter Krapp (University of California, Irvine)
Mark Poster (University of California, Irvine)
Sponsor: Information Technology Committee
E8: Business and Pleasure: the Movie Palace Revisited
Room: Junior D
Chair: Charles Berg (University of Kansas)
Ronald Wilson (University of Kansas), "“An Environment of Illusion: The
Atmospheric Theatre Design of John Eberson”"
Paul S Moore (University of Chicago), ""Imagined Real Estate: Promoting Unbuilt Movie
Palaces""
Charles Berg (University of Kansas) and Chris Robinson (University of Kansas),
"“The Silent Film ‘Jazz’ Band and the Jazz Age Film: Highbrow vs.
Lowbrow Musical Practices in the American Silent Film""
William Boddy (Baruch College/City University of New York), "The Archeology of
Electronic Cinema"
E9: Todd Haynes in Theory and Practice
Room: Parksville
Chair: James Morrison (Claremont McKenna College)
Joan Hawkins (Indiana University Bloomington), ""Now is the Time of the
Assassins""
Alex Juhasz (Pitzer College), ""From the Scenes of Queens: Genre, AIDS, and Queer
Love""
Todd McGowan (University of Vermont), ""Relocating Our Enjoyment of the 1950s: The
Politics of Fantasy in `Far from Heaven'""
Respondent: Patricia White (Swarthmore College)
E10: Taking Aim at HBO's Deadwood
Room: Granville
Chair: Susan White (University of Arizona)
Amanda Klein (University of Pittsburgh), "The Civilized, The Savage and Al
Swearengen: Analyzing the Western Syntax of Deadwood’s Opening Credits"
David Diffrient (University of Michigan), "Deadwood Dick: The Western (Phallus)
Reinvented"
Susan White (University of Arizona), "Topographies of Nation and Gender in HBO's
Deadwood"
E11: Age and Generation in Postfeminist Film and
Television
Room: Galiano
Chair: Diane Negra (Brown University)
Sadie Wearing (London School of Economics and Political Science), "Chronological
Propriety in Post Feminist Narratives of Aging"
Suzanne Leonard (Univerisity of Wisconsin, Milwaukee), "Prematurely Gray: The
'Post-Sexual' Married Thirtysomething of Recent Cinema"
Diane Negra (Brown University), "Postfeminist Melancholia and the Reincarnation
Romance"
Sarah Churchwell (University of East Anglia), "Back to the Future: Re-Generating the
Past in the Postfeminist Hollywood Film"
E12: Sounding Out Cinema: Sound Theory & Film
Room: Orca
Chair: Michael Baker (McGill University)
Jonathan Auerbach (University of Maryland, College Park), ""A Continuous Opera":
Sounding the Origins of Cinema"
Michael Baker (McGill University), "“This Film Should Be Played Loud!”
:Concert Films, Fallacies and Sound Theory"
Paul Théberge (Carleton University), "Listening to Metropolis: Rethinking the
Role of Technology Through the Musical Score by Gottfried Huppertz"
Senta Siewert (University of Amsterdam), "Rhythm of Youth. Contemporary German films:
new anti-heroes, pop music and cinematic experience"
E13: Asian Cinema and Film Theory
Room: Finback
Chair: Priya Jaikumar (University of Southern California)
Ben Singer (University of Wisconsin, Madison), "The Position of Hyperposition in
Ozu"
Yuriko Furuhata (Brown University), "The Problematic of “Actuality” in
Japanese Film Discourses of the 1950s and 1960s"
Donald LaCoss (University of Wisconsin, LaCrosse), "Can Dialectics Break Bricks?
Situationists and Hong Kong Martial Arts Cinema"
Priya Jaikumar (University of Southern California), "A New Universalism: Terrorism
and Film Language in Mani Ratnam’s "Peck on the Cheek" (Tamil 2002)"
E14: Settler/Postcolonial Theories, Films, and Media
Room: Port Alberni
Chair: Peter Limbrick (University of California, Santa Cruz)
Peter Limbrick (University of California, Santa Cruz), "Settler Colonialism, Empire,
and White Masculinity in John Ford Westerns."
Minette Hillyer (University of California, Berkeley), "We Are All Third Generation:
Postwar Homemaking in a Postcolonial America"
Christopher Gittings (University of Western Ontario), "One Family: A Dream of Real
Things: Branding or ‘bringing the empire alive’ on Film"
Thierry Jutel (Victoria University of Wellington, New Zeraland), ""LAN of the long
white cloud”: Landscape, Settler Anxiety, and Post-Colonial Virtualities in
Aotearoa/New Zealand"
E15: Science and Celebrity
Room: Port Hardy
Chair: Rebecca Sullivan (The University of Calgary)
Mary Nucci (Rutgers University), "When the technology is the star: science in large
format"
Kim Sawchuk (Concordia University), "Celebrity science: iconic images, the sublime
and inter-mediality"
Rebecca Sullivan (The University of Calgary), "Sex, Science and the Psyche in
Kinsey"
Friday, March 3,
2006 12:15-1:15 pm (Meetings)
French/Francophone Special Interest Group
Room: Granville
Caucus Coordinating Committee
Room: Galiano
Central/East/South European Interest Group
Room: Orca
Friday, March 3, 2006 1:15-3:00 pm
(Session F)
F1: Documentary at the Margins
Room: Pavilion A
Chair: Michael Renov (University of Southern California)
Walter Metz (Montana State University, Bozeman), ""The Avant-garde Among the Animals:
Toward the Re-invention of Science and Natural History Filmmaking""
Paul Arthur (Montclair St. University), "Parasites, Hosts, and Wolves in Corporate
Clothing: The (un)Making-Of Documentary"
Tung-Hui Hu (University of California, Berkeley), "Documenting Emptiness: Nuclear
Test Films and Conceptual Art, 1968-1973"
Michael Renov (University of Southern California), "First-Person Films: Some Theses
on Self-Inscription"
F2: Studies in Adaptation
Room: Pavilion B
Chair: Peter Dickinson (Simon Fraser University)
Alexander Russo (The Catholic University of America), "Father May Know Best, But What
Does He Know About TV?"
Ryan Trimm (University of Rhode Island), "Redressing Heritage: Adaptations of The
Tempest in the Crystalline Regime"
Karen Williams (New York University/ Fordham University), "Gothic Intimacies and the
Americanization of Jane Eyre: Re-Writing the Affect-Nation in I Walked with a Zombie
(Jacques Tourneur 1943) and Dragonwyck (Joseph Mankiewicz 1946)"
Peter Dickinson (Simon Fraser University), "Feminism, Fidelity, and the Female
Gothic: The Uncanny Art of Adaptation in Kamouraska, Surfacing, and Le Sourd dans la
ville"
F3: “The Persistence of Whiteness: Race and
Contemporary Hollywood Cinema”
Room: Pavilion C
Chair: Daniel Bernardi (Arizona State University)
Lester Friedman (Hobart William Smith Colleges), "Black Like Him: Steven
Spielberg’s The Color Purple"
Celine P. Shimizu (University of California at Santa Barbara), "Master Slave
Sex-Acts: "Mandingo, Drum and the Race-Sex Paradox"
Aaron Baker (Arizona State University), "Whiteness, Italian American Film, and
Authorship"
Priscilla Pena Ovalle (University of Southern California), "Framing Jennifer Lopez:
Mobilizing Race From the Wide Shot to the Close-Up"
F4: Workshop: “An Economy of the Gift”: Should
Scholarship Be Available for Free?
Room: Pavilion D
Chair: Jeremy Butler (University of Alabama)
Workshop Participants:
Christopher Lucas (University of Texas, Austin)
Avi Santo (University of Texas, Austin)
Chuck Kleinhans (Northwestern University)
Jon Lewis (Oregon State University)
John Willinsky (University of British Columbia)
Sponsor: Graduate Student Organization
F5: “To borrow the good and healthy”: American
Influences on Soviet Cinema of the 1920s and 1930s
Room: Junior A
Chair: Vincent Bohlinger (University of Wisconsin, Madison)
Maria Belodubrovskaya (University of Wisconsin, Madison), "Mob God or Cinematic
Genius? Early Chaplin as Viewed by Soviet Intellectuals."
Alyson Hrynyk (University of Chicago), "“The Famous Triangle Style”:
Boris Barnet's Serial Aesthetic"
Brinton Tench Coxe (Columbia University), "Adventures in the Capital of the
Bolsheviks"
Vincent Bohlinger (University of Wisconsin, Madison), "Socialist Realism and
Classical Film Style: The Case of Chapayev"
F6: Popular Music and the Media
Room: Junior B
Chair: Norma Coates (University of Western Ontario)
Benjamin Aslinger (University of Wisconsin, Madison), "Rocking Prime Time: Music, The
WB, and Teen Culture"
Kyle Barnett (University of Texas, Austin), "Hillbilly Radio, 1925-1935"
Sarah Florini (Indiana University), "“Fight the Power!” with
Transformative Commemoration: Re-Defining Hip Hop and “Blackness” in
VH1’s Hip Hop Honors"
Norma Coates (University of Western Ontario), ""It's What's Happening, Baby:" Popular
Music on Television's Skirmish in the War on Poverty"
F7: The Outer Spaces of Media Studies
Room: Junior C
Chair: James Schwoch (Northwestern University)
Jody Berland (York University), "Optics in Space: Toward a New Visual Economy of
Outer Space"
James Schwoch (Northwestern University), "Media and the Americas: TELSTAR,
Satellites, and Cold War Security from the Historical and Geographical Viewpoint of
Johnston Atoll"
Lisa Parks (University of California, Santa Barbara), "Obscure Objects of Media
Studies: Echo, Hotbird and Ikonos"
James Hay (University of Ilinois), "The Invention of Air Space, Outer Space, and
Cyber-space"
F8: Locating Chinese Cinemas
Room: Junior D
Chair: Hsiu-Chuang Deppman (Oberlin College)
Co-chair: Ping Fu (Dickinson College)
Grace An (Oberlin College), "“What Time Is It Over There?: Tsai Ming-Liang,
François Truffaut, and a Par-asian Cinematic Encounter”"
Hsiu-Chuang Deppman (Oberlin College), "A Time to Live, A Time To Kill: The Poetics
of Time in the Works of Hou Hsiao-hsien and Chu Tien-wen"
Ping Fu (Dickinson College), "Cinematic Aura of the local-global in The World and
When Ruo Ma Was Seventeen"
Jenny Lau (San Francisco State University), "Can China Say No? Hollywood, Capital,
and Chinese"
Respondent: E. Ann Kaplan (Stony Brook University)
Sponsor: Asian/Pacific American Caucus
F9: Homeland Insecurity: Image Cultures of Risk, Testing,
and Surveillance, Before and After 9/11
Room: Parksville
Chair: Jonathan Kahana (New York University)
Rebecca Baron (California Institute of the Arts), "How Little We Know Of Our
Neighbours"
Karen Beckman (University of Pennsylvania), "Since Weekend: The Disastrous
‘60s"
Tess Takahashi (Brown University), "The Speculative Archive: Investigations into the
Long History of Homeland Insecurity"
Jonathan Kahana (New York University), "Screening Testing: Documentary and National
Insecurity"
F10: And Now, the HBO Original Series
Room: Granville
Chair: Liz Weis (Brooklyn College/City University of New York)
Lori Lees (University of Northern British Columbia), "Carnivalesque Calvinism:
Calvinist Theology in HBO's "Carnival""
Angie Chiang (Carleton University), "“Sex and the City” – An
Embodiment of Third-Wave Feminist Discourse"
Jennifer Petersen (University of Texas, Austin), "Liberal Trauma and Docudramatic
Therapy"
Steven Woodward (Clemson University), "The Comedy of Failed Enthusiasm: Larry David
as Innocent"
F11: Women Directing and Other Forms of Difference
Room: Galiano
Chair: Homay King (Bryn Mawr College)
Catherine Zimmer (Pace University), "Approaching The Watermelon Woman: Cinematic
Reflexivity and the Marginalized Subject"
Homay King (Bryn Mawr College), "Translating Orientalism: Leslie Thornton’s
Adynata"
Patricia White (Swarthmore College), "Women’s Cinema as Art Cinema:
Transnational (Post)feminism and Niche Exhibition"
Shelley Stamp (University of California, Santa Cruz), "Re-Reading Lois Weber's Late
Career: Stardom and Professionalism in 1920s Hollywood"
F12: OneTtwo, One Two: Black TV, Representation and
Subversion, Part I
Room: Orca
Chair: Beretta E. Smith-Shomade (University of Arizona)
Devorah Heitner (Northwestern University), "The Subversive Power of the Local:
Reading 'Say Brother’s Radical Pedagogy"
Bambi Haggins (University of Michigan), "Dancing Like Nobody’s Watching:
Chappelle’s Show & De Facto Crossover in the Post Network Era"
Zeinabu Davis (University of California, San Diego), "Coding and Appropriation for
the Preschool Set in Nick Jr’s 'The Backyardigans'"
Sponsor: African/African American Caucus
F13: Experiences of Displacement in and of the Middle
East
Room: Finback
Chair: Chris Lippard (University of Utah)
Olga Gershenson (University of Massachusetts at Amherst), "Immigrant Cinema: The
Russian-Israeli Filmmakers"
Rebecca Romani (San Diego State University), "The Pomegranate of Memory:
Arab-American Video and Film"
Chris Lippard (University of Utah), "Sound as Prosthetic Object in the Cinema of Amir
Naderi"
Azadeh Saljooghi (University of Utah), "Measuring Exile: Mona Hatoum’s Measures
of Distance"
Sponsor: Middle East Caucus
F14: Point of View, Parody and Self-Reflexive Narratives
in Contemporary Latin American Documentary and Fictional Films
Room: Port Alberni
Chair: Corseuil Anelise (Universidade Federal de Santa Catarina)
Corseuil Anelise (Universidade Federal de Santa Catarina), "Parody and Exoticism:
Forms of Representation of Latin America in "El Che: Investigating a Legend" and
"Motorcycle Diaries"."
Genilda Azeredo (Federal University of Paraíba, Brazil), ""Narrators from
Javé": The powers of telling and showing a story"
Antonio João Teixeira (Universidade Estadual de Ponta Grossa), "Chronically
unfeasible or ultimately challenging? – the films of Sérgio
Bianchi"
Jeffrey Menne (Vanderbilt University), "A Mexican New Wave? Recreating the New Wave
in a Global Moment"
F15: Americanization, Cultural Transpositions, and Media
Politics
Room: Port Hardy
Chair: Marina Dahlquist (Stockholm University)
Jan Olsson (Stockholm University), "Nickel Lessons: Theatrical Tutoring under the
Lens of Americanization"
Chon Noriega (University of California), "Reel Chicanos"
Marina Dahlquist (Stockholm University), "Teaching Citizenship via Celluloid"
Friday, March 3, 2006 3:15-5:00 pm
(Session G)
G1: Classical Film Theory
Room: Pavilion A
Chair: C. Kyle Stevens (University of Pittsburgh)
Ludovic Cortade (Harvard University), "The aesthetic of immobility and the suspension
of disbelief in fiction film"
Marc Glöde (Freie Universität, Berlin), "Getting Involved - The Colour of
Film as a Non-Perspectival Space Experience"
Lee Grieveson (University College London), "Mimesis at the movies: on the human
sciences and cinema"
C. Kyle Stevens (University of Pittsburgh), "The Invisible Face: Muensterberg, Darwin
and the Close-Up"
G2: Oops, They Did It Again: Investigating the Hollywood
Remake
Room: Pavilion B
Chair: Mark Gallagher (University of Nottingham)
Mark Gallagher (University of Nottingham), "“Solaris/Solaris:
Soderbergh/Tarkovsky”"
Nina Martin (Emory University), "Revisiting Stepford: The House that Postfeminism
Built"
Denise Mann (University of California, Los Angeles), "Repackaging Difference:
Hollywood Remakes Asia"
Meghan Sutherland (Northwestern University), "Undead Stories: The Structural Politics
of Zombie Remakes"
G3: The Male Body Trapped Between Potency and
Impotency
Room: Pavilion C
Chair: William Luhr (Saint Peter's College)
Julie Codell (Arizona State University), "Paul Robeson's Body: Africa, Empire and the
Spectacle of Black Masculinity"
Peter Lehman (Arizona State University) and Susan Hunt (Santa Monica College), "The
Naked and the Dead: The Jewish Male Body in Sunshine and Enemy at the Gates"
William Luhr (Saint Peter's College), "Film Noir’s Post-Mortem Men"
Robert Eberwein (Oakland University), "“Masculinity at Risk: Symbolic Male Rape
in Full Metal Jacket and Saving Private Ryan”"
G4: Workshop: Complicating the "M" in SCMS: Internet and
Contemporary Digital Studies
Room: Pavilion D
Chair: Michele White (Tulane University)
Workshop Participants:
William Boddy (Baruch College/City University of New York)
Mark Williams (Dartmouth College)
Kathleen Fitzpatrick (Pomona College)
Tara McPherson (University of Southern California)
Charles Tryon (The Catholic University of America)
G5: Aboriginal Media: Western Canada and Beyond
Room: Junior A
Chair: Jennifer Gauthier (Randolph-Macon Woman\'s College)
Kathleen Buddle (University of Manitoba), "Radio Resistance and the Amplification of
Aboriginal Voices in Alberta: Inscribing Insurgency in Native Media Practice"
Theresa Scandiffio (University of Chicago), "Political Documentary and Canadian First
Nations Media: a discussion of ‘Namgis filmmaker Barbara Cranmer’s
work"
Denise Cummings (Rollins College), "Questions of Style and Cinematic Practice in the
films of Independent American Indian Filmmaker Randy Redroad"
Brian Woodman (University of Kansas), "Living Traditions: Alternative Video and
Native American Activism in the Upper Midwest"
Respondent: Pamela Wilson (Reinhardt College)
G6: American Politics and the Media
Room: Junior B
Chair: Robert Burgoyne (Wayne State University)
Broderick Fox (Occidental College), "From Al (Gore) to ZeD: Democratizing Rhetoric
and the Digital Revolution"
Heather Hendershot (Queens College/City University of New York), "“A Strong
Reek of the Not-Quite-Crackpot: H.L. Hunt, Dan Smoot, and Cold War Right-Wing
Broadcasting”"
Matt Yockey (Indiana University), "The Road to Utopia: The Tumbler as Redemptive
Vehicle in "Batman Begins”"
Debra White (University of Arizona), "“Someone Has To Die”: Over
There’s Uncanny Aesthetic"
G7: Color Cinema from the Silent Era to the Digital Age:
Introductions, Circulations, Transformations
Room: Junior C
Chair: Sarah Street (University of Bristol)
Joshua Yumibe (University of Chicago), "Color Cinema, Color Theory:
1896–1912"
Sarah Street (University of Bristol), "Exporting the Rainbow: Technicolor films in
Britain"
John Belton (Rutgers University), "Painting by the Numbers: Digital Intermediate and
the Return of Colorization"
Scott Higgins (Wesleyan University), "Digital Technicolor: Hybrid Color Aesthetics in
The Aviator"
G8: Workshop: Introducing Students to Film: Best Practices
and Plaguing Pedagogical Questions
Room: Junior D
Chair: Cynthia Lucia (Rider University)
Workshop Participants:
Alice Cross (Horace Greeley High School)
Paula Massood (Brooklyn College/City University of New York)
Charles Ramirez Berg (University of Texas, Austin)
Jackie Byars (University of Texas, Austin)
Glenn Man (University of Hawaii, Manoa)
Liz Weis (Brooklyn College/City University of New York)
Mark Langer (Carleton University)
G9: Conflict and Trauma
Room: Parksville
Chair: Andrew Martin (University of Wisconsin, Milwaukee)
Caroline Bainbridge (Roehampton University) and Candida Yates (University of East
London), "Everything to play for: Masculinity, trauma and the pleasures of DVD
technologies"
Silvia Tandeciarz (The College of William and Mary), "An Archaeology of Identity:
Documentary Filmmaking in Post-Dictatorship Argentina"
Moira O'Keeffe (University of Pennsylvania), "The absent narrative: Documentary,
memory, and the Desaparecidos of Argentina"
Paul McEwan (Muhlenberg College), "Lawyers, Research, and the Klan: D.W.
