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Professional Notes 51.4
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Cinema Journal 

Professional Notes 51.4


Edited by Eric Freedman, with Chris Robé  

Recent Books

Beker, Marilyn. The Screenwriter Activist: Writing Social Issue Movies. New York: Routledge, 2012.

Bould, Mark. Science Fiction. New York: Routledge, 2012.

DiSalvo, Carl. Adversarial Design. Cambridge, MA: MIT Press, 2012.

Fuqua, Joy V. Prescription TV: Therapeutic Discourse in the Hospital and at Home. Durham, NC: Duke University Press, 2012.

Maher, Jimmy. The Future Was Here: The Commodore Amiga. Cambridge, MA: MIT Press, 2012.

Mask, Mia. Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies. New York: Routledge, 2012.

Maty Ba, Saer, and Will Higbee, eds. De-Westernizing Film Studies. New York: Routledge, 2012.

Murdoch, H. Adlai. Creolizing the Metropole: Migrant Caribbean Identities in Literature and Film. Bloomington: Indiana University Press, 2012.

Pedelty, Mark. Ecomusicology: Rock, Folk, and the Environment. Philadelphia, PA: Temple University Press, 2012.

Sterne, Jonathan, ed. The Sound Studies Reader. New York: Routledge, 2012.

Tucker, Kenneth H., Jr. Workers of the World, Enjoy! Aesthetic Politics from Revolutionary Syndicalism to the Global Justice Movement. Philadelphia, PA: Temple University Press, 2012.

Wierzbicki, James, ed. Music, Sound and Filmmakers: Sonic Style in Cinema. New York: Routledge, 2012.


Articles on Film and TV in Non-media Journals (compiled by Chris Rob
é)

Aouragh, Miriyam. "Social Media, Mediation and the Arab Revolutions,” tripleC - Cognition, Communication, Co-operation 10, no.2 (Summer 2012): 518-536.

Austin, Guy. "Biological Dystopias: The Body in Contemporary French Horror Cinema,” L’Esprit Créateur 52, no. 2 (Summer 2012): 99-113.

Bock, Mary Angela. "Citizen Video Journalists and Authority in Narrative: Reviving the Role of the Witness,” Journalism 13, no. 5 (July 2012): 639-653.

Brown, Brian, and Anabel Quan-Haase. "‘A Workers’ Inquiry 2.0’: An Ethnographic Method for the Study of Produsage in Social Media Contexts,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 488-508.

Brownell, Kathryn Cramer. "‘Movietime U.S.A’: The Motion Picture Industry Council and the Politicization of Hollywood in Postwar America,” Journal of Policy History 24, no. 3 (2012): 518-542.

Cabañas, Miguel. "Narcotelenovelas, Gender, and Globalization in Sin tetas no hay paraíso,” Latin American Perspectives 39, no. 3 (May 2012): 74-87.

Castagno, Pablo. "Marxist Theory in Critical Transitions: The Democratization of the Media in Post-Neoliberal Argentina,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 334-348.

Clark, Katerina. "Sergei Eisenstein’s Ivan the Terrible and the Renaissance: An Example of Stalinist Cosmopolitanism?,” Slavic Review 71, no. 1 (Spring 2012): 49-69.

Dienstag, Joshua Foa. "A Storied Shooting: Liberty Valance and the Paradox of Sovereignty,” Political Theory 40, no. 3 (June 2012): 290-318.

Ekman, Mattias. "Understanding Accumulation: The Relevance of Marx’s Theory of Primitive Accumulation in Media and Communication Studies,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 156-170.

Fisher, Eran. "How Less Alienation Creates More Exploitation? Audience Labour on Social Network Sites,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 171-183.

Fuchs, Christian. "Towards Marxian Internet Studies,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 392-412.

Fuchs, Christian, and Vincent Mosco. "Introduction: Marx is Back – The Importance of Marxist Theory and Research for Critical Communication Studies Today,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 127-140.

Garland, Christian, and Stephen Harper. "Did Somebody Say Neoliberalism? On the Uses and Limitations of a Critical Concept in Media and Communication Studies,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 413-424.

