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Professional Notes 52.4
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Cinema Journal

Professional Notes 52.4


Edited by Chris Robé, with Stephen Charbonneau


Recent Books

Amaya, Hector. Citizenship Excess: Latino/as, Media, and the Nation. New York: New York University Press, 2013.

Balio, Tino. Hollywood in the New Millennium. London: BFI, 2013.

Benson-Allott, Caetlin. Killer Tapes and Shattered Screens Video Spectatorship From VHS to File Sharing. Berkeley: University of California Press, 2013.

Birkenstein, Jeff, Anna Froula, and Karen Randell. It’s A Mad World: The Cinema of Terry Gilliam. London: Wallflower Press, 2013.

Bobo, Jacqueline, ed. Black Women Film and Video Artists. New York: Routledge, 2013.

Fischer, Lucy. Body Double: The Author Incarnate in the Cinema. New Brunswick, NJ: Rutgers University Press, 2013.

Studlar, Gaylyn, Precocious Charms: Stars Performing Girlhood in Classical Hollywood Cinema. Berkeley: University of California Press, 2013.

Gershenson, Olga. The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe. New Brunswick, NJ: Rutgers University Press, 2013.

Gerstner, David A and Janet Staiger, ed. Authorship and Film. New York: Routledge, 2013.

Ghosh, Tapan. Bollywood Baddies: Villains, Vamps and Henchmen in Hindi Cinema.

Thousand Oaks, CA: SAGE Press, 2013.

Gillain, Anne. Trans. Alistair Fox. François Truffaut: The Lost Secret. Bloomington: Indiana University Press, 2013.

Gillota, David. Ethnic Humor in Multiethnic America. New Brunswick, NJ: Rutgers University Press, 2013.

Gjelsvik, Anne and Rikke Schubart, ed. Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima. London: Wallflower, 2013.

Goldman, Eric A. The American Jewish Story through Cinema. Austin: University of Texas Press, 2013.

Goodlad, Lilya Kaganovsky and Robert A. Rushing, ed. Mad Men, Mad World: Sex, Politics, Style, and the 1960s. Durham, NC: Duke University Press, 2013.

Hacker, Kenneth L. and Jan van Dijkm. Digital Democracy: Issues of Theory and Practice. Thousand Oaks, CA: Sage Publications, 2013.

Hagelin, Sarah. Reel Vulnerability: Power, Pain, and Gender in Contemporary American Film and Television. New Brunswick, NJ: Rutgers University Press, 2013.

Hallett, Hilary, Go West, Young Women! The Rise of Early Hollywood. Berkeley: University of California Press, 2013.

Harrow, Kenneth W. Trash: African Cinema from Below. Bloomington: Indiana University Press, 2013.

Hart, Kylo-Patrick R. Queer Males in Contemporary Cinema: Becoming Visible. Lanham, MD: Scarecrow Press, 2013.

Havens, Timothy. Black Television Travels: African American Media around the Globe. New York: New York University Press, 2013.

Heitner, Devorah. Black Power TV. Durham, NC: Duke University Press, 2013.

Henderson, Lisa. Love and Money: Queers, Class, and Cultural Production. New York: New York University Press, 2013.

Jaeckle, Jeff, ed. Film Dialogue. London: Wallflower, 2013.

Jenkins, Henry, Sam Ford, and Joshua Gree. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press, 2013.

Johnson, Derek. Media Franchising: Creative License and Collaboration in the Culture Industries. New York: New York University Press, 2013.

Kapur, Jyotsna and Keith Wagner, eds. Neoliberalism and Global Cinema Capital, Culture, and Marxist Critique. New York: Routledge, 2013.

Kassabian, Anahid, Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Berkeley: University of California Press, 2013.

Kazecki, Jakub, Karen A. Ritzenhoff and Cynthia J. Miller, eds. Border Visions: Identity and Diaspora in Film. Lanham, MD: Scarecrow Press, 2013.

