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Professional Notes 50.3
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Professional Notes [Vol. 50, No. 3]

Edited by Eric Freedman, with Chris Robé

Recent Books

Anderson, Mark Lynn. Twilight of the Idols: Hollywood and the Human Sciences in 1920s America. Berkeley: University of California Press, 2011.

Anderson, Steve F. Technologies of History: Visual Media and the Eccentricity of the Past. Hanover, NH: Dartmouth College Press, 2011.

Auerbach, Jonathan. Dark Borders: Film Noir and American Citizenship. Durham, NC: Duke University Press, 2011.

Bennett, James, and Niki Strange, eds. Television as Digital Media. Durham, NC: Duke University Press, 2011.

Benshoff, Harry M. Dark Shadows. Detroit, MI: Wayne State University Press, 2011.

Bordwell, David, and Kristin Thompson. Minding Movies: Observations on the Art, Craft, and Business of Filmmaking. Chicago, IL: University of Chicago Press, 2011.

Buchan, Suzanne. The Quay Brothers: Into a Metaphysical Playroom. Minneapolis: University of Minnesota Press, 2011.

Calleja, Gordon. In-Game: From Immersion to Incorporation. Cambridge, MA: MIT Press, 2011.

Carroll, Hamilton. Affirmative Reactions: New Formations of White Masculinity. Durham, NC: Duke University Press, 2011.

Corber, Robert J. Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema. Durham, NC: Duke University Press, 2011.

Cowie, Elizabeth. Recording Reality, Desiring the Real. Minneapolis: University of Minnesota Press, 2011.

Deaville, James, ed. Music in Television: Channels of Listening. New York: Routledge, 2011.

Donald, Ralph, and Karen MacDonald. Reel Men at War: Masculinity and the American War Film. Lanham, MD: Scarecrow Press, 2011.

Fox, Alistair. Jane Campion: Authorship and Personal Cinema. Bloomington: Indiana University Press, 2011.

Frost, Jennifer. Hedda Hopper’s Hollywood: Celebrity Gossip and American Conservatism. New York: New York University Press, 2011.

Gates, Kelly A. Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance. New York: New York University Press, 2011.

Griffin, Sean, ed. What Dreams Were Made Of: Movie Stars of the 1940s. New Brunswick, NJ: Rutgers University Press, 2011.

Gugler, Josef, ed. Film in the Middle East and North Africa: Creative Dissidence. Austin: University of Texas Press, 2011.

Hubbert, Julie, ed. Celluloid Symphonies: Texts and Contexts in Film Music History. Berkeley: University of California Press, 2011.

Jarman, Derek. Jubilee: Six Film Scripts. Minneapolis: University of Minnesota Press, 2011.

Jarman, Derek. Smiling in Slow Motion. Minneapolis: University of Minnesota Press, 2011.

Juhasz, Alexandra. Learning from YouTube. Cambridge, MA: MIT Press, 2011.

King, Homay. Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier. Durham, NC: Duke University Press, 2011.

Lunenfeld, Peter. The Secret War Between Downloading and Uploading: Tales of the Computer as Culture Machine. Cambridge, MA: MIT Press, 2011.

Markovitz, Jonathan. Racial Spectacles: Explorations in Media, Race, and Justice. New York: Routledge, 2011.

Mayer, Vicki. Below the Line: Producers and Production Studies in the New Television Economy. Durham, NC: Duke University Press, 2011.

McLean, Adrienne L. Glamour in a Golden Age: Movies Stars of the 1930s. New Brunswick, NJ: Rutgers University Press, 2011.

Miklitsch, Robert. Siren City: Sound and Source Music in Classic American Noir. New Brunswick, NJ: Rutgers University Press, 2011.

Pomerance, Murray. Michelangelo Red Antonio Blue: Eight Reflections on Cinema. Berkeley: University of California Press, 2011.

Smith, Jacob. Spoken Word: Postwar American Phonograph Cultures. Berkeley: University of California Press, 2011.

Spence, Louise, and Vinicius Navarro. Crafting Truth: Documentary Form and Meaning. New Brunswick, NJ: Rutgers University Press, 2011.

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Andermann, Jens. "State Formation, Visual Technology and Spectatorship: Visions of Modernity in Brazil and Argentina,” Theory, Culture, and Society 27 (December 2010): 161-183.

