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Professional Notes 53.4
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Cinema Journal

Professional Notes 53.4


Edited by Chris Robé, with Stephen Charbonneau

 

Recent Books

Allen, Rob, and Thijs van den Berg, eds. Serialization in Popular Culture. New York: Routledge, 2014.

Andrews, Hannah. Television and British Cinema: Convergence and Divergence since 1990. New York: Palgrave Macmillan, 2014.

Benezet, Delphine. The Cinema of Agnès Varda. New York: Columbia University Press, 2014.

Broth, Mathias, Eric Laurier, and Lorenza Mondada, eds. Studies of Video Practices: Video at Work. New York: Routledge, 2014.

Burlingame, Jon. The Music of James Bond. Oxford and New York: Oxford University Press, 2014.

Carter, Sean, and Klaus Dodds. International Politics and Film: Space, Vision, Power. New York: Columbia University Press, 2014.

Chung, Steven. Split Screen Korea: Shin Sang-ok and Postwar Cinema. Minneapolis: University of Minnesota Press, 2014.

Dean, Tim, Steven Ruszczycky, and David Squires, eds. Porn Archives. Durham, NC: Duke University Press, 2014.

DeAngelis, Michael, ed. Reading the Bromance: Homosocial Relationships in Film and Television. Detroit: Wayne University Press, 2014. 

DeBoer, Stephanie. Coproducing Asia: Locating Japanese-Chinese Regional Film and Media. Minneapolis: University of Minnesota Press, 2014.

Driscoll, Catherine, and Meaghan Morris, eds. Gender, Media and Modernity in the Asian-Pacific. New York: Routledge, 2014.

Hardy, Jonathan. Critical Political Economy of Media: An Introduction. New York: Routledge, 2014. 

Hoyt, Eric. Hollywood Vault: Film Libraries before Home Video. Berkeley: University of California Press, 2014.

Jackson, Sarah J. Black Celebrity, Racial Politics, and the Press: Framing Dissent. New York: Routledge, 2014. 

Kuntze, Peter C. The Films of Wes Anderson: Critical Essays on an Indywood Icon. New York: Palgrave Macmillan, 2014.

Kuc, Kamila, and Michael O’Pray, eds. The Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989. New York: Columbia University Press, 2014. 

McGahan, Christopher. Racing Cyberculture: Minoritarian Art and Cultural Politics on the Internet. New York: Routledge, 2014.

Mask, Mia, ed. Contemporary Black American Cinema: Race, Gender, and Sexuality at the Movies. New York: Routledge, 2014. 

Navarro, Vinicius, and Juan Carlos Rodriguez, eds. New Documentaries in Latin America. New York: Palgrave Macmillan, 2014.

Novak, Ivana, Mladen Dolar, and Jela Kreĉiĉ, eds. Lubitsch Can’t Wait: A Collection of Ten Philosophical Discussions on Ernst Lubitsch’s Film Comedy. New York: Columbia University Press, 2014.

Radovic, Milja. Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. New York: Routledge, 2014.

Reed, T.V. Digitized Lives: Culture, Power, and Social Change in the Internet Era. New York: Routledge, 2014.

Shail, Andrew. The Cinema and Origins of Literary Modernism. New York: Routledge, 2014.

Sim, Gerald. The Subject of Film and Race. New York: Bloomsbury Academic, 2014.

Stewart, Michael. Melodrama in Contemporary Film and Television. New York: Palgrave Macmillan, 2014.

Teo, Stephen. The Asian Cinema Experience: Styles, Spaces, Theory. New York: Routledge, 2014. 

Turnbill, Sue. The TV Crime Drama. Edinburgh: Edinburgh University Press, 2014.

Väliaho, Pasi. Biopolitical Screens: Image, Power, and The Neoliberal Brain. Cambridge, MA: MIT Press, 2014. 

Wang, Zhuoyi. Revolutionary Cycles in Chinese Cinema, 1951-1979. New York: Palgrave Macmillan, 2014. 

Williams, Linda. On the Wire. Durham, NC: Duke University Press, 2014.

Wing-Fai, Leung, and Andy Willis, eds. East Asian Film Stars. New York: Palgrave Macmillan, 2014. 

Zackariasson, Peter, and Timothy Wilson, eds. The Video Game Industry: Formation, Present State, and Future. New York: Routledge, 2014.

Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Apor, Péter. “An Epistemology of the Spectacle?: Arcane Knowledge, Memory and Evidence in the Budapest House of Terror,” Rethinking History 18, no. 3 (2014): 328-344. 

Bahmad, Jamal. “Rebels with a Cause: Youth, Globalisation and Postcolonial Agency in Moroccan Cinema,” The Journal of North African Studies 19, no. 3 (2014): 376-389. 

