Professional Notes 52.1
Edited by Eric Freedman, with Chris Robé
Abbate, Janet. Recoding Gender: Women’s Changing Participation in Computing. Cambridge, MA: MIT Press, 2012.
Banet-Weiser, Sarah. Authentic™: The Politics of Ambivalence in a Brand Culture. New York: New York University Press, 2012.
Cox, Geoff. Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, MA: MIT Press, 2012.
Cubitt, Sean, and Stephen Partridge, eds. Rewind: British Artists’ Video in the 1970s & 1980s. Bloomington: Indiana University Press, 2012.
Dassanowsky, Robert, von, ed.Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema. New York and London: Continuum, 2012.
Dassanowsky, Robert, ed. World Film Locations: Vienna. London: Intellect/U of Chicago Press, 2012.
Ekman, Ulrik, ed. Throughout: Art and Culture Emerging with Ubiquitous Computing. Cambridge, MA: MIT Press, 2012.
Elias, George Skaff, Richard Garfield, and K. Robert Gutschera. Characteristics of Games. Cambridge, MA: MIT Press, 2012.
Forman, Murray. One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television. Durham, NC: Duke University Press, 2012.
Guido, Laurent, and Olivier Lugon, eds. Between Still and Moving Images: Photography and Cinema in the 20th Century. Bloomington: Indiana University Press, 2012.
Hinojosa, Magda. Selecting Women, Electing Women: Political Representation and Candidate Selection in Latin America. Philadelphia, PA: Temple University Press, 2012.
Joseph, Ralina L. Transcending Blackness: From the New Millenium Mulatta to the Exceptional Multiracial. Durham, NC: Duke University Press, 2012.
Kember, Sarah, and Joanna Zylinska. Life after New Media: Mediation as a Vital Process. Cambridge, MA: MIT Press, 2012.
Kirshenblatt-Gimblett, Barbara, and Jeffrey Shandler, eds. Anne Frank Unbound: Media, Imagination, Memory. Bloomington: Indiana University Press, 2012.
Klopfer, Eric, and Jason Haas. The More We Know: NBC News, Educational Innovation, and Learning from Failure. Cambridge, MA: MIT Press, 2012.
Ling, Richard. Taken for Grantedness: The Embedding of Mobile Communication into Society. Cambridge, MA: MIT Press, 2012.
Miller, Cynthia J., and A. Bowdoin Van Riper, eds. 1950s "Rocketman” TV Series and Their Fans: Cadets, Rangers, and Junior Space Men. New York: Palgrave Macmillan, 2012.
Miller, Cynthia J., and A. Bowdoin Van Riper, eds. Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier.Lanham, MD: Scarecrow, 2012.
Miller, Cynthia J., ed. Too Bold for the Box Office: The Mockumentary From Big Screen to Small. Scarecrow, 2012.
Norris, Stephen M. Blockbuster History in the New Russia: Movies, Memory, and Patriotism. Bloomington: Indiana University Press, 2012.
Postigo, Hector. The Digital Rights Movement: The Role of Technology in Subverting Digital Copyright. Cambridge, MA: MIT Press, 2012.
Scholz, Trebor, ed. Digital Labor: The Internet as Playground and Factory. New York: Routledge, 2012.
Sender, Katherine. The Makeover: Reality Television and Reflexive Audiences. New York: New York University Press, 2012.
Taylor, Timothy D., Mark Katz, and Tony Grajeda, eds. Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio. Durham, NC: Duke University Press, 2012.
Wisnioski, Matthew. Engineers for Change: Competing Visions of Technology in 1960s America. Cambridge, MA: MIT Press, 2012.
Wouters, Paul, Anne Beaulieu, Andrea Schamhorst, and Sally Wyatt, eds. Virtual Knowledge: Experimenting in the Humanities and the Social Sciences. Cambridge, MA: MIT Press, 2012.
Articles on Film and TV in Non-media Journals (compiled by Chris Robé)
Andersson, Linus. "There is No Alternative: The Critical Potential of Alternative Media in the Face of Neoliberalism,” tripleC- Cognition, Communication, Co-Operation 10, no. 2 (Summer 2012): 752-764.
August, Timothy K. "The Contradictions in Culinary Collaboration: Vietnamese American Bodies in Top Chef and Stealing Buddha’s Dinner,” MELUS: Multi-Ethnic Literature of the U.S. 73, no. 3 (Fall 2012): 97-115.
Carman, Colin. "Grizzly Love: The Queer Ecology of Timothy Treadwell,” GLQ: A Journal of Lesbian and Gay Studies 18, no. 4 (2012): 507-528.
Cooper, Sarah. "Film Theory in France,” French Studies: A Quarterly Review 66, no. 3 (July 2012): 376-382.
