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Professional Notes 50.4
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Professional Notes 50.4

Edited by Eric Freedman, with Chris Robé

Recent Books

Bean, Jennifer, ed.Flickers of Desire: Movie Stars of the 1910s.New Brunswick, NJ: Rutgers University Press, 2011.

Bennett, Peter, Alex Kendall, and Julian McDougall.After the Media: Culture and Identity in the 21stCentury.New York: Routledge, 2011.

Bolton, Kingsley, and Jan Olsson, eds.Media, Popular Culture, and the American Century.Bloomington: Indiana University Press, 2011.

Chopra, Rohit, and Radhika Gajjala, eds.Global Media, Culture, and Identity.New York: Routledge, 2011.

Coleman, Robin R. Means.Horror Noire: Blacks in American Horror Films from the 1890s to Present.New York: Routledge, 2011.

Curran, James.Media and Democracy.New York: Routledge, 2011.

Eisenschitz, Bernard.Nicholas Ray: An American Journey.Minneapolis: University of Minnesota Press, 2011.

Friedman, Ryan Jay.Hollywood’s African American Films.New Brunswick, NJ: Rutgers University Press, 2011.

Goldmark, Daniel, and Charlie Keil, eds.Funny Pictures: Animation and Comedy in Studio-Era Hollywood.Berkeley: University of California Press, 2011.

Grindon, Leger.Hollywood Romantic Comedy: Conventions, History, Controversies.Malden, MA: Wiley-Blackwell, 2011.

———.Knockout: The Boxer and Boxing in American Cinema.Jackson: University Press of Mississippi, 2011.

Holt, Jennifer.Empires of Entertainment: Media Industries and the Politics of Deregulation, 1980-1996.New Brunswick, NJ: Rutgers University Press, 2011.

Huhtamo, Erkki, and Jussi Parikka, eds.Media Archaeology: Approaches, Applications, and Implications.Berkeley: University of California Press, 2011.

Kearney, Mary Celeste, ed.The Gender and Media Reader.New York: Routledge, 2011.

Klevan, Andrew, and Alex Clayton, eds.The Language and Style of Film Criticism.New York: Routledge, 2011.

Lacy, Michael G., and Kent A. Ono, eds.Critical Rhetorics of Race.New York: New York University Press, 2011.

Lowood, Henry, and Michael Nitsche, eds.The Machinima Reader.Cambridge, MA: MIT Press, 2011.

Markovitz, Jonathan.Racial Spectacles: Explorations in Media, Race, and Justice.New York: Routledge, 2011.

Murphy, Sheila C.How Television Invented New Media.New Brunswick, NJ: Rutgers University Press, 2011.

Polan, Dana.Julia Child’sThe French Chef. Durham, NC: Duke University Press, 2011.

Pomerance, Murray, and R. Barton Palmer, eds.A Little Solitaire: John Frankenheimer and American Film.New Brunswick, NJ: Rutgers University Press, 2011.

Tasker, Yvonne.Soldier’s Stories: Military Women in Cinema and Television since World War II.Durham, NC: Duke University Press, 2011.

Tieber, Claus.Stummfilmdramaturgie. Erzählweisen des amerikanischen

Feature Films 1917 - 1927. Münster: Lit Verlag, 2011

Werner, Mateusz, ed.Polish Cinema Now!Bloomington: Indiana University Press, 2011.

Wong, Cindy Hing-Yuk.Film Festivals: Culture, People, and Power on the Global Screen.New Brunswick, NJ: Rutgers University Press, 2011.

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Ashkenazi, Ofer. "Ridiculous Trauma: Comic Representations of the Nazi Past in Contemporary German Visual Culture,”Cultural Critique, no. 78 (Spring 2011): 88-118.

Asselberghs, Herman. "Late, Latest, Last: Afterthoughts and Footnotes on Godard’sFilm Socialisme,”Afterall: A Journal of Art, Context, and Enquiry26 (Spring 2011): 89-99.