Khorana, Sukhmani, ed. Crossover Cinema: Cross-Cultural Film from Production to Reception. New York: Routledge, 2013.

Krings, Matthias and Onookome Okome, eds. Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Bloomington: Indiana University Press, 2013.

LaBarbera, Michael. It's Alive!: The Science of B-Movie Monsters. Chicago: University of Chicago Press, 2013.

MacDonald, Scott. American Ethnographic Film and Personal Documentary: The Cambridge Turn. Berkeley: University of California Press, 2013.

Malitsky, Joshua. Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations. Bloomington: Indiana University Press, 2013.

Miyao, Daisuke. The Aesthetics of Shadow: Lighting and Japanese Cinema. Durham, NC: Duke University Press, 2013.

Needham, Anuradha. New Indian Cinema in Post-Independence India: The Cultural Work of Shyam. New York: Routledge, 2013.

Nissen, Axel, The Films of Agnes Moorehead. Lanham, MD: Scarecrow Press, 2013.

Nochimson, Martha. David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire. Austin: University of Texas Press, 2013.

Ortner, Sherry B. Not Hollywood: Independent Film at the Twilight of the American Dream. Durham, NC: Duke University Press, 2013.

Peterson, Jennifer Lynn. Education in the School of Dreams: Travelogues and Early Nonfiction Film. Durham, NC: Duke University Press, 2013.

Pomerance, Murray. The Eyes Have It: Cinema and the Reality Effect. New Brunswick, NJ: Rutgers University Press, 2013.

Pomerance, Murray, ed. The Last Laugh: Strange Humors of Cinema. Detroit: Wayne State University Press, 2013.

Ranganathan, Maya. Indian Media in a Globalised World. Thousand Oaks, CA: SAGE Press, 2013.

Rich, B. Ruby. New Queer Cinema: The Director’s Cut. Durham, NC: Duke University Press, 2013.

Raw, Laurence and Tony Gurr, Adaptation Studies and Learning: New Frontiers. Lanham, MD: Scarecrow Press, 2013.

San Filippo, Maria. The B Word: Bisexuality in Contemporary Film and Television. Bloomington: Indiana University Press, 2013.

Street, Sarah, Elizabeth Watkins and Simon Brown. British Colour Cinema: Practices and Theories. London: BFI Publishing, 2013.

Thomas, Dominic. Africa and France: Postcolonial Cultures, Migration, and Racism. Bloomington: Indiana University Press, 2013.

Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick, NJ: Rutgers University Press, 2013.

Tzioumakis, Yannis and Siân Lincoln, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Detroit: Wayne State University Press, 2013.

Vaughan, Hunter. Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking. New York: Columbia University Press, 2013.


Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Bisschoff, Lizelle. "Representing Africa in the UK: Programming the Africa in Motion Film Festival,” Research in African Literatures 44, no. 2 (Summer 2013): 142-162.

Brown, Simon. "From Inventor to Renter: The Middleman, the Production Crisis and the Formation of the British Film Industry,” Early Popular Visual Culture 11, no. 2 (2013): 100-112.

Brown, William. "Violence in Extreme Cinema and the Ethics of Spectatorship,” Projections 7, no. 1 (Summer 2013): 25-42.

Condon, Denis. "Brightening the Dreary Existence of the Irish Peasant: Cinema Transforms Leisure in Provincial Ireland,” Early Popular Visual Culture 11, no. 2 (2013): 126-139.

Cunningham, David. "Here Comes the New: Deadwood and the Historiography of Capitalism,” Radical Philosophy 180 (July/Aug 2013): 8-24.

Dowler, Kevin. "Dismemberment, Repetition, and Working-Through: Keeping Up in Treme,” Canadian Review of American Studies 43, no. 1 (2013): 145-163.

Eitzen, Dirk. "Cultural Effects of Cinematic Violence: Private Ryan and The Dark Knight,” Projections 7, no. 1 (Summer 2013): 3-24.

