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Professional Notes - 50.2
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Professional Notes [Vol. 50, No. 2]

Edited by Eric Freedman, with Chris Robé

Recent Books

Andersson, Lars Gustaf, John Sundholm, and Astrid Söderbergh Widding, eds. A History of Swedish Experimental Film Culture: From Early Animation to Video Art. Bloomington: Indiana University Press, 2010.

Anker, Steve, Kathy Geritz, and Steve Seid, eds. Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000. Berkeley: University of California Press, 2010.

Belton, John, Sheldon Hall, and Steven Neale, eds. Widescreen Worldwide. Bloomington: Indiana University Press, 2010.

Berliner, Todd. Hollywood Incoherent: Narration in Seventies Cinema. Austin: University of Texas Press, 2010.

Burrett, Tina. Television and Presidential Power in Putin’s Russia. New York: Routledge, 2010.

Capino, José B. Dream Factories of a Former Colony: American Fantasies, Philippine Cinema. Minneapolis: University of Minnesota Press, 2010.

Chute, Hillary L. Graphic Women: Life Narrative and Contemporary Comics. New York: Columbia University Press, 2010.

Coleman, Donatella Spinelli. Filming the Nation: Jung, Film, Neo-Realism and Italian National Identity. New York: Routledge, 2010.

Farnell, Andy. Designing Sound. Cambridge, MA: MIT Press, 2010.

Ferrari, Chiara Francesca. Since When is Fran Drescher Jewish? Dubbing Stereotypes in The Nanny, The Simpsons, and The Sopranos. Austin: University of Texas Press, 2010.

Fisher, Jaimey, and Brad Prager, eds. The Collapse of the Conventional German Film and Its Politics at the Turn of the Twenty-First Century. Detroit, MI: Wayne State University Press, 2010.

Fiske, John. Reading the Popular, Second Edition. New York: Routledge, 2010.

———. Television Culture, Second Edition. New York: Routledge, 2010.

Freedman, Eric. Transient Images: Personal Media in Public Frameworks. Philadelphia, PA: Temple University Press, 2011.

Goble, Mark. Beautiful Circuits: Modernism and the Mediated Life. New York: Columbia University Press, 2010.

Gooptu, Sharmistha. Bengali Cinema: ‘An Other Nation.’ New York: Routledge, 2010.

Grant, Barry Keith. Shadows of Doubt: Negotiations of Masculinity in American Genre Films. Detroit, MI: Wayne State University Press, 2010.

Harper, Richard H. R. Texture: Human Expression in the Age of Communications Overload. Cambridge, MA: MIT Press, 2010.

Higgins, Scott. Arnheim for Film and Media Studies. New York: Routledge, 2010.

Hill, Annette. Paranormal Media: Audiences, Spirits and Magic in Popular Culture. New York: Routledge, 2010.

Jin, Dal Yong. Korea’s Online Gaming Empire. Cambridge, MA: MIT Press, 2010.

Karlyn, Kathleen Rowe. Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen. Austin: University of Texas Press, 2010.

Kerins, Mark. Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Bloomington: Indiana University Press, 2010.

Krabill, Ron. Starring Mandela and Cosby: Media and the End(s) of Apartheid. Chicago, IL: University of Chicago Press, 2010.

Kraidy, Marwan M., and Katherine Sender, eds. The Politics of Reality Television: Global Perspectives. New York: Routledge, 2010.

Krikorian, Gaëlle, and Amy Kapczynski, eds. Access to Knowledge in the Age of Intellectual Property. Cambridge, MA: MIT Press, 2010.

Leonard, Kendra Preston, ed. Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. Lanham, MD: Scarecrow Press, 2010.

Lukács, Gabriella. Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan. Durham, NC: Duke University Press, 2010.

Mackenzie, Adrian. Wirelessness: Radical Empiricism in Network Cultures. Cambridge, MA: MIT Press, 2010.

Marill, Alvin H. Movies Made for Television, 2005-2009. Lanham, MD: Scarecrow Press, 2010.

Moggridge, Bill. Designing Media. Cambridge, MA: MIT Press, 2010.

Mueller, Milton L. Networks and States: The Global Politics of Internet Governance. Cambridge, MA: MIT Press, 2010.

Napoli, Philip M. Audience Evolution: New Technologies and the Transformation of Media Audiences. New York: Columbia University Press, 2010.

Nelson, Lisa S. America Identified: Biometric Technology and Society. Cambridge, MA: MIT Press, 2010.

Nichols, Bill. Introduction to Documentary, Second Edition. Bloomington: Indiana University Press, 2010.

Papacharissi, Zizi, ed. A Networked Self: Identity, Community, and Culture on Social Network Sites. New York: Routledge, 2010.

Park, Jane Chi Hyun. Yellow Future: Oriental Style in Hollywood Cinema. Minneapolis: University of Minnesota Press, 2010.

