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Professional Notes 52.2
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Cinema Journal

Professional Notes 52.2


Edited by Eric Freedman, with Chris Robé

Recent Books

Ames, Eric. Ferocious Reality: Documentary According to Werner Herzog. Minneapolis: University of Minnesota Press, 2012.

Anderson, C.W. Rebuilding the News: Metropolitan Journalism in the Digital Age. Philadelphia, PA: Temple University Press, 2013.

Bandy, Mary Lea, and Kevin Stoehr. Ride, Boldly Ride: The Evolution of the American Western. Berkeley: University of California Press, 2012.

Condry, Ian. The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story. Durham, NC: Duke University Press, 2013.

Crafton, Donald. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley: University of California Press, 2012.

Dittmer, Jason. Captain America and the Nationalist Superhero: Metaphors, Narratives, and Geopolitics. Philadelphia, PA: Temple University Press, 2012.

Hallett, Hilary. Go West, Young Women! The Rise of Early Hollywood. Berkeley: University of California Press, 2013.

Henderson, Lisa. Love and Money: Queers, Class, and Cultural Production. New York: New York University Press, 2012.

Higgins, Hannah B., and Douglas Kahn, eds. Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. Berkeley: University of California Press, 2012.

Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press, 2012.

Lippit, Akira Mizuta. Ex-Cinema: From a Theory of Experimental Film and Video. Berkeley: University of California Press, 2012.

Morgan, Daniel. Late Godard and the Possibilities of Cinema. Berkeley: University of California Press, 2012.

Neibaur, James L., and Terri Niemi. Buster Keaton’s Silent Shorts: 1920-1923. Lanham, MD: Scarecrow, 2013.

Olney, Ian. Euro Horror: Classic European Horror Cinema in Contemporary American Culture. Bloomington: Indiana University Press, 2013.

Ortner, Sherry B. Not Hollywood: Independent Film at the Twilight of the American Dream. Durham, NC: Duke University Press, 2013.

Pertierra, Anna Cristina, and Graeme Turner. Locating Television: Zones of Consumption. New York: Routledge, 2012.

Portuges, Catherine, and Peter Hames, eds. Cinemas in Transition in Central and Eastern Europe after 1989. Philadelphia, PA: Temple University Press, 2013.

Richards, Rashna Wadia. Cinematic Flashes: Cinephilia and Classical Hollywood. Bloomington: Indiana University Press, 2012.

Stahl, Matt. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC: Duke University Press, 2012.

Studlar, Gaylyn. Precocious Charms: Stars Performing Girlhood in Classical Hollywood Cinema. Berkeley: University of California Press, 2013.

Thompson, Katrina Daly. Zimbabwe’s Cinematic Arts: Language, Power, Identity. Bloomington: Indiana University Press, 2012.

Wallis, Cara. Technomobility in China: Young Migrant Women and Mobile Phones. New York: New York University Press, 2013.

 

Articles on Film and TV in Non-media Journals (compiled by Chris Robé)

Anagnostou, Yiorgos. "When ‘Second Generation’ Narratives and Hollywood Meet: Making Ethnicity in My Big Fat Greek Wedding,” MELUS: Multi-Ethnic Literature of the U.S. 37, no. 4 (Winter 2012): 139-163.

Baer, Hest. "Das Boot and the German Cinema of Neoliberalism,” German Quarterly 85, no. 1 (Winter 2012): 18-39.

Baschiera, Stefano. "New Wave Italian Style,” Italian Studies 67, no. 3 (November 2012): 360-374.

Benzon, Paul. "Bootleg Paratextuality and Digital Temporality: Towards an Alternate Present of the DVD,” Narrative 21, no. 1 (January 2013): 88-104.

Birke, Dorothee, and Birte Christ. "Paratext and Digitized Narrative: Mapping the Field,”

Narrative 21, no. 1 (January 2013): 65-87.

Bisschoff, Lizelle. "Digital as the New Popular in African Cinema? Case Studies from the Continent,” Research in African Literatures 43, no. 4 (Winter 2012): 112-127.

Blom, Ina. "The Autobiography of Video: Outline for a Revisionist Account of Early Video Art,” Critical Inquiry 39, no. 2 (Winter 2013): 276-295.