Griffith’s Resources in the Censorship Battles Over The Birth of a
Nation."
G10: The communicative body in/of makeover-themed reality
television.
Room: Granville
Chair: Derek Foster (Wilfrid Laurier University)
Brenda Weber (Indiana University), "Ticket to Ride: How Television Makeover Shows
Make Good Looks a Prerequisite to Democratic Citizenship"
Derek Foster (Wilfrid Laurier University), "The reality of makeover television: How
to rhetorically integrate into the media culture of the Americas."
Geoffrey Alan Rhodes (York University, COMCULT), "The Flesh Image: Plastic Surgery
and the Body as Interface to the Image"
Bernadette Wegenstein (The University at Buffalo), "The Construction of a Cosmetic
Gaze in Reality Television Makeover Shows"
G11: Reimagining Kinship: Diasporic Queers in New Queer
Documentary
Room: Galiano
Chair: Julianne Pidduck (Université de Montréal)
Co-chair: Margaret DeRosia (University of Western Ontario)
Julianne Pidduck (Université de Montréal), "New queer documentary and
the ‘substances’ of queer kinship"
Lily Cho (University of Western Ontario), "Underwater Signposts: Enabling Nostalgia
and Richard Fung’s Islands"
Margaret DeRosia (University of Western Ontario), "Queer Migrations from and to
Family Trauma in Jonathan Caouette’s Tarnation and Lourdes Portillo’s The
Devil Never Sleeps"
Sponsor: Lesbian/Gay/Bisexual/Transgendered/Queer Caucus
G12: One Two, One Two: Black TV, Representation, and
Subversion, Part II
Room: Orca
Chair: Eric Pierson (University of San Diego)
Shannon Gore (Northwestern University), ""Is Anyone Watching? The Significance of The
American Revolution of 1963 and the Movement it's Based On""
Eric Pierson (University of San Diego), "“The Promises of Roots”"
Yvonne Sims (South Carolina State University), "“From Homeboys, Flying Saucers
and Buffoonery to Kevin Hill and the Courtroom: UPN: The Evolution of One Television
Network”"
Beretta E. Smith-Shomade (University of Arizona), "“Use Me: Hip-Hop, BET, and
the Rub”"
Sponsor: African/African American Caucus
G13: Hanryu Mansae [Long Live Korean Fever]: Critical
Perspectives on the Globalization of South Korea's Entertainment Industry
Room: Finback
Chair: Robert Cagle (University of Illinois, Urbana-Champaign)
Co-chair: Aaron Magnan-Park (University of Notre Dame)
Aaron Magnan-Park (University of Notre Dame), "En-Gendering Re-Gendered Romance of
Multiple Lives"
Min Han (University of Southern California), "A 'Winter' Fan: The Economic and
Cultural Impact of Popular Korean Drama in the International Market"
Hye Jean Chung (University of California, Santa Barbara), "The Depiction of
Transgressive Women in Two"
Robert Cagle (University of Illinois, Urbana-Champaign), "Laughter, Tears, and Rage:
Melodrama and the Melodramatic in Contemporary Korean Film"
Chul Heo (San Francisco State University), "Cultural Politics of Globalization in
Korean Film Industry"
G14: Styles of New Orientalism
Room: Port Alberni
Chair: Jane Park (University of Oklahoma)
Sylvia Chong (University of Virginia), "Yellowface of a Different Color: Performing
the Japanese Enemy in American World War II Films"
Sean Metzger (Duke University), "Refashioning the Old West? Fetishism and Frontier
Orientalism in Shanghai Noon"
Jane Park (University of Oklahoma), "The Ambivalent Politics of East-West Friendship
in The Karate Kid, Gung Ho, and Black Rain"
Delia Konzett (University of New Hampshire), "Yellowface, Blackface, and Orientalism
in Hollywood WWII film"
Sponsor: Asian/Pacific American Caucus
G15: Varda + Demy
Room: Port Hardy
Chair: Kelley Conway (University of Wisconsin, Madison)
Claudia Gorbman (University of Washington, Tacoma), ""Place Settings""
Richard Neupert (University of Georgia), ""Color and Individual Style: Umbrellas of
Cherbourg v. Le Bonheur""
Rodney Hill (Georgia Tech University/University of Kansas), ""Reconciling the French
New Wave and the Tradition of Quality: the Musicals of Jacques Demy""
Kelley Conway (University of Wisconsin, Madison), ""Cleo at the
Ciné-Club""
Sponsor: French Francophone Special Interest Group
Friday, March 3, 2006 5:15-7:00 pm
(Session H)
H1: The Archive and the Collection
Room: Pavilion A
Chair: Nathan Carroll (Indiana University, Bloomington)
Janna Jones (University of South Florida), "The Library of Congress Film Project:
Film Collecting and a United State(s) of Mind"
Mark Betz (King's College, London), "Little Books"
Linda Chiu-han Lai (The City University of Hong Kong), "Constructivist Animation for
a Disappearing City: Hong Kong's McDull series"
Nathan Carroll (Indiana University, Bloomington), "Digital Disruptions: DVDs and
Cultural Archives"
H2: Monstrous Adaptations: Generic and Thematic
Transformations in the Horror Film
Room: Pavilion B
Chair: Jay McRoy (University of Wisconsin, Parkside)
Jay McRoy (University of Wisconsin, Parkside), "Our Reaction Was Only Human:
Monstrous Becomings in Abel Ferrara’s _Body Snatchers_"
Ruth Goldberg, "'In the Church of the Poison Mind': Adapting the Metaphor of
Psychopathology to Look Back at the Mad, Monstrous ‘80s"
Guy Crucianelli (University of Wisconsin, Kenosha), "The Fissure in the Genealogical
House of Usher: Jean Epstein’s _La Chute de la maison usher_"
Amy Kushner (Carthage College), "Re-imaging Ringu: Hideo, Verbinski, and the Politics
of Transnational Adaptation"
H3: Stars and Hypes All Over The World
Room: Pavilion C
Chair: Tamar Jeffers McDonald (Buckinghamshire Chilterns University College)
Co-chair: Alisia Chase (SUNY College at Brockport)
Gaylyn Studlar (University of Michigan, Ann Arbor), "‘That peculiar
stage’: Selling Shirley Temple as a 1940s Bobby-Soxer"
Christopher Howard (University of London), "The Suave Samurai: Luxury Goods
Consumption in Japan"
Tamar Jeffers McDonald (Buckinghamshire Chilterns University College), "Marketing a
persona, performing a role: Katie Holmes’ problematic virginity"
Alisia Chase (SUNY College at Brockport), "Scent of a Cinematic Woman: France,
Fragrance, & Iconic Femininity"
H4: Database/Narrative: The Forms of Digital Media
Room: Pavilion D
Chair: Roger Hallas (Syracuse University)
Roger Hallas (Syracuse University), "Animated Photojournalism: Old and New Media in
the Work of Gideon Mendel"
Enid Blader, "Small-Time Digital Apocalypse Narratives: American Analog Declension
Times"
Kathleen Fitzpatrick (Pomona College), "Documenting the Self: Blog as Narrative
Archive"
Ian Bogost (The Georgia Institute of Technology), "Procedural Criticism: Code as
Culture"
H5: Workshop: Do Look Back: American Cinema and the
1960s
Room: Junior A
Chair: Barry Keith Grant (Brock University)
Co-chair: Christopher Sharrett (Seton Hall University)
Workshop Participants:
James Morrison (Claremont McKenna College)
Anna Everett (University of California, Santa Barbara)
Harry Benshoff (University of North Texas)
David Slocum (New York University)
Leslie Abramson (DePaul University)
Joe McElhaney (Hunter College)
H6: Philosophy and Film
Room: Junior B
Chair: Jennifer Hammett (San Francisco State University)
Beverley Best (Simon Fraser University), "Capitalism, Depression and
Representation"
Erika Balsom (Brown University), ""The Age of the Last Machine": Filmic Metahistory
and the End of Celluloid"
Sam B. Girgus (Vanderbilt University), "Frank Capra and Emmanuel Levinas: Time,
Transcendence, and Renewal in Two Film Classics"
Jennifer Hammett (San Francisco State University), "Class, Gender and the Politics of
Sublime Masochism"
H7: Playing Where the Shadows Lie: Blockbuster Properties
and Digital Franchises
Room: Junior C
Chair: Stefan Hall (Bowling Green State University)
Leonie Naughton (University of Melbourne), "Parallel Universes: Hollywood and Silicon
Valley"
Trevor Elkington (University of Copenhagen), "Too Many Cooks: Media Convergence and
Self-Defeating Design"
Paul Booth (Rensselaer Polytechnic Institute) and Robert Brookey (Northern Illinois University), "Restricted Play: Synergy and the
Limits of Interactivity in The Lord of the Rings/Return of the King Video Game"
Marc Ruppel (University of Maryland College Park), "Transmediation and the Ideal
Narrative of Batman Begins"
H8: Theorizing the Auteur Today
Room: Junior D
Chair: Jack Boozer (Georgia State University)
Sarah Kozloff (Vassar College), "Wyler's Women"
Glenn Man (University of Hawaii, Manoa), "Robert Altman's Multiple Narratives"
Caitlin McGrath (University of Chicago), "The Spaces In-between: Heterotopias in
Josef von Sternberg's Films"
Jack Boozer (Georgia State University), "Authorship & Auteurism in Adaptation:
Eyes Wide Shut"
H9: COUNTER-CULTURE: Religious Right vs. Hollywood
Left
Room: Parksville
Chair: Jorie Lagerwey (University of Southern California)
Karen Cooper (University of British Columbia), "“Thinking Christians”:
Engaging in the Mainstream Through a New Venture in Vancouver"
Jorie Lagerwey (University of Southern California), "How the “Hollywood
Left” Gets God: From Revelations to Laguna Beach"
Martha Crealock (York University), "Counter-Culture: Religious Right vs. Hollywood
Left"
Respondent: Hilary-Anne Hallett (Rutgers University)
H10: Understanding Makeover Television: Realities
Transformed
Room: Granville
Chair: Dana Heller (Old Dominion University)
Amber Watts (Northwestern University), "'Queen for a Day': Remaking Consumer Culture,
One Woman at a Time"
Ron Becker (Miami University), ""SUPERNANNY and NANNY911: Giving the Straight Family
a Fresh Start""
Joanne Morreale (Northeastern University), ""FAKING IT and the Transformation of
Personal Identity""
June Deery (Rensselaer Polytechnic Institute), "Interior Design: Commodifying Self
and Place in EXTREME MAKEOVER, EXTREME MAKEOVER: HOME EDITION, and THE SWAN"
H11: Historicizing New Political Documentary
Room: Galiano
Chair: Jason Middleton (University of North Carolina, Chapel Hill)
Jason Middleton (University of North Carolina, Chapel Hill), "History, Memory, and
the Documentation of Atrocity"
Tony Grajeda (University of Central Florida), "“’For y’all this is
just a show but we live in this movie’: Vietnam, Iraq, and the War
Documentary”"
James Castonguay (Sacred Heart University), "Intermedia and the War on Terror:
Documenting War in the Digital Age"
Eden Osucha (Duke University), "Trauma Sex and Abu Ghraib: Documenting Deviance in
Post-9/11 Political Histories"
Patricia Zimmermann (Ithaca College), "Digital Deployments"
H12: Hispanic Exploitation Auteurs
Room: Orca
Chair: Dolores M. Tierney (Tulane University)
Co-chair: Victoria Ruetalo (University of Alberta)
Dolores M. Tierney (Tulane University), "Abel Salazar and ABSA Studios: Nurturing
Mexploitation Cinema"
Tatjana Pavlovic (Tulane University), "Transgressive Bodies/Horror Bodies: the Films
of Jess Franco"
Victoria Ruetalo (University of Alberta), "The Eye Behind the Camera: Bo in the
Sarli-Bo Partnership"
Andy Willis (University of Salford), "Leon Klimovsky, Narsisco Ibáñez
Serrador and Latin American influences in Spanish horror cinema of the early
1970s"
Sponsor: Latino/a Caucus
H13: Introducing Thai Cinema: Identity, History, and
Change
Room: Finback
Chair: Adam Knee (Ohio University)
Sudarat Musikawong (University of California at Santa Cruz), "Mediating Memories of
the 1970s Political Violence in Thai Cinema"
Arnika Fuhrmann (University of Chicago), "Nang Nak — Ghost Wife: Rhetorics of
Loss in Contemporary Thai Film and State Sexual Politics"
Oradol Kaewprasert (University of Essex), "The Iron Ladies and The Iron Ladies II:
The Early Years – The Second Wave of Thai Queer Cinema"
Adam Knee (Ohio University), "Urban Images in Contemporary Thai Film and Music
Video"
H14: Argentine and Latin American Post-Crisis Cinema: From
Memories of Underdevelopment to Strategies of Revolt
Room: Port Alberni
Chair: Patricia Keeton (Ramapo College, New Jersey)
Gerard Dapena (Macalester College), "STRATEGIES FOR SURVIVAL IN CONTEMPORARY
ARGENTINE CINEMA"
Marcos Soares (University of Sao Paulo), "Images of modernity in Recent Brazilian
Film"
Alessandra Meleiro (Universidade de São Paulo), "Audiovisual Industry in
Mercosur under an Economic Perspective"
Margaret Schwartz (University of Iowa), "HOLY WATER: LUCRECIA MARTEL’S
EMANCIPATORY INTERIORITY"
Sponsor: Caucus on Class
H15: Stan Douglas and the Peripatetic Site of Contemporary
Film Art
Room: Port Hardy
Chair: Andrew Uroskie (Georgia Institute of Technology)
Maeve Connolly (Institute of Art Design and Technology), "Biennials and Blockbusters:
The Peripheral Spaces of Artist’s Film and Video"
Andrew Uroskie (Georgia Institute of Technology), "Stan Douglas and the Peripatetic
Site of Contemporary Film Art"
Warren E. Crichlow (York University), "Playing the Double: Mining Hors-champs
Sound/Image Improvisation"
Dana Anderson (Maine Maritime Academy), "Godard's In Praise of Love - The Cinema as
Concert Hall"
Friday, March 3, 2006 7:15-9:00 pm
(Session I)
I1: The Photograph in Theory
Room: Pavilion A
Chair: Greg Taylor (Purchase College/ State University of New York)
Adam Lowenstein (University of Pittsburgh), "Bazin and Barthes: The Surrealism of the
Photographic Image"
Kirsten Strayer (University of Pittsburgh), "The Polaroid as the Material Trace of
Post-National Power: The Photograph in Juan Carlos Fresnadillo’s
Intacto."