Dempsey, Anna M. "Telling the Girl’s Side of the Story: Heterotopic Spaces of Femininity in Iranian Film,” Comparative Studies of South Asia, Africa and the Middle East 32, no. 2 (2012): 374-390.
Dhaenens, Frederik, and Sofie Van Bauwel. "The Good, the Bad or the Queer: Articulations of Queer Resistance in The Wire,” Sexualities 15, no. 5-6 (September 2012): 702-717.
Ganti, Tejaswini. "Sentiments of Disdain and Practices of Distinction: Boundary-Work, Subjectivity, and Value in the Hindi Film Industry,” Anthropological Quarterly85, no. 1 (Winter 2012): 5-43.
Jarman, Michelle. " Cultural Consumption and Rejection of Precious Jones: Pushing Disability into the Discussion of Sapphire’s Push and Lee Daniels’s Precious,” Feminist Formations 24, no. 2 (Summer 2012): 163-185.
Khor, Denise. "‘Filipinos are the Dandies of the Foreign Colonies’: Race, Labor Struggles, and the Transpacific Routes of Hollywood and Philippine Films, 1924-1948,” Pacific Historical Review 81, no. 3 (August 2012): 371-403.
Kroll, Catherine. "The Tyranny of the Visual: Alex Le Guma and the Anti-Apartheid Documentary Image,” Research in African Literatures 43, no. 3 (Fall 2012): 54-83.
Losada, Matt. "Allegories of Authenticity in the Argentine Cinema of the 1910s,” Hispanic Review 80, no. 3 (Summer 2012): 485-506.
McMahon, Laura. "From Homofraternity to Hospitality: Deconstructing the Political with Derrida and the Dardennes,” French Studies: A Quarterly Review 66, no. 4 (October 2012): 510-524.
Martin-Cabrera, Luis. "The Potentiality of the Commons: A Materialist Critique of Cognitive Capitalism from the Cyberbracer@s to the Ley Sinde,” Hispanic Review80, no. 4 (Autumn 2012): 583-605.
Matusitz, Jonathan, and Pam Payano. "Globalization of Popular Culture: From Hollywood to Bollywood,” South Asia Research 32, no. 2 (July 2012): 123-138.
Mueller, Sabine. "Narration, Rubble Film, and Narratability: Helmut Käutner’s In jenen Tagen,” The Modern Language Review107, no. 4 (October 2012): 1168-1190.
Netchitailova, Ekaterina Petrovna. "Facebook as a Surveillance Tool: From the Perspective of the User,” tripleC- Cognition, Communication, Co-Operation 10, no. 2 (2012): 683-691.
Pinchevski, Amit. "The Audiovisual Unconscious: Media and Trauma in the Video Archive for Holocaust Testimonies,” Critical Inquiry 39, no. 1 (Autumn 2012): 142-166.
Salamandra, Christa. "The Muhannad Effect: Media Panic, Melodrama, and the Arab Female Gaze,” Anthropological Quarterly 85, no. 1 (Winter 2012): 45-77.
Schein, Louisa, Va-Megan Thoj, Bee Vang, and Ly Chong Thong Jalao. "Beyond Gran Torino’s Guns: Hmong Cultural Warriors Performing Genders,” positions: East Asia Cultures Critique 20, no. 3 (Summer 2012): 763-792.
Sedgwick, John, Clara Pafort-Overduin, and Jaap Bote. "Explanations for the Restrained Development of the Dutch Cinema Market in the 1930s,” Enterprise and Society 13, no. 3 (September 2012): 634-671.
Shimpach, Shawn. "Realty Reality: HGTV and the Subprime Crisis,” American Quarterly64, no. 3 (September 2012): 515-542.
Sperb, Jason. "I’ll (Always) Be Back: Virtual Performance and Post-Human Labor in the Age of Digital Cinema,” Culture, Theory, and Critique 53, no. 3 (2012): 383-397.
Tang, Denise Tse-Shang, "An Unruly Death: Queer Media in Hong Kong,” GLQ: A Journal of Lesbian and Gay Studies 18, no. 4 (2012): 597-614.
Tascon, Sonia. "Considering Human Rights Films, Representation, and Ethics: Whose Face?” Human Rights Quarterly 34, no. 3 (August 2012): 864-883.
Widdis, Emma. "Socialist Senses: Film and the Creation of Soviet Subjectivity,” Slavic Review 71, no. 3 (Fall 2012): 590-618.
Yapan, Alvin B. "Contemporary Independent Film Producing in the Philippines: The case of Ang Panggagahasa kay Fe (The Rapture of Fe),” Thesis Eleven 112, no. 1 (October 2012): 147-155.Current Issue
| Past Issues
| Archival News
| In Focus
| Professional Notes
| CJ Submissions