Print Page   |   Contact Us   |   Your Cart   |   Sign In   |   Register
Site-wide Search
Professional Notes 53.1
Share |
This quarterly feature lists recent books published in media studies, as well as articles on film and TV published in non-media journals. Contributions are welcome - please send them to Eric Freedman at efreedma@fau.edu.

Professional Notes Editors: Chris Robé and Stephen Charbonneau

Notes from the most current issue are listed below. Past issues of Professional Notes are located here.


Cinema Journal

Professional Notes 53.1


Edited by Chris Robé, with Stephen Charbonneau

 

Recent Books

Andrews, David. Theorizing Art Cinemas: Foreign, Cult, Avant-Garde and Beyond. Austin: University of Texas Press, 2013.

Bertellini, Giorgio, ed. Italian Silent Cinema: A Reader. Bloomington: University of Indiana Press, 2013.

Brode, Douglas, and Leah Deyneka. Dracula’s Daughters: The Female Vampire on Film. Lanham, MD: Scarecrow Press, 2013.

Bruzzi, Stella. Men's Cinema: Masculinity and Mise-en-Scene in Hollywood. New York, NY and Oxford, U.K.: Oxford University Press, 2013.

Burch, Noël, and Genevieve Sellier. The Battle of the Sexes in French Cinema, 1930-1956. Durham, NC: Duke University Press, 2013.

Coon, David. Suburban Narratives and American Values in Film and Television. New Brunswick, NJ: Rutgers University Press, 2013.

Due, Reidar. Love in Motion: Erotic Relationships in Film. New York: Columbia University Press, 2013.

Duggan, Anne E. Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy. Detroit, MI: Wayne State University Press, 2013.

Dussere, Erik. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York, NY and Oxford, U.K.: Oxford University Press, 2013.

Fujiki, Hideaki. Making Personas: Transnational Film Stardom in Modern Japan. Cambridge: Harvard University Press, 2013.

Furuhata, Yuriko. Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics. Durham, NC: Duke University Press, 2013.

Geiger, Jeffrey, and Karin Littau. Cinematicity in Media History. New York, NY and Oxford, U.K.: Oxford University Press, 2013.

Genova, James E. Cinema and Development in West Africa. Bloomington: Indiana University Press, 2013.

Girelli, Elizabetta. Montgomery Clift, Queer Star. Detroit, MI: Wayne State University Press, 2013.

Hallam, Julia, and Les Roberts, eds. Locating the Moving Image: New Approaches to Film and Place. Bloomington: Indiana University Press, 2013.

Hoek, Lotte. Cut-Pieces: Celluloid Obscenity and Popular Cinema in Bangladesh. New York: Columbia University Press, 2013.

Hokowhitu, Brendan, and Vijay Devadas, eds. The Fourth Eye:Māori Media in Aotearoa New Zealand. Minneapolis: University of Minnesota Press, 2013.

Irwin, Robert, and Maricruz Ricalde, eds. Global Mexican Cinema: Its Golden Age. London: BFI, 2013.

King, Geoff. Indie 2.0: Change and Continuity in Contemporary American Indie Film. New York: Columbia University Press, 2013.

Luckett, Moya. Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917. Detroit, MI: Wayne State University Press, 2013.

Lupack, Barbara Tepa.Richard E. Norman and Race Filmmaking. Bloomington: Indiana University Press, 2013.

Maurice, Alice. The Cinema and Its Shadow: Race and Technology in Early Cinema. Minneapolis: University of Minnesota Press, 2013.

Meeuf, Russell. John Wayne’s World: Transnational Masculinity in the Fifties. Austin: University of Texas Press, 2013.

Mejias, Ulises Ali. Off the Network: Disrupting the Digital World. Minneapolis: University of Minnesota Press, 2013.

Meléndez, Gabriel. Hidden Chicano Cinema: Film Dramas in the Borderlands. New Brunswick, NJ: Rutgers University Press, 2013.