Greg Taylor (Purchase College/ State University of New York),
"“Kracauer’s Error? The ‘Photographic’ in Ceylan’s
Distant”"
I2: The Enduring Power of Horror
Room: Pavilion B
Chair: Robert Spadoni (Case Western Reserve University)
Tarja Laine (University of Amsterdam), "Cinema as Second Skin"
Jonathan Walley (Denison University) and Jane Greene (Denison University),
""Contemporary American Horror and the Female Spectator""
Sophia Harvey (Independent Scholar), "Fractured Visions: Locating the pan-Asian gaze
in The Eye"
Robert Spadoni (Case Western Reserve University), "“Memories of Love and Crime
and Death”: Horror and Unspeakable Silence in THE MUMMY"
I3: Sex Sells
Room: Pavilion C
Chair: Stan Beeler (University of Northern British Columbia)
Elena Gorfinkel (New York University), "Wet Dreams: Erotic Film Festivals of the
Early 1970s and the Utopian Sexual Public Sphere"
Arthur Knight (College of William and Mary) and Kevin Flanagan (College of William
and Mary), "Porn Goes to College: Campus Debates on Pornography, 1969-1973"
Candace Moore (University of California, Los Angeles), "Having It All Ways: The
Tourist, the Traveler, and the Local in "The L Word""
Stan Beeler (University of Northern British Columbia), "Dominance, Submission and
Machine Love: Sexual Politics in the new Battlestar Galactica"
I4: Animation and Theory
Room: Pavilion D
Chair: Ramona Curry (University of Illinois, Urbana-Champaign)
Steve Fore (City University of Hong Kong), "Romancing the Rotoscope: Self-reflexivity
and the Reality Effect in the Animations of Jeff Scher"
Alanna Thain (Duke University), "Inbetween Movements: The germinal films of Norman
McLaren and William Kentridge"
Victoria Meng (University of California, Los Angeles), "Theorizing the Frame:
Microstructures in Animation and Other Frame-Centered Films"
Ramona Curry (University of Illinois, Urbana-Champaign), "“Mulan” Remade:
A Legend of Transculturalization"
I5: Transnational Approaches to the Cinema of the UK
Room: Junior A
Chair: Daniel Smith-Rowsey (University of Nottingham)
Richard Paterson (British Film Institute/University of Stirling), "Conflicting
Objectives? - British Film Policy and Hollywood"
Peter Thomas (University of Sunderland), "As Above, So Below: the Problem of US
Dominance in the UK Experimental Film Market"
Jessica Scarlata (George Mason University), "Holy Marxists!: The On-Screen
Sacralization of Rebels and Revolutionaries"
I6: International Perspectives on Urban Spaces
Room: Junior B
Chair: Michael Walsh (University of Hartford)
Katherine Lawrie (University of California, Los Angeles), "City Limits and City
Films: Exorbitant Period Pieces and Uncanny Remakes"
Shuli Chen (University of Washington), "Narrative Arteries, City Conjunctives: the
Haphazard Encounter in Taiwanese and Mexican Urban Films"
Bruce Williams (William Paterson University), "Brazil’s Open Cities: Mimicry in
the Urban Landscape of Cinema Novo"
Michael Walsh (University of Hartford), "The Disaffection of the English Working
Class: Mike Leigh’s Naked and Hanif Kureishi’s London Kills Me."
I7: Youth-Made Media in the Americas
Room: Junior C
Chair: Mary Kearney (The University of Texas at Austin)
Danny Leopard (University of Southern California), "Slap that, Bastard! Aggressive
Masculinity as Evidence and Expression in Student-Produced Media"
Bryce McNeil (Georgia State University), "When the “Scene” Goes Online:
“Prosuming” the CBLocals Text"
Mimi Nguyen (University of Michigan, Ann Arbor), "Missing Persons: Race, Sex and
Reimagining Punk Rock's Archive"
Mary Kearney (The University of Texas at Austin), "Girls’ Web Design, Distro
Style!"
I8: Contemporary Crime Television: Politics, Violence,
Bodies
Room: Junior D
Chair: Yvonne Tasker (University of East Anglia)
Allison McCracken (DePaul University), "Ripped from the Headlines: The Politics of
Authenticity in NBC's Law and Order"
Yvonne Tasker (University of East Anglia), "Crime television and homeland security:
Law and Order and terror TV"
Elke Weissmann (University of Glasgow), "Measuring the Horror of Crime: CSI and
Forensic Pathology"
Respondent: Cynthia Fuchs (George Mason University)
Sponsor: Television Studies Interest Group
I9: La Camera-stylo: Film Scholarship and the Video
Essay
Room: Parksville
Chair: Christian Keathley (Middlebury College)
Eric Faden (Bucknell University), "Visualizing Theory: Media Stylo"
Michael Jarrett (Penn State University, York Campus), "Found! Godard’s Lost
Remake of Elvis Presley’s King Creole (The Borges Remix)"
Christian Keathley (Middlebury College), "Bits of Business"
Respondent: Timothy Corrigan (University of Pennsylvania)
I10: Quality TV and the Qualities of TV
Room: Granville
Chair: Jonathan Nichols-Pethick (Depauw University)
Robert Cavanagh (Northwestern University), "Television Without Pity: Fan Culture,
Irony, and Textual Meaning"
Monica Champagne (Carleton University), "Taking it in the Face: Liberating the Unruly
Woman in "Kids in the Hall: Brain Candy""
Katarzyna Chmielewska (Indiana University), "“Jumping the
Shark…Already?” Articulations of quality in the marketing and reception
of Showtime’s !Huff"
Jonathan Nichols-Pethick (Depauw University), "Doing the Right Thing: Model Citizens
and the Melodramatic Mode in the Television Police Drama"
I11: When Women Are Made Over
Room: Galiano
Chair: Laura Portwood-Stacer (University of Southern California)
Natasha Patterson (Simon Fraser University), "Earth Mothers, Ghetto Girls, and the
Fairy God-Model: Exploring constructions of race and gender in America’s Next
Top Model"
Shana Heinricy (Indiana University), "The Ultimate Eve: Televised Plastic Surgery and
the Display of the Female Body"
Jacquelyn Vinson (University of Wisconsin, Madison), "Body Work: Documenting
Real(ity) Transformations in "Extreme Makeover" and "America's Next Top Model""
Laura Portwood-Stacer (University of Southern California), "Radical Transformation:
Cosmetic Surgery, Reality TV, and the Post-feminist Body"
I12: African American Divas
Room: Orca
Chair: Susan Courtney (University of South Carolina)
Karen Beavers (University of Southern California), "Everybody Has a Mammy or Why We
Should Gaze at Louise Beavers"
Jennifer Jones (University of Arizona), "The Size of Stardom: Queen Latifah's
Celebrity Transformation and the Obesity Crisis"
Terri Francis (Yale University), "The Josephine Baker Museum: Paris, Performance,
Cinema"
Kristen Grant (University of Texas, Austin), "TyraVision: TV and the African American
Female Authorial Voice"
I13: Class and Gender in Chinese Media
Room: Finback
Chair: Sheldon Lu (University of California, Davis)
Zhen Sun (University of Utah), "Blogging Issues in China: From Mu Zimei to Sister
Furong"
Donghui He (University of Tennessee), "Agile Daughters in the Father's House: The
Media Representation of Professional Women in Contemporary China"
Sheldon Lu (University of California, Davis), "Globalization and Class in
Contemporary Chinese Independent and Popular Cinema"
I14: Postcolonial Cinema
Room: Port Alberni
Chair: Robert Silberman (University of Minnesota)
Carolin Overhoff Ferreira (Portuguese Catholic University), "Transnationality and its
Discontents – Luso-African co-productions after independence"
Enrique Garcia (University of Massachusetts, Amherst), "A Coproduction about
Coproductions: Sexuality and the Colonial Other in the Cuban-Spanish Film Aunque
estés lejos"
Jose Capino (University of Illinois, Urbana-Champaign), "STAGING THE AFTERMATH OF THE
AMERICAN EMPIRE:"
Robert Silberman (University of Minnesota), "3rd World Hero: Satire and Reflexivity
in the Historical Biopic"
I15: Memory and Its Vicissitudes
Room: Port Hardy
Chair: Carol Siegel (Washington State University, Vancouver)
Susan Felleman (Southern Illinois University, Carbondale), "A Little Infidelity:
Cinematic Memory and the Vicissitudes of Intertextuality in Unfaithful and La Femme
Infidèle"
Charles R. Warner (University of Pittsburgh), "Montage Without Walls: Memory and
Psychogeography in Late Godard"
Natalia Brizuela (University of California, Berkeley), "Revelations From The Zone:
Marker and Tarkovsky’s Memories For/Of The Future"
Carol Siegel (Washington State University, Vancouver), "Irreconcilable Feminisms and
the Construction of a Cultural Memory of Virginity's Loss: À ma soeur! and
Thirteen"
Friday, March 3,
2006 9:00-10:00 pm (Meetings)
Asian/Pacific American Caucus
Room: Granville
Women's Film History Project
Room: Galiano
Graduate Student Organization
Room: Orca
Saturday, March 4,
2006 7:30-8:30 am (Meetings)
Lesbian/Gay/Bisexual/Transgender/Queer Caucus
Room: Granville
Television Studies Special Interest Group
Room: Galiano
Middle East Caucus
Room: Orca
Saturday, March 4, 2006 8:30-10:15
am (Session J)
J1: Exhibition Then and Now
Room: Pavilion A
Chair: Mirella Jona Affron (College of Staten Island/CUNY)
Dina Smith (Drake University), "On-Location: the Historical Role of the Travel
Trailer in Production and Exhibition"
Bjorn Sorenssen (Norwegian University of Science & Technology), "Norwegian
Itinerant Cinema Exhibition in the U.S. Midwest During the 1920 and 1930s."
Meredith Ward (Northwestern University), ""Home(s) of the Seventh Art: Social Aspects
Movie-Going in the Age of the Home Theater""
Donna de Ville (University of Texas, Austin), "The Alamo Drafthouse Cinema:
Reclaiming the Cult Experience"
J2: Double Take: New Views on Screen Couples
Room: Pavilion B
Chair: Martha P Nochimson (Independent Scholar)
Thomas Wartenberg (Mount Holyoke College), "A Philosophical Perspective on Cinematic
Couples"
Mark Cooper (Florida State University), "Romance and the Gendered Division of Labor
in the Serials of Grace Cunard and Francis Ford (Universal 1914-1917)"
Martha P Nochimson (Independent Scholar), "Baby Makes Three What?: The X-Files,
Couple Chemistry, and Motherhood"
Respondent: Linda Mizejewski (Ohio State University)
J3: The Space of Romance
Room: Pavilion C
Chair: Pamela Wojcik (University of Notre Dame)
Pamela Wojcik (University of Notre Dame), "The Apartment Plot"
Steven Cohan (Syracuse University), "“Modern Romance in Postwar New
York”"
Jennifer Peterson (University of Colorado, Boulder), "Leave Her To Heaven and
Melodrama in the Outdoors"
Therese Grisham (Independent Scholar), "The Haunted Spaces of Love in Near
Dark"
J4: Play-Time in a Game Culture
Room: Pavilion D
Chair: Aniko Imre (Universiteit van Amsterdam)
Edward Branigan (University of California, Santa Barbara), "Playing with Time"
Melinda Szaloky (University of California, Los Angeles), "Mutual Images: Kant’s
Aesthetic Play and Deleuze’s Time-Image"
Aniko Imre (Universiteit van Amsterdam), "From Aesthetic Education to Educational
Games"
Marsha Kinder (University of Southern California), "Montage: A Russian History Game
for the Masses"
J5: Workshop: Cinema and History: American Film in the
1920s
Room: Junior A
Chair: Lucy Fischer (University of Pittsburgh)
Workshop Participants:
Mark Lynn Anderson (University of Pittsburgh)
Michael Aronson (University of Oregon)
Lucy Fischer (University of Pittsburgh)
Marcia Landy (University of Pittsburgh)
J6: Media Studies and Recent Developments in Critical Theory
1: The Untimely
Room: Junior B
Chair: Gregory Flaxman (University of North Carolina, Chapel Hill)
Steve Choe (University of California, Berkeley), "The Attraction That
Radiates’: Golem, Finitude, and Beyond the Pleasure Principle"
James Tweedie (University of Washington), "Singular/Serial/Universal: The Missing
Links in Alain Badiou’s Writing on Cinema"
Scott Durham (Northwestern University), "Strategies of Untimeliness in Postmodernity:
Historical Narrations of the Virtual"
Angelo Restivo (Georgia State University), "Wong Karwai: The Optics of
Virtuality"
J7: The Historical Avant-Garde
Room: Junior C
Chair: Soyoung Yoon (Stanford University)
James Kreul (University of North Carolina, Wilmington), "Underground Intermedia,
Aboveground Professionalism: The 1965 New Cinema Festival and the Eyes of the
Rockefeller Foundation"
Zabet Patterson (University of California, Berkeley), "Stan Vanderbeek's Poem Field
(1965-70): Reinventing Film for the Era of the Digital Computer"
Soyoung Yoon (Stanford University), "The Pyrotechnical Imperative of “A Movie
(1958)” as “acinema”: “Détournement” in Bruce
Conner’s Assemblages"
J8: Workshop: Where Do I Go From Here? Writing the Second
Book
Room: Junior D
Chair: Cynthia Chris (College of Staten Island, CUNY)
Co-chair: Ken Wissoker (Duke University Press)
Workshop Participants:
Sarah Banet-Weiser (University of Southern California)
Lisa Cartwright (University of California, San Diego)
Heather Hendershot (Queens College/City University of New York)
Eric Smoodin (University of California, Davis)
Joan Catapano (University of Illinois Press)
J9: Second Star to the Right: Peter Pan as Cultural Icon and
Communal Myth
Room: Parksville
Chair: Lester Friedman (Hobart William Smith Colleges)
Allison Kavey (CUNY/John Jay College of Criminal Justice), ""I do believe in
fairies,I do, I do": the history of memory and belief in Peter"
Linda Robertson (Hobart and William Smith Colleges), "“To die will be an
awfully big adventure”: Peter Pan as War Propaganda"
Murray Pomerance (Ryerson University), "Flitty Woman: Energy, Illumination, and the
Dramaturgy of Tinker Bell (1904-1991)"
J10: Constructing the TV Viewer: Government Hearings,
Viewer Characterizations, and the Public Good
Room: Granville
Chair: Laura Cook Kenna (George Washington University)
Laura Cook Kenna (George Washington University), "The TV Viewer and the Juvenile
Delinquent: The Senate Judiciary Committee Subpoenas The Untouchables"
Josh Heuman (University of Wisconsin, Madison), "À La Carte Cable and The
Question of Viewer Sovereignty"
Allison Perlman (University of Texas-Austin), "The National Organization for Women
and Using Television to Fight for the “Public”"
Respondent: Richard Butsch (Rider University)
Sponsor: Television Studies Interest Group
J11: Masculinity and Popular Culture
Room: Galiano
Chair: David Gerstner (CUNY, College of Staten Island)
Siobhan Craig (University of Minnesota), "The Cowboy in the LImelight: Fascist
Masculinities and American Popular Culture in The Third Man"
Sean Griffin (Southern Methodist University), "Pin-Up Boy: Victor Mature and
Cinematic Masculinity in World War II"
Sarina Pearson (University of Auckland), "Elivisi in the Pacific"
Claudia Springer (Independent Scholar), "The Virtual Rebel: Surfing the Net for James
Dean"
J12: Workshop: Finding Treasures in the Archives: A
Workshop on Locating Primary Source Materials
Room: Orca
Chair: Jennifer Horne (Bryn Mawr College)
Workshop Participants:
Rick Prelinger (Prelinger Archives / Internet Archive)
Barbara Hall (Margaret Herrick Library)
Jane Johnson (Library of Congress)
Joanne Stober (Concordia University/Library and Archives Canada)
Mike Mashon (Library of Congress)
Sponsor: Media Archive Committee
J13: African Cinema, Cultural Memory, and the Black
Diaspora
Room: Finback
Chair: Kara Keeling (The University of North Carolina at Chapel Hill)
Juanita Anderson (Wayne State University), "Africanity, Image, Memory and Voice in
the Documentary Essays of Raoul Peck and Samba Felix N’Diaye"
Amy Ongiri (University of Florida, Gainesville), "The Passion of Remembrance:
Reconstructing History in Recent African Film"
Tarshia Stanley (Spelman College), "Watching "Daughters of the Dust" in Senegal:
Africa in the African American Imagination"
Respondent: Daphne Brooks (Princeton University)
Sponsor: African/African American Caucus
J14: Reconfigurations of Gender, Sexuality, and
Citizenship in Transnational Cinemas
Room: Port Alberni
Chair: Marguerite Waller (University of California, Riverside)
Lan Duong (University of California, Riverside), "Re-Orienting the Political:
Vietnamese Popular Culture and the Anti-Historical Imperative"
Aine O'Healy (Loyola Marymount University), "Mediterranean Journeys: Screening
Traffic in Women and Children"
Katarzyna Marciniak (Ohio University/University of Southern California), "Alien
Arrivals: Airports and Transnational Entries"
Janice Hladki (McMaster University), "Subverting Representations of Gender and
Territory: Video Art and the Interrogation of the Colonial Narrative in Armerican
Film"
J15: Science, Spectacle, and the Aesthetics of
Positivism
Room: Port Hardy
Chair: Greg Siegel (Hollins University)
Oliver Gaycken (Temple University), "“Accidental Beauty”: Film
Ist."
