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Professional Notes 51.1
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Recent Books

Aalberg, Toril, and James Curran, eds.  How Media Inform Democracy: A Comparative Approach. New York: Routledge, 2011.

Acland, Charles R.  Swift Viewing: The Popular Life of Subliminal Influence.  Durham, NC: Duke University Press, 2011.

Acland, Charles R., and Haidess Wasson, eds.  Useful Cinema. Durham, NC: Duke University Press, 2011.

Aneesh, A., Lane Hall, and Patrice Petro, eds. Beyond Globalization: Making New Worlds in Media, Art, and Social Practices.  New Brunswick, NJ: Rutgers University Press, 2011.

Balsamo, Anne.  Designing Culture: The Technological Imagination at Work.  Durham, NC: Duke University Press, 2011.

Bateman, John, and Karl-Heinrich Schmidt.  Multimodal Film Analysis: How Films Mean.  New York: Routledge, 2011.

Biltereyst, Daniel, Richard Maltby, and Philippe Meers, eds.  Cinema Audiences and Modernity: New Perspectives on European Cinema History.  New York: Routledge, 2011.

Bogost, Ian.  How to Do Things with Videogames.  Minneapolis: University of Minnesota Press, 2011.

Bozak, Nadia.  The Cinematic Footprint: Lights, Camera, Natural Resources.  New Brunswick, NJ: Rutgers University Press, 2011.

Chong, Sylvia Shin Huey.  The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era.  Durham, NC: Duke University Press, 2011.

Clark, Robin.  Meaningful Games: Exploring Language with Game Theory.  Cambridge, MA: MIT Press, 2011.

Coleman, B.  Hello Avatar: Rise of the Networked Generation.  Cambridge, MA: MIT Press, 2011.

Crawford, Garry, Victoria K. Gosling, and Ben Light, eds. Online Gaming in Context: The Social and Cultural Significance of Online Games.  New York: Routledge, 2011.

Crogan, Patrick.  Gameplay Mode: War, Simulation, and Technoculture.  Minneapolis: University of Minnesota Press, 2011.

Deibert, Ronald J., John G. Palfrey, Rafal Rohozinski, and Jonathan Zittrain, eds.  Access Contested: Security, Identity, and Resistance in Asian Cyberspace.  Cambridge, MA: MIT Press, 2011.

Dixon,Wheeler Winston, and Gwendolyn Audrey Foster.  21st-Century Hollywood: Movies in the Era of Transformation.  New Brunswick,NJ:Rutgers University Press, 2011.

Ellis,John.  Documentary: Witness and Self-Revelation. New York: Routledge, 2011.

Farman, Jason.  Mobile Interface Theory: Embodied Space and Locative Media.  New York: Routledge, 2011.

Fitzpatrick, Kathleen.  Planned Obsolescence: Publishing, Technology, and the Future of the Academy.  New York: New York University Press, 2011.

Foth, Marcus, Laura Forlano, Christine Satchell, and Martin Gibbs, eds.  From Social Butterfly to Engaged Citizen: Urban Informatics, Social Media, Ubiquitous Computing, and Mobile Technology to Support Citizen Engagement.  Cambridge, MA: MIT Press, 2011.

Furby, Jacqueline, and Claire Hines.  Fantasy.  New York: Routledge, 2011.

Gaudreault, André.  Film and Attraction: From Kinematography to Cinema.  Champaign: University of Illinois Press, 2011.

Goriunova, Olga.  Art Platforms and Cultural Production on the Internet.  New York: Routledge, 2011.

Hanich, Julian. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear.  New York: Routledge, 2011.

Hegde, Radha S., ed. Circuits of Visibility: Gender and Transnational Media Cultures.  New York: New York University Press, 2011.

Hemelryk Donald, Stephanie, Theresa Dirndorfer Anderson, and Damien Spry, eds. Youth, Society and Mobile Media in Asia.  New York: Routledge, 2011.

Hilmes, Michele.  Network Nations: A Transnational History of British and American Broadcasting.  New York: Routledge, 2011.

Kim, Kyung Hyun.  Virtual Hallyu: Korean Cinema of the Global Era.  Durham, NC: Duke University Press, 2011.