Miller, Cynthia J. and A. Bowdoin Van Riper. International Westerns: Re-Locating the Frontier. Lanham, MD: Scarecrow Press, 2013.

Minh-ha, Trinh T. D-Passage: The Digital Way. Durham, NC: Duke University Press, 2013.

Nasta, Dominique. Contemporary Romanian Cinema: The History of an Unexpected Miracle. New York: Columbia University Press, 2013.

Nelson, Andrew Patrick, ed. Contemporary Westerns: Film and Television since 1990. Lanham, MD: Scarecrow Press, 2013.

Parry, Manon. Broadcasting Birth Control: Mass Media and Family Planning. New Brunswick, NJ: Rutgers University Press, 2013.

Punathambekar, Aswin.From Bombay to Bollywood: The Making of a Global Media Industry. New York: New York University Press, 2013.

Rogers, Ariel. Cinematic Appeals: The Experience of New Movie Technologies. New York: Columbia University Press, 2013.

Smolin, Jonathan. Moroccan Noir: Police, Crime, and Politics in Popular Culture. Bloomington: Indiana University Press, 2013.

Sperb, Jason. Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson. Austin: University of Texas Press, 2013.

Spring, Katherine. Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema. New York, NY and Oxford, U.K.: Oxford University Press, 2013.

Thompson, Ethan, and Jason Mittell. How To Watch Television. NY: New York University Press, 2013.

Torlasco, Domietta. The Heretical Archive: Digital Memory at the End of Film. Minneapolis: University of Minnesota Press, 2013.

Tweedie, James. The Age of New Waves: Art Cinema and the Staging of Globalization. New York, NY and Oxford, U.K.: Oxford University Press, 2013.

Urwand, Ben. The Collaboration: Hollywood's Pact with Hitler. Cambridge: Harvard University Press, 2013.

Vernallis, Carol. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York, NY and Oxford, U.K.: Oxford University Press, 2013.

Winston, Brian, ed. The Documentary Film Book. London: BFI, 2013.

Witt, Michael. Jean-Luc Godard, Cinema Historian. Bloomington: Indiana University Press, 2013.

Wortham, Erica Cust. Indigenous Media in Mexico. Durham, NC: Duke University Press, 2013.

 

Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Aoki, Eric and Allison Burr-Miller. "Becoming (Hetero)Sexual?: The Hetero-Spectacle of Idollators and Their Real Dolls,” Sexuality & Culture 17, no. 3 (September 2013): 384-400.

Avci, Asli Kotaman and Louise Spence. "The Talking Witness Documentary: Remembrance and the Politics of Truth,” Rethinking History: The Journal of Theory and Practice 17, no. 3 (2013): 295-311.

Bluementhal-Barby, Martin. "Faces of Evil: Fritz Lang’s Dr. Mabuse, the Gambler,” Seminar: A Journal of Germanic Studies 49, no. 3 (September 2013): 322-343.

Borge, Jason. "Replaying Carlitos: Chaplin, Latin American Film Comedy and the Paradigm of Imitation,” Journal of Latin American Cultural Studies 22, no.3 (2013): 271-286.

Burgess, Jean and Sonja Vivienne. "The Remediation of the Personal Photograph and the Politics of Self-Representation in Digital Storytelling,” Journal of Material Culture 18 (September 2013): 279-298.

Burri, Regula Valérie. "Visual Power in Action: Digital Images and the Shaping of Medical Practices,” Science as Culture 22, no. 3 (2013): 367-387.

Christie, Michael and Helen Verran. "Digital Lives in Postcolonial Aboriginal Australia,” Journal of Material Culture 18 (September 2013): 299-317.

Cox, Lara. "Flaubert, Femininity, and Free-Fall Stardom: A Reading of Madame Bovary (Chabrol, 1991) and Un Coeur simple (Laine, 2008),” Modern & Contemporary France 21, no. 4 (2013): 537-555.