James Leo Cahill (University of Southern California), "“Science Fou: Jean
Painlevé’s L’Hippocampe and A Poetics of Positivism”"
Greg Siegel (Hollins University), "Scrutinizing Spectacular Destruction: On the Uses
of Crash-Test Footage in the Postwar Period"
Respondent: Scott Curtis (Northwestern University)
Saturday, March 4, 2006 10:30 am -
12:15 pm (Session K)
K1: Commercial Culture: Histories of Television
Advertising
Room: Pavilion A
Chair: Christopher Anderson (Indiana University)
Lynn Spigel (Northwestern University), "Silent TV"
Christopher Anderson (Indiana University), "A Movie, Interrupted: The Bridge on the
River Kwai Brought To You By Ford Motor Co."
Amanda Lotz (University of Michigan), "Advertising After the Network Era: Causes and
Consequences"
K2: Buster Keaton Revisited
Room: Pavilion B
Chair: Joanna E. Rapf (University of Oklahoma)
Peter Kramer (University of East Anglia), "Battered Child: Buster Keaton’s
Stage Performance and Vaudeville Stardom in the Early 1900s"
Charles Wolfe (University of California, Santa Barbara), "California Slapstick and
the Keaton Short"
Kevin Sweeney (The University of Tampa), "The Three Ages: Keaton’s Parody of
the “Mythic Ages” Genre"
Susan Linville (University of Colorado, Denver), "Black Face/White Face: Keaton and
Comic Doubling"
K3: Interwar Historiography: Approaches to American Cinema,
1918-1941
Room: Pavilion C
Chair: Haidee Wasson (Concordia University)
Charles Tepperman (University of Chicago), "“The Amateur Cinema League and the
Emergence of a Vernacular Film Aesthetic”"
Eric Smoodin (University of California, Davis), "National Cinema, the National
Audience, and International Film Culture"
Gregory Waller (Indiana University), "General-interest Magazines and Movie Discourse
in the 1930s"
Haidee Wasson (Concordia University), "Cinema as Domestic Object: Home and Theater in
the 1930s"
K4: Videogames Through the Lens of Cinema
Room: Pavilion D
Chair: Jonathan Frome (University of Wisconsin, Madison)
Douglas Thomas (University of Southern California), "Re-Inventing Documentary:
Machinima, Emergent Play, and Cinematic Style in Star Wars Galaxies"
Henry Jenkins (Massachusetts Institute of Technology), "What Melodrama Can Teach Us
About Game Design"
Robert Buerkle (University of Southern California), "Toward More Immersive Games:
Classicism and Gaming"
Jonathan Frome (University of Wisconsin, Madison), "The Paradox of Play: Videogames,
Cinematography, and Emotion"
K5: Workshop: Preparing for the Academic Job Search: Writing
the perfect Cover Letter
Room: Junior A
Chair: Michele Torre (University of Southern California)
Workshop Participants:
Marsha Kinder (University of Southern California)
Amelie Hastie (University of California, Santa Cruz)
Charlie Keil (University of Toronto)
Jennifer Petersen (University of Texas, Austin)
Oliver Gaycken (Temple University)
Kaveh Askari (University of California, Berkeley)
Sponsor: Graduate Student Organization
K6: Media Studies and Recent Critical Theory II: On the Way
to Techne
Room: Junior B
Chair: Angelo Restivo (Georgia State University)
Ben Roberts (University of Bradford), "Stiegler, the ‘industrialisation of
memory’ and media studies"
Michael Graziano (Northwestern University), "Tele-Techno-Mediatic: An Exploration of
the Status of Media Technics in the Work of Jacques Derrida"
Deborah Levitt (Eugene Lang College, The New School), "ZoeTropes, or, The Animatic
Apparatus"
Richard Cante (University of North Carolina, Chapel Hill), "“The Most Beautiful
Thing I’ve Never Seen”: Oursler on the Origin of the Work of
(Multi-)Media Art"
K7: Re-Animating Animation: New Technologies, New Contexts,
New Meanings
Room: Junior C
Chair: Donald Crafton (University of Notre Dame)
Mark Langer (Carleton University), "Animation Technology and World War I: How the
Toons Helped Win"
Daniel Goldmark (Case Western Reserve University), "Musical Others: Difference and
the Early Cartoon Soundtrack"
Paul Wells (Loughborough University), "'From the Wildest Fantasy to the Coldest
Fact': Halas and Batchelor and Animating Modern Britain"
Susan Ohmer (University of Notre Dame), "Animation Documentaries and the "Making Of"
Film Culture"
K8: Workshop: Faculty Governance and University
Service
Room: Junior D
Chair: Frank P. Tomasulo (Florida State University)
Workshop Participants:
Janet Staiger (University of Texas, Austin)
Vivian Sobchack (University of California, Los Angeles)
Nina Martin (Emory University)
Frank P. Tomasulo (Florida State University)
Sponsor: Graduate Student Organization
K9: Reconciliation and Unification: Cinematic Reponses to
E.U. Expansion
Room: Parksville
Chair: Zoran Samardzija (University of Wisconsin, Milwuakee)
Tuna Erdem (Istanbul Bilgi University), "The Three Colours Trilogy as a Metaphor for
the European Union"
Alex Lykidis (University of Southern California), "Challenges to Liberal
Multiculturalism in French Cinema of the 1990s"
Zoran Samardzija (University of Wisconsin, Milwuakee), "Visions of Reconciliation in
Post-War Yugoslav Cinema"
Vuslat Demirkoparan (University of California, Irvine), "Visions of Temporality and
the Other in Sorak's film G.O.R.A"
Respondent: Natasa Durovicova (University of Iowa)
Sponsor: Central/East/South European Interest Group
K10: Entertainment TV After 9/11
Room: Granville
Chair: Stacy Takacs (Oklahoma State University)
Karen Espiritu (McMaster University), "“Entertainment Television par
excellence”: Rethinking News Coverage of 9/11 and “The War on
Terror”"
Anna Froula (University of Kentucky), "Political Amnesia Over Here and Imperial
Spectacle Over There"
Stacy Takacs (Oklahoma State University), "The New Western and the Compulsion Toward
Empire Post-9/11"
Paul Cobley (London Metropolitan University), "“It’s a fine line between
safety and terror”: Spooks"
K11: Star Images for Women
Room: Galiano
Chair: Dennis Bingham (Indiana University/Purdue University)
Ian Olney (York College of Pennsylvania), ""The Sincerest Form of Flattery?:
Imitation in the Films of Elaine May""
Christine Becker (University of Notre Dame), "Reed Succeeds, Hutton Hits Bottom:
Divergent Denouements on the Path from Film to TV"
Dennis Bingham (Indiana University/Purdue University), ""When Barbra Met Julie at the
Dawning of the Age of Aquarius: 'Funny Girl,' 'Star!' and the End of the Female
Biopic Musical""
K12: Captured on Film: Race and Representation in the
Americas
Room: Orca
Chair: Ian Conrich (Roehampton University)
Suzie Young (York University), "Alanis Obomsawin, Michael Moore, and the Remains of
Nationhood"
Felicity Colman (University of Melbourne), "The Eternal Sounds of the Stupid White
Man: The Resonating Body Politic in Jim Jarmusch's 'Dead Man'."
Aaron Gerow (Yale University), "The Inscrutable Brother: Race, Genre and Nation in
Kitano Takeshi's 'Brother'"
Ian Conrich (Roehampton University), "Mythological Imaginations: Cinema's
Exploitation of Easter Island"
K13: Dismantling the Walls of Identity and Intelligibility
in Israeli/Palestinian Conflict Film
Room: Finback
Chair: Liora Moriel (University of Maryland)
Liora Moriel (University of Maryland), "Invisible No More: The Fourth Wall and the
Israeli-Palestinian"
Elle Flanders (Filmmaker), "Terrorism, Tourism and Documentary: A Consideration of
Form in a Consumer-driven, Media-laden Minute"
Sobhi Al-Zobaidi (Simone Fraser University), "Palestinian/Israeli Cinematic
Encounters and the Production of New Identities"
Terri Ginsberg (Independent Scholar), "Israeli-Palestinian Conflict Documentary and
the Limits of Cinematic Analysis"
K14: Hollywood Business Practices and Latin American
Cinemas
Room: Port Alberni
Chair: Jeffrey Middents (American University)
Laura Serna (Harvard University), "The Yanqui Invasion: U.S. Film Companies go South
of the Border"
Megan Feeney (University of Minnesota), "Hollywood’s Giro: Cubanidad & the
Film Business in Havana, 1941-1959"
Jeffrey Middents (American University), "Babes in the Amazon, Ponch in the Andes:
Roger Corman and Peruvian Cinema"
Dona Kercher (Assumption College), "Guillermo Del Toro: With Hitch as His
Model"
Sponsor: Latino/a Caucus
K15: The Changing Grammars of Crime and Fear in North
American Media
Room: Port Hardy
Chair: Carrie Rentschler (McGill University)
Graciela Martinez-Zalce (Universidad Nacional Autonoma de Mexicoa), "Fear and the
City"
Will Straw (McGill University), "The New Look in Murder"
Carrie Rentschler (McGill University), "Portraits of Life” and the News Grammar
of Victims’ Rights"
Aurora Wallace (New York University), "Crime Reporting and the Construction of Safe
and Dangerous Places"
Saturday, March 4,
2006 12:15-1:15 pm (Meetings)
Members' Business Meeting
Room: Pavilion D
Saturday, March 4, 2006 1:15-3:00
pm (Session L)
L1: From Local Film History to National Film History:
Chicago, Atlanta and Seattle
Room: Pavilion A
Chair: Matthew Bernstein (Emory University)
Thomas Doherty (Brandeis University), "The Most Important Movie in the History of
Hollywood Censorship"
Matthew Bernstein (Emory University), "From Uncle Tom’s Cabin (1927) to Stage
Door Canteen (1943): Atlanta’s Mrs. Zella Richardson, Censor and
Diplomat"
Lauren Rabinovitz (University of Iowa), ""Putting You in the Picture":
Contextualizing This is Cinerama in 1952 and in 2002"
L2: Hollywood Histories
Room: Pavilion B
Chair: James Kendrick (Baylor University)
Peter Lev (Towson University), "Beyond CinemaScope: Twentieth Century-Fox Reinvents
Itself, 1950-1965"
Paul Ramaeker (University of Otago), "“From Realism to Pictorialism: Visual
Style in Hollywood Cinema Into the 1980s”"
Anna Siomopoulos (Bentley College), "Homo Sacer and Welfare State Sovereignty: The
Convergence of FDR and the Forgotten Man in Hollywood Films of the Depression
Era"
James Kendrick (Baylor University), "Splitting Hairs in the Alphabet Soup: The Road
From R to PG-13"
L3: Ob/scenity, On/Scenity: New Directions in Sex
Studies
Room: Pavilion C
Chair: Kevin Sandler (University of Arizona)
Eric Schaefer (Emerson College), "“Carnal Country: Imagining Backwoods
Sexuality in Sexploitation’s ‘Rural’ Cycle”"
Kevin Sandler (University of Arizona), "FX and Sex: The Changing Standards of Mass
Entertainment in Contemporary American Film and Television"
Daniel Bernardi (Arizona State University), "Interracial Joysticks:
Pornography’s Web of Racist Attractions"
Respondent: Peter Lehman (Arizona State University)
L4: Rethinking Serial Form: Television and Beyond
Room: Pavilion D
Chair: Jason Mittell (Middlebury College)
Michael Newman (University of Wisconsin-Milwaukee), "Pleasure in Unity: Episodic
Closure in Prime-Time Serials"
Sean O'Sullivan (Clemson University), "Deadwood, Dickens and Serial Fiction"
Jason Mittell (Middlebury College), "Narrating Alias Across Media: Cross-Media
Tie-Ins & Theoretical Crossroads"
Jonathan Gray (Fordham University), "Just the Facts? Studying Serial Media"
Sponsor: Television Studies Interest Group
L5: Popular Cinema behind the Iron Curtain: The Case of
Polish Cinema
Room: Junior A
Chair: Marek Haltof (Northern Michigan University)
Elzbieta Ostrowska (University of Alberta), "The Polish Femme Fatale –
Ideological Demand or Visual Pleasure"
Marek Haltof (Northern Michigan University), "Socialist Message, Polish Idiom, and
American Accent: Polish Popular Cinema in the 1960s"
Izabela Kalinowska Blackwood (Stony Brook University), "Lewdness, Nudity, and
Eroticism: the 1980s’ in the People’s Republic of Poland"
Respondent: John Orr (University of Edinburgh)
L6: Media Studies and Recent Critical Theory III: Thinking
After the Subject
Room: Junior B
Chair: Richard Cante (University of North Carolina, Chapel Hill)
Lisa Trahair (University of New South Wales), "“Cinematic figuration, Gilles
Deleuze and Jean-Luc Godard’s *Je Vous Salue, Marie*”"
Gregory Flaxman (University of North Carolina, Chapel Hill), ""The Subject is
Missing""
Theresa L. Geller (Rutgers University), ""The Time-Image of Queer Bodies: Towards A
Cinematic Philosophy of Sex and Gender""
Louis Schwartz (University of Iowa), "“A-Cinematic Life: Moving Images and the
Philosophy to Come”"
L7: Screen Variations
Room: Junior C
Chair: Dudley Andrew (Yale University)
Christopher Lucas (University of Texas, Austin), "Studying Digital Cinematographers:
Aesthetics, Media Studies, and the Role of Craft Cultures in Media Production"
Jim Bizzocchi (Simon Fraser University), "Split-screen: Aesthetics of the Fragmented
Frame"
Martin Roberts (New York University), "24: Macrotelevision and Mobile Media"
Dudley Andrew (Yale University), "Dimensions of the Screen"
L8: Workshop: Media Reform Movement and Media Studies
Scholars
Room: Junior D
Chair: Aniko Bodroghkozy (University of Virginia)
Workshop Participants:
Henry Jenkins (Massachusetts Institute of Technology)
Toby Miller (University of California, Riverside)
Lisa Parks (University of California, Santa Barbara)
Richard Maxwell (Queens College/City University of New York)
Heidi Kenaga (University of Memphis)
Sponsor: Television Studies Interest Group
L9: Avant-garde Media Art and the Aesthetics of
Post-Production
Room: Parksville
Chair: Eivind Røssaak (University of Oslo)
Co-chair: Liv Hausken (University of Oslo)
Ina Blom (University of Oslo), "Art, media and biopolitics: video art before "video
art""
Susanne Østby Sæther (University of Oslo), "From Event to Replay: Issues
of medium specificity in Pierre Huyghe’s The Third Memory"
Eivind Røssaak (University of Oslo), "Images in the margins: Jacobs,Viola, and
the Wachowskis"
Arild Fetveit (University of Copenhagen), "Mutable Temporality in the Music Video:
Probing the New Post-Production Aesthetics"
L10: Canadian Television Between Reality and Fiction
Room: Granville
Chair: Zoë Druick (Simon Frazer University)
Patsy Kotsopoulos (Simon Fraser University), "Canadian and Entertaining? Historical
Miniseries and Public Broadcasting"
Zoë Druick (Simon Frazer University), "Laughing at Authority: Canadian News
Parody"
Glen Lowry (Simon Fraser University), "Da Vinci's Inquest and the Pathologization of
Vancouver's Downtown Eastside"
Kirsten McAllister (Simon Fraser University), "Human Trafficking: Global Connections
in the Livingrooms of the Canadian nation"
L11: Knowledge and Poetry in the Documentary Film: A close
look at films by Jean Rouch, Robert Gardner, Ross McElwee, Errol Morris and Martin
Arnold
Room: Galiano
Chair: William Rothman (University of Miami)
Diane Stevenson (Sarah Lawrence College), "Coincidence in Ross McElwee’s
Documentaries"
Gilberto Perez (Sarah Lawrence College), "Errol Morris's Irony"
Charles Warren (Boston University), "Robert Gardner’s BLUNDEN HARBOR: Science
and Poetry"
George Toles (University of Manitoba), "A Few MoA Few Moments of Arousal in a Film by
Martin Arnold"
William Rothman (University of Miami), "Knowledge and Poetry in Jean Rouch's THE
DEATH OF OLD ANAI"
L12: Surround Sound in Cinema: Theory and Aesthetics
Room: Orca
Chair: Mark Kerins (Southern Methodist University)
Co-chair: William Whittington (University of Southern California)
Mark Kerins (Southern Methodist University), "“Surround”ed by the Image:
Visual Aesthetics of Digital Surround Sound"
William Whittington (University of Southern California), "Surround Sound and the
Horror Genre"
Gianluca Sergi (University of Nottingham), "The other screen: width and depth in
surround sound cinema"
Benjamin Wright (Carleton University), "The Architecture of Sound: Sound Theory in
the Age of Dolby"
L13: Imaging the “World” in South Korean
Cinema
Room: Finback
Chair: Hyung-Sook Lee (University of Southern California)
Hye Seung Chung (University of Michigan), "Postcolonial Intertexuality: Sports and
Nationalism in Bollywood and South Korean Cinemas"
Hyungshin Kim (Northwestern University), "English Infiltration or Worldly
Invitation?: Local Appropriation of English Words in the 1960s South Korean Cinematic
Landscape"
Hyung-Sook Lee (University of Southern California), "The Sino-Effect in Korean Cinema
at the turn of the Century"
Ji Yeon Lee (Yonsei University), "Rikidozan (2004), ‘sekai no eiga’ (the
world’s film)?: transnational identity of contemporary S. Korean films"
L14: The Politics of Media in the Middle East
Room: Port Alberni
Chair: Noah Shenker (University of Southern California)
Tasha Oren (University of Wisconsin, Milwaukee), "Mad Love: Simone Bitton’s Mur
on the Israel/ Palestinian Wall"
Sharon Shahaf (University of Texas, Austin), "“Aren’t You Arab
Yourselves?” – Controversial Appropriation of Radical Ethnic Discourse in
Israeli Television Hit Series "Love Hurts" (2004) and its Reception"
Nabil Echchaibi (Indiana University), "When Mullahs ride the airwaves: Muslim
Televangelists and the Saudi Connection"
Noah Shenker (University of Southern California), "(Re)claiming Gaza: The Politically
and Ethically Transformative Potential of Recycled Images of Occupation, Withdrawal,
and Resistance in the Israeli-Palestinian Conflict"
L15: Workshop: Screen Decades: the 1930s
Room: Port Hardy
Chair: Ina Hark (University of South Carolina)
Workshop Participants:
Allen Larson (Penn State University)
Chuck Maland (University of Tennessee)
Susan Ohmer (University of Notre Dame)
Saturday, March 4, 2006 3:15-5:00
pm (Session M)
M1: Reception Loops: Transformations of Time and Place
in Experimental Film in the Digital Age
Room: Pavilion A
Chair: Alexandra Keller (Smith College)
Co-chair: Melissa Ragona (Carnegie Mellon University)
Alexandra Keller (Smith College), "Practicing Exhibition: Multimedia Artists and the
Moving Image"
Melissa Ragona (Carnegie Mellon University), "The Temporal Dimensions of Media
Exhibition and Viewing in Gallery Contexts"
Kenneth Rogers (University of California, Riverside), "Perceived Time: Duration and
Temporality in the 1960s Artist’s Film"
Frazer Ward (Smith College), "Terminal Passage: Aziz + Cucher’s Digital
Skin"
M2: Confronting Canadian Reception: Historical and
Contemporary Examinations of Cinema Audiences in Canada.
