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Professional Notes 54.2
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Cinema Journal

Professional Notes 54.2


Edited by Chris Robé, with Stephen Charbonneau

 

Recent Books
 

Banks, Miranda. The Writers: A History of American Screenwriters and Their Guild. New Brunswick, NJ: Rutgers University Press, 2014.

Borton, Terry and Deborah Borton. Before the Movies: American Magic Lantern Entertainment and the Nation's First Great Screen Artist, Joseph Boggs. Bloomington: Indiana University Press, 2014.

Castellan, James W., Ron van Dopperen, and Cooper C. Graham. American Cinematographers in the Great War, 1914-1918. Bloomington: Indiana University Press, 2014.

Devi, Gayatri and Najat Rahman, eds. Humor in Middle Eastern Cinema. Detroit, MI: Wayne State University Press, 2014.

Gordon, Richard A. Cinema, Slavery, and Brazilian Nationalism. Austin: University of Texas Press, 2014.

Hatch, Kristen. Shirley Temple and the Performance of Girlhood. New Brunswick, NJ: Rutgers University Press, 2014.

Jacob, Lea. Film Rhythm after Sound: Technology, Music, and Performance. Berkeley: University of California Press, 2014.

Kercher, Dona. Latin Hitchcock: How Almodóvar, Amenábar, De la Iglesia, Del Toro and Campanella Became Notorious. London: Wallflower Press, 2014.

Lovejoy, Alice. Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. Bloomington: Indiana University Press, 2014.

Pickard, Victor. America’s Battle for Media Democracy: The Triumph of Corporate Libertarianism and the Future of Media Reform. New York: Cambridge University Press, 2014.

Reme, Justin. Motion(less) Pictures: The Cinema of Stasis. New York: Columbia University Press, 2014.

Scott, Ellen C. Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era. New Brunswick, NJ: Rutgers University Press, 2014.

Smith, Michael Glover and Adam Selze. Flickering Empire: How Chicago Invented the U.S. Film Industry. London: Wallflower Press, 2014.

Tepperman, Charles. Amateur Cinema: The Rise of North American Moviemaking, 1923-1960. Berkeley: University of California Press, 2014.

Wolfson, Todd. Digital Rebellion: The Birth of the Cyber Left. Chicago: University of Illinois Press, 2014.

 

Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Ambrosio, Chiara. “‘Beauty is the Universal Seen’: Objectivity as Trained Vision in Alfred Steiglitz’s Experimental Aesthetics,” Visual Studies 29, no. 3 (2014): 250-260. 

Bastos da Silva, Jorge. “Bodies of Estrangement: Mel Gibson, Sacrifice and History,” Angelaki 19, no. 4 (2014): 65-78. 

Bay-Cheng, Sarah. “Global Screen Shots,” PAJ: A Journal of Performance and Art 37, no. 1 (January 2015): 56-63. 

Bradatan, Costica. “We Will Die and Will Be Free: A Gnostic Reading of The Double Life of Véronique,” Angelaki 19, no. 4 (2014): 127-139. 

Bruni, Luis E. “Sustainability, Cognitive Technologies and the Digital Semiosphere,” International Journal of Cultural Studies 18, no. 1 (January 2015): 103-117. 

Buttes, Stephen. “Huaso Romance as Neoliberal Reform in Sebastián Silva’s La nana,” Journal of Latin American Cultural Studies 23, no. 4 (2014): 345-362. 

Carter, Eli Lee. “Afinal, o que Querem as Mulheres?: Luiz Fernando Carvalho’s Metafictional Critique of Brazilian Television Fiction,” Journal of Latin American Cultural Studies 23, no. 4 (2014): 363-379. 

Chamarette, Jenny. “Embodied Worlds and Situated Bodies: Feminism, Phenomenology, Film Theory,” Signs 40, no. 2 (Winter 2015): 289-295. 

Chare, Nicholas. “Gesture in Shoah,” Journal for Cultural Research 19, no. 1 (2015): 30-42. 

Cowie, Elizabeth. “The Time of Gesture in Cinema and its Ethics,” Journal for Cultural Research 19, no. 1 (2015): 82-95. 

Creed, Barbara. “Films, Gestures, Species,” Journal for Cultural Research 19, no. 1 (2015): 43-55.

Dusi, Nicola M. “Don Quixote, Intermediality and Remix: Translational Shifts in the Semiotics of Culture,” International Journal of Cultural Studies 18, no. 1 (January 2015): 119-134. 

Erfani, Farhang. “Clôtural Sacrifice: Liminal Representation of Race in Film,” Angelaki 19, no. 4 (2014): 37-50. 