Henning, William, and James Hebblewhite. "Means of Communication as Means of Production,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 203-213.

Herrera, Brian Eugenio. "Compiling West Side Story’s Parahistories, 1949–2009,”Theatre Journal 64, no. 2 (May 2012): 231-247.

Kanyusik, Will. "The Problem of Recognition: The Disabled Male Veteran and Masculinity as Spectacle in William Wyler’s The Best Years of Our Lives,” Journal of Literary & Cultural Disability Studies 6, no. 2 (2012): 159-174.

Lagos, Taso G. "Poor Greek to ‘Scandalous’ Hollywood Mogul: Alexander Pantages and the Anti-Immigrant Narratives of William Randolph Hearst’s Los Angeles Examiner,”Journal of Modern Greek Studies 30, no. 1 (May 2012): 45-74.

Manzerolle, Vincent R., and Atle Mikkola Kjøsen. "The Communication of Capital: Digital Media and the Logic of Acceleration,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 214-229.

McGee, Adam M. "Haitian Vodou and Voodoo: Imagined Religion and Popular Culture,” Studies in Religion/Sciences Religieuses 41, no. 2 (June 2012): 231-256.

Melgosa, Adrián Pérez, "Opening the Cabaret America Allegory: Hemispheric Politics, Performance, and Utopia in Flying Down to Rio,” American Quarterly 64, no. 2 (June 2012): 249-275.

Nygren, Katarina Giritli, and Katarina L. Gidlund. "The Pastoral Power of Technology. Rethinking Alienation in Digital Culture,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 509-517.

Papadogiannis, Nikolaos. "Between Angelopoulos and The Battleship Potemkin: Cinema and the Making of Young Communists in Greece in the Initial Post-dictatorship Period (1974–81),” European History Quarterly 42, no. 2 (April 2012): 286-308.

Pleios, George. "Communication and Symbolic Capitalism. Rethinking Marxist Communication Theory in the Light of the Information Society,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 230-252.

Prodnik, Jernej. "A Note on the Ongoing Processes of Commodification: From the Audience Commodity to the Social Factory,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 274-301.

Rowlands, Lorraine, and Jocelyn Handy. "An Addictive Environment: New Zealand Film Production Workers’ Subjective Experiences of Project-Based Labour,” Human Relations 65, no. 5 (May 2012): pp. 657-680.

Scott, Ellen C. "Black ‘Censor,’ White Liberties: Civil Rights and Illinois’s 1917 Film Law,” American Quarterly 64, no. 2 (June 2012): 219-247.

Slobodian, Jennifer. "Analyzing the Woman Auteur: The Female/Feminist Gazes of Isabel Coixet and Lucrecia Martel,” The Comparatist 36 (May 2012): 160-177.

Smith, Laurel C. "Decolonizing Hybridity: Indigenous Video, Knowledge, and Diffraction,” Cultural Geographies 19, no. 3 (July 2012): 329-348.

Sommers, Michael Joseph. "The Traumatic Revision of Marvel’s Spider-Man: From 1960s Dime-Store Comic Book to Post-9/11 Moody Motion Picture Franchise,” Children’s Literature Association Quarterly 37, no. 2 (Summer 2012): 188-209.

Suhr, Christian and Rane Willerslev. "Can Film Show the Invisible? The Work of Montage in Ethnographic Filmmaking,” Current Anthropology 53, no. 3 (June 2012): 282-301.

Taoka, Yasuko. "(Be)Coming Home(r): Nostalgia in Jean-Luc Godard's Contempt,”

Arethusa 45, no. 2 (Spring 2012): 243-258.

Weiner, Andrew. "Disposable Media, Expendable Populations – ACT UP New York: Activism, Art, and the AIDS Crisis, 1987–1993,” Journal of Visual Culture 11, no. 1 (April 2012): 103-109.

Wheeler, Duncan. "The Representation of Domestic Violence in Spanish Cinema,”

The Modern Language Review 107, no. 2 (April 2012): 438-500.

Wittel, Andreas. "Digital Marx: Toward a Political Economy of Distributed Media,” tripleC - Cognition, Communication, Co-operation 10, no. 2 (Summer 2012): 313-333





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