Bao, Weihong. “A Vibrating Art in the Air: Cinema, Ether, and Propaganda Film Theory in Wartime Chongqing,” New German Critique 41, no. 2 (2014): 171-188. 

Bayre, Francesca and Alba Valenciano- Mañé. “The Biography of a Visual Archive: The Production of Hermic Films in Spanish Guinea (1944-46),” Visual Anthropology 27, no. 4 (2014): 379-393. 

Bickes, Hans, Tina Otten, and Laura Chelsea Weymann. “The Financial Crisis in the German and English Press: Metaphorical Structures in the Media Coverage on Greece, Spain, and Italy,” Discourse & Society 25, no. 4 (July 2014): 424-445.   


Brienza, Casey. “Did Manga Conquer America?: Implications for the Cultural Policy of ‘Cool Japan,’” International Journal of Cultural Policy 20, no. 4 (2014): 383-398. 

Brister, Rose. “Placing Women’s Bodies in Eran Riklis’s The Syrian Bride,” Signs 39, no. 4 (Summer 2014): 927-948. 

Brown, Adriane and Mary E. Thomas. “I Just Like Knowing They Can Look At It and Realize Who I Really Am: Recognition and the Limits of Girlhood Agency on MySpace,” Signs 39, no. 4 (Summer 2014): 949-972. 

Brown, Bill. “The Work of Play: Experiencing Cinema,” New German Critique 41, no. 2 (2014): 145-157.  

Brunetaux, Audrey. “Revisiting the Vel d’Hiv Roundup through the Camera Lens,” History & Memory 26, no. 1 (Spring/Summer 2014): 136-162. 

Byrne, Katherine. “Adapting Heritage: Class and Conservatism in Downton Abbey,” Rethinking History 18, no. 3 (2014): 311-327. 

Carey, Tamika L. “Take Your Place: Rhetorical Healing and Black Womanhood in Tyler Perry’s Films,” Signs 39, no. 4 (Summer 2014): 999-1021. 

Crane, Diana. “Cultural Globalization and the Dominance of the American Film Industry: Cultural Policies, National Film Industries, and Transnational Film,” International Journal of Cultural Policy 20, no. 4 (2014): 365-382. 

Daniel, Clare. “Taming the Media Monster: Teen Pregnancy and the Neoliberal Safety (Inter)Net,” Signs 39, no. 4 (Summer 2014): 973-998. 

Doane, Mary Ann. “Facing a Universal Language,” New German Critique 41, no. 2 (2014): 111-124. 

Duong, Lan. “Gender, Affect, and Landscape: Wartime Films from Northern and Southern Vietnam,” Inter-Asia Cultural Studies 15, no. 2 (2014): 258-273. 

Favero, Paolo. “Learning to Look Beyond the Frame: Reflections on the Changing Meaning of Images in the Age of Digital Media Practices,” Visual Studies 29, no. 2 (2014): 166-179. 

Fehimović, Dunja and Rob Stone. “Cuba’s Cinematic Élan Vital: Cubanidad and Cubanía as Citizenship and Sentiment, “Journal of Latin American Cultural Studies 23, no. 3 (2014): 289-303. 

Gaveler, Chris. “The Well-Born Superhero,” The Journal of American Culture 37, no. 2 (June 2014):182-197.

Goh, Robbie B.H. “The Lord of the Rings and New Zealand: Fantasy Pilgrimages, Imaginative Transnationalism and the Semiotics of the (Ir)Real,” Social Semiotics 24, no. 3 (2014): 263-282. 

González, Marcial. “Narrating the Inadmissable: Storytelling and Dialectical Form in Barefoot Heart and Children of the Fields,” Arizona Quarterly 70, no. 2 (Summer 2014): 55-83. 

Gunning, Tom. “Miriam Hansen’s Preface and Epilogue: Mourning and Media,” New German Critique 41, no. 2 (2014): 35-45. 

Haenni, Sabine. “Intellectual Promiscuity: Cultural History in the Age of the Cinema, the Network, and the Database,” New German Critique 41, no. 2 (2014): 189-202. 

Horst, Heather A. “From Roots Culture to Sour Fruit: The Aesthetics of Mobile Branding Cultures in Jamaica,” Visual Studies 29, no. 2 (2014): 191-200.

Jaramillo, Deborah L. “Narcocorridos and Newbie Drug Dealers: The Changing Image of the Mexican Narco on US Television,” Ethnic and Racial Studies 37, no. 9 (2014): 1587-1604. 

Jay, Martin. “The Little Shopgirls Enter the Public Sphere,” New German Critique 41, no. 2 (2014): 159-169. 

Kim, Joseph and Seung-Ho Kwon. “The Cultural Industry Policies of the Korean Government and the Korean Wave,” International Journal of Cultural Policy 20, no. 4 (2014): 422-439. 