Kim, Youna. Transnational Migration, Media and Identity of Asian Women: Diasporic Daughters.  New York: Routledge, 2011.

King, Claire Sisco.  Washed in Blood: Male Sacrifice, Trauma, and the Cinema.  New Brunswick, NJ: Rutgers University Press, 2011.

Ko, Mika.  Japanese Cinema and Otherness: Nationalism, Multiculturalism and the Problem of Japaneseness.  New York: Routledge, 2011.

Leider, Emily W.  Myrna Loy: The Only Good Girl in Hollywood.  Berkeley: University of California Press, 2011.

Lindvall, Terry, and Andrew Quicke.  Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986.  New York: New York University Press, 2011.

Magnet, Shoshana Amielle.  When Biometrics Fail: Gender, Race, and the Technology of Identity.  Durham, NC: Duke University Press, 2011.

Martin, Florence. Screens and Veils: Maghrebi Women’s Cinema.  Bloomington: Indiana University Press, 2011.

McLeod, Kembrew, and Peter DiCola. Creative License: The Law and Culture of Digital Sampling.  Durham, NC: Duke University Press, 2011.

Medina, Eden. Cybernetic Revolutionaries: Technology and Politics in Allende’s Chile.  Cambridge, MA: MIT Press, 2011.

Mjos, Ole J.  Media Globalization and the Discovery Channel Networks.  New York: Routledge, 2011.

Mowitt, John. Radio: Essays in Bad Reception. Berkeley: University of California Press, 2011.

Nakamura, Lisa, and Peter A. Chow-White, eds. Race After the Internet. New York: Routledge, 2011.

Newman, Michael Z., and Elana Levine. Legitimating Television: Media Convergence and Cultural Status. New York: Routledge, 2011.

Nichols, Bill, and Michael Renov, eds. Cinema’s Alchemist: The Films of Péter Forgács. Minneapolis: University of Minnesota Press, 2011.

Paasonen, Susanna. Carnal Resonance: Affect and Online Pornography.  Cambridge, MA: MIT Press, 2011.

Pomerance, Murray, ed. Shining in Shadows: Movie Stars of the 2000s. New Brunswick, NJ: Rutgers University Press, 2011.

Radner, Hilary, and Rebecca Stringer, eds. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. New York: Routledge, 2011.

Rafter, Nicole, and Michelle Brown. Criminology Goes to the Movies: Crime Theory and Popular Culture. New York: New York University Press, 2011.

Rawnsley, Gary D., and Ming-Yeh T. Rawnsley, eds. Global Chinese Cinema: The Culture and Politics of Hero. New York: Routledge, 2011.

Rentschler, Carrie A. Second Wounds: Victims’ Rights and the Media in the U.S. Durham, NC: Duke University Press, 2011.

Rhodes, John David, and Elena Gorfinkel, eds. Taking Place: Location and the Moving Image. Minneapolis: University of Minnesota Press, 2011.

Rothe, Anne. Popular Trauma Culture: Selling the Pain of Others in the Media. New Brunswick, NJ: Rutgers University Press, 2011.

Schulz, Dorothea E. Muslims and New Media in West Africa: Pathways to God. Bloomington: Indiana University Press, 2011.

Seng Guan, Yeoh, ed. Media, Culture and Society in Malaysia. New York: Routledge, 2011.

Smith, Matthew J., and Randy Duncan, eds. Critical Approaches to Comics: Theories and Methods. New York: Routledge, 2011.

Telotte, Jay, and Gerald Duchovnay, eds. Science Fiction Film, Television, and Adaptation: Across the Screens. New York: Routledge, 2011.

von Dassanowsky, Robert, and Oliver C. Speck, eds. New Austrian Film.  New York: Berghahn Books, 2011.

Wallace, Lee. Lesbianism, Cinema, Space: The Sexual Life of Apartments. New York: Routledge, 2011.

Yau Shuk-ting, Kinnia. Japanese and Hong Kong Film Industries: Understanding the Origins of East Asian Film Networks. New York: Routledge, 2011.

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Bebout, Lee. "Troubling White Benevolence: Four Takes on a Scene fromGiant,” MELUS: Multi-Ethnic Literature of the U.S.36, no. 3 (Fall 2011): 13-36.