Radner, Hilary. Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture. New York: Routledge, 2010.

Robé, Chris. Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture. Austin: University of Texas Press, 2010.

Robinson, Chris. Japanese Animation: Time Out of Mind. Bloomington: Indiana University Press, 2010.

Rosenbaum, Jonathan. Goodbye Cinema, Hello Cinephilia: Film Culture in Transition. Chicago, IL: University of Chicago Press, 2010.

Ruiz, W. Bryan Rommel. American History Goes to the Movies: Hollywood and the American Experience. New York: Routledge, 2010.

Saks, Lucia. Cinema in a Democratic South Africa: The Race for Representation. Bloomington: Indiana University Press, 2010.

Sciannameo, Franco. Nino Rota’s The Godfather Trilogy: A Film Score Guide. Lanham, MD: Scarecrow Press, 2010.

Sen, Krishna, and David Hill, eds. Politics and the Media in Twenty-First Century Indonesia: Decade of Democracy. New York: Routledge, 2010.

Singh, J. P. Globalized Arts: The Entertainment Economy and Cultural Identity. New York: Columbia University Press, 2010.

Streeter, Thomas. The Net Effect: Romanticism, Capitalism, and the Internet. New York: New York University Press, 2010.

Strub, Whitney. Perversion for Profit: The Politics of Pornography and the Rise of the New Right. New York: Columbia University Press, 2010.

Theodorakopoulos, Elena. Ancient Rome at the Cinema: Story and Spectacle in Hollywood and Rome. Exeter, UK: University of Exeter Press, 2010.

Thompson, Ethan. Parody and Taste in Postwar American Television Culture. New York: Routledge, 2010.

Werner, Mateusz, ed. Polish Cinema Now! Bloomington: Indiana University Press, 2010.

White, John. Westerns. New York: Routledge, 2010.

Wojcik, Pamela Robertson. The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975. Durham, NC: Duke University Press, 2010.

Yacowar, Maurice. Hitchcock’s British Films, Second Edition. Detroit, MI: Wayne State University Press, 2010.

Zipes, Jack. The Enchanted Screen: The Unknown History of Fairy-Tale Films. New York: Routledge, 2010.

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Akar-Vural, Ruken. "How Rural Schoolchildren and Teachers Read TV Dramas: A Case Study on Critical Media Literacy in Turkey,” Urban Education 45, no. 5 (September 2010): 740-763.

Bakke, Gretchen. "Dead White Men: An Essay on the Changing Dynamics of Race in US Action Cinema,” Anthropological Quarterly 83, no. 2 (Spring 2010): 401-428.

Barker, Jennifer. "Indifference, Identification, and Desire in Virginia Woolf’s Three Guineas, Leni Riefenstahl’s The Blue Light and Triumph of the Will, and Leontine Sagan’s Maedchen in Uniform,” Women in German Yearbook: Feminist Studies in German Literature & Culture 26 (2010): 73-96.

Burstein, Janet. "Through an American Lens: Dreaming Utopia in Early Israeli Cinema,” Studies in American Jewish Literature 29 (2010): 26-39.

Corkin, Stanley. "Sex and the City in Decline: Midnight Cowboy (1969) and Klute (1971),” Journal of Urban History 36, no. 5 (September 2010): 617-633.

Cox, Anna. "A New ‘Cinema of Attractions’? The Barcelona School’s Exhibitionist Loops,” Hispanic Review 78, no. 4 (Autumn 2010): 529-549.

Enfield, Jon. "‘A True Picture of Facts’: Cinematic Realism in Dreiser’s An American Tragedy,” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 66, no. 3 (Autumn 2010): 45-69.

Flynn, Kate. "Fat and the Land: Size Stereotyping in Pixar’s Up,”

Children’s Literature Association Quarterly 35, no. 4 (Winter 2010): 435-442.

Gilje, Øystein. "Multimodal Redesign in Filmmaking Practices: An Inquiry of Young Filmmakers’ Deployment of Semiotic Tools in Their Filmmaking Practice,” Written Communication 27, no. 4 (October 2010): 494-522.

Green, Jessica. "Understanding the Score: Film Music Communicating to and Influencing the Audience,” The Journal of Aesthetic Education 44, no. 4 (Winter 2010): 81-94.

Guill, Stacey. "‘Now You Have Seen It’: Ernest Hemingway, Joris Ivens, and The Spanish Earth,” The Hemingway Review 30, no. 1 (Fall 2010): 51-68.

Hay, James. "Too Good to Fail: Managing Financial Crisis Through the Moral Economy of Realty TV,” Journal of Communication Inquiry 34, no. 4 (October 2010): 382-402.

Hoyt, Eric. "Keeping it Real: Watching the World Watch TV,” World Policy Journal 27, no. 3 (Fall 2010): 47-55.