Asselberghs, Herman. "Late, Latest, Last” Afterthoughts and Footnotes on Godard’s Film Socialisme,” Afterall: A Journal of Art, Context and Enquiry 26 (Spring 2011): 89-99.

Baron, Guy. "Not Afraid to Search for a Critical Space: Discovering the Postmodern in Cuban Cinema. The Case of ¡Plaff! (o demasiado miedo a la vida), Romance Studies 29, no. 1 (January 2011): 54-65.

Barr, Charles. "‘Is it his war as well as hers?’—The View from Ealing,” Irish Studies Review 19, no. 1 (February 2011): 31-40.

Bednarek, Monika. "Expressivity and Televisual Characterization,” Language and Literature 20 (February 2011): 3-21.

Carterer, James. "Reinventing the British Film Industry: The Group Production Plan and the National Lottery Franchise Scheme,” International Journal of Cultural Policy 17, no. 1 (January 2011): 94-105.

Collins, Victoria Ellen, Amanda L. Farrell, Jesse R. McKee, Favin Alejandro, and Elizabeth Monk-Turner. "The State of Coverage: The Media’s Representation of International Issues and State Crime,” International Criminal Justice Review 21, no. 1 (March 2011): 5-21.

Cushman, Ellen. "New Media Scholarship and Teaching: Challenging the Hierarchy of Signs,” Pedagogy 11, no. 1 (Winter 2011): 63-79.

Fisher, Jaimey. "Coming to Terms with the Nuclear Past: Transnational Paranoia and Chernobyl in Recent German Cinema,” German Review 86, no. 1 (Spring 2011): 1-22.

Gerhardt, Christina. "Narrating Terrorism: Kristina Konrad’s Grobe Freiheit, Kleine Freiheit,” Seminar: A Journal of Germanic Studies 47, no. 1 (February 2011): 64-80.

Gershenson, Olga. "‘Is Israel Part of Russia?’: Immigrants on Russian and Israeli Screens,” Israel Affairs 17, no. 1 (January 2011): 164-176.

Gervais, Sarah J., Theresa K. Vescio, and Jill Allen. "When What You See Is What You Get: The Consequences of the Objectifying Gaze for Women and Men,” Psychology of Women Quarterly 35, no. 1 (March 2011): 5-17.

Gugler, Josef. "African Films in the Classroom,” African Studies Review 53, no. 3 (December 2010): 1-17.

Holohan, Conn. "Dreaming of Home: Migrant Spaces in Felicia’s Journey,” Irish Studies Review 19, no. 1 (February 2011): 87-97.

Hughey, Matthew W. "Re-membering Black Greeks: Racial Memory and Identity in Stomp the Yard,” Critical Sociology 37, no. 1 (January 2011): 103-123.

Johnson, Daniel Morley. "From the Tomahawk Chop to the Road Block: Discourses of Savagism in Whitestream Media,” The American Indian Quarterly 35, no. 1 (Winter 2011): 104-134.

Käng, Dredge Byung’chu. "Queer Media Loci in Bangkok: Paradise Lost and Found in Translation,” GLQ: A Journal of Lesbian and Gay Studies 17, no. 1 (2011): 169-191.

Kertzer, Adrienne. "Fidelity, Felicity, and Playing Around in Wes Anderson’s Fantastic Mr. Fox,” Children’s Literature Association Quarterly 36, no.1 (Spring 2011): 4-24.

Kim, Youna. "Diasporic Nationalism and the Media: Asian Women on the Move,” International Journal of Cultural Studies 14, no. 2 (March 2011): 133-151.

Kirkham, Pat. "Reassessing the Saul Bass and Alfred Hitchcock Collaboration,” West 86th 18, no. 1 (Spring-Summer 2011): 50-85.

Laasch, Oliver, and Roger N. Conaway. "‘Making It Do’ at the Movie Theatres: Communicating Sustainability in the Workplace,” Business Communication Quarterly 74, no. 1 (March 2011): 68-78.

Lehman, Daniel W. "Tsotsi Transformed: Retooling Thol Fugard for the Thabo Mbeki Era,” Research in African Literature 42, no. 1 (Spring 2011): 87-101.