Kinsey, Cadence. “Matrices of Embodiment: Rethinking Binary and the Politics of Digital Representation,” Signs 39, no. 4 (Summer 2014): 897-925. 

Koch, Gertrud. “Film as Experiment in Animation: Are Films Experiments on Human Beings?,” New German Critique 41, no. 2 (2014): 97-109. 

Koskela, Hille. “Capture Every Moment: The Profane Semiotics of Surveillance Advertisements,” Social Semiotics 24, no. 3 (2014): 324-344. 

, Việt. “What Remains: Returns, Representation, and Traumatic Memory in S-21: The Khmer Rouge Killing Machine and Refugee,” American Quarterly 66, no. 2 (June 2014): 301-332. 

Lionis, Chrisoula. “A Past Not Yet Passed: Postmemory in the Work of Mona Hatoum,” Social Text 32, no. 2 119 (2014): 77-93. 

Loew, Katharina. “The Spirit of Technology: Early German Thinking about Film,” New German Critique 41, no. 2 (2014): 125-144. 

Luciano, Bernadette and Susanna Scarparo. “Directing Terramatta: An Interview with Costanza Quatriglio,” Journal of Modern Italian Studies 19, no. 3 (2014): 284-292. 

---. “Performing the Invisible Past: Costanza Quatriglio’s Terramatta,” Journal of Modern Italian Studies 19, no. 3 (2014): 293-306. 

McCosker, Anthony and Rowan Wilken. “Rethinking ‘Big Data’ as Visual Knowledge: The Sublime and the Diagrammatic in Data Visualisation,” Visual Studies 29, no. 2 (2014): 155-164. 

Morgan, Daniel. “Play with Danger: Vernacular Modernism and the Problem of Criticism,” New German Critique 41, no. 2 (2014): 67-82. 

Nielsen, Lara D. “So Close to Burning: Intermedia and Documentary Solo Performance in Juan and John (1965),” Text and Performance Quarterly 34, no. 3 (2014): 286-303. 

Ossei-Owusu, Shaun and Krystal Strong. “Naija Boy Remix: Afroexploitation and the New Media Creative Economies of Cosmopolitan African Youth,” Journal of African Cultural Studies 26, no. 2 (2014): 189-205. 

Ottaviano, Chiara. “From Terra matta to Terramatta; and Beyond,” Journal of Modern Italian Studies 19, no. 3 (2014): 268-283. 

Overbergh, Ann. “Technological Innovation and the Diversification of Audiovisual Storytelling Circuits in Kenya,” Journal of African Cultural Studies 26, no. 2 (2014): 206-219. 

Pink, Sarah and Kerstin Leder Mackley. “Re-enactment Methodologies for Everyday Life Research: Art Therapy Insights for Video Ethnography,” Visual Studies 29, no. 2 (2014): 146-154. 

Razsa, Maple John. “Beyond ‘Riot Porn’: Protest Video and the Production of Unruly Subjects,” Ethnos 79, no. 4 (2014): 496-524. 

Reid, Donald. “We Have a Situation Here: Coming After May 1968 with Olivier Assayas,” South Central Review 31, no. 2 (Summer 2014): 28-39. 

Samin, Nadav. “Our Ancestors, Our Heroes: Saudi Tribal Campaigns to Suppress Historical Docudramas,” British Journal of Middle Eastern Studies 41, no. 3 (2014): 266-286. 

Sinanan, Jolynna, Connor Graham, and Kua Zhong Jie. “Crafted Assemblage: Young Women’s ‘Lifestyle’ Blogs, Consumerism and Citizenship in Singapore,” Visual Studies 29, no. 2 (2014): 201-213. 

Tsivian, Yuri. “Talking to Miriam: Soviet Americanitis and the Vernacular Modernism Thesis,” New German Critique 41, no. 2 (2014): 47-65. 

Tudoroiu, Theodor. “Social Media and Revolutionary Waves: The Case of the Arab Spring,” New Political Science 36, no. 3 (2014): 346-365. 

Ugochukwu, Françoise. “Things Fall Apart: Achebe’s Legacy, from Book to Screen,” Research in African Literatures 45, no. 2 (Summer 2014): 168-183. 

Weidman, Amanda. “Neoliberal Logics of Voice: Playback Singing and Public Femaleness in South India,” Culture, Theory and Critique 55, no. 2 (2014): 175-193. 

Wilson, Galen. “The Bigger the Lie, the More They Believe: Cinematic Realism and the Anxiety of Representation in David Simon’s The Wire,” South Central Review 31, no. 2 (Summer 2014): 59-79. 

Wojcik, Pamela. “Vernacular Modernism as Child’s Play,” New German Critique 41, no. 2 122 (2014): 83-95. 

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