Davidson, John E. "Dust to Dust: The Figure-Ground Problem of Readymade Realism in Film,” American Imago 70, no. 3 (Fall 2013): 415-444.

De, Aparajita. "Sporting with Gender: Examining Sport and Belonging at Home and in the Diaspora through Patiala House & Chak De! India,” South Asian Popular Culture 11, no. 3 (2013): 287-300.

Drake, Susan Wiebe. "Heroic Journeys: The Immigrant Experience as the Hero’s Journey in El Norte and La misma luna,” Studies in Latin American Popular Culture 31 (2013): 85-98.

Drapac, Vesna. "Recasting the Heroic Resistance Ideal: Robert Bresson’s Un condamné à mort s’est échappé,” French Cultural Studies 24, no. 4 (November 2013): 376-397.

Favero, Paolo. "Getting Our Hands Dirty (Again): Interactive Documentaries and the Meaning of Images in the Digital Age,” Journal of Material Culture 18 (September 2013): 259-277.

Feng, Dezheng and Kay L. O’Halloran. "The Multimodal Representation of Emotion in Film: Integrating Cognitive and Semiotic Approaches,” Semiotica, no. 197 (2013): 79-100.

Fotopoulou, Aristea. "Remediating Politics: Brand(ed) New Sexualities and Real Bodies Online,” Journal of Lesbian Studies 17, no. 3-4 (2013): 253-266.

Geroulanos, Stefanos. "Postwar Facial Reconstruction: Georges Franju’s Eyes Without a Face,” French Politics, Culture & Society 31, no. 2 (Summer 2013): 15-33.

Glenn, Cerise L. and Andrew R. Spieldenner. "An Intersectional Analysis of Television Narratives of African American Women with African American Men on ‘the Down Low,’” Sexuality & Culture 17, no. 3 (September 2013): 401-416.

Gott, Michael R. "‘Bouger pour voir les immeubles’: Jeunessedorée (2001), L'année suivante (2006) and the Creative Mobility of Women's Banlieue Cinema,” Modern & Contemporary France 21, no. 4 (2013): 453-472.

Heiduschke, Sebastian. "Authority, Mobility, and Teenage Rebellion in The Wild One (USA, 1953), Die Halbstarken (West Germany, 1956), and Berlin – Ecke Schönhauser (East Germany, 1957),” Seminar: A Journal of Germanic Studies 49, no. 3 (September 2013): 281-299.

Henley, Paul. "Thick Inscription and the Unwitting Witness: Reading the Films of Alfred Haddon and Baldwin Spencer,” Visual Anthropology 26, no. 5 (2013): 383-429.

Hensman, Ravi. "Oracles of Suburbia: French Cinema and Portrayals of Paris Banlieues, 1958-1968,” Modern & Contemporary France 21, no. 4 (2013): 435-451.

Hudson, Dale. "‘Of Course There Are Werewolves and Vampires’: True Blood and the Right to Rights for Other Species,” American Quarterly 65, no. 3 (September 2013): 661-687.

Jenzen, Olu. "Revolting Doubles: Radical Narcissism and the Trope of Lesbian Doppelgangers,”Journal of Lesbian Studies 17, no. 3-4 (2013): 344-364.

Jewell, Tess. "Blinding the Screen: Visualizing Disability in Le scaphandre et le papillon,” Mosaic: A Journal for the Interdisciplinary Study of Literature 46, no. 3 (September 2013): 109-124.

Jones, David Houston. "The Inadequate Archive: Ethical Remaking in Silvia Kolbowski’s After Hiroshima mon amour,” French Cultural Studies 24, no. 4 (November 2013): 417-429.

Junka-Aikio, Laura. "Articulation, National Unity and the Aesthetics of Living Against Occupation in Elia Suleiman’s Palestine Trilogy,” Journal for Cultural Research 17, no. 4 (2013): 398-413.

