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Professional Notes 51.2
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Recent Books

Chan, Kwok-Bun, ed. Chinese Entertainment. New York: Routledge, 2011.

Elsaesser, Thomas. The Persistence of Hollywood. New York: Routledge, 2011.

Fuller, Linda K., ed. The Power of Global Community Media. New York: Palgrave Macmillan, 2012.

Ganti, Tejaswini.  Producing Bollywood: Inside the Contemporary Hindi Film Industry.  Durham, NC: Duke University Press, 2012.

Gledhill, Christine, ed. Gender Meets Genre in Postwar Cinemas.  Champaign: University of Illinois Press, 2012.

Ginsberg, Terri, and Andrea Mensch, eds. A Companion to German Cinema. Malden, MA: Wiley-Blackwell, 2012.

Glenn, Kathleen, ed. Women’s Narrative and Film in 20thCentury Spain.  New York: Routledge, 2011.

Guerin, Frances. Through Amateur Eyes: Film and Photography in Nazi Germany. Minneapolis: University of Minnesota Press, 2012.

Krapp, Peter.  Noise Channels: Glitch and Error in Digital Culture.  Minneapolis: University of Minnesota Press, 2011.

Lim, David C. L., and Hiroyuki Yamamoto, eds. Film in Contemporary Southeast Asia: Cultural Interpretation and Social Intervention. New York: Routledge, 2011.

Loiperdinger, Martin, ed. Early Cinema Today: The Art of Programming and Live Performance. Bloomington: Indiana University Press, 2012.

Mandiberg, Michael, ed. The Social Media Reader.  New York: New York University Press, 2012.

Marschall, Daniel.  The Company We Keep: Occupational Community in the High-Tech Network Society. Philadelphia, PA: Temple University Press, 2012.

Masum, Hassan, and Mark Tovey, eds. The Reputation Society: How Online Opinions Are Reshaping the Offline World. Cambridge, MA: MIT Press, 2012.

Mukherjee, Roopali, and Sarah Banet-Weiser, eds. Commodity Activism: Cultural Resistance in Neoliberal Times. New York: New York University Press, 2012.

Oren, Tasha, and Sharon Shahaf, eds. Global Television Formats: Understanding Television Across Borders. New York: Routledge, 2011.

Peiró, Eva Woods. White Gypsies: Race and Stardom in Spanish Musicals. Minneapolis: University of Minnesota Press, 2012.

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Adamson, Joni. "Indigenous Literatures, Multinaturalism, and Avatar: The Emergence of Indigenous Cosmopolitics,” American Literary History 24, no. 1 (Spring 2012): 143-162.

Casini, Silvia. "Magnetic Resonance Imaging (MRI) as Mirror and Portrait: MRI Configurations between Science and the Arts,” Configurations19, no. 1 (Winter 2011): 73-99.

Chalaby, Jean K. "The making of an entertainment revolution: How the TV format trade became a global industry,” European Journal of Communication 26, no. 4 (December 2011): 293-309.

Davidson, John E. "Disappearing Suffering: Desire, Modern Work, and the Problem of Images in the Films of Hartmut Bitomsky,” German Studies Review 35, no. 1 (February 2012): 73-96.

Frank, Stephanie. "Claiming Hollywood: Boosters, the Film Industry, and Metropolitan Los Angeles,” Journal of Urban History 38, no. 1 (January 2012): 71-88.

Funke, Peter, Chris Robé, and Todd Wofson. "Suturing Working Class Subjectivities: Media Mobilizing Project and the Role of Media Building a Class-Based Social Movement,” TripleC - Cognition, Communication, Co-operation10, no. 1 (2012): 16-29.

Green-Simms, Lindsey, and Unoma Azuah. "The Video Closet: Nollywood’s Gay-Themed Movies,” Transition107 (2012): 32-49.

Hackman, Paul. "‘The Most Important and the Most Difficult Subject for Our Time’: Hollywood andTender Is the Night,” Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 47, no. 1 (Winter 2011): 63-87.

Handyside, Fiona. "Queer Filiations: Adaptation in the Films of François Ozon,” Sexualities15, no. 1 (January 2012): 53-67.

Ilfeld, Etan J. "Contemporary Art and Cybernetics: Waves of Cybernetic Discourse within Conceptual, Video and New Media Art,” Leonardo 45, no. 1 (2012): 57-63.

Kligerman, Eric. "The Antigone Effect: Reinterring the Dead ofNight and Fogin the German Autumn,” New German Critique 38, no. 1 112 (Winter 2011): 9-38.

LeMenager, Stephanie. "The Aesthetics of Petroleum, afterOil!,” American Literary History 24, no. 1 (Spring 2012): 59-86.

Lozano, José-Carlos. "Consumption of US Television and Films in Northeastern Mexico,” International Communication Gazette73, no. 8 (December 2011): 685-705.

Luhmann, Susanne. "Filming Familial Secrets: Approaching and Avoiding Legacies of Nazi Perpetration,” New German Critique 38, no. 1 112 (Winter 2011): 115-134.

Marzouki, Mohamed El. "Mediating Terror: Hollywood Narratives of Terrorism and Young Moroccan Audiences,” Global Media and Communication 7, no. 3 (Winter 2011): 251-256.

Mutlu, Dilek Kaya, and Zeynep Kocer. "A Different Story of Secularism: The Censorship of Religion in Turkish Films of the 1960s and Early 1970s,” European Journal of Cultural Studies15, no. 1 (February 2012): 70-88.

Newbury, Michael. "Fast Zombie/Slow Zombie: Food Writing, Horror Movies, and Agribusiness Apocalypse,” American Literary History 24, no. 1 (Spring 2012): 87-114.

Pippin, Robert B. "Agency and Fate in Orson Welles’sThe Lady from Shanghai,”Critical Inquiry 37, no. 2 (Winter 2011): 214-244.

Ray, Robert B. "The Mystery of Movie Stardom,” New England Review 32, no. 4: 175-184.

Rosenberg, Joel. "The Soul of Catastrophe: On the 1937 Film of S. An-sky’sThe Dybbuk,” Jewish Social Studies17, no. 2 (Winter 2011): 1-27.

Uroskie, Andrew V. "Beyond the Black Box: The Lettrist Cinema of Disjunction,” October 135 (Winter 2011): 21-48.

Westphal, Wendy. "‘Truer than the Real Thing’: ‘Real’ and ‘Hyperreal’ Representations of the Past inDas Leben der Anderen,” German Studies Review 35, no. 1 (February 2012): 97-111.

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