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Professional Notes 53.2
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Cinema Journal

Professional Notes 53.2


Edited by Chris Robé, with Stephen Charbonneau

 

Recent Books

Barattoni, Luca. Italian Post-Neorealist Cinema. Oxford, UK: Oxford University Press, 2014.

Brown, Tom and Belén Vidal, eds. The Biopic in Contemporary Film Culture. New York: Routledge, 2014.

Chung, Steven. Split Screen Korea: Shin Sang-ok and Postwar Cinema. Minneapolis: University of Minnesota Press, 2014.

Coon, David R. Look Closer: Suburban Narratives and American Values in Film and Television. New Brunswick, NJ: Rutgers University Press, 2014.

Donnelly, K.J. Occult Aesthetics: Synchronization in Sound Film. Oxford, UK: Oxford University Press, 2014.

Gemünden, Gerd. Continental Strangers: German Exile Cinema, 1933-1951 New York: Columbia University Press, 2014.

Harvey, Kerric ed. Encyclopedia of Social Media and Politics. Thousand Oaks, CA: Sage Press, 2014.

Herbert, Daniel. Videoland: Movie Culture at the American Video Store. Berkeley: University of California Press, 2014.

Hoffman, Warren. The Great White Way: Race and the Broadway Musical. New Brunswick, NJ: Rutgers University Press, 2014.

Isenberg, Noah. Edgar G. Ulmer: A Filmmaker at the Margins. Berkeley: University of California Press, 2014.

Kahn, Douglas. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts. Berkeley: University of California Press, 2013.

Kennedy, Matthew. Roadshow!: The Fall of Film Musicals in the 1960s. Oxford, UK: Oxford University Press, 2014.

Kim, Kyung Kyun and Youngmin Choe, eds. The Korean Popular Culture Reader. Durham, NC: Duke University Press, 2014.

Mann, Denise, ed. Wired TV: Laboring Over an Interactive Future. New Brunswick, NJ: Rutgers University Press, 2014.

Middleton, Jason. Documentary's Awkward Turn: Cringe Comedy and Media Spectatorship. New York: Routledge, 2014

Naremore, James. An Invention without a Future: Essays on Cinema. Berkeley: University of California Press, 2014.

Prime, Rebecca. Hollywood Exiles in Europe: The Blacklist and Cold War Film Culture. New Brunswick, NJ: Rutgers University Press, 2014.

Rosenthal, Alan. From Chariots of Fire to The King’s Speech: Writing Bio-Pics and Docudramas. Carbondale, IL: Southern Illinois University Press, 2014.

Sewell, Philip W. Television in the Age of Radio: Modernity, Imagination, and the Making of a Medium. New Brunswick, NJ: Rutgers University Press, 2014.

Singh, Greg. Feeling Film: Affect and Authenticity in Popular Cinema. New York: Routledge, 2014.

Stafford, Roy. The Global Film Book. New York: Routledge, 2014.

Vilarejo, Amy. Ethereal Queer: Television, Historicity, Desire. Durham, NC: Duke University Press, 2014.

Ludwig Vogl-Bienek, Ludwig and Richard Crangle. Screen Culture and the Social Question, 1880-1914. Bloomington: Indiana University Press, 2014.

Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Athique, Adrian and Douglas Hill. "Multiplexes, Corporatised Leisure and the Geography of Opportunity in India,” Inter-Asia Cultural Studies 14, no. 4 (2013): 600-614.

Barkin, Gareth. "Commercial Islam in Indonesia: How Television Producers Mediate Religiosity Among National Audiences,” International Journal of Asian Studies 11, no. 1 (January 2014): 1-24.

Beltrán, Gastón J. and Paula Miguel. "Doing Culture, Doing Business: A New Entrepreneurial Spirit in the Argentine Creative Industries,” International Journal of Cultural Studies 17, no. 1 (January 2014): 39-54.

Buelens, Gert and Jasper Schelstraete. "This Game is Rigged: Dickens, The Wire and Money,” Dickens Quarterly 30, no. 4 (December 2013): 288-298.

Bulut, Ergin. "Seeing and Playing as Labor: Toward a Visual Materialist Pedagogy of Video Games Through Walter Benjamin,” Review of Education, Pedagogy, and Cultural Studies 35, no. 5 (2013): 408-425.

Chan, Alex Ching-shing and Wai-hung Yiu. "‘Kawaii’ and ‘Moe’ – Gazes, Geeks (Otaku), and Glocalization of Beautiful Girls (Bi shōjo) in Hong Kong Youth Culture,” Positions: East Asia Cultures Critique 21, no. 4 (Fall 2013): 853-884.