Room: Pavilion B
Chair: Ernest Mathijs (University of Wales, Aberystwyth)
Peter Lester (Concordia University), "A Cinema Peripatetic: Traveling film exhibition
and rural reception in turn of the century Canada"
Joanne Stober (Concordia University/Library and Archives Canada), "Yiddish
Vaudeville, Cinemagoing and Synchronized Sound in Montreal, 1925-1935."
Ger Zielinski (McGill University), "Community Rules: On the Discursive Constitution
of Audience by Canadian Queer Film Festivals"
Martin Barker (University of Wales, Aberystwyth) and Xavier Mendik (Cult Film
Archive, Brunel University, UK), "The Blood Red North: The International Reception of
the Ginger Snaps Trilogy"
Respondent: Charles Acland (Concordia University)
M3: The Contemporary Hollywood Film Industry
Room: Pavilion C
Chair: Janet Wasko (University of Oregon)
Paul McDonald (Roehampton University), "Producing Stardom: Is There a Star System in
Contemporary Hollywood?"
Eileen Meehan (Louisiana State University), "Television and Film: Separate
Industries?"
Randy Nichols (Niagara University), "‘Mortal Kombat’ Meets ‘The Odd
Couple’?: The Impact of Video Games on Hollywood’s Political
Economy"
Manjunath Pendakur (Southern Illinois University Carbondale), "Hollywood Majors and
the U.S. Government in the Age of Globalization"
M4: New Perspectives in Audience Studies
Room: Pavilion D
Chair: Alison Griffiths (The City University of New York, Baruch College)
Jans Wager (Utah Valley State College), "Jazz, Cocktails, and Utah: Researching the
Historical Audience for Classic Films Noirs"
Aylish Wood (University of Kent), "Breaking the Bounds: Making Sense in a New Media
World Order"
Shawn Shimpach (Washington University, St. Louis), "Surveillance and Meaning in the
Creation of the Motion Picture Audience"
Alison Griffiths (The City University of New York, Baruch College), ""Cinematic
Frontiers of the Third Kind: Planetarium Space Shows as Intermedial Events""
M5: German Cinema Since 1950
Room: Junior A
Chair: Stefan Soldovieri (University of Toronto)
Marco Abel (University of Nebraska), "Imaging Mobility in Contemporary German
Cinema"
Sabine Haenni (Cornell University), "The Difficulty of the Transnational in New
German Cinema"
Marc Siegel (Freie Universität, Berlin), "Fassbinder, Family, Terrorism"
Stefan Soldovieri (University of Toronto), "Political Hydrologies: Inter-German Film
Relations and Popular Cinema in Hans Heinrich’s The Merry Barge (Kahn der
fröhlichen Leute, GDR/DEFA 1950)"
M6: Workshop: Pixar and Beyond: International Animation
Today
Room: Junior B
Chair: Richard Neupert (University of Georgia)
Workshop Participants:
Brian Ruh (Indiana University)
Bonnie Blake (Ramapo College, New Jersey)
Andrew Douglas (Bryn Mawr Film Institute)
Russell Meeuf (University of Oregon)
M7: Not Just Play: Videogames in Context
Room: Junior C
Chair: David Crane (University of California, Santa Cruz)
Bryan-Mitchell Young (Indiana University), "I Have Met the Enemy and He is (Just
Like) Us: Colonialism and Empire in Sid Meier’s Civilization"
Sheila Murphy (University of Michigan), "This is Intelligent Television™: Early
Video Games & Television in the Emergence of the Personal Computer"
David Crane (University of California, Santa Cruz), "Digital Indexicality and
Beta-7"
M8: Academic Freedom and Censorship in the Americas
Room: Junior D
Chair: Patricia Keeton (Ramapo College, New Jersey)
Hamid Dabashi (Columbia University), "Academic Freedom -- Necessary Illusion"
Randy Martin (Tisch School of the Arts, New York University), "Academic Restructuring
and Censorship"
Stefan Kaspar (Grupo Caski, Peru), "Censorship in Latin American Cinema"
Sponsor: Caucus on Class
M9: Varieties of Religious Experience
Room: Parksville
Chair: Pamela Grace (City University of New York, Brooklyn College)
Chris Dzialo (University of California, Santa Barbara), "Frack you, W! American
Political, Racial and Religious Space in Sci Fi Channel’s Battlestar
Galactica"
Poonam Arora (University of Michigan, Dearborn), "The “Shared Dream,”
Psycho-Spiritual Spectatorship and Alternate Myths of Dream Interpretation from the
Global South"
Scott Preston (York University), "The Inevitability of Collapse: Popular Cinema,
Religious Revival and the End of the World in Modern America"
Pamela Grace (City University of New York, Brooklyn College), "GIVING
“THEM” IDEAS: Dire Warnings and Heated Debate about Ridley Scott’s
Tepid Kingdom"
M10: Divided We Stand: Narrowcasting Television
Comedy
Room: Granville
Chair: Ethan Thompson (Texas A&M University, Corpus Christi)
Stephen Kercher (University of Wisconsin, Oshkosh), "The Strange Career of 'TW3':
Testing Satire’s Limits during Primetime, 1963-1965"
Ethan Thompson (Texas A&M University, Corpus Christi), "Black Tie,
Straightjacket: Oscar Levant’s Sick Life on TV"
Heather Osborne-Thompson (University of California, Los Angeles), "The Comedic
Treatment of Reality in Fat Actress, The Comeback and Kathy Griffin: My Life on the
‘D’ List"
Jeffrey Sconce (Northwestern University), "Life with the Locusts: Curb Your
Enthusiasm and Bi-Coastal Comedy"
M11: Women of the Independent Cinema
Room: Galiano
Chair: Veena Hariharan (University of Southern California)
Alison Hoffman (University of Californa, Los Angeles), "Lovers of Coalitional
Multimedia Practice: Feminist Media’s Persistence of (Political) Feelings and
the Work of Miranda July"
Lisa Henderson (University of Massachusetts, Amherst), "Desert Motel's Queer
Relay"
Thomas Cohen (Rhodes College), "Voices and Videotape: Shirley Clarke's
_Tongues_"
Veena Hariharan (University of Southern California), "Inner-city symphonies: Los
Angeles on Film"
M12: Dora, Degrassi and Nick: The Evolution and Cultural
Politics of Preschool and Tween Nickelodeon TV.
Room: Orca
Chair: Steven Classen (California State University, Los Angeles)
Sarah Banet-Weiser (University of Southern California), "What’s Your Flava?:
Consuming Race and Gender on Nickelodeon"
Laura Tropp (Marymount Manhattan College), "Re-Making Degrassi: Television for
“Tweens” in a Commercial Environment"
Steven Classen (California State University, Los Angeles), "Stephanie Can Kick Big
Bird’s Butt: The “Noncommercial” Television Battle for
Preschoolers"
Norma Pecora (Ohio University) and Katalin Lustyik (Auckland University of
Technology), "The World According to Nick"
Respondent: Ellen Seiter (University of Southern California)
M13: The Journey of a Thousand Miles Begins with a Single
Cell Phone: Recent Chinese and East Asian Cinema and the Socialist-Capitalist
Tradition
Room: Finback
Chair: Kelly Dolak (Ramapo College of New Jersey)
Haizhou Wang (Beijing Film Academy, China), "Fade in: The representation of social
contradiction in Chinese film"
Jie Chen (Rutgers University), "The Train that Runs to the World: Politics of Desire
and Spectacles in Platform and The World"
Yiman Wang (University of California, Los Angeles), "Not So Close to Paradise-
Migration and Its Discontents in Wang Xiaoshuai's Films"
Jia Tan (University of Southern California), "De- mystify Subversion, Reconstruct
Subjectivity:Beyond the Myth of China's New Documentary Cinema in the West"
Sponsor: Caucus on Class
M14: Representing Mexico on Film and Video
Room: Port Alberni
Chair: Cynthia Steele (University of Washington)
Elissa Rashkin (Independent Scholar), "Women and Grass-Roots Activist Media in
Mexico"
Adan Avalos (University of Southern California), "Cheap, Fast Mexican Film: Kitsch or
Culture?"
Susan Wiebe Drake (Albion College), "Taming the Shrew in 1950s Mexican Cinema"
Cynthia Steele (University of Washington), "Chiapas on Film"
M15: Code as Media
Room: Port Hardy
Chair: Beth Coleman (Massachusetts Institute of Technology)
Co-chair: Akira Lippit (University of Southern California)
Wendy Chun (Brown University), "“Order From Order”"
Alexander Galloway (New York University), "A Formal Grammar for Artist-Made Game
Mods"
Beth Coleman (Massachusetts Institute of Technology), "Mr. Softee Takes Command:
Morphological Machines Advance"
Mark Hansen (University of California, Los Angeles), "Aliis exterendum"
Saturday, March 4,
2006 5:15-7:00 pm (Plenary 2)
Plenary Session 2 - Location and Flow: Crossing Borders, Changing Channels, Charting
Differences
Room: Pavilion D
Moderator: Stephen Prince (Virgina Tech)
Plenary Speakers:
Michael Curtin (University of Wisconsin, Madison)
Michele Hilmes (University of Wisconsin, Madison)
Yeidy Rivero (Indiana University)
Sunday, March 5,
2006 7:30-8:30 am (Meetings)
Caucus on Class
Room: Granville
Oscar Micheaux Society
Room: Galiano
Media Archives Committee
Room: Orca
Sunday, March 5, 2006 8:30-10:15
am (Session N)
N1: Crime Cycles in the Hollywood Studio Era
Room: Pavilion A
Chair: Peter Stanfield (University of Kent)
Peter Stanfield (University of Kent), "A World of Small Insanities: Adaptations of
Mickey Spillane in the 1950s"
Frank Krutnik (University of Sussex), "Losing Face: Problems of envisagement in
postwar film noir and semi-documentary crime films"
Esther Sonnet (Portsmouth University), "Marked Women: Crime and Desire in Hollywood
Cycles of the 1930s"
Jeff Smith (Washington University, St. Louis), "Trading Information: Genre, Allegory,
and the Politics of Naming Names in Pickup on South Street"
N2: Hollywood Today
Room: Pavilion B
Chair: Maja Manojlovic (University of California, Los Angeles)
Angela Smith (University of Utah), ""America is Closed": The Nation as Village,
Terminal, and Gated Town in the Hollywood Flops of 2004"
Charlotte Pagni (Oakland University), "Input and Outcome: The Kinsey Institute and
the Kinsey Biopic"
Maureen Larkin (University of Wisconsin, Madison), "The "Bruckheimer Look": The
Producer-as-Auteur and Visual Style in Contemporary Hollywood Film and
Television"
Maja Manojlovic (University of California, Los Angeles), "Charlie And The Chocolate
Factory: Beyond Metaphor And Simulation - Interstice And Spatial Aesthetics Of
Digital Fantasy"
N3: Broadcasting is Dead! Long Live Broadcasting!
Room: Pavilion C
Chair: Jennifer Holt (University of Southern California)
Co-chair: Alisa Perren (Georgia State University)
Cynthia Meyers (College of Mount Saint Vincent), "Thinking Outside the Tube:
Advertiser and Network Perspectives on Changing Broadcast Television Business
Models"
Alisa Perren (Georgia State University), "“How the Broadcast Networks
Reinvented Themselves: The Rise of the Television Franchise in the
1990s”"
Jennifer Holt (University of Southern California), "Wagging the Dog: Regulating
Broadcast in the Conglomerate Era"
Daniel Chamberlain (University of Southern California), "Digital Video Recorders and
the Reorganization of the Television Industry"
N4: The Third Golden Age of German Cinema
Room: Pavilion D
Chair: Daniela Berghahn (Oxford Brookes University)
Sabine Hake (University of Texas at Austin), "Plotting the Third Reich"
Daniela Berghahn (Oxford Brookes University), "No place like home? Or impossible
homecomings in the films of Fatih Akin"
Randall Halle (University of Rochester), "The contemporary German avant-garde: The
local and the global in film experiments by Farocki, Müller, Melhus, and
Polat"
John E. Davidson (Ohio State University), "Documentary stylists? Aesthetic form and
social critique in recent German cinema"
N5: But Is It Legal? Questions of Law and Ethics
Room: Junior A
Chair: Diane Waldman (University of Denver)
Kristen Fuhs (University of Southern California), "Documentary as Double Jeopardy:
Retrying Criminals in the Court of Public Opinion"
Richard Edwards (Saint Mary's College, California), "Remix Culture and Digital
Cinema"
Diane Waldman (University of Denver), "Documentary, Docudrama, and Defamation"
N6: Stunt/work: Performers, Technology, and New Media
Room: Junior B
Chair: Matthew Solomon (College of Staten Island, CUNY)
Co-chair: Jacob Smith (Indiana University)
Jacob Smith (Indiana University), "The Adventures of the Human Fly, 1830-1930"
Matthew Solomon (College of Staten Island, CUNY), "The Stunt-ed Cinema of Houdini;
or, The Handcuff King as Serial Queen"
Miranda Banks (University of California, Los Angeles), "The Action Heroine and Her
Double: Rituals of Erasure"
Bob Rehak (Indiana University, Bloomington), "Remediating Stuntwork: Special Effects
and Performance in the Lord of the Rings and Classical Hollywood"
N7: Workshop: South.North.South: Networks of Media and
Culture across the Americas
Room: Junior C
Chair: Brian Goldfarb (University of California, San Diego)
Workshop Participants:
Dot Tuer (Ontario College of Art and Design)
Eduardo Santana (University of California, San Diego)
Brian Goldfarb (University of California, San Diego)
Carlos Trilnick (Universtiy of Buenos Aires)
David McIntosh (Ontario College of Art and Design)
N8: Workshop: On the Difficult History of Contemporary
Cinema: Film Studies After/As New Cinemas
Room: Junior D
Chair: Kathleen Newman (University of Iowa)
Workshop Participants:
Dudley Andrew (Yale University)
Patrice Petro (University of Wisconsin, Milwaukee)
Bhaskar Sarkar (University of California, Santa Barbara)
James Tweedie (University of Washington)
N9: Workshop: The Crisis of Academic Labor, Part V:
Structural Determinants and Organized Responses to the New McCarthyism
Room: Parksville
Chair: E Wayne Ross (University of British Columbia)
Workshop Participants:
Ashley Dawson (The City University of New York)
Bill Mullen (Purdue University)
Patricia Keeton (Ramapo College, New Jersey)
Rich Gibson (San Diego State University)
Steve Macek (North Central College)
Sponsor: Caucus on Class
N10: Close Readings in Television Studies
Room: Granville
Chair: Andrea Braithwaite (McGill University)
Maria Munoz (University of California, Los Angeles), "Media Advocacy and
Representation: A Collective Effort in Expanding the Racial Borders of the Televisual
Landscape"
Raphael Ginsberg (University of North Carolina, Chapel Hill), "Allen Iverson, Kobe
Bryant and the long take: deconstructing race through ‘trash
talk.’"
