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Professional Notes 53.3
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Cinema Journal

Professional Notes 53.3

Edited by Chris Robé, with Stephen Charbonneau


Recent Books

Aitken, Ian and Michael Ingham, eds. Hong Kong Documentary Film. Edinburgh: Edinburgh University Press, 2014.

Bean, Jennifer M, Anupama Kapse, and Laura Horak, eds. Silent Cinema and the Politics of Space. Bloomington: Indiana University Press, 2014.

Beckman, Karen. Animating Film Theory. Durham, NC: Duke University Press, 2014.

Cutrara, Daniel. Wicked Cinema: Sex and Religion on Screen. Austin: University of Texas Press, 2014.

DeBoer, Stephanie. Coproducing Asia: Locating Japanese–Chinese Regional Film and Media. Minneapolis: University of Minnesota Press, 2014.

Fisher, Austin. Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema. London: I.B. Tauris, 2014.

Fojas, Camilla. Islands of Empire: Pop Culture and U.S. Power. Austin: University of Texas Press, 2014.

Kaganovsky, Lilya and Masha Salazkina, eds. Sound, Speech, Music in Soviet and Post-Soviet Cinema. Bloomington: Indiana University Press, 2014.

Lang, Robert. New Tunisian Cinema: Allegories of Resistance. New York: Columbia University Press, 2014.

Lotz, Amanda D. Cable Guys: Television and Masculinities in the 21st Century. New York: New York University Press, 2014.

MacKenzie, Scott, ed. Film Manifestos and Global Cinema Cultures: A Critical Anthology. Berkeley: University California Press, 2014.

Malin, Brenton. Feeling Mediated: A History of Media Technology and Emotion in America. New York: New York University Press, 2014.

Munford, Rebecca and Melanie Waters. Feminism and Popular Culture: Investigating the Postfeminist Mystique. New Brunswick, NJ: Rutgers University Press, 2014.

Nilsen, Sarah and Sarah E. Turner, eds. The Colorblind Screen: Television in Post-Racial America. New York: New York University Press, 2014.

Projansky, Sarah. Spectacular Girls: Media Fascination and Celebrity Culture. New York: New York University Press, 2014.

Schaefer, Eric. Sex Scene: Media and the Sexual Revolution. Durham, NC: Duke University Press, 2014.

Serna, Laura Isable. Making Cinelandia: American Films and Mexican Film Culture before the Golden Age. Durham, NC: Duke University Press, 2014.

Sitton, Robert. Lady in the Dark: Iris Barry and the Art of Film. New York: Columbia University Press, 2014.

Smith, Jeff. Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds. Berkeley: University of California Press, 2014.

Weber, Brenda R., ed. Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television. Durham, NC: Duke University Press, 2014.

Whissel, Kristen. Spectacular Digital Effects: CGI and Contemporary Cinema. Durham, NC: Duke University Press, 2014.


Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Adriaens, Fien. “Diaspora Girls Doing Identities: Creating Ideal Television Programmes and Narratives of the Self,” European Journal of Cultural Studies 17, no. 2 (April 2014): 101-111. 

Ashkenazi, Ofer. “The Future of History as Film: Apropos the Publication of A Companion to Historical Film.” The Journal of Theory and Practice 18, no. 2 (2014): 289-303. 

Badenoch, Alexander. “Troubling Territory: West Germany in the European Airwaves,” German Politics and Society 32, no. 1 (Spring 2014): 74-93.

Banerjee, Suparno. “Melodrama, Mimicry, and Menace: Reinventing Hollywood in Indian Science Fiction Films.” South Asian Popular Culture 12, no. 1 (2014): 15-28. 

Boll, Monika. “Sociology in Place of Socialism: On West German Cultural Radio,” German Politics and Society 32, no. 1 (Spring 2014): 30-42.

Brunetaux, Audrey. “Revisiting the Vel d’Hiv Roundup through the Camera Lens,” History & Memory 26, no. 1 (Spring/Summer 2014): 136-162. 

Chaffey, Lucian. “Affect, Excess and Cybernetic Modification in Science Fiction Fantasy TV Series Farscape,” Body & Society 20, no. 1 (March 2014): 85-110. 

Child, Benjamin. “The Magical Real and the Rural Modern in Cinema Novo: Vidas Secas and Black God, White Devil.” South Central Review 31, no. 1 (Spring 2014): 55-73.