Chow, Rey. "China as Documentary: Some Basic Questions (Inspired by Michelangelo Antonioni and Jia Zhangke),” European Journal of Cultural Studies 17, no. 1 (2014): 16-30.

Daliot-Bul, Michal. "Reframing and Reconsidering the Cultural Innovations of the Anime Boom on US Television,” International Journal of Cultural Studies 17, no. 1 (January 2014): 75-91.

Davison, Patrick. "On Avril Lavigne’s Missing YouTube Comments,” Critical Quarterly 55, no. 4 (December 2013): 81-92.

Dawood, Shezad. "Piercing Brightness as an Exploration of the An-archic Imaginary (in conversation with Mark Bartlett),” Journal of Visual Culture 12, no. 3 (December 2013): 431-449.

Dimock, Wai Chee. "Crowdsourcing History: Ishmael Reed, Tony Kushner, and Steven Spielberg Update the Civil War,” American Literary History 25, no. 4 (Winter 2013): 896-914.

Fuhrmann, Arnika. "Making Contact: Contingency, Fantasy, and the Performance of Impossible Intimacies in the Video Art of Araya Rasdjarmrearnsook,” Positions: East Asia Cultures Critique 21, no. 4 (Fall 2013): 769-799.

Furtado, Gustavo Procopio. "The Borders of Sense: Revisiting Iracema, uma transa amazônica (1974),” Journal of Latin American Cultural Studies 22, no. 4 (2013): 399-415.

Galili, Doron. "Intermedial Thought in Classical Film Theory: Balázs, Arnheim, and Benjamin on Film and Radio,” The Germanic Review: Literature, Culture, Theory 88, no. 4 (2013): 391-399.

Gill, Rosalind and Laura Harvey, Sonia Livingstone, Jessica Ringrose. "Teen Girls, Sexual Double Standards and ‘Sexting’: Gendered Value in Digital Image Exchange,” Feminist Theory 14, no. 3 (December 2013): 305-323.

Gómez-Castellano, Irene. "Lullabies and Postmemory: Hearing the Ghosts of Spanish History in Guillermo del Toro’s Pan’s Labyrinth (El laberinto del fauno, 2006),” Journal of Spanish Cultural Studies 14, no. 1 (2013): 1-18.

González, Bill Johnson. "The Limits of Desire: On the Downlow and Queer Chicago Film,” GLQ: A Journal of Lesbian and Gay Studies 20, no. 1-2 (2014): 13-39.

Gwynne, Joel. "Japan, Postfeminism and the Consumption of Sexual(ised) Schoolgirls in Male-Authored Contemporary Manga,” Feminist Theory 14, no. 3 (December 2013): 325-343.

Halle, Randall. "Re-imagining the German East: Expulsion and Relocation in German Feature and Documentary Film,” German Politics & Society 31, no. 4 (Winter 2013): 16-39.

Herring, Scott. "‘Hixploitation’ Cinema, Regional Drive-ins, and the Cultural Emergence of a Queer New Right,” GLQ: A Journal of Lesbian and Gay Studies 20, no. 1-2 (2014): 95-113.

Horrocks, Chris. "Disinterring the Present: Science Fiction, Media Technology and the Ends of the Archive,” Journal of Visual Culture 12, no. 3 (December 2013): 414-430.

Ilahiane, Hsain. "Catenating the Local and the Global in Morocco: How Mobile Phone Users Have Become Producers and Not Consumers,” The Journal of North African Studies 18, no. 5 (2013): 652-667.

Jaising, Shakti. "Reconstructing Apartheid, Redefining Racism: The South African Truth Commission and its Representations,” Interventions 16, no. 1 (2014): 117-134.

Jolly, Martyn. "Soldiers of the Cross: Time, Narrative and Affect,” Early Popular Visual Culture 11, no. 4 (2013): 293-311.

Kaur, Raminder. "The Nuclear Imaginary and Indian Popular Cinema,” South Asia: Journal of South Asian Studies 36, no. 4 (2013): 539-553.

Kim, Han Sang. "Cold War and the Contested Identity Formation of Korean Filmmakers: On Boxes of Death and Kim Ki-yo˘ng's USIS Films,” Inter-Asia Cultural Studies 14, no. 4 (2013): 551-563.

Kishore, Shweta. "Beyond Cinephilia: Situating the Encounter between Documentary Film and Film Festival Audiences: The Case of the Ladakh International Film Festival, India,” Third Text 27, no. 6 (2013): 735-747.

Kuotsu, Neikolie. "Architectures of Pirate Film Cultures: Encounters with Korean Wave in ‘Northeast’ India,” Inter-Asia Cultural Studies 14, no. 4 (2013): 579-599.