Kaganovsky, Lilya. "There Is No Acoustic Relation: Considerations on Sound and Image in Post-Soviet Film,” Qui Parle: Critical Humanities and Social Sciences 19, no. 1 (Fall/Winter 2010): 65-87.

Kotecki, Kristine. "Approximating the Hypertextual, Replicating the Metafictional: Textual and Sociopolitical Authority in Guillermo del Toro’s Pan’s Labyrinth,” Marvels & Tales 24, no. 2 (2010): 235-254.

Lam, Ling Hon. "Reading off the Screen: Toward Cinematic Il-literacy in Late 1950s Chinese Opera Film,” The Opera Quarterly 26, no. 2-3 (Spring-Summer 2010): 291-315.

Langfang, Mei, and Anne Rebull. "Befriending Eisenstein on My First Trip to the Soviet Union,” The Opera Quarterly 26, no. 2-3 (Spring-Summer 2010): 426-434.

Liu, Petrus, and Cui Zi’en. "The Communist International of Queer Film,” Positions: East Asia Cultures Critique 18, no. 2 (Fall 2010): 417-423.

Loftis, Sonya Freeman. "Mary Pickford as Shakespearean Shrew: Redefining the Image of America’s Sweetheart,” Shakespeare Bulletin 28, no. 3 (Fall 2010): 331-345.

Lury, Karen. "Children in an Open World: Mobility as Ontology in New Iranian and Turkish Cinema,” Feminist Theory 11, no. 3 (December 2010): 283-294.

McGrath, Jason. "Cultural Revolution Model Opera Films and the Realist Tradition in Chinese Cinema,” The Opera Quarterly 26, no. 2-3 (Spring-Summer 2010): 343-376.

Nolan, Jessica M. "An Inconvenient Truth Increases Knowledge, Concern, and Willingness to Reduce Greenhouse Gases,” Environment and Behavior 42, no. 5 (September 2010): 643-658.

O’Leary, Alan. "Italian Cinema and the ‘anni di piombo’,” Journal of European Studies 40, no. 3 (September 2010): 243-257.

Ohi, Kevin. "Voyeurism and Annunciation in Almodóvar’s Talk to Her,” Criticism 51, no. 4 (Fall 2010): 521-557.

Orne, Jennifer. "Narrative Desire and Disobedience in Pan’s Labyrinth,” Marvels & Tales 24, no. 2 (2010): 219-234.

Panayiotou, Alexi. "‘Macho’ Managers and Organizational Heroes: Competing Masculinities in Popular Films,” Organization 17, no. 6 (November 2010): 659-683.

Robinson, Meredith N. "Ciné woulé, ciné en progrès: An Investigation of the Francophone Caribbean Film Circuit, 1968-2010,” Small Axe 14, no. 3 (November 2010): 45-68.

Sinha, Madhumeeta. "Witness to Violence: Documentary Cinema and the Women’s Movement in India,” Indian Journal of Gender Studies 17, no. 3 (October 2010): 365-373.

Soderbergh, Steven. "Toward a Universal Cinema: A Talk with Steven Soderbergh,”

World Policy Journal 27, no. 3 (Fall 2010): 57-65.

Srinivas, Lakshmi. "Cinema Halls, Locality and Urban Life,” Ethnography 11, no. 1 (2010): 189-205.

———. "Cinema in the City: Tangible Forms, Transformations and the Punctuation of Everyday Life,” Visual Anthropology 23, no. 1 (2010): 1-12.

Stein, Rebecca L. "Explosive: Scenes from Israel’s Gay Occupation,” GLQ: A Journal of Lesbian and Gay Studies 16, no. 4 (2010): 517-536.

Thet, Tun Thura, Jin-Cheon Na, and Christopher S.G. Khoo. "Aspect-Based Sentiment Analysis of Movie Reviews on Discussion Boards,” Journal of Information Science 36, no. 6 (December 2010): 823-848.

Wasylak, Katarzyna. "Need for Speed: Anime, the Cinematic, and the Philosophical,”

Children’s Literature Association Quarterly 35, no. 4 (Winter 2010): 427-434.

Williams, Jennifer. "Gazes in Conflict: Lola Lola, Spectatorship, and Cabaret in The Blue Angel,” Women in German Yearbook: Feminist Studies in German Literature & Culture 26 (2010): 54-72.

Zanzana, Habib. "Domestic Violence and Social Responsibility in Contemporary Spanish Cinema: A Portfolio View of Behavioral Dynamics,” Hispania 93, no. 3 (September 2010): 380-398.

Ziv, Amalia. "Performative Politics in Israeli Queer Anti-Occupation Activism,” GLQ: A Journal of Lesbian and Gay Studies 16, no. 4 (2010): 537-556.

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