Barham, Jeremy. "Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann’s Op. 15, No. 7,”19th-Century Music34, no. 3 (Spring 2011): 271-301.

Barthel-Bouchier, Diane. "Exportability of Films in a Globalizing Market: The Intersection of Nation and Genre,”Cultural Sociology(June 2011): 1-17.

Bertz, Ned, Isabel Hofmeyr, and Preben Kaarsholm. "Indian Ocean World Cinema: Viewing the History of Race, Diaspora, and Nationalism in Urban Tanzania,”

Print Cultures, Nationalisms and Publics of the Indian Ocean81, no. 1 (2011): 68-88.

Bial, Henry. "Jew Media: Performance and Technology for the 58th Century,”

TDR: The Drama Review55, no. 3 (Fall 2011): 134-143.

Bose, Brinda. "Cities, sexualities and modernities: A reading of Indian cinema,”Thesis Eleven105, no. 1 (May 2011): 44-52.

Cheshire, Godfrey. "Personal in My Memory”: The South in Popular Film,”Southern Cultures17, no. 3 (Fall 2011): 28-38.

Chiu, Kuei-Fen. "The Question of Translation in Taiwanese Colonial Cinematic Space,”The Journal of Asian Studies70, no. 1 (2011): 77-97.

Chua, Daniel K. L. "Listening to the Self:The Shawshank Redemptionand the Technology of Music,”19th-Century Music34, no. 3 (Spring 2011): 341-355.

Chui, Jane Wong Yeang. "Idealizing and Unraveling the Possibilities of Virtual Realities in Kevin Kerr’sSpine,”TDR: The Drama Review55, no. 3 (Fall 2011): 173-177.

Citron, Marcia J. "The Operatics of Detachment: Tosca in the James Bond FilmQuantum of Solace,”19th-Century Music34, no. 3 (Spring 2011): 316-340.

Comeau, Philip, and Ruth King. "Media Representations of Minority French: Valorization, Identity, and theAcadiemanPhenomenon,”The Canadian Journal of Linguistics56, no. 2 (July 2011): 179-202.

Cortés-Conde, Florencia. "Telling Identities: Crime Narratives for Local and International Markets inMaría, Full of Grace(Marston, 2004) andRosario Tijeras(Maillé, 2005),”Studies in Latin American Popular Culture29 (2011): 80-101.

De Ceglia, Francesco Paolo. "From the Laboratory to the Factory, By Way of the Countryside: Fifty Years of Italian Scientific Cinema (1908–1958),”Public Understanding of Science(July 2011): 1-19.

Dunca, Rebecca Stephens. "ReadingSlumdog Millionaireacross Cultures,”The Journal of Commonwealth Literature46, no. 2 (June 2011): 311-326.

Dwyer, Rachel. "The case of the missing Mahatma: Gandhi and the Hindi cinema,”Public Culture23, no. 2 (2011): 349-376.

Faulk, Barry J. "New Left in Victorian Drag: The Rolling StonesRock and Roll Circus,”Texas Studies in Literature and Language53, no. 2 (Summer 2011): 138-158.

Freedman, Jonathan. "Graves and Images:Once Upon a Time in Americaand the Unmaking of Jewish Memory,”TDR: The Drama Review55, no. 3 (Fall 2011): 124-133.

Friedlander, Larry. "Friending the Virgin: Some Thoughts on the Prehistory of Facebook,”SAGE Open(July 2011): 1-14.

Frosh, Paul. "Phatic Morality: Television and Proper Distance,”International Journal of Cultural Studies14, no. 4 (July 2011): 383-400.

Greenhill, Pauline, and Steven A. Kohm. "Pedophile Crime Films as Popular Criminology: A problem of Justice?”Theoretical Criminology15, no. 2 (May 2011): 195-215.

Hallam, Julia, and Les Roberts. "Mapping, Memory and the City: Archives, Databases and Film Historiography,”European Journal of Cultural Studies14, no. 3 (June 2011): 355-372.

