Print Page   |   Contact Us   |   Your Cart   |   Sign In   |   Register
Site-wide Search
Professional Notes 50.1
Share |

Professional Notes [Vol. 50, No. 1]

Edited by Eric Freedman, with Chris Robé

Recent Books

Abrahams, Anna, Claartje Opdam, and Mariska Graveland, eds. Film3: New Cubic Films from the Netherlands. Amsterdam, The Netherlands: Amsterdam University Press, 2010.

Albera, François, and Maria Tortajada, eds. Cinema Beyond Film: Media Epistemology in the Modern Era. Amsterdam, The Netherlands: Amsterdam University Press, 2010.

Amad, Paula. Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète. New York: Columbia University Press, 2010.

Armes, Roy. Arab Filmmakers of the Middle East: A Dictionary. Bloomington: Indiana University Press, 2010.

Beckman, Karen. Crash: Cinema and the Politics of Speed and Stasis. Durham, NC: Duke University Press, 2010.

Bennett, James. Television Personalities: Stardom and the Small Screen. New York: Routledge, 2010.

Boler, Megan, ed. Digital Media and Democracy: Tactics in Hard Times. Cambridge, MA: MIT Press, 2010.

Broderick, Mick, and Antonio Traverso, eds. Interrogating Trauma: Collective Suffering in Global Arts and Media. New York: Routledge, 2010.

Brookey, Robert Alan. Hollywood Gamers: Digital Convergence in the Film and Video Game Industries. Bloomington: Indiana University Press, 2010.

Burgoyne, Robert, ed. The Epic Film in World Culture. New York: Routledge, 2010.

Burns, Eric. Invasion of the Mind Snatchers: Television’s Conquest of America in the Fifties. Philadelphia, PA: Temple University Press, 2010.

Debrett, Mary. Reinventing Public Service Television for the Digital Future. Bristol, UK: Intellect Ltd, 2010.

Dixon, Wheeler Winston. A History of Horror. New Brunswick, NJ: Rutgers University Press, 2010.

Drew, William M. The Last Silent Picture Show: Silent Films on American Screens in the 1930s. Lanham, MD: Scarecrow Press, 2010.

Ensmenger, Nathan L. The Computer Boys Take Over: Computers, Programmers, and the Politics of Technical Expertise. Cambridge, MA: MIT Press, 2010.

Fuller, Karla Rae. Hollywood Goes Oriental: CaucAsian Performance in American Film. Detroit, MI: Wayne State University Press, 2010.

Gillan, Jennifer. Television and New Media: Must-Click TV. New York: Routledge, 2010.

Goggin, Gerard. Global Mobile Media. New York: Routledge, 2010.

Grau, Oliver, ed. MediaArtHistories. Cambridge, MA: MIT Press, 2010.

Gripsrud, Jostein. Relocating Television: Television in the Digital Context. New York: Routledge, 2010.

Harper, Graeme, and Jonathan Rayner, eds. Cinema and Landscape. Bristol, UK: Intellect Ltd, 2010.

Hjort, Mette, Eva Jørholt, and Eva Novrup Redvall, eds. The Danish Directors 2: Dialogues on the New Danish Fiction Cinema. Bristol, UK: Intellect Ltd, 2010.

Hutchings, Stephen, and Natalia Rulyova. Television and Culture in Putin’s Russia: Remote Control. New York: Routledge, 2010.

Kackman, Michael, Marnie Binfield, Matthew Thomas Payne, Allison Perlman, and Bryan Sebok, eds. Flow TV: Television in the Age of Media Convergence. New York: Routledge, 2010.

King, Homay. Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier. Durham, NC: Duke University Press, 2010.

Lacy, Suzanne. Leaving Art: Writings on Performance, Politics, and Publics, 1974-2007. Durham, NC: Duke University Press, 2010.

Lury, Karen. The Child in Film: Tears, Fears, and Fairy Tales. New Brunswick, NJ: Rutgers University Press, 2010.

Mactaggart, Allister. The Film Paintings of David Lynch: Challenging Film Theory. Bristol, UK: Intellect Ltd, 2010.

Marks, Laura U. Enfoldment and Infinity: An Islamic Genealogy of New Media Art. Cambridge, MA: MIT Press, 2010.

Minh-ha, Trinh T. Elsewhere, Within Here: Immigration, Refugeeism and the Boundary Event. New York: Routledge, 2010.

Mitchell, W. J. T., and Mark B. N. Hansen, eds. Critical Terms for Media Studies. Chicago, IL: University of Chicago Press, 2010.

Neibaur, James L. The Fall of Buster Keaton: His Films for MGM, Educational Pictures, and Columbia. Lanham, MD: Scarecrow Press, 2010.

Nelmes, Jill, ed. Analysing the Screenplay. New York: Routledge, 2010.