Codr, Dwight. “Arresting Monstrosity: Polio, Frankenstein, and the Horror Film.” PMLA 129, no. 2 (March 2014): 171-187.

Cohen, Brianne. “Burning Cars, Caricatures and Glub: Negotiating Photofilmic Images in a New Europe.” Third Text 28, no. 2 (2014): 190-202. 

Conway, Kelley. “Responding to Globalization: The Evolution of Agnès Varda.” SubStance 43, no. 1 (2014): 109-122. 

Djupvik, Marita B. “Welcome to the Candy Shop! Conflicting Representations of Black Masculinity.” Popular Music 33, no. 2 (May 2014): 209-224. 

Eddy, Charmaine. “The Art of Consumption: Capitalist Excess and Individual Psychosis in Hoarders,” Canadian Review of American Studies 44, no. 1 (Spring 2014): 1-24. 

Favero, Paolo. “Learning to Look Beyond the Frame: Reflections on the Changing Meaning of Images in the Age of Digital Media Practices.” Visual Studies 29, no. 2 (2014): 166-179. 

Galt, Rosalind. “Claire Denis and the World Cinema of Refusal.” SubStance 43, no. 1 (2014): 96-108.

Givshov, Cecilie. “Institutionalization through Europeanization: The Danish Film Policy Reforms of the 1980s and 1990s,” International Journal of Cultural Policy 20, no. 3 (2014): 281-295. 

Gonring, Gabriel Menotti. “Pirate Film Societies: Rearranging Traditional Apparatus with Inappropriate Technology.” Third Text 28, no. 2 (2014): 203-215. 

González, Bill Johnson. “The Limits of Desire: On the Downlow and Queer Chicago Film,” GLQ 20, no. 1-2 (2014): 13-39. 

Graham, Allison. “We Ain’t Doin’ Civil Rights: The Life and Times of a Genre, as Told in The Help.” Southern Cultures 20, no. 1 (Spring 2014): 51-64. 

Gundermann, Christian. “The New Cinema Going to the Dogs?: The Encounter with Animal Otherness in the Film El aura,” Journal of Latin American Cultural Studies 23, no. 1 (2014): 17-31. 

Guyot-Bender, Martine. “Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement.” SubStance 43, no. 1 (2014): 138-151. 

Herring, Scott. “‘Hixploitation’ Cinema, Regional Drive-Ins, and the Cultural Emergence of a Queer New Right,” GLQ 20, no. 1-2 (2014): 95-113. 

Hester Williams, Kim D. “Fix My Life: Oprah, Post-Racial Economic Dispossession, and the Precious transfiguration of PUSH,” Cultural Dynamics 26, no. 1 (March 2014): 53-71. 

Higbee, Will. “Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema.” SubStance 43, no. 1 (2014): 26-43. 

Imre, Anikó. “Postcolonial Media Studies in Postsocialist Europe,” boundary 2 41, no. 1 (Spring 2014): 113-134. 

Johnson, Amber. “Confessions of a Video Vixen: My Autocritography of Sexuality, Desire, and Memory.” Text and Performance Quarterly 34, no. 2 (2014): 182-200. 

Jones, Suzanne W. “The Divided Reception of The Help.” Southern Cultures 20, no. 1 (Spring 2014): 7-25. 

Kennedy, Tammie M. “Sustaining White Homonormativity: The Kids are All Right as Public Pedagogy,” Journal of Lesbian Studies 18, no. 2 (2014): 118-132. 

Keulen, Jolien van and Tonny Krijnen. “The Limitations of Localization: A Cross-Cultural Comparative Study of Farmer Wants a Wife,” International Journal of Cultural Studies 17, no. 3 (May 2014): 277-292. 

Landry, Olivia. “Dance and the Theatricality of Berlin School Cinema,” The Germanic Review: Literature, Culture, Theory 89, no. 1 (2014): 1-19. 

Lehman, Katherine J. “Woman, Divided: Gender, Family, and Multiple Personalities in Media,” The Journal of American Culture 37, no. 1 (March 2014): 64-73. 

Marszolek, Inge. “Unforgotten Landscapes: Radio and the Reconstruction of Germany’s European Mission in the East in the 1950s,” German Politics and Society 32, no. 1 (Spring 2014): 60-73. 