Burnett, Mark Thornton. "Shakespeare and Contemporary Latin American Cinema,” Shakespeare Quarterly 62, no. 3 (Fall 2011): 396-419.

Cardullo, Bert. "Art-House Cinema, Avant-Garde Film, and Dramatic Modernism,” The Journal of Aesthetic Education 45, no. 2 (Summer 2011): 1-16.

Chan-Malik, Sylvia. "Chadors, Feminists, Terror: The Racial Politics of U.S. Media Representations of the 1979 Iranian Women’s Movement,” The ANNALS of the American Academy of Political and Social Science 63, no. 1 (September 2011): 112-140.

Chávez, Ernesto. "‘Ramón is not one of these’: Race and Sexuality in the Construction of Silent Film Actor Ramón Novarro’s Star Image,” Journal of the History of Sexuality 20, no. 3 (September 2011): 520-544

Choi, Jung Bong. "National Cinema: An Anachronistic Delirium?”Journal of Korean Studies16, no. 2 (Fall 2011): 173-191.

Davis, Collin. "Renoir and the Vichy Syndrome:This Land is Mine, CarolaandLe Caporal épinglé,” South Central Review 28, no. 3 (Fall 2011): 45-62.

Dixon, Deborah P. "Scream: The Sound of the Monstrous,” Cultural Geographies18, no. 4 (October 2011): 435-455.

Dumas, Chris. "The Žižekian Thing: A Disciplinary Blind Spot,” Critical Inquiry 37, no. 2 (Winter 2011): 245-264.

Faulkner, Christopher. "Musical Automata,La Règle du jeu, and the Cinema,” South Central Review 28, no. 3 (Fall 2011): 6-25.

Fojas, Camilla. "New Frontiers of Asian and Latino America in Popular Culture: Mixed-Race Intimacies and the Global Police State in Miami Vice and Rush Hour 2,” Journal of Asian American Studies14, no. 3 (October 2011): 417-434.

Geneviève, Krista Lynes. "Visual Currencies: Documenting India’s Red-Light Districts,”Signs 37, no. 1 (Autumn 2011): 109-132.

Geoghegan, Bernard Dionysius. "From Information Theory to French Theory: Jakobson, Lévi-Strauss, and the Cybernetic Apparatus,” Critical Inquiry 38, no. 1 (Autumn 2011): 96-126.

Ginsberg, Terri. "Radical Rationalism as Cinema Aesthetics: The Palestinian-Israeli Conflict in North American Documentary and Experimental Film,” Situations 4, no. 1 (2011): 91-115.

Golsan, Katherine. "Desperately Seeking Radha: Renoir’sThe Riverand Its Reincarnation,” South Central Review 28, no. 3 (Fall 2011): 103-125.

Hales, Barbara. "Incurable Madness: War Trauma, Hypnosis, and Robert Wiene’s Orlacs Hände,” Seminar: A Journal of Germanic Studies 47, no. 5 (November 2011): 578-590.

Hallett, Hilary A. "Based on a True Story: New Western Women and the Birth of Hollywood,”Pacific Historical Review 80, no. 2 (May 2011): 177-210.

Harris, Sue. "Renoir’s Paris: The City as Film Set,” South Central Review 28, no. 3 (Fall 2011): 84-102.

Kalogeras, Yiorgos. "Retrieval and Invention: The Adaptation of Texts and the Narrativization of Photographs in Films on Immigration,” Journal of Modern Greek Studies 29, no. 2 (October 2011): 153-170.

Kim, Kyung Hyun. "The Transnational Constitution of Im Kwon-Taek’sMinjok Cinema in Chokpo, Sŏp’yŏnje, and Ch’wihwasŏn,” Journal of Korean Studies16, no. 2 (Fall 2011): 231-248.

Lehman, Courtney. "‘Brothers’ before Others: The Once and Future Patriarchy in Hamlet 2,” Journal of Narrative Theory 41, no. 3 (Fall 2011): 421-444.