Boyle, Ellexis and Sean Brayton. "Ageing Masculinities and ‘Muscle work’ in Hollywood Action Film: An Analysis of The Expendables,” Men and Masculinities 15, no. 5 (December 2012): 468-485.

Brennan, Niall. "Melodrama, Modernity and the Brazilian Television Mini-Series,” Modern Drama 55, no. 4 (Winter 2012): 544-565.

Bryce, Jane. "Signs of Femininity, Symptoms of Malaise: Contextualizing Figurations of ‘Woman’ in Nollywood,” Research in African Literatures 43, no. 4 (Winter 2012): 71-87.

Congdon, David. "Reconsidering Apocalyptic Cinema: Pauline Apocalyptic and Paul Thomas Anderson,” Journal of Religion and Popular Culture 24, no. 3 (Fall 2012): 405-418.

Elsaesser, Thomas. "The ‘Return’ of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century,” Critical Inquiry 39, no. 2 (Winter 2013): 217-246.

Hediger, Ryan. "Timothy Treadwell’s Grizzly Love as Freak Show: The Uses of Animals, Science, and Film,” Isle: Interdisciplinary Studies in Literature and Environment 19, no. 1 (Winter 2012): 82-100.

Mubarki, Meraj Ahmed. "Mapping the Hindi Horror Genre: Ghosts in the Service of Ideology,” History and Sociology of South Asia 7, no. 1 (January 2013): 39-60.

Okome, Onookome. "Nollywood, Lagos, and the Good-Time Woman,” Research in African Literatures 43, no. 4 (Winter 2012): 166-186.

Ono, Kent A. "‘Lines of Flight’: Reterritorializing Asian American Film and Media Studies,” American Quarterly 64, no. 4 (December 2012): 885-897.

Pino-Ojeda, Walescka. "Forensic Memory, Responsibility, and Judgment: The Chilean Documentary in the Postauthoritarian Era,” Latin American Perspectives 40, no. 1 (January 2013): 170-186.

Pippin, Robert. "Vernacular Metaphysics: On Terrence Malick’s The Thin Red Line,” Critical Inquiry 39, no. 2 (Winter 2013): 247-275.

Skitolsky, Lissa. "Tracing Theory on the Body of the ‘Walking Dead’: Der Muselmann and the Course of Holocaust Studies,” Shofar: An Interdisciplinary Journal of Jewish Studies 30, no. 2 (Winter 2012): 74-90.

Stalker, Nancy. "Strange Nuptials: Matthew Barney’s Japan in Drawing Restraint 9,” positions: east asia cultures critique 20, no. 4 (Fall 2012): 1191-1213.

Stehle, Maria. "Money, Mobility, and Commodified Bodies: The Politics of Gentrification in German City Films of the Late 1990s,” German Quarterly 85, no. 1 (Winter 2012): 40-54.

Talmon, Miri. "A Touch Away from Cultural Others: Negotiating Israeli Jewish Identity on Television,” Shofar: An Interdisciplinary Journal of Jewish Studies 31, no. 2 (Winter 2013): 55-72.

Thaggert, Miriam. "Marriage, Moynihan, Mahogany: Success and the Post–Civil Rights Black Female Professional in Film,” American Quarterly 64, no. 4 (December 2012): 715-740.

Traverso, Antonio, and Tomás Crowder-Taraborrelli. "Political Documentary Cinema in the Southern Cone,” Latin American Perspectives 40, no. 1 (January 2013): 5-22.

Walter, Patrick. "Cyberkill: Melancholia, Globalization and Media Terrorism in American Psycho and Glamorama,” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 68, no. 4 (Winter 2012): 131-154.

Wang, Yiman. "The Palimpsest Body and the S(h)ifting Border: On Maggie Cheung’s Two Crossover Films,” positions: east asia cultures critique 20, no. 4 (Fall 2012): 953-981.

Westerdale, Joel. "The Lighter Side of Early Weimar Cinema’s Dark Canon: Paul Leni’s Das Wachsfigurenkabinett (1924),” German Quarterly 85, no. 1 (Winter 2012): 1-17.



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