Latsis, Dimitrios S. "Genealogy of the Image in Histoire(s) du Cinéma: Godard, Warburg and the Iconology of the Interstice,” Third Text 27, no. 6 (2013): 774-785.

Low, Bronwen and Chloë Brushwood Rose. "Exploring the ‘Craftedness’ of Multimedia Narratives: From Creation to Interpretation,” Visual Studies 29, no. 1 (2014): 30-39.

Mabon, Simon. "Aiding Revolution? Wikileaks, Communication and the ‘Arab Spring’ in Egypt,” Third World Quarterly 34, no. 10 (2013): 1843-1857.

Maddison, Stephen. "Beyond the Entrepreneurial Voyeur? Sex, Porn and Cultural Politics,” New Formations 80-81 (Winter 2013): 102-118.

Magagnoli, Paolo. "The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall,” Third Text 27, no. 6 (2013): 723-734.

McRobbie, Angela. "Feminism, the Family and the New ‘Mediated’ Maternalism,” New Formations 80-81 (Winter 2013): 119-137.

O’Dea, Meghan. "Reflecting on the Present Burdened by the Past: German-Polish Relations in Robert Thalheim’s Film Am Ende kommen Touristen (2007),” German Politics & Society 31, no. 4 (Winter 2013): 40-58.

Olson, Kathryn M. "An Epideictic Dimension of Symbolic Violence in Disney’s Beauty and the Beast: Inter-Generational Lessons in Romanticizing and Tolerating Intimate Partner Violence,” Quarterly Journal of Speech 99, no. 4 (2013): 448-480.

Paraskeva, Antony. "Samuel Beckett, Alain Resnais and French Modernist Cinema,” Forum for Modern Language Studies 50, no. 1 (2014): 30-39.

Pirro, Robert. "Aesthetic Legacies and Dashed Political Hopes: Caspar David Friedrich Motifs in Roland Emmerich’s Post-9/11 Popcorn Message Movies,” The Germanic Review: Literature, Culture, Theory 88, no. 4 (2013): 400-417.

Robé, Chris. "Materializing Cultural Struggle in Film and Media Studies,” Culture, Theory and Critique 55, no. 1 (2014): 17-33.

Robertson, Venetia Laura Delano. "Of Ponies and Men: My Little Pony: Friendship is Magic and the Brony Fandom,” International Journal of Cultural Studies 17, no. 1 (January 2014): 21-37.

Roosvall, Anna. "The Identity Politics of World News: Oneness, Particularity, Identity and Status in Online Slideshows,” International Journal of Cultural Studies 17, no. 1 (January 2014): 55-74.

Roy, Anjali Gera. "Distribution and Circulation of Indian Films in Singapore,” Inter-Asia Cultural Studies 14, no. 4 (2013): 635-643.

Roybal, Karen R. "Pushing the Boundaries of Border Subjectivity, Autobiography, and Camp-Rasquachismo,” Aztlán: A Journal of Chicano Studies 38, no. 2 (Fall 2013): 71-94.

Sakr, Laila Shereen. "A Digital Humanities Approach: Text, the Internet, and the Egyptian Uprising,” Middle East Critique 22, no. 3 (2013): 247-263.

Schulzke, Marcus. "The Virtual War on Terror: Counterterrorism Narratives in Video Games,” New Political Science 35, no. 4 (2013): 586-603.

Shilton, Siobhán. "Cubist Counterpoint: Transnational Aesthetics in Video, Sculpture and Installation Art by Mounir Fatmi,” Forum for Modern Language Studies 50, no. 1 (2014): 40-56.

Slugan, Mario. "The Rhetorics of Interpretation and Žižek’s Approach to Film,” Slavic Review 72, no. 4 (Winter 2013): 728-749.

Smith, Marquard. "Theses on the Philosophy of History: The Work of Research in the Age of Digital Searchability and Distributability,” Journal of Visual Culture 12, no. 3 (December 2013): 375-403.

Srinivas, S.V. "Rajnikant in Japan: Indian ‘Superstardom’ and Low Value Markets,” Inter-Asia Cultural Studies 14, no. 4 (2013): 615-634.

Wilson, Emma. "Mortal Flesh: Agnès Varda de ci de là,” Forum for Modern Language Studies 50, no. 1 (2014): 57-68.

Zinhert, Maria. "On the Photographic Practice of Lili and Siegfried Kracauer: Portrait Photographs from the Estate in the Deutsches Literaturarchiv (Marbach am Neckar),” The Germanic Review: Literature, Culture, Theory 88, no. 4 (2013): 435-443.



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