Handley, George B. “Faith, Sacrifice, and the Earth’s Glory in Terrence Malick’s The Tree of Life,” Angelaki 19, no. 4 (2014): 79-93. 

Hoelzl, Ingrid and Rémi Marie. “Google Street View: Navigating the Operative Image,” Visual Studies 29, no. 3 (2014): 261-271. 

Holland, Kate, R. Warwick Blood, and Samantha Thomas. “Viewing The Biggest Loser: Modes of Reception and Reflexivity among Obese People,” Social Semiotics 25, no. 1 (2015): 16-32. 

Ibrus, Indrek. “Dialogic Control: Power in Media Evolution,” International Journal of Cultural Studies 18, no. 1 (January 2015): 43-59. 

Kaltenbrunner, Wolfgang. “Infrastructural Inversion as a Generative Resource in Digital Scholarship,” Science as Culture 24, no. 1 (2015): 1-23. 

Leavenworth, Maria Lindgren. “The Paratext of Fan Fiction,” Narrative 23, no. 1 (January 2015): 40-60. 

Llorens, Fernando Ramírez. “So Close to God, So Close to Hollywood: Catholics and the Cinema in Argentina,” Journal of Latin American Cultural Studies 23, no. 4 (2014): 325-344. 

Mulvey, Laura. “Cinematic Gesture: The Ghost in the Machine,” Journal for Cultural Research 19, no. 1 (2015): 6-14. 

Ndalianis, Angela. “Genre, Culture, and the Semiosphere: New Horror Cinema and Post-9/11,” International Journal of Cultural Studies 18, no. 1 (January 2015):135-151. 

Ojamaa, Maarja and Peeter Torop. “Transmediality of Cultural Autocommunication,” International Journal of Cultural Studies 18, no. 1 (January 2015): 61-78. 

Pelizzari, Maria Antonella. “Make-Believe: Fashion and Cinelandia in Rizzoli’s Lei (1933-38),” Journal of Modern Italian Studies 20, no.1 (2015): 34-52. 

Pisters, Patricia. “Heart of the Matter: Bodies without Organs and Biopolitics in Organ Transplant Films,” Angelaki 19, no. 4 (2014): 23-36. 

---. “Image as Gesture: Notes on Aernout Mik’s Communitas and the Modern Political Film,” Journal for Cultural Research 19, no. 1 (2015): 69-91. 

Roberts, Robin. “The Untold Story: The Mediated Female Ghost in England’s Blenheim Palace,” European Journal of Cultural Studies 18, no. 1 (February 2015): 35-51. 

Segal, Naomi. “‘The Exchange of Two Fantasies and the Contact of Two Epidermises’: Gestures of Touch in Gattaca (1997), The Talented Mr. Ripley (1999) and The Piano (1993),” Journal for Cultural Research 19, no. 1 (2015): 96-109. 

Sinnerbrink, Robert. “Anatomy of Melancholia,” Angelaki 19, no. 4 (2014): 111-126. 

Sirmons, Julia. “Immersive Space, Digital Intimacy,” PAJ: A Journal of Performance and Art 37, no. 1 (January 2015): 71-77. 

Tyburczy, Jennifer. “Queer Acts of Recovery and Uncovering: Deciphering Mexico through Archival Ephemera in David Wojnarowicz’s A Fire in My Belly,” Text and Performance Quarterly 35, no. 1 (2015): 4-23. 

Ungureanu, Camil. “Sacrifice, Violence and the Limits of Moral Representation in Haneke’s Cache,” Angelaki 19, no. 4 (2014): 51-63. 

Väliaho, Pasi. “Video Games and the Cerebral Subject: On Playing Call of Duty: Modern Warfare 3,” Body & Society 20, no. 3-4 (September & December, 2014): 113-139. 

Waters, Sarah. “A Capitalism that Kills: Workplace Suicides at France Télécom,” French Politics, Culture & Society 32, no. 3 (Winter 2014): 121-141. 

Watkins, Liz. “The Disquiet of the Everyday: Gesture and Bad Timing,” Journal for Cultural Research 19, no. 1 (2015): 56-68. 

Weigel, Sigrid. “The Flash of Knowledge and the Temporality of Images: Walter Benjamin’s Image-Based Epistemology and its Preconditions in Visual Arts and Media History.” Translated by Chadwick Truscott Smith and Christine Kutschbach. Critical Inquiry 41, no. 2 (Winter 2015): 344-366. 

Woodward, Ashley. “A Sacrificial Economy of the Image,” Angelaki 19, no. 4 (2014): 141-154.

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