Hallet, Hilary A. "Based on a True Story: New Western Women and the Birth of Hollywood Based on a True Story,”Pacific Historical Review80, no. 2 (May 2011): 177-210.

Hudson, Dale. "Transpolitical Spaces in Transnational French Cinemas: Vampires and the Illusions of National Borders and Universal Citizenship,”French Cultural Studies22, no. 2 (May 2011): 111-126.

Hui, Wang, and Nathaniel Proctor. "Jia Zhangke's World and China's Great Transformation: A Revised Version of a Speech Given at "TheStill LifeSymposium" at Fenyang High School,”Positions: East Asia Cultures Critique19, no. 1 (Spring 2011): 217-228.

Jeanjean, Stéphanie. "Disobedient Video in France in the 1970s: Video Production by Women’s Collectives,”Afterall: A Journal of Art, Context, and Enquiry27 (Summer 2011): 5-16.

Kim, Jenna, and Adrienne Lo. "Manufacturing Citizenship: Metapragmatic Framings of Language Competencies in Media Images of Mixed Race Men in South Korea,”Discourse & Society22, no. 4 (July 2011): 440-457.

Kim, Suk-Young. "Dressed to Kill: Women’s Fashion and Body Politics in North Korean Visual Media (1960s-1970s),”Positions: East Asia Cultures Critique19, no. 1 (Spring 2011): 159-191.

Landy, Joshua. "Still Life in a Narrative Age: Charlie Kaufman’sAdaptation,”Critical Inquiry37, no. 3 (Spring 2011): 497-514.

MacDonald, Tanis. "’Out by Sixteen’: Queer(ed) Girls inGinger Snaps,”Jeunesse: Young People, Texts, Cultures3, no. 1 (Summer 2011): 58-79.

Marks, Martin. "Screwball Fantasia: Classical Music inUnfaithfully Yours,”19th-Century Music34, no. 3 (Spring 2011): 237-270.

Munk, Yael. "Ethics and Responsibility: The Feminization of the New Israeli Documentary,”Israel Studies16, no. 2 (Summer 2011): 151-164.

Myrsiades, Linda. "Heroic Identity in the Dilessi Affair, Aris Velouhiotis, and Alexander: A Reading of Angelopoulos’sMegalexandros,”College Literature38, no. 4 (Fall 2011): 44-56.

Platte, Nathan. "Dream Analysis: Korngold, Mendelssohn, and Musical Adaptations in Warner Bros.’A Midsummer Night’s Dream(1935),”19th-Century Music34, no. 3 (Spring 2011): 211-236.

Pontara, Tobias. "Beethoven Overcome: Romantic and Existentialist Utopia in Andrei Tarkovsky’sStalker,”19th-Century Music34, no. 3 (Spring 2011): 302-315.

Powrie, Phil. "Algeria and Women in Two 1960s Film Adaptations of the Carmen Narrative,”French Cultural Studies22, no. 2(May 2011): 127-136.

Roy, Ananya. "Slumdog Cities: Rethinking Subaltern Urbanism,”

International Journal of Urban and Regional Research35, no. 2 (2011): 223-238.

Ruoff, Jeffrey. "The Gulf War, the Iraq War, and Nouri Bouzid’s Cinema of Defeat:It’s Scheherazade We’re Killing(1993) andMaking Of(2006),”South Central Review28, No. 1 (Spring 2011): 18-35.

Smolin, Jonathan. "Burning the Past: Moroccan Cinema of Illegal Immigration,”South Central Review28, No. 1 (Spring 2011): 74-89.

Solomon, Alisa. "Balancing Act: Fiddler’s Bottle Dance and the Transformation of ‘Tradition’,”TDR: The Drama Review55, No. 3 (Fall 2011): 21-30.

Weissmann, Elke. "Conventionally Beautiful: Contemplative Images in the Personal Reflective Narratives ofWho Do You Think You Are?”European Journal of Cultural Studies14, no. 2 (May 2011): 195-211.

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