Lesley Harbidge (University of Aberdeen), "Curbing Enthusiasm: Inaction and Reaction
in BBC 2s The Office and Extras"
Andrea Braithwaite (McGill University), "Sunglasses at Night: Excess in CSI
Miami"
N11: Queer Angles
Room: Galiano
Chair: Ann-Marie Cook (University of the Pacific)
Hollis Griffin (Northwestern University), "Ambivalent Parody, Ambivalent Drag, and
the Containment of Queerness in Comedy Central's "Reno 911!""
Margo Miller (Northwestern University), "We Can Always Call Them Morticians, Nazis,
and Married: 1950s and 1960s American Sitcom Character(s)"
Casey McKittrick (Western Michigan University), "Juvenile Desires: Towards a Typology
of Filmic Children and Visual Pleasure"
Ann-Marie Cook (University of the Pacific), "The Mysterious Case of the Disappearing
Dandy: The Status of Queer Space in Oliver Parker's IDEAL HUSBAND and THE IMPORTANCE
OF BEING EARNEST"
N12: We Shall Overcome: Representations of the Civil
Rights Movement
Room: Orca
Chair: Aniko Bodroghkozy (University of Virginia)
Christopher Sieving (University of Notre Dame), ""Memphis Proves the Answer is
Guns... and More Guns": The FBI, the Black Power Movement, and the Battle over
Uptight (Paramount, 1968)"
Jennifer Fuller (University of Texas, Austin), ""Well, Fiddle the Law!" Civil Rights
and 1960s TV Westerns"
Tom Kemper (Crossroads School), "Cinema Rights/Civil RIghts"
Aniko Bodroghkozy (University of Virginia), "Framing the Civil Rights Story in
Network News, 1954-62: White Moderates and Black Worthy Victims"
N13: Chinese Cinema Between and Beyond Nations
Room: Finback
Chair: Robert Chi (Stony Brook University)
Co-chair: E. Ann Kaplan (Stony Brook University)
Jianhua Chen (Kong University of Science and Technology), "D. W. Griffith and the
Birth of National Cinema in Early 1920s China"
Poshek Fu (University of Illinois, Urbana-Champaign), "Constructing China in Hong
Kong: Shaw Brothers Cinema and Pan-Chinese Identity"
Kenny Ng (Hong Kong University of Science & Technology), "Early Hong
Kong-Japanese Co-productions in the 1950s and 60s"
Robert Chi (Stony Brook University), "The House of Seventy-Two Transformations"
N14: Global Perspectives on Women and the Cinema
Room: Port Alberni
Chair: Cindy Wong (College of Staten Island. City University of NY)
Kay Dickinson (Goldsmiths College/University of London), "“I Have One Daughter
and that is Egyptian Cinema”: Aziza Amir, Egypt’s “First”
Feature Film-Maker and the World of 1920s Feminist Nationalism"
Belen Vidal (University of St. Andrews), "ARTISTS AND MODELS: HISTORY, ROMANCE AND
THE MISE-EN-SCENE OF FANTASY"
Sachiko Mizuno (University of California, Los Angeles), "City and Cinema as
Palimpsest: Women, Film Culture, and Tokyo Modernity during the Interwar
Period"
Lori Morimoto (Indiana University), "Your Place or Mine? Transnational _Okkake_ and
Global Media Fandom"
N15: Time and Narrative
Room: Port Hardy
Chair: Elizabeth Walden (Bryant University)
Curtis Maloley (Brock University), "Narrative a/mortality: Death, time and
subjectivity in contemporary popular film"
Kristi McKim (Hofstra University), "’Something to long for’: Stylistic
Intimacy and Duration in Ingmar Bergman’s _Scenes from a Marriage_"
Christopher Hanson (University of Southern California), "Rhythms of Decay: Bill
Morrison’s Decasia"
Elizabeth Walden (Bryant University), "Time and Affect in Contemporary Video Art:
Viola, Piene, Pfeiffer"
Sunday, March 5, 2006 10:30 am -
12:15 pm (Session O)
O1: Crime and Anxiety in French Cinema
Room: Pavilion A
Chair: Peter Baxter (Queen's University)
Alastair Phillips (University of Reading), "Jules Dassin and the Politics of
Transnational Film Noir: 'Du rififi chez les hommes' (1955) A Case Study"
Maureen Shanahan (James Madison University), "“The Girl with a Prefabricated
Heart” (1946): Fernand Léger and the Single, Cycling American
Girl"
Peter Baxter (Queen's University), "The ‘Home Invasion Narrative' in French
Cinema Since 1995"
O2: Canadian Media
Room: Pavilion B
Chair: Jen VanderBurgh (York University)
Megan Mullen (University of Wisconsin, Parkside), "Dealing With Noisy Neighbors:
Challenges in the Development of Canadian Multichannel Television"
Marit Kathryn Corneil (Norwegian University of Science and Technology), "Coming to
Voice or Containing Voice: on the contested terrain of public access media"
Peter Urquhart (University of Nottingham), "International Traffic in Television and
the case of Trailer Park Boys"
Jen VanderBurgh (York University), "A City’s Screen: Toronto’s Urban
Imagination Anticipates the Coronation Broadcast (1953)"
O3: Rethinking Theories of "Everyday Life" for Media
Historiographies
Room: Pavilion C
Chair: Mary Desjardins (Dartmouth College)
Elana Levine (University of Wisconsin, Milwaukee), "Media, the Past, and Everyday
Life: In Search of Historical Audiences"
Peter Schaefer (University of Iowa), "The Wireless Takes Shape: The Ideology of
Fidelity and Aesthetics in Radio Receiver Advertisements from 1925 to 1932"
Mary Desjardins (Dartmouth College), "Out of the Past’s Everyday Life:
Movie-going, Movie Collectibles, and Temporalities of the Self"
Respondent: Michael DeAngelis (DePaul University)
O4: Workshop: New Directions in Student Research and
Writing: Docuscripts – Visualizing More Effective Communication Skills for
University Undergraduates
Room: Pavilion D
Chair: Sarah Childress (Vanderbilt University)
Workshop Participants:
Rebecca Bell-Metereau (Texas State University)
Jerome Christensen (University of California, Irvine)
Kathy Conkwright (Vanderbilt University)
Sam B. Girgus (Vanderbilt University)
O5: Hollywood in Europe
Room: Junior A
Chair: Maria Pramaggiore (North Carolina State University)
Christian Jungen (University of Zurich), "From Truffaut to Terminator: The Evolution
of the Cannes Film Festival under Hollywood’s Hegemony"
Rebecca Prime (University of California, Los Angeles), "A Cold (War) Reception? The
European Films of the Hollywood Blacklist"
Carolyn Anderson (University of Massachusetts, Amherst), "Weak Hollywood, Strong
Dollar and the Construction of 1950s Roman Holidays"
Maria Pramaggiore (North Carolina State University), "Americans in Ireland: Altman's
IMAGES (1972) and Kubrick's BARRY LYNDON (1975)"
O6: Wireless Culture and the Cellular Image
Room: Junior B
Chair: Eric Freedman (Florida Atlantic University)
Jessica Ketcham (Louisana State University), "Techno Mobs: Social Activism Through
Mobile, Independent, and Personal Media"
Silvia Mejia (University of Maryland), "Ecuadorian Migration, Nostalgia and New
Technologies"
HyeRyoung Ok (University of Southern California), "Mobile phone meets TV in city
square: The politics of Mobile phone Imaging on Korean Televsion"
Eric Freedman (Florida Atlantic University), "The Image and The Archive: Framing the
Cellular Imaginary"
O7: Anime
Room: Junior C
Chair: Aaron Kerner (San Francisco State University)
Marc Steinberg (Brown University), "Immobile Sections, Trans-series Movement: Astro
Boy and Commodity Series in Japanese anime"
Peter Paik (University of Wisconsin, Milwaukee), "Imperial Debacles: Representing the
Unjust War in Anime"
Jiwon Ahn (Keene State College), "American Otaku: Shifting Relations of Power in
Global Media Discourses"
Aaron Kerner (San Francisco State University), "Kawaii Attack: Manga Aesthetics and
Infantilism in Hideaki Anno’s Love and Pop"
O8: The Good, the Bad, and the Sexy: Hollywood’s
Sexual Dichotomies from Fatty Arbuckle to Cecil B. DeMille to Jane Fonda
Room: Junior D
Chair: Linda Williams (University of California, Berkeley)
Co-chair: Evan Heimlich (Kobe University)
Linda Williams (University of California, Berkeley), "Jane Fonda’s Orgasms:
Carnal Knowledge on American Screens"
Hilary-Anne Hallett (Rutgers University), "How the Arbuckle Scandal Protected the
Virtue of American Girls"
Evan Heimlich (Kobe University), "Red-Blooded Sex Vs. Blueblooded Religion for White
Audiences: Or, DeMille’s WASPish Crusade, Vs. his Sex-Melodramatization of
Cinema"
José Gatti (Universidade Federal de, Sao Carlos), ""Copacabana": the eroticism
of Carmen Miranda"
O9: The Achievement of Chris Marker
Room: Parksville
Chair: Margaret Flinn (University of Illinois, Urbana-Champaign)
Domietta Torlasco (University of Chicago), "Chris Marker’s "Immemory" and the
Art of Digital Time"
Tara Lockhart (University of Pittsburgh), "Hybrid Sensibilities and Reflexive
Movement: The Essay-Films of Chris Marker"
Nadine Boljkovac (Cambridge University), "War-Time Affects: Marker’s Prophetic
Memories"
Margaret Flinn (University of Illinois, Urbana-Champaign), "Cat Graffiti: Chris
Marker and the Politics of Signs"
O10: Death Becomes Her: Death and Empowerment in
ContemporaryTelevision
Room: Granville
Chair: Stacey Abbott (Roehampton University)
Stacey Abbott (Roehampton University), "THE AFTERLIFE OF ANGEL’S WOMEN"
Kim Akass (London Metropolitan University) and Janet McCabe (Manchester Metropolitan
University), "Grrrl Power and the Maternal Wiccan Line in Charmed."
Deborah Jermyn (Roehampton University), "Dying to tell you something –
Posthumous Narration and Female Omniscience in Desperate Housewives"
Pat Gill (University of Illinois, Urbana-Champaign), "As Seen on TV: Forensic Science
and and the Afterlife of Corpses"
O11: Televised Fantasies for Young Women
Room: Galiano
Chair: Hilary Neroni (University of Vermont)
Leslie Campbell Grant (Northern Michigan University), "“We’ve Come a Long
Way, or Have We?: Representations of African American Women in
Girlfriends”"
Karin Beeler (University of Northern British Columbia), "Unsettling Visions:
Cassandra, Joan of Arc and Contemporary American Television"
Hilary Neroni (University of Vermont), "Buffy’s Collective: Linear Narrative
and The Power of a United Femininity"
O12: New Latino Stardom: Cultural Identities Under
Construction
Room: Orca
Chair: Marvin D'Lugo (Clark University)
Kathleen Newman (University of Iowa), "Salma After Frida"
João Luis Viera (Universidade Federal Fluminense), "All-Purpose Latina:
Penelope Cruz’s Traveling Body"
Cristina Venegas (University of California, Santa Barbara), "Cause Celebre: Gael the
Acting Activist?"
Jaime Nasser (University of Southern California), "El Che Guevara and The Red
Bumblebee Man: Two versions of masculinity battle Hollywood’s dominance in
Latin America."
Sponsor: Latino/a Caucus
O13: New Approaches to Korean Cinema
Room: Finback
Chair: Suk-Young Kim (University of California, Santa Barbara)
Nanna Heidenreich (Humboldt University,Berlin/University of Trier), "Revenge Is All
The Rage? Beginning the End of Closure"
Dong Hoon Kim (University of Southern California), "Universal Pictures Goes to
GyoengSeog (Seoul):Japanese Imperialism and Korean Film Culture in the 1920s"
Suk-Young Kim (University of California, Santa Barbara), "Reflective and Refractive
Screen: Social Significance of Cinema in North Korea"
O14: Transnational Documentary
Room: Port Alberni
Chair: Kathleen McHugh (University of California, Los Angeles)
Kimberley Monteyne (New York University), "Inside the Hindu Pavilion: Jean
Renoir’s The River"
Kristen Barnes (Independent Scholar), "Rouch Reversals (Im)possibilities of
Reversal"
Kathleen McHugh (University of California, Los Angeles), "Visual Literacies:
Bi-raciality and Family in Transnational Adoption Films"
O15: Animals in Film
Room: Port Hardy
Chair: Toni Perrine (Grand Valley State University)
Co-chair: Pete Porter (Eastern Washington University)
Eva Hayward (University of New Mexico), "‘Diving into the Wreck’:
Underwater Cinematography, Coral Communities, and Riefenstahl’s ‘Fascist
Aesthetic.’"
Cynthia Chris (College of Staten Island, CUNY), "Wild Boys and Grizzly Men: The
Animal and the Abject"
Pete Porter (Eastern Washington University), "On Marching Penguins:
Counter-Programming with the Exotic Familiar"
Toni Perrine (Grand Valley State University), "Equiphilia: Love Relationships between
Girls and Horses in Popular Culture"
Jonathan Burt (Independent Scholar), "Bringing animal death to life: film and the
status of the animal in visual culture"
Sunday, March 5,
2006 12:15-1:15 pm (Meetings)
Cinema Journal Editorial Board
Room: Granville
Teaching Committee
Room: Galiano
Latino/a Caucus
Room: Orca
Sunday, March 5, 2006 1:15-3:00 pm
(Session P)
P1: Filming The Ethnic City: New York, London, and Paris
in the late Twentieth Century
Room: Pavilion A
Chair: Stanley Corkin (University of Cincinatti)
Stanley Corkin (University of Cincinatti), "The Romance of (White) Ethnic Space and
the Decline of the City: The Godfather (1972), Mean Streets (1973), and The Godfather
Part II (1974)"
Darrell Newton (Salisbury University), "Voices from the Ghetto: BBC News, Racial
Dystopia and the 1970s"
Marie-Noelle Yazdanpanah (University of Vienna) and Julia Friehs (University of
Vienna), "Ethnicity and urban space in La Haine (F 1995)"
Jana Braziel (University of Cincinnati), "BOOSH-WA? Or, BASQUIAT?:New York’s
Ethnic Cityscapes in Downtown 81 and Basquiat"
P2: Directors at Work
Room: Pavilion B
Chair: Leger Grindon (Middlebury College)
Marguerite Rippy (Marymount University), "It’s Not True: Orson Welles’
Pan American Project"
Chris Robe (Florida Atlantic University), "Bullets and Babies: The Role of Gender in
Sergei Eisenstein’s Que Viva Mexico! and American Depression-Era Left Film
Criticism"
Kara Andersen (University of Pittsburgh), "Ahead of His Time: Buster Keaton’s
The Playhouse and Virtual Reality"
Leger Grindon (Middlebury College), "Clint Eastwood: Mocking Success in Every Which
Way But Loose"
P3: Women at Work in the Industry
Room: Pavilion C
Chair: Erin Hill (University of Californa, Los Angeles)
Samantha Barbas (Independent Scholar), "The Politics of Gossip: Louella Parsons and
The Creation of American Celebrity Culture"
David Resha (University of Wisconsin, Madison), "Using Color In Black-and-White: The
Designs of Edith Head"
Heidi Kenaga (University of Memphis), "" 'You're Not Extras but a Nation of
Believers!': Promoting HOLLYWOOD EXTRA GIRL (1935)"
Erin Hill (University of Californa, Los Angeles), "Women's Work: Femininity in Film
and Television Casting"
P4: Comics: The Nexus of Universes
Room: Pavilion D
Chair: Greg Smith (Georgia State University)
Bart Beaty (University of Calgary), "Crumbs from the Table: Comic Books as
Contemporary Art"
Jason Bainbridge (University of Tasmania), "Four Color Theories: Comics As Textual
Postmodernity"
Avi Santo (University of Texas, Austin), "Auteurism and The Changing Cultural and
Institutional Landscape of the Contemporary Comic Book Industry"
Derek Kompare (Southern Methodist University), "Infinite Crisis: Hyperdiegetic
Management in Contemporary Comics"
P5: Extreme Canada
Room: Junior A
Chair: Wendy Pearson (University of Western Ontario)
Darrell Varga (NSCAD University), "Regional/National/Global: Atlantic Canadian Cinema
and the Production of Place"
Eugenie Brinkema (Brown University), "Spectatorship as Cruising and the Otherwise
Films of Bruce LaBruce"
Gillian Helfield (York University) and Seth Feldman (York University), "Martial Law,
The Family Album: The October Crisis as Seen in Robin Spry’s Action: The
October Crisis of 1970 (1973) and Mark Blandford’s The October Crisis
(1975)."
Wendy Pearson (University of Western Ontario), "Fun(g) in the Homographic
Archive"
P6: Workshop: Philosophical and Theoretical Concepts of
Illusion in Film and Media
Room: Junior B
Chair: Robin Curtis (Freie Universität, Berlin)
Co-chair: Gertrud Koch (Free University, Berlin)
Workshop Participants:
Christiane Voss (Free University, Berlin)
Mary Ann Doane (Brown University)
Philip Rosen (Brown University)
Robin Curtis (Freie Universität, Berlin)
Gertrud Koch (Free University, Berlin)
P7: The Indigenous and the Regional in North America
Room: Junior C
Chair: JoAnna Hearne (University of Missouri, Columbia)
Kristin Dowell (New York University), "The Social Space of Aboriginal Media
Production: The Indigenous Media Arts Group in Vancouver, B.C."