Newland, Paul, ed. Don’t Look Now: British Cinema in the 1970s. Bristol, UK: Intellect Ltd, 2010.

Odin, Jaishree K. Hypertext and the Female Imaginary. Minneapolis: University of Minnesota Press, 2010.

Rosenholm, Arja, Kaarle Nordenstreng, and Elena Trubina, eds. Russian Mass Media and Changing Values. New York: Routledge, 2010.

Sanders, Steven. Miami Vice. Detroit, MI: Wayne State University Press, 2010.

Spielmann, Yvonne. Video: The Reflexive Medium. Cambridge, MA: MIT Press, 2010.

Tobias, James. Sync: Stylistics of Hieroglyphic Time. Philadelphia, PA: Temple University Press, 2010.

Väliaho, Pasi. Mapping the Moving Image: Gesture, Thought and Cinema circa 1900. Amsterdam, The Netherlands: Amsterdam University Press, 2010.

Wasserman, Herman, ed. Popular Media, Democracy and Development in Africa. New York: Routledge, 2010.

Weiner, Robert G., and John Cline, eds. Cinema Inferno: Celluloid Explosions from the Cultural Margins. Lanham, MD: Scarecrow Press, 2010.

Weiner, Robert G., and John Cline, eds. From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema’s First Century. Lanham, MD: Scarecrow Press, 2010.

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Andrade, Chittaranjan, Nilesh Shah, and Basappa K. Venkatesh. "The Depiction of Electroconvulsive Therapy in Hindi Cinema,” Journal of ECT 26, no. 1 (March 2010): 16-22.

Audrey, Mariette. "‘Commitment Through the Work of Art,’ ‘Commitment Through the Name’: The Case of French Directors of ‘Social Films’ in the 1990s-2000s,” International Journal of Politics, Culture, and Society 23, no. 2-3 (September 2010): 157-173.

Bakke, Gretchen. "Dead White Men: An Essay on the Changing Dynamics of Race in US Action Cinema,” Anthropology Quarterly 83, no. 2 (Spring 2010): 400-428.

Batson-Savage, Tanya. "Through the Eyes of Hollywood: Reading Representations of Jamaicans in American Cinema,” Small Axe 14, no. 2 (June 2010): 42-55.

Bergen-Aurand, Brian. "Charting the Constellation of Mediterranean Cinema,” Journal of Intercultural Studies 31, no. 3 (June 2010): 271-283.

Blumer, Markie L. C. "And Action! Teaching and Learning Through Film,” Journal of Feminist Family Therapy 22, no. 3 (July 2010): 225-235.

Boyle, Karen. "Watch with Baby: Cinema, Parenting and Community,” European Journal of Cultural Studies 13, no. 3 (August 2010): 275-290.

Brégent-Heald, Dominique. "Women in Between: Filmic Representations of Gender, Race, and Nation in Ramona (1910) and The Barrier (1917) during the Progressive Era,” Frontiers: A Journal of Women Studies 31, no. 2 (2010): 145-176.

Cahill, Susan. "Through the Looking Glass: Fairy-Tale Cinema and the Spectacle of Femininity in Stardust and The Brothers Grimm,” Marvels & Tales 24, no. 1 (2010): 57-67.

Castro, William. "Staging the Ends of the Nation in Latin American Classical Cinemas: Notes Towards an Alternative Methodology,” Journal of Latin American Cultural Studies 19, no. 2 (August 2010): 115-167.

Chandra, Nandini. "Young Protest: The Idea of Merit in Commercial Hindi Cinema,”

Comparative Studies of South Asia, Africa and the Middle East 30, no. 1 (2010): 119-132.

Cucco, Marco. "The Borders of the Domestic Market and Their Importance for the Economy of the Film Industry: The Swiss Case Study,” European Journal of Communication 25, no. 2 (June 2010): 153-167.

Detmering, Robert. "Exploring the Political Dimensions of Information Literacy through Popular Film,” Libraries and the Academy 10, no. 3 (July 2010): 265-282.

Fojas, Camilla. "Foreign Domestics: The Filipino ‘Homefront’ in World War II Hollywood,” Comparative American Studies 8, no. 1 (March 2010): 3-21.

Friedman, Ryan Jay. "Enough Force to Shatter the Tale to Fragments: Ethics and Textual Analysis in James Baldwin's Film Theory,” ELH 77, no. 2 (Summer 2010): 385-412.

Grandy, Christine. "Paying for Love: Women’s Work and Love in Popular Film in Interwar Britain,” Journal of the History of Sexuality 19, no. 3 (September 2010): 483-507.

Handyside, Fiona. "Let’s Make Love: Whiteness, Cleanliness and Sexuality in the French Reception of Marilyn Monroe,” European Journal of Cultural Studies 13, no. 3 (August 2010): 291-306.

Hardwick, Joe. "Transports privés: Claire Denis’s Vendredi soir and the Mobile Urban Woman in French Cinema,” French Cultural Studies 21, no. 3 (August 2010): 192-201.