Khan, Nichola. "‘From Refugees to the World Stage’: Sport, Civilisation and Modernity in Out of the Ashes and the UK Afghan Diaspora,” South Asian Popular Culture11, no. 3 (2013): 271-285.

Koepnick, Lutz. "Herzog’s Cave: On Cinema’s Unclaimed Pasts and Forgotten Futures,” The Germanic Review: Literature, Culture, Theory 88, no. 3 (2013): 271-285.

Lazić, Gordana and Brian L. Ott. "The Pedagogy and Politics of Art in Postmodernity: Cognitive Mapping and The Bothersome Man,” Quarterly Journal of Speech 99, no. 3 (2013): 259-282.

McKee, Alan and Anne-Frances Watson. "Masturbation and the Media,” Sexuality & Culture 17, no. 3 (September 2013): 449-475.

Meyer, Michaela D.E. "Slashing Smallville: The Interplay of Text, Audience and Production on Viewer Interpretations of Homoeroticism,” Sexuality & Culture 17, no. 3 (September 2013): 476-493.

Meyer, Michaela D.E. and Megan M. Wood. "Sexuality and Teen Television: Emerging Adults Respond to Representations of Queer Identity on Glee,” Sexuality & Culture 17, no. 3 (September 2013): 434-448.

Morrey, Douglas. "Le Creux de la Vague: Authorship, Adaptation and Sexuality in Les Godelureaux (1961),” Modern & Contemporary France 21, no. 4 (2013): 419-434.

Morrissey, Jim. "Objectification and Resistance: Dance Performances in Abdellatif Kechiche’s La Graine et le mulet (2007) and Vénus noire (2010),” French Cultural Studies 24, no. 4 (November 2013): 306-318.

Parvulescu, Constantin. "Embodied Histories: Harun Farocki and Andrei Ujică's Videograms of a Revolutionand Ovidiu Bose Pas¸tina's Timioara—December 1989 and the Uses of the Independent Camera,” Rethinking History: The Journal of Theory and Practice 17, no. 3 (2013): 354-382.

Pipolo, Tony. "Pasolini’s Edipo Re: Myth, Play, and Autobiography,” The Psychoanalytic Review100, no. 4 (August 2013): 589-608.

Simon, Art. "Make Way for Youth: The American Jewish Committee and the Social Problem Film,” American Jewish History 97, no. 4 (October 2013): 367-389.

Stern, Danielle M. "My So-Called Felicity and the City: Coming of Age With and Through Feminist Media,” Sexuality & Culture 17, no. 3 (September 2013): 417-433.

Trentin, Filippo. "‘Organizing Pessimism’: Enigmatic Correlations Between Walter Benjamin and Pier Paolo Pasolini,” The Modern Language Review 108, no. 4 (October 2013): 1021-1041.

Rajca, Andrew C. "Unraveling Normalized Rhetoric of Violence and Human Rights: The Dissensual Intervention of Sergio Bianchi’s Quanto Vale Ou E Por Quilo?,” Journal of Latin American Cultural Studies22, no.3 (2013): 305-321.

Wagner, Keith B. "Jia Zhangke’s Neoliberal China: The Commodification and Dissipation of the Proletarian in The World (Shijie, 2004),” Inter-Asia Cultural Studies 14, no. 3 (2013): 361-377.

Werth, Margaret. "Heterogeneity, the City, and Cinema in Alberto Cavalcanti’s Rien que les heures,” Art History 36, no. 5 (November 2013): 1018-1041.



Current Issue | Past Issues | Archival News | In Focus | Professional Notes | CJ Submissions |
Sign In


Forgot your password?

Haven't registered yet?

Latest News

 
Society for Cinema and Media Studies | 640 Parrington Oval | Wallace Old Science Hall, Room 300 | Norman, OK 73019 | 405-325-8075 | office@cmstudies.org