Stewart Fyfe (University of Wisconsin, Madison), ""We Can Have the Dance Right Here":
Narrative and the Poetics of Regional Film"
David Golumbia (University of Virginia), "Totem, Taboo and Technological Media"
JoAnna Hearne (University of Missouri, Columbia), "Indigenous Animation: Educational
Programming, Narrative Interventions, and Children's Cultures"
P8: Sporting Community: Geography and Identity in Sports
Media
Room: Junior D
Chair: Victoria E. Johnson (University of Californa, Irvine)
Co-chair: Jon Kraszewski (Texas Christian University)
Cynthia Fuchs (George Mason University), "“‘Long as you hot’:
hip-hop, obligation, and basketball on T.V.”"
Victoria E. Johnson (University of Californa, Irvine), "“Imagining a Nation of
‘Urban Hipsters’: ESPN as Multimedia Community”"
Jon Kraszewski (Texas Christian University), "Lost and Found: Ex-Pat Clubs, Sports
Fandom, and Local Identities"
Respondent: James Hay (University of Ilinois)
Sponsor: Television Studies Interest Group
P9: Film History, Family History: Dad & The Telenews
Theatre Corporation
Room: Parksville
Chair: Jen Aronson (Guggenheim Museum)
Michael Aronson (University of Oregon), "Telenews: History"
Nathan Aronson (University of South Alabama), "Telenews: Family"
Jen Aronson (Guggenheim Museum), "Telenews: Archive"
Respondent: Gregory Waller (Indiana University)
P10: Representing Work on U.S. Television
Room: Granville
Chair: Mobina Hashmi (University of Wisconsin, Madison)
Daniel Marcus (Goucher College), "The Entrepreneur and the Financier: Cultural Heroes
of the New Economy"
Juan Monroy (New York University), "Division of Labor: Work, Latino Culture, and Race
in Sí-TV's "Urban Jungle""
Mobina Hashmi (University of Wisconsin, Madison), ""Alias" and "24": New Technologies
at Work in the New Millennium"
Matt Stahl (University of California, San Diego) and Murray Forman (Northeastern
University), "Rising Stars at Work: Pedagogies of Social Mobility in Musical Talent
Contests"
Sponsor: Television Studies Interest Group
P11: White Masculinity at Risk
Room: Galiano
Chair: Jillian Sandell (San Francisco State University)
Brian Ganter (University of Washington), "Class Intoxication in American Cinema:
Class and Masculinity in Sideways"
David Uskovich (University of Texas, Austin), "Blindsided by a Random Emotion: White
Masculinity and the Aesthetics of Loss on _Dawson’s Creek_"
Heidi Schlipphacke (Old Dominion University), "Affective Excess: Abject White
Masculinities"
Jillian Sandell (San Francisco State University), "“America the Beautiful: The
Ambivalent Allure of National Belonging in Hedwig and the Angry Inch”"
P12: Tracking the Soundtrack
Room: Orca
Chair: Todd Decker (University of Michigan)
Giorgio Biancorosso (The University of Hong Kong), "Film Music as Conjuring:
Revisiting the Question of Perceptual Ambiguity"
David Laderman (College of San Mateo), "Blank Regeneration: Transnational Punk Films
since the mid-1990s"
Kevin Donnelly (University of Wales, Aberystwyth), "Ghost Soundtracks: David Bowie
and The Man Who Fell to Earth (1976)"
Todd Decker (University of Michigan), "The Deep Voice of the Mississippi: nature,
technology, and the black male voice in SHOW BOAT (Universal, 1936; MGM, 1951) and
THE ADVENTURES OF MARK TWAIN (Warner Bros., 1944)"
P13: Culture and Crisis in Africa
Room: Finback
Chair: Mark Kligerman (University of Michigan)
Sarah Brophy (McMaster University), "Shifting Targets: Assessing Concepts of Audience
in South African HIV/AIDS Programming"
Alex Fisher (University of Ulster), "Music and Decolonisation in African
Cinema"
Anne Ciecko (University of Massachusetts, Amherst), "Transmedia Stardom, Global
Audiences, and the Rise of the Afropop DVD"
Mark Kligerman (University of Michigan), "Touki Bouki and the Post-Colonial
Picaresque: Recasting the Journey Narrative in Contemporary West African
Cinema"
P14: Transnational Hollywood
Room: Port Alberni
Chair: Michael Kackman (University of Texas, Austin)
Michael Baskett (University of Kansas), "“Made in California For Enjoyment
Throughout the World” Japanese Perspectives on 1920s Hollywood"
Natasa Durovicova (University of Iowa), "How to make a European film: the Case of the
US Majors."
Michael Kackman (University of Texas, Austin), "The Pan-American Cowboys:
Internationally Syndicated Television Westerns in the 1950s"
P15: Disciplining Bodies
Room: Port Hardy
Chair: Olaf Hoerschelmann (Eastern Illinois University)
Gloria Shin (University of Southern California), "Tour de Lance: Invincibility,
George W. Bush and the Meaning of Lance Armstrong's Body"
Nathan Epley (University of North Carolina, Chapel Hill), "Performativity, Cultural
Capital, and Total-Makeover Television"
Lauri Mullens (Pomona College), "Either/Or, Both/And: Representing the Intersexed
Body in Contemporary Media"
Olaf Hoerschelmann (Eastern Illinois University), "Subjects of Reality: Transforming
the Self on Boot Camp and What Not to Wear"
Index
A B C D E F G H I J K L M N O P Q R S T U V W Y Z
A
Abbott, Stacey O10
Abel, Marco M5
Abramson, Leslie H5
Acevedo-Muñoz, Ernesto A15
Acland, Charles B4, M2
Affron, Mirella Jona J1
Affuso, Elizabeth D9
Afra, Kia E2
Ahn, Jiwon O7
Ahn, Soojeong A10
Akass, Kim O10
Al-Zobaidi, Sobhi K13
An, Grace F8
Andersen, Kara P2
Anderson, Carolyn O5
Anderson, Christopher K1
Anderson, Dana H15
Anderson, Juanita J13
Anderson, Mark Lynn A2, J5
Andersson, Lars Gustaf A5
Andrew, Dudley L7, N8
Anelise, Corseuil F14
Angerer, Marie-Luise C8
Ardizzoni, Michela B5
Aronson, Jen P9
Aronson, Michael J5, P9
Aronson, Nathan P9
Arora, Poonam M9
Arthur, Paul F1
Ascheid, Antje A11
Askari, Kaveh C1, K5
Aslinger, Benjamin F6
Auerbach, Jonathan E12
Austin-Smith, Brenda D6
Avalos, Adan M14
Azeredo, Genilda F14
B
Bainbridge, Caroline G9
Bainbridge, Jason P4
Baker, Aaron F3
Baker, Michael E12
Balcerzak, Scott E4
Balsom, Erika H6
Baltruschat, Doris B14
Banet-Weiser, Sarah J8, M12
Banks, Miranda N6
Banning, Kass D15
Barbas, Samantha P3
Barker, Jennifer C1
Barker, Martin M2
Barnes, Kristen O14
Barnett, Kyle F6
Baron, Cynthia B15
Baron, Rebecca F9
Baskett, Michael P14
Baxter, Peter O1
Beale, Alison B6
Bean, Jennifer D2
Beaty, Bart P4
Beavers, Karen I12
Beck, Chad C14
Beck, Jay D5
Becker, Christine K11
Becker, Ron H10
Becker, Snowden C12
Beckman, Karen F9
Beeler, Karin O11
Beeler, Stan I3
Bell-Metereau, Rebecca D8, O4
Belodubrovskaya, Maria F5
Belton, John G7
Beltran, Mary E1
Benamou, Catherine A8
Benshoff, Harry H5
Berg, Charles E8
Berghahn, Daniela N4
Berland, Jody F7
Bernardi, Daniel F3, L3
Bernstein, Matthew L1
Bertozzi, Vanessa D7
Best, Beverley H6
Betz, Mark H1
Biancorosso, Giorgio P12
Bielby, Denise B3, D3
Bilhalva, Cristiani C14
Bingham, Dennis K11
Bishko, Leslie C6
Bizzocchi, Jim L7
Blader, Enid H4
Blake, Bonnie M6
Blom, Ina L9
Boddy, William E8, G4
Bodroghkozy, Aniko L8, N12
Bogost, Ian H4
Bohlinger, Vincent F5
Boljkovac, Nadine O9
Booth, Paul H7
Boozer, Jack H8
Bottinelli, Jennifer B10
Boyd, Katrina B1
Braithwaite, Andrea N10
Branigan, Edward A8, J4
Braziel, Jana P1
Bredin, Marian B14
Brereton, Patrick A9
Brinkema, Eugenie P5
Brizuela, Natalia I15
Broderick, Mick E6
Broe, Dennis E2
Brooker, Will B3
Brookey, Robert H7
Brooks, Daphne J13
Brophy, Sarah P13
Buchan, Suzanne A4, C6
Buck, Julie C12
Buckland, Warren B2
Buddle, Kathleen G5
Buerkle, Robert K4
Bukatman, Scott A15
Burgoyne, Robert G6
Burt, Jonathan O15
Butler, Jeremy F4
Butsch, Richard J10
Byars, Jackie G8
C
Cagle, Robert G13
Cahill, James Leo J15
Campbell Grant, Leslie O11
Cante, Richard K6, L6
Capino, Jose I14
Carroll, Nathan H1
Cartwright, Lisa C8, J8
Cassidy, Marsha B8
Castonguay, James E7, H11
Catapano, Joan J8
Cavanagh, Robert I10
Chamberlain, Daniel N3
Champagne, Monica I10
Chao, Shi-Yan C9
Chase, Alisia H3
Chen, Jianhua N13
Chen, Jie M13
Chen, Shuli I6
Chen, Xiangyang C9
Chi, Robert N13
Chiang, Angie F10
Childress, Sarah O4
Chmielewska, Katarzyna I10
Cho, Lily G11
Choe, Steve J6
Choi, Jinhee B13
Chong, Sylvia G14
Chris, Cynthia J8, O15
Christensen, Jerome O4
Chua, Ling Yen A13
Chun, Wendy M15
Chung, Hye Jean G13
Chung, Hye Seung L13
Churchwell, Sarah B8, E11
Ciecko, Anne D15, P13
Classen, Steven M12
Coates, Norma B8, F6
Cobley, Paul K10
Codell, Julie G3
Cohan, Steven J3
Cohen, Thomas M11
Coleman, Beth M15
Colman, Felicity K12
Columpar, Corinn B1
Compton, Margaret C12
Conkwright, Kathy O4
Conley, Elizabeth C4
Connolly, Maeve H15
Conrich, Ian K12
Conway, Kelley G15
Cook, Ann-Marie N11
Cook Kenna, Laura J10
Coon, David A16
Cooper, Karen H9
Cooper, Mark J2
Corkin, Stanley P1
Corneil, Marit Kathryn O2
Corrigan, Timothy I9
Cortade, Ludovic G1
Courtney, Susan I12
Coxe, Brinton Tench F5
Crafton, Donald K7
Craig, Siobhan J11
Crane, David M7
Crealock, Martha H9
Crichlow, Warren E. H15
Crockett, Tobey E4
Cross, Alice G8
Crucianelli, Guy H2
Crutchfield, Susan D1
Cubitt, Sean A5
Cummings, Denise G5
Curry, Ramona I4
Curtis, Robin P6
Curtis, Scott J15
Czach, Elizabeth A10
D
D'Lugo, Marvin O12
Dabashi, Hamid M8
Dahlquist, Marina F15
Dapena, Gerard H14
Dass, Manishita B16
Davidson, John E. N4
Davis, Zeinabu F12
Dawson, Ashley N9
Dawson, Max A16
de Seife, Ethan A11
de Ville, Donna J1
DeAngelis, Michael O3
Decker, Todd P12
Deery, June H10
del Rio, Elena A4
Demirkoparan, Vuslat K9
Deppman, Hsiu-Chuang F8
DeRosia, Margaret G11
Desjardins, Mary O3
Dickinson, Kay N14
Dickinson, Peter F2
Diffrient, David E10
Dill, Janeann C6
Dione, Jill D11
Dixon, Wheeler Winston D8
Doane, Mary Ann P6
Doherty, Thomas L1
Dolak, Kelly D4, M13
Dombrowski, Lisa C1
Donelan, Carol D6
Donnelly, Kevin P12
Douglas, Andrew M6
Douglas, Jay A6
Dowell, Kristin P7
Drake, Philip B15
Drake, Susan Wiebe M14
Druick, Zoë L10
Duong, Lan J14
Durham, Scott J6
Durovicova, Natasa K9, P14
Dwyer, Kevin D13
Dzialo, Chris M9
E
Eberwein, Robert G3
Echchaibi, Nabil L14
Edwards, Richard N5
Edwards, Tonia B12
Ehrlich, Linda A9
Elkington, Trevor H7
Epley, Nathan P15
Erdem, Tuna K9
Ericsson, Susan C11
Esch, Kevin B15
Espiritu, Karen K10
Everett, Anna E7, H5
F
Faden, Eric I9
Faulkner, Larissa E3
Feeney, Megan K14
Feldman, Seth P5
Felleman, Susan I15
Feng, Peter X A13
Fenner, Angelica D15
Fernandez Labayen, Miguel D5
Fetveit, Arild L9
Fischer, Lucy J5
Fisher, Alex P13
Fitzpatrick, Kathleen G4, H4
Flanagan, Kevin I3
Flanders, Elle K13
Flaxman, Gregory J6, L6
Flinn, Caryl D12
Flinn, Margaret O9
Florini, Sarah F6
Fojas, Camilla E1
Fore, Steve I4
Forman, Murray P10
Foster, Derek G10
Foster, Gwendolyn Audrey D8
Fox, Broderick G6
Fox-Kales, Emily B11
Francis, Terri I12
Frankfurt, John C4
Freedman, Eric O6
Freire, Jose D10
Frey, Mattias C15
Friedberg, Anne E7
Friedman, Lester F3, J9
Friehs, Julia P1
Frome, Jonathan K4
Froula, Anna K10
Fu, Ping F8
Fu, Poshek N13
Fuchs, Cynthia I8, P8
Fuhrmann, Arnika H13
Fuhs, Kristen N5
Fuller, Jennifer N12
Fuqua, Joy A3
Furuhata, Yuriko E13
Fyfe, Stewart P7
G
Gabbard, Krin D12
Galaraga, Tom C10
Gallagher, Mark G2
Galloway, Alexander M15
Galt, Rosalind B16
Ganter, Brian P11
Garcia, Enrique I14
Gates, Racquel A12
Gatti, José O8
Gauch, Suzanne D13
Gauthier, Jennifer G5
Gaycken, Oliver J15, K5
Geller, Theresa L. L6
Gerow, Aaron K12
Gershenson, Olga F13
Gerstner, David J11
Gibel Azoulay, K. E1
Gibson, Brian A3
Gibson, Rich N9
Gill, Pat O10
Gillespie, Michael B12
Ginsberg, Raphael N10
Ginsberg, Terri K13
Girgus, Sam B. H6, O4
Gittings, Christopher E14
Glöde, Marc G1
Goldberg, Ruth H2
Goldfarb, Brian N7
Goldmark, Daniel K7
Golumbia, David P7
Gorbman, Claudia G15
Gore, Shannon G12
Gorfinkel, Elena I3
Grace, Pamela M9
Grajeda, Tony H11
Grant, Barry Keith H5
Grant, Kristen I12
Gray, Jonathan B3, L4
Graziano, Michael K6
Green, Laurence D15
Greene, Jane I2
Grieveson, Lee G1
Griffin, Hollis N11
Griffin, Sean J11
Griffiths, Alison M4
Grindon, Leger P2
Grisham, Therese J3
Grodal, Torben C5
Groening, Stephen C3
Gustafsson, Tommy B12
H
Haenni, Sabine M5
Hafsteinsson, Sigurjon Baldur B14
Haggins, Bambi F12
Hagopian, Kevin C2
Hake, Sabine N4
Hall, Barbara J12