Hemelryk, Donald. "Tang Wei: Sex, the City and the Scapegoat in Lust, Caution,” Theory, Culture & Society 27, no. 4 (July 2010): 46-68.

Holden, Gerard. "World Politics, World Literature, World Cinema,” Journal of Interdisciplinary International Relations 24, no. 3 (July 2010): 381-400.

Howey, Ann F. "Going Beyond Our Directive: WALL-E and the Limits of Social Commentary,” Jeunesse: Young People, Texts, Cultures 2, no. 1 (Summer 2010): 45-70.

Irwin, Robert McKee. "Mexican Golden Age Cinema in Tito’s Yugoslavia,” Global South 4, no. 1 (Spring 2010): 151-166.

Kapczynski, Jennifer. "Still Motion: Dance and Stasis in the Weimer Operetta Film,” Seminar: A Journal of Germanic Studies 46, no. 3 (September 2010): 293-310.

Khouri, Malek. "Memory and the Reconciliation of Diasporas: Cinematic Trace of Arab National Identity in the Film Forget Baghdad,” Comparative Studies of South Asia, Africa and the Middle East 30, no. 1 (2010): 85-91.

Kim, Kyung Hyun. "Death, Eroticism, and Virtual Nationalism in the Films of Hong Sangsoo,” Azalea: Journal of Korean Literature and Culture 3 (2010): 135-169.

Leonard, Garry. "Tears of Joy: Hollywood Melodrama, Ecstasy, and Restoring Meta-Narratives of Transcendence in Modernity,” University of Toronto Quarterly 79, no. 2 (Spring 2010): 819-837.

Lobato, Ramon. "Creative Industries and Informal Economies: Lessons from Nollywood,” International Journal of Cultural Studies 13, no. 4 (July 2010): 337-354.

Modisane, Litheko. "Movie-ng the Public Sphere: The Public Life of a South African Film,” Comparative Studies of South Asia, Africa and the Middle East 30, no. 1 (2010): 133-146.

Narine, Neil. "Global Trauma and Narrative Cinema,” Theory, Culture & Society 27, no. 4 (July 2010): 119-145.

Nayar, Sheila J. "Reconfiguring the ‘Genuinely’ Religious Film: The Oral Contours of the Overabundant Epic,” Journal of the American Academy of Religion 78, no. 1 (March 2010): 100-128.

Ortner, Sherry B. "Access: Reflections on Studying up in Hollywood,” Ethnography 11, no. 2 (June 2010): 211-233.

Reynolds, Christopher, and Mark Brill. "On the Art and Craft of Film Music: A Conversation with James Newton Howard,” Hopkins Review 3, no. 3 (Summer 2010): 320-351.

Roussel, Violaine. "Making ‘A Political Movie that Does Not Take a Political Stand:’ Specialization and Depoliticization in American Cinema,” International Journal of Politics, Culture, and Society 23, no. 2-3 (September 2010): 137-155.

Schwan, Stephan, and Sermin Ildirar. "Watching Film for the First Time: How Adult Viewers Interpret Perceptual Discontinuities in Film,” Psychological Science 21, no. 7 (July 2010): 970-976.

Shaw, Ian Graham Ronald. "WALL-E’s World: Animating Badiou’s Philosophy,” Cultural Geographies 17, no. 3 (July 2010): 391-405.

Telmissany, May. "Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi’s Films,” Comparative Studies of South Asia, Africa and the Middle East 30, no. 1 (2010): 69-84.

Tetreault, Allison Serra, and Dorothy C. Lerman. "Teaching Social Skills to Children with Autism Using Point-of-View Video Modelling,” Education and Treatment of Children 33, no. 3 (August 2010): 395-419.

Trice, Jasmine Nadua. "The Quiapo Cinémathèque: Transnational DVDs and Alternative Modernities in the Heart of Manila,” International Journal of Cultural Studies 13, no. 5 (September 2010): 531-550.

Trivundza, Illija. "Slovene Film, National Identity and the Celluloid Hegemony of the Mythical Post-Independence Time,” Cultural Studies 24, no. 5 (September 2010): 662-689.

Williams, James S. "‘C’est le petit livre rouge/Qui fait que tout enfin bouge’: The Case for Revolutionary Agency and Terrorism in Jean-Luc Godard’s La Chinoise,” Journal of European Studies 40, no. 3 (September 2010): 206-218.

Winters, Ben, "The Non-Diegetic Fallacy: Film, Music, and Narrative Space,” Music & Letters 91, no. 2 (May 2010): 224-244.

Sign In


Forgot your password?

Haven't registered yet?

Latest News

 
Society for Cinema and Media Studies | 640 Parrington Oval | Wallace Old Science Hall, Room 300 | Norman, OK 73019 | 405-325-8075 | office@cmstudies.org