Lipman, Jana K. "‘The Face Is the Road Map’: Vietnamese Amerasians in U.S. Political and Popular Culture, 1980-1988,” Journal of Asian American Studies 14, no. 1 (February 2011): 33-68.

Luzzi, Joseph. "Reassessing Rossellini,” American Scholar 80, no. 1 (Winter 2011): 102-106.

McMahon, Laura. "The Justice of Images: Between Derrida and Nancy,” Modern and Contemporary France 19, no. 1 (February 2011): 1-16.

Mueller, Gabriele. "Surviving Ourselves: Mothers, Clones, and the Legacy of 1968 in Blueprint (2003) and The Elementary Particles (2006),” German Politics and Society 28, no. 4 (December 2010): 1-18.

Nanda, Satyajeet. "Media Exposure, Gender Stereotype and Contextual Stigma Perceptions about HIV and AIDS: Evidences from Gujarat, India,” Journal of Health Management 12, no. 4 (December 2010): 461-481.

O’Leary, Alan, and Catherine O’Rawe. "Against Realism: On a ‘Certain Tendency’ in Italian Film Criticism,” Journal of Modern Italian Studies 16, no. 1 (January 2011): 107-128.

Öz, Özlem, and Kaya Ozkaracalar. "What Accounts for the Resilience and Vulnerability of Clusters? The Case of Istanbul’s Film Industry,” European Planning Studies 19, no. 3 (March 2011): 361-378.

Park, Jane Chi Hyun. "Ghostliness in Asian Diasporic Film and Literature,” Asian Studies Review 35, no. 1 (March 2011): 106-113.

Partridge, Tony, and Maria Diaz-Caneja. "Art as Revelation: Andrei Tarkovsky’s Films and the Insights of Victor Erice,” Journal of European Studies 41, no. 1 (March 2011): 23-43.

Petitt, Lance. "Irish Exilic Cinema in England,” Irish Studies Review 19, no. 1 (February 2011): 41-54.

Pippin, Robert B. "Agency and Fate in Orson Welles’s The Lady from Shanghai,” Critical Inquiry 37, no. 2 (Winter 2011): 214-244.

Ponzanesi, Sandra. "Europe in Motion: Migrant Cinema and the Politics of Encounter,” Social Identities 17, no. 1 (January 2011): 73-92.

Prince, Stephen. "Remaking Kurosawa: Translations and Permutations in Global Cinema,” Journal of Japanese Studies 37, no. 1 (Winter 2011): 229-233.

Raw, Laurence. "Henry James on the BBS Third Programme 1946-1970,” The Henry James Review 32, no. 1 (Winter 2011): 87-96.

Rethmann, Petra. "West German Radical History Seen From the 1980s: Projekt Artur and the Refusal of Political Confiscation,” Seminar: A Journal of Germanic Studies 47, no. 1 (February 2011): 46-63.

Salovaara-Moring, Inka, and Kirsi Maunula. "Geographies of Media and Power: The United States in Finnish Media Discourse, 1984-2009,” International Journal of Cultural Studies 14, no. 1 (January 2011): 91-111.

Scheufler, Eric. "The Ghosts of Autumn Past: History, Memory, and Identity in Christian Petzoid’s Die Innere Sicherheit,” Seminar: A Journal of Germanic Studies 47, no. 1 (February 2011): 103-120.

Stadler, Jane. "Oreo, Topdeck and Eminem: Hybrid Identities and Global Media Flows,” International Journal of Cultural Studies 14, no. 2 (March 2011): 153-172.

Vissers, Sara, Marc Hooghe, Dietlind Stolle, and Valérie-Anne Mahé. "The Impact of Mobilization Media on Off-Line and Online Participation: Are Mobilization Effects Medium-Specific?” Social Science Computer Review 29, no. 2 (April 2011): 1-18.

Whittaker, Tom. "Between the Dirty and the Pretty: Bodies in Utopia in Dirty Pretty Things,” International Journal of Cultural Studies 14, no. 2 (March 2011): 121-132.

Williams, James S. "Framing Exclusion: The Politics of Space in Laurent Cantet’s Entre les murs,” French Studies: A Quarterly Review 65, no. 1 (January 2011): 61-73.


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