Hall, Jonathan M. C11
Hall, Stefan H7
Hallas, Roger H4
Halle, Randall N4
Hallett, Hilary-Anne H9, O8
Haltof, Marek L5
Hamm-Ehsani, Karin A14
Hammett, Jennifer H6
Han, Min G13
Hansen, Mark M15
Hanson, Christopher N15
Haralovich, Mary Beth D8
Harbidge, Lesley N10
Hariharan, Veena M11
Hark, Ina L15
Harrington, C. Lee B3, D3
Harrison, Kelly B14
Hartouni, Valerie C8
Harvey, Sophia I2
Hashmi, Mobina P10
Hastie, Amelie K5
Hausken, Liv L9
Havens, Tim D3
Hawkins, Joan E9
Hay, James F7, P8
Hayward, Eva O15
He, Donghui I13
Hearne, JoAnna P7
Heidenreich, Nanna O13
Heimlich, Evan O8
Heinricy, Shana I11
Heitner, Devorah F12
Helfield, Gillian P5
Heller, Dana H10
Hendershot, Heather G6, J8
Henderson, Lisa M11
Heo, Chul G13
Herzog, Amy A4
Heuman, Josh J10
Higgins, Scott G7
Hilderbrand, Lucas D10
Hill, Erin P3
Hill, Rodney G15
Hillyer, Minette E14
Hirsch, Joshua C2
Hladki, Janice J14
Hoerschelmann, Olaf P15
Hoffman, Alison M11
Holmlund, Chris E1
Holt, Jennifer N3
Horne, Jennifer B4, J12
Howard, Christopher H3
Hrynyk, Alyson F5
Hu, Tung-Hui F1
Hunt, Susan G3
Huston, Shaun E2
I
Iftkhar, Shazia D7
Imre, Aniko J4
Ingvoldstad, Bjorn A1
J
Jackson, Lynne D4
Jaikumar, Priya E13
Jarrett, Michael I9
Jeffers McDonald, Tamar H3
Jenkins, Henry K4, L8
Jermyn, Deborah O10
Johnson, David D9
Johnson, Derek B3
Johnson, Jane J12
Johnson, Victoria E. P8
Johnson-Yale, Camille E2
Jones, Janna C12, H1
Jones, Jennifer I12
Joyce, Simon D2
Juhasz, Alex E9
Jungen, Christian O5
Jutel, Thierry E14
K
Kackman, Michael B8, P14
Kaewprasert, Oradol H13
Kahana, Jonathan F9
Kalinak, Kathryn D12
Kalinowska Blackwood, Izabela L5
Kane-Meddock, Derek A12
Kaplan, E. Ann F8, N13
Karlyn, Kathleen B11, D1
Kaspar, Stefan M8
Kavey, Allison J9
Kearney, Mary I7
Keathley, Christian I9
Keating, Patrick C1
Keeling, Kara J13
Keeton, Patricia H14, M8, N9
Keil, Charlie K5
Keller, Alexandra M1
Kemper, Tom N12
Kenaga, Heidi L8, P3
Kendrick, James L2
Kercher, Dona K14
Kercher, Stephen M10
Kerins, Mark L12
Kerner, Aaron O7
Ketcham, Jessica O6
Kim, Dong Hoon O13
Kim, Hyungshin L13
Kim, Suk-Young O13
Kinder, Marsha J4, K5
King, Homay F11
King, Neal A2
King, Rob D2
Kitamura, Hiroshi B13
Klein, Amanda E10
Kleinhans, Chuck F4
Kligerman, Mark P13
Klinger, Barbara B2
Knee, Adam H13
Knight, Arthur I3
Koch, Gertrud P6
Kompare, Derek P4
Konzett, Delia G14
Kotsopoulos, Patsy L10
Kozloff, Sarah H8
Kramer, Peter K2
Krapp, Peter E7
Kraszewski, Jon P8
Kreul, James J7
Krutnik, Frank N1
Kushner, Amy H2
L
Laakso, Hanna C5
LaCoss, Donald E13
Laderman, David P12
Lagerwey, Jorie H9
Lai, Linda Chiu-han H1
Laine, Tarja I2
Landy, Marcia J5
Lang, Robert D13
Langer, Mark G8, K7
Larkin, Maureen N2
Larson, Allen L15
Lathrop, Elizabeth A. E4
Lau, Jenny F8
Lawrence, Amy C3
Lawrie, Katherine I6
Lee, Hyung-Sook L13
Lee, Ji Yeon L13
Lee, Sangjoon A13
Lees, Lori F10
Lehman, Peter G3, L3
Leonard, Mary C14
Leonard, Suzanne E11
Leong, Lindy C12, D9
Leopard, Danny I7
Lerner, Neil C7
Lesage, Julia B9
Lester, Peter M2
Lev, Peter L2
Levine, Elana O3
Levitt, Deborah K6
Lewis, Jon F4
Limbrick, Peter E14
Linville, Susan K2
Lippard, Chris F13
Lippit, Akira M15
Lockhart, Tara O9
Loftus, Christopher A11
Longhurst, Brian B3
Lotz, Amanda K1
Lowenstein, Adam B16, I1
Lowry, Glen L10
Lu, Sheldon I13
Lucas, Christopher F4, L7
Lucia, Cynthia G8
Lugowski, David D12
Luhr, William G3
Lustyik, Katalin M12
Lykidis, Alex K9
M
Ma, Jean C11
Macek, Steve N9
Magnan-Park, Aaron G13
Majumdar, Neepa B7
Maland, Chuck L15
Maloley, Curtis N15
Man, Glenn G8, H8
Mann, Denise G2
Manojlovic, Maja N2
Marciniak, Katarzyna J14
Marcus, Daniel P10
Marks, Laura A4, D13
Marsh, Steven D5
Marshall, Bill D14
Martin, Andrew G9
Martin, Nina G2, K8
Martin, Randy M8
Martin-Jones, David D14
Martinez-Zalce, Graciela K15
Mascarello, Fernando C4
Mashon, Mike J12
Massood, Paula G8
Mathijs, Ernest M2
Maxwell, Richard L8
Maziad, Marwa B1
McAllister, Kirsten L10
McCabe, Janet O10
McCarthy, Anna B4
McCracken, Allison I8
McCullough, John E2
McDonald, Paul M3
McElhaney, Joe H5
McEwan, Paul G9
McGowan, Todd E9
McGrath, Caitlin H8
McHugh, Kathleen O14
McIntosh, David N7
McKim, Kristi N15
McKittrick, Casey N11
McLean, Adrienne L. A16
McMahan, Alison B2
McMurria, John B6
McNeil, Bryce I7
McPherson, Tara G4
McRoy, Jay H2
Meehan, Eileen M3
Meeuf, Russell M6
Mejia, Silvia O6
Meleiro, Alessandra H14
Mendik, Xavier M2
Meng, Victoria I4
Menne, Jeffrey F14
Metz, Walter F1
Metzger, Sean G14
Meyer, Imke B1
Meyers, Cynthia N3
Middents, Jeffrey K14
Middleton, Jason H11
Miller, Andrew E7
Miller, Margo N11
Miller, Toby L8
Mithani, Sam C2
Mittell, Jason L4
Miyao, Daisuke A14
Mizejewski, Linda B11, J2
Mizuno, Sachiko N14
Monroy, Juan P10
Monteyne, Kimberley E6, O14
Monti, Gloria B5
Moore, Candace I3
Moore, Paul S E8
Moriel, Liora K13
Morimoto, Lori N14
Morreale, Joanne H10
Morrison, James E9, H5
Mowitt, John B9
Mullen, Bill N9
Mullen, Megan O2
Mullens, Lauri P15
Mullins, Willow A1
Munoz, Maria N10
Murillo, Mario Alfonso C14
Murphy, Sheila M7
Murray, Susan D7
Musikawong, Sudarat H13
N
Nakahara, Tamao E5
Nasser, Jaime O12
Nathanson, Elizabeth B10
Naughton, Leonie H7
Neal, Mark Anthony B8
Negra, Diane E11
Neroni, Hilary O11
Neumann, Mark C12
Neupert, Richard G15, M6
Newman, Kathleen N8, O12
Newman, Michael L4
Newton, Darrell P1
Ng, Jenna E4
Ng, Kenny N13
Nguyen, Hoang Tan A7
Nguyen, Mimi I7
Niang, Sada C13
Nichols, Randy M3
Nichols-Pethick, Jonathan I10
Nochimson, Martha P J2
Noriega, Chon F15
Nucci, Mary E15
O
O'Healy, Aine J14
O'Keeffe, Moira G9
O'Reilly, Jean A2
O'Sullivan, Sean L4
Ohmer, Susan K7, L15
Ok, HyeRyoung O6
Okada, Jun E4
Olney, Ian K11
Olsson, Jan F15
Ongiri, Amy J13
Oren, Tasha L14
Orr, John C2, L5
Osborne-Thompson, Heather M10
Osman, Wazhmah D4
Østby Sæther, Susanne L9
Ostrowska, Elzbieta L5
Osucha, Eden H11
Ovalle, Priscilla Pena F3
Overhoff Ferreira, Carolin I14
P
Pagni, Charlotte N2
Paik, Peter O7
Palmer, Tim C11
Park, Jane G14
Parks, Lisa F7, L8
Paterson, Richard I5
Patterson, Alison A1
Patterson, Natasha I11
Patterson, Zabet J7
Pavlovic, Tatjana H12
Pavsek, Christopher A6
Pearlman, Susan C10
Pearson, Sarina J11
Pearson, Wendy P5
Peberdy, Donna D11
Pecora, Norma M12
Pendakur, Manjunath M3
Penman, Anne B8
Pentney, Beth A3
Perez, Gilberto L11
Perlman, Allison J10
Perren, Alisa N3
Perrine, Toni O15
Petersen, Jennifer F10, K5
Peterson, Jennifer J3
Petro, Patrice N8
Petty, Miriam A12
Petty, Sheila C13
Phillips, Alastair O1
Pidduck, Julianne G11
Pierson, Eric G12
Pieter, Aquilia A13
Pisters, Patricia D14
Plantinga, Carl D6
Plate, S. Brent A9
Platte, Nathan C7
Pomerance, Murray J9
Porter, Pete O15
Portuges, Catherine A14
Portwood-Stacer, Laura I11
Poster, Mark E7
Pramaggiore, Maria O5
Prelinger, Rick J12
Preston, Scott M9
Price, Brian A8, C15
Prime, Rebecca O5
Projansky, Sarah E6
Pugh, Emily A16
Punathambekar, Aswin B7
Q
Quandt, James A9
Quigley, Mark C12
R
Rabinovitz, Lauren L1
Radner, HIlary D1
Ragona, Melissa M1
Ramaeker, Paul L2
Ramirez Berg, Charles G8
Ramsay, Christine B14
Rapf, Joanna E. D2, K2
Raphael, Raphael B11
Rashkin, Elissa M14
Rehak, Bob C6, N6
Reich, Elizabeth B12
Reich, Jacqueline D11
Renov, Michael F1
Rentschler, Carrie K15
Resha, David P3
Restivo, Angelo J6, K6
Rhoades, Lance B5
Rhodes, Geoffrey Alan G10
Rhodes, John David C15
Rideout, Vanda B6
Riis, Johannes C5
Rippy, Marguerite P2
Robe, Chris P2
Roberts, Ben K6
Roberts, Martin L7
Robertson, Linda J9
Robinson, Chris E8
Robinson, Linda A15
Rodriguez Ortega, Vicente D5
Rogers, Kenneth M1
Romani, Rebecca F13
Rosen, Philip P6
Ross, E Wayne N9
Rothman, William L11
Ruetalo, Victoria H12
Ruh, Brian A13, M6
Ruppel, Marc H7
Russo, Alexander F2
Russo, Julie B10
Ruston, Scott C10
Ryan, Susan A3, D4
Røssaak, Eivind L9
S
Saljooghi, Azadeh F13
Samardzija, Zoran K9
Sandell, Jillian P11
Sandler, Kevin L3
Santana, Eduardo N7
Santo, Avi F4, P4
Saragoza, Alex M. B6
Sarkar, Bhaskar D10, N8
Sawchuk, Kim E15
Scandiffio, Theresa G5
Scarlata, Jessica I5
Schaefer, Eric C12, L3
Schaefer, Peter O3
Schauer, Bradley B2
Schimmel, Kimberly B3
Schlipphacke, Heidi P11
Schoonover, Karl B16
Schwartz, Louis L6
Schwartz, Margaret H14
Schwoch, James F7
Sconce, Jeffrey M10
Segal, Adam A12
Seibel, Alexandra E6
Seiter, Ellen M12
Selfe, Melanie C3
Selznick, Barbara D3
Sen, Meheli B7
Sen, Ruma D4
Sergi, Gianluca L12
Serna, Laura K14
Shahaf, Sharon L14
Shanahan, Maureen O1
Sharrett, Christopher C15, H5
Shary, Timothy D11, E6
Shenker, Noah L14
Shimizu, Celine P. F3
Shimpach, Shawn M4
Shin, Gloria P15
Shingler, Martin B15
Siegel, Carol I15
Siegel, Greg J15
Siegel, Marc M5
Sieving, Christopher N12
Siewert, Senta E12
Silberman, Robert I14
Simons, Jan C5
Sims, Yvonne G12
Singer, Ben E13
Siomopoulos, Anna L2
Siska, William A2
Slimmer, Joanna C10
Slocum, David H5
Smith, Angela N2
Smith, Dina J1
Smith, Greg P4
Smith, Jacob N6
Smith, Jeff N1
Smith, Jo A7
Smith-Rowsey, Daniel I5
Smith-Shomade, Beretta E. F12, G12
Smoodin, Eric J8, K3
Soares, Luiz-Felipe D14
Soares, Marcos H14
Sobchack, Vivian K8
Soderman, Anton A6
Soldovieri, Stefan M5
Solomon, Matthew N6
Sonnet, Esther N1
Sorenssen, Bjorn J1
Spadoni, Robert I2
Spence, Steve A15
Sperb, Jason E4
Spigel, Lynn K1
Sprengler, Christine B10
Springer, Claudia J11
Stacey, Jackie C8
Stahl, Matt P10
Staiger, Janet E3, K8
Stamp, Shelley F11
Stanfield, Peter N1
Stanley, Tarshia J13
Steele, Cynthia M14
Steinberg, Marc O7
Steinhart, Daniel E3
Stenger, Josh A12
Stevens, C. Kyle G1
Stevenson, Diane L11
Stewart, Michelle D10
Stober, Joanne J12, M2
Straw, Will K15
Strayer, Kirsten I1
Street, Sarah G7
Stringer, Julian A10
Studlar, Gaylyn H3
Sullivan, Rebecca E15
Sun, Zhen I13
Sundholm, John A5
Sutherland, Meghan A8, G2
Swamy, Vinay A14
Sweeney, Kevin K2
Szaloky, Melinda J4
Szeto, Kin Yan C9
T
Takacs, Stacy K10
Takahashi, Tess F9
Tan, Jia M13
Tandeciarz, Silvia G9
Tasker, Yvonne I8
Taylor, Greg I1
Tcheuyap, Alexie C13
Teixeira, Antonio João F14
Tepperman, Charles K3
Testa, Carlo E5
Thain, Alanna I4
Théberge, Paul E12
Thomas, Douglas K4
Thomas, Peter I5
Thompson, Ethan M10
Tierney, Dolores M. H12
Tinic, Serra D3
Tobias, James A6
Todd, Drew A7
Toles, George L11
Tomasulo, Frank P. K8
Torlasco, Domietta O9
Torre, Michele K5
Torres, Sasha B9
Trahair, Lisa L6
Trilnick, Carlos N7
Trimm, Ryan F2
Tropiano, Stephen E6
Tropp, Laura M12
Tryon, Charles G4
Tuer, Dot N7
Tweedie, James J6, N8
U
Udden, James B13
Uroskie, Andrew H15
Urquhart, Peter O2
Uskovich, David P11
V
VanderBurgh, Jen O2
Varga, Darrell P5
Venegas, Cristina O12
Vermillion, Billy D6
Vernallis, Carol C7
Vidal, Belen N14
Viera, João Luis O12
Villarejo, Amy A8
Vinson, Jacquelyn I11
Virdi, Jyotika B7
Volcic, Zala A1
Voss, Christiane P6
W
Wada-Marciano, Mitsuyo B13
Wager, Jans M4
Walden, Elizabeth N15
Waldman, Diane N5
Wallace, Aurora K15
Waller, Gregory K3, P9
Waller, Marguerite E5, J14
Walley, Jonathan I2
Walsh, Michael I6
Wang, Haizhou M13
Wang, Qi D9
Wang, Yiman M13
Ward, Frazer M1
Ward, Meredith J1
Warner, Charles R. I15
Warren, Charles L11
Wartenberg, Thomas J2
Wasko, Janet M3
Wasson, Haidee K3
Watson, William E5
Watts, Amber H10
Wearing, Sadie E11
Weber, Brenda G10
Wegenstein, Bernadette G10
Weis, Liz F10, G8
Weissmann, Elke I8
Wells, Paul K7
Wexman, Virginia B8
White, Debra G6
White, Michele G4
White, Patricia E9, F11
White, Susan E10
Whittington, William L12
Wiatr, Elizabeth B4
Widding, Astrid A5
Wiles, Mary D1, E6
Williams, Bruce I6
Williams, Karen F2
Williams, Linda O8
Williams, Mark G4
Willinsky, John F4
Willis, Andy H12
Wilson, Mary E3
Wilson, Pamela G5
Wilson, Ronald E8
Wissoker, Ken J8
Wojcik, Pamela J3
Wolf, Mark D7
Wolfe, Charles K2
Wong, Cindy N14
Wood, Aylish M4
Wood, Helen A3
Woodman, Brian G5
Woodward, Steven F10
Worthy, Kim A13
Wright, Benjamin L12
Y
Yang, Li A10
Yates, Candida G9
Yazdanpanah, Marie-Noelle P1
Yezbick, Daniel C7
Yockey, Matt G6
Yoon, Soyoung J7
Young, Bryan-Mitchell M7
Young, Paul C3
Young, Suzie K12
Yumibe, Joshua G7
Z
Zeng, Li C9
Zielinski, Ger M2
Zimmer, Catherine F11
Zimmermann, Patricia H11
Zryd, Michael C4