Professional Notes 51.3
by Eric Freedman, with Chris Robé
Buckland, Warren. Film Theory: Rational Reconstructions. New
York: Routledge, 2012.
Natalie Fenton, and Des Freedman. Misunderstanding
the Internet. New York: Routledge, 2012.
Davis, Colin. Postwar Renoir: Film and the Memory of
Violence. New York: Routledge, 2012.
Dudrah, Rajinder. Bollywood Travels: Culture, Diaspora and
Border Crossings in Popular Hindi Cinema. New York: Routledge, 2012.
Christopher. Sergio Leone: Something to
Do with Death. Minneapolis: University of Minnesota Press, 2012.
Hunter, I.Q., and
Laraine Porter, eds. British Comedy
Cinema. New York: Routledge, 2012.
Marchetti, Gina. The Chinese Diaspora on American Screens:
Race, Sex, and Cinema. Philadelphia, PA: Temple University Press, 2012.
Naficy, Hamid. A Social History of Iranian Cinema, Volume
3: The Islamicate Period, 1978-1984. Durham, NC: Duke University Press,
Neale, Steve, ed. The Classical Hollywood Reader. New
York: Routledge, 2012.
Nerenberg, Ellen. Murder Made in Italy: Homicide, Media, and
Contemporary Italian Culture. Bloomington: Indiana University Press, 2012.
Phu, Thy. Picturing Model Citizens: Civility in Asian
American Visual Culture. Philadelphia, PA: Temple University Press, 2012.
Schoonover, Karl. Brutal Vision: The Neorealist Body in
Postwar Italian Cinema. Minneapolis: University of Minnesota Press, 2012.
Steinberg, Marc. Anime’s Media Mix: Franchising Toys and
Characters in Japan. Minneapolis: University of Minnesota Press, 2012.
Taylor, T. L. Raising the Stakes: E-Sports and the
Professionalization of Computer Gaming. Cambridge, MA: MIT Press, 2012.
Articles on Film
and TV in Non-media Journals (compiled by Chris Robé)
Azuah, Unoma, and Lindsey Green-Simms. "The Video Closet:
Nollywood’s Gay-Themed Movies,” Transition
107 (2012): 32-49.
Banner, Olivia. "The Postracial Imagination: Gattaca’s Imperfect Science,” Discourse 33, no.
2 (Spring 2011): 221-241.
Coleman, Beth. "Everything is Animated: Pervasive Media and
the Networked Subject,” Body & Society
18, no. 1 (March 2012): 79-98.
Connolly, Maeve. "Temporality, Sociality, Publicness: Cinema
as Art Project,” Afterall: A Journal of
Art, Context and Enquiry 29 (Spring 2012): 5-18.
Ganti, Tejaswini. "Sentiments of Disdain and Practices of
Distinction: Boundary-Work, Subjectivity, and Value in the Hindi Film Industry,”
Anthropological Quarterly 85, no. 1 (Winter
Giannini, Stefano. "La
terra trema as Palimpsest: Tracing Intertextualities between Literature,
Theater, and Film in Pirandello and Visconti,” MLN 127, no. 1 (January 2012): 142-159.
Godfrey, Richard, Simon Lilley, and Joanna Brewis. "Biceps,
Bitches and Borgs: Reading Jarhead’s
Representation of the Construction of the (Masculine) Military Body,” Organization Studies 33, no. 4 (April
Hagin, Boaz, and Raz Yosef. "Festival Exoticism: The Israeli
Queer Film in a Global Context,” GLQ: A
Journal of Lesbian and Gay Studies 18, no. 1 (2012): 161-178.
Harbord, Janet. "Ex-centric Cinema: Machinic Vision in the Powers of Ten and Electronic
Cartography,” Body & Society 18, no.
1 (March 2012): 99-119.
Kruger, Marie. "‘The only truth I know is what I felt with
my entire body’: Traumatic Memory in Zulu
Love Letter,” Research in African
Literatures 43, no. 1 (Spring 2012): 136-150.
Lehnen, Jeremy. "Disjunctive Urbanisms: Walls, Violence and
Marginality in Rodrigo Plá’s La zona (2007),”
Mexican Studies/Estudios Mexicanos
28, no. 1 (Winter 2012): 163-182.
Lewis, Tania, "‘There Grows the Neighbourhood’: Green
Citizenship, Creativity and Life Politics on Eco-TV,” International Journal of Cultural Studies 15, no. 3 (May 2012):
Lukinbeal, Chris. "‘On
Location’ Filming in San Diego County from 1985-2005: How a Cinematic Landscape
is Formed Through Incorporative Tasks and Represented Through Mapped Inscriptions,”
Annals of the Association of American
Geographers 102, no. 1 (2012): 171-190.
Ma, Ming-Yuen S., and Alexandra Juhasz. "Queer Media Loci:
Israel/Palestine,” GLQ: A Journal of
Lesbian and Gay Studies 18, No. 1 (2012): 159-178.
Manojlovic, Maja. "‘Dream Is Destiny’: Waking Life and the Digital Aesthetics of the In-between,” Discourse 33, no. 2 (Spring 2011):
Merrin, William. "Still Fighting ‘the Beast’: Guerrilla
Television and the Limits of YouTube,” Cultural
Politics 8, no. 1 (March 2012): 97-119.
Piehowski, Victoria. "‘Business as Usual’: Sex, Race, and
Work in Spike Lee’s Bamboozled,” Frontiers: A Journal of Women Studies
33, no. 1 (2012): 1-23.
Ruddell, Caroline. "‘Don’t Box Me In’: Blurred Lines in Waking Life and A Scanner Darkly,” Animation
7, no. 1 (March 2012): 7-23.
Salamandra, Christa. "The Muhannad Effect: Media Panic,
Melodrama, and the Arab Female Gaze,” Anthropological
Quarterly 85, no. 1 (Winter 2012): 45-77.
Schippers, Mimi, and Erin Grayson Sapp. "Reading Pulp Fiction: Femininity and Power in
Second and Third Wave Feminist Theory,”
Feminist Theory 13, no. 1 (April 2012): 27-42.
Shaw, Tony. "Nightmare on Nevsky Prospekt: The Blue Bird as a Curious Instance of
U.S.-Soviet Film Collaboration during the Cold War,” Journal of Cold War Studies 14, No. 1 (Winter 2012): 3-33.