Leonard, Garry. "‘Without Contraries There is No Progression’: Cinematic Montage and the Relationship of Illustration to Text in William Blake’sThe [First] Book of Urizen,” University of Toronto Quarterly 80, no. 4 (Fall 2011): 918-934.

Loshitzky, Yosefa. "The Post-Holocaust Jew in the Age of ‘The War on Terror’: Steven Spielberg’s Munich,”Journal of Palestine Studies 40, no. 2 (Winter 2011): 77-87.

Magnan-Park, Aaron Han Joon. "Restoring the Transnational from the Abyss of Ethnonational Film Historiography: The Case of Chung Chang Wha,” Journal of Korean Studies16, no. 2 (Fall 2011): 249-283.

Maliangkay, Roald. "The Power of Representation: Korean Movie Narrators and Authority,” Journal of Korean Studies16, no. 2 (Fall 2011): 213-229.

McCaffrey, Enda. "The Intertexts of ‘Seeing’ and ‘Non-Seeing’ in Schnabel’s Le Scaphandre et le papillon,” French Cultural Studies 22, no. 22 (November 2011): 345-357.

Morgan, Daniel. "Max Ophuls and the Limits of Virtuosity: On the Aesthetics and Ethics of Camera Movement,”Critical Inquiry 38, no. 1 (Autumn 2011): 127-163.

Niwot, Melody. "Narrating Genoa: Documentaries of the Italian G8 Protests of 2001 and the Persistence and Politics of Memory,”History & Memory 23, no. 2 (Fall/Winter 2011): 66-89.

O’Shaughnessy, Martin. "Breaking the Circle:Le Crime de Monsieur Langeand the Contemporary Illegibility of the Radical Text,” South Central Review 28, no. 3 (Fall 2011): 26-44.

Pepe, Kristin. "Outside the Hollywood Canon: Preserving Lesbian Moving Images,” GLQ: A Journal of Lesbian and Gay Studies17 (2011): 632-638.

Pippin, Robert A. "Agency and Fate in Orson Welles’sThe Lady from Shanghai,”Critical Inquiry37, no. 2 (Winter 2011): 214-244.

Poague, Leland. "Jean Renoir, American Artist,” South Central Review 28, No. 3 (Fall 2011): 63-83.

Semenza, Greg Colón. "The Globalist Dimensions of Silent Shakespeare Cinema,” Journal of Narrative Theory 41, no. 3 (Fall 2011): 320-342.

Stoever-Ackerman, Jennifer. "Reproducing U.S. Citizenship inBlackboard Jungle: Race, Cold War Liberalism, and the Tape Recorder,” American Quarterly 63, no. 3 (September 2011): 781-806.

Thomas, Lyn. "Changing old habits? ‘New Age’ Catholicism, Subjectivity and Gender in BBC2’sThe Monasteryand Its Reception,” European Journal of Cultural Studies14, no. 5 (October 2011): 558-572.

Varma, Swati. "Disability through the Lens of the MovieI am Sam, Hollywood Production, 2001,” Psychology & Developing Societies 23, no. 2 (September 2011): 297-305.

von Dassanowsky, Robert. "Snow Blinded: The Alps contra Vienna in Entertainment Film at the Anschluss,” Austrian Studies18 (2011): 106-23.

Watts, Evan. "Ruin, Gender, and Digital Games,” WSQ: Women’s Studies Quarterly 39, no. 3 & 4 (Fall/Winter 2011): 247-265.

Watts, Philip. "Rififiand the Politics of Silence,” L'Esprit Créateur 51, no. 3 (Fall 2011): 47-58.

Way, Geoffrey. "Social Shakespeare:Romeo and Juliet, Social Media, and Performance,” Journal of Narrative Theory 41, no. 3 (Fall 2011): 401-420.

Will, Richard. "Zooming In, Gazing Back:Don Giovannion Television,” The Opera Quarterly 27, no. 1 (Winter 2011): 32-65.

Williams, Linda. "Ethnographic Imaginary: The Genesis and Genius of The Wire,” Critical Inquiry 38, no. 1 (Autumn 2011): 208-226.

Yapan, Alvin. "Feudal Desires: Sexualizing Agriculture in the Philippine Film Industry,” positions: east asia cultures critique19, no. 2 (Fall 2011): 499-524.

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