McCosker, Anthony & Rowan Wilken. “Rethinking ‘Big Data’ as Visual Knowledge: The Sublime and the Diagrammatic in Data Visualization.” Visual Studies 29, no. 2 (2014): 155-164. 

Meyer, Michaela D.E. “The Fantasy of Sex and the City: A Postcolonial Critique of the Romantic Imaginary, Consumerism and Globalization.” Women’s Studies 43, no.4 (2014): 425-439. 

Michael, Charlie. “Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema.” SubStance 43, no. 1 (2014): 123-137. 

Morrissey, Jim. “From Ciné Liberté to Kourtrajmé: Three ‘Generations’ of French Collective Filmmaking,” Modern and Contemporary France I 22, no. 2 (2014): 177-192. 

Nietzel, Benno. “Culture, Entertainment and Listening Habits in the West German Discourse on Radio during the 1950s,” German Politics and Society 32, no. 1 (Spring 2014): 15-29.

O’Shaughnessy, Martin. “The Crisis before the Crisis: Reading Films by Laurent Cantet and Jean-Pierre and Luc Dardenne Through the Lens of Debt.” SubStance 43, no. 1 (2014): 82-95. 

Overbergh, Ann. “Technological Innovation and the Diversification of Audiovisual Storytelling Circuits in Kenya,” Journal of African Cultural Studies 26, no. 2 (2014): 206-219. 

Parkinson, Anna. “Adorno on the Airwaves: Feeling Reason, Educating Emotions,” German Politics and Society 32, no. 1 (Spring 2014): 43-59. 

Pink, Sarah & Kerstin Leder Mackley. “Re-enactment Methodologies for Everyday Life Research: Art Therapy Insights for Video Ethnography.” Visual Studies 29, no. 2 (2014): 146-154. 

Rachlin, Nathalie. “The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema.” SubStance 43, no. 1 (2014): 44-62.

Rightler-McDaniels, Jodi L. and Elizabeth M. Hendrickson. “Hoes and Hashtags: Construction of Gender and Race in Trending Topics.” Social Semiotics 24, no. 2 (2014): 175-190. 

Roessler, Gerrit K. “Sounds of the Apocalypse: Preserving Cold War Memories in Ulrich Horstmann’s Radio Play Die Bunkermann-Kassette,” German Politics and Society 32, no. 1 (Spring 2014): 94-109.

Rogerson, Ben. “Wilder’s Mensch: United Artists and the Critique of Fordism,” Arizona Quarterly 70, no. 1 (Spring 2014): 53-80. 

Rosello, Mireille. “Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror.” SubStance 43, no. 1 (2014): 13-25.

Sawers, Catherine. “The Women of Bataille d’Alger: Hearts and Minds and Bombs,” Journal of Middle East Women’s Studies 10, no. 2 (Spring 2014): 80-106. 

Scullion, Rosemarie. “Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne.” SubStance 43, no. 1 (2014): 63-81.

Smith, Valerie. “Black Women’s Memories and The Help.” Southern Cultures 20, no. 1 (Spring 2014): 26-37. 

Sparling, Nicole L. “Without a Conceivable Future: Figuring the Mother in Alfonso Cuarón’s Children of Men,” Frontiers 35, no. 1 (2014): 160-180. 

Strong, Krystal and Shaun Ossei-Owusu. “Naija Boy Remix: Afroexploitation and the New Media Creative Economies of Cosmopolitan African Youth,” Journal of African Cultural Studies 26, no. 2 (2014): 189-205. 

Venkatesh, Vinodh. “Queerying and Locating Pedro Almodóvar’s ¿Qué he hecho yo para merecer esto!!” Modern Language Notes 129, no. 2 (March 2014): 352-366. 

Wasserman, Suzanne. “The Evolution of a Public Historian and Documentary Filmmaker,” American Jewish History 98, no. 2 (April 2014): 49-54.

Young, Cynthia A. “Black Ops: Black Masculinity and the War on Terror,” American Quarterly 66, no. 1 (March 2014): 35-67. 

Zarkov, Dubravka. “Warriors: Cinematic Ontologies of the Bosnian War,” European Journal of Women’s Studies 21, no. 2 (May 2014): 180-193. 

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