Gaudreault, André and Philippe Marion. "Measuring the ‘Double Birth’ Model Against the Digital Age,” Early Popular Visual Culture 11, no. 2 (2013): 158-177.

Harper, Mihaela. "Fabric Frontiers: Thread, Cloth, Body, Self in Latina Literature and Film,” Hispanic Review 81, no. 2 (Spring 2013): 165-180.

Hernández, María Lorenzo. "Morel Moreau Morella: The Metamorphoses of Adolfo Bioy Casares’ Invention in a (Re)Animating Universe,” Animation 8 (July 2013): 185-202.

Hoek, Lotte. "Killer Not Terrorist: Visual Articulations of Terror in Bangladeshi Action Cinema,” South Asian Popular Culture 11, no. 2 (2013): 121-132.

Jenkins, Eric S. "Another Punctum: Animation, Affect, and Ideology,” Critical Inquiry 39, no. 3 (Spring 2013): 575-591.

Lim, Tai Wei. "Spirited Away: Conceptualizing a Film-Based Case Study through Comparative Narratives of Japanese Ecological and Environmental Discourses,” Animation 8 (July 2013): 149-162.

Meeker, Lauren and Jayasinhji Jhala. "Drums on the Red River: The Making of a Vietnamese Ethnographic Film,” Visual Anthropology 26, no. 3 (2013): 247-265.

Mihailova, Mihaela. "The Mastery Machine: Digital Animation and Fantasies of Control,” Animation 8 (July 2013): 131-148.

Moore, Paul S. "The Grand Opening of the Movie Theatre in the Second Birth of Cinema,” Early Popular Visual Culture 11, no. 2 (2013): 113-125.

Negra, Diane and Yvonne Tasker. "Neoliberal Frames and Genres of Inequality: Recession-Era Chick Flicks and Male-Centred Corporate Melodrama,” European Journal of Cultural Studies 16 (June 2013): 344-361.

Nisa, Eva F. "The Internet Subculture of Indonesian Face-Veiled Women,” International Journal of Cultural Studies 16 (May 2013): 241-255.

Özcan, Esra. "Lingerie, Bikinis and the Headscarf: Visual Depictions of Muslim Female Migrants in German News Media,” Feminist Media Studies 13, no. 3 (2013): 427-442.

Schubart, Rikke. "Monstrous Appetites and Positive Emotions in True Blood, The Vampire Diaries, and The Walking Dead,” Projections 7, no. 1 (Summer 2013): 43-62.

Shenar, Gabriele. "Bollywood in Israel: Multi-Sensual Milieus, Cultural Appropriation and the Aesthetics of Diaspora Transnational Audiences,” Ethnos 78, no. 2 (2013): 226-254.

Smythe, Luke. "Len Lye: The Vital Body of Cinema,” October 144 (Spring 2013): 73-91.

Street, Sarah and Joshua Yumibe. "The Temporalities of Intermediality: Colour in Cinema and the Arts of the 1920s,” Early Popular Visual Culture 11, no. 2 (2013): 140-157.

Tai, Peng-yi. "The Aesthetics of Keyframe Animation: Labor, Early Development, and Peter Foldes,” Animation 8 (July 2013): 111-129.

Wake, Caroline. "Regarding the Recording: The View of Video Testimony, the Complexity of Copresence and the Possibility of Tertiary Witnessing,” History & Memory 25, no. 1 (Spring/Summer 2013): 111-144.

Wythoff, Grant. "Pocket Wireless and the Shape of Media to Come, 1899-1922,” Grey Room 51 (Spring 2013): 40-63.

Zhang, Yinjing. "Articulating Sadness, Gendering Space: The Politics and Poetics of Taiyu Films from 1960s Taiwan,” Modern Chinese Literature and Culture 25, no. 1 (Spring 2013): 1-46.

 

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