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Professional Notes 54.3
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Cinema Journal

Professional Notes 54.3


Edited by Chris Robé, with Stephen Charbonneau

   

Recent Books

Aldama, Frederick Luis, ed. Critical Approaches to the Films of Robert Rodriguez. Austin: University of Texas Press, 2015.

Alvarez, Ivan Villarmea. Documenting Cityscapes: Urban Change in Contemporary Non-Fiction Film. New York: Columbia University Press, 2015.

Artz, Lee. Global Entertainment Media: A Critical Introduction. Malden, MA: Wiley-Blackwell, 2015.

Bacon, Henry. The Fascination of Film Violence. New York: Palgrave Macmillan, 2015.

Ballesteros, Isolina. Immigration Cinema in the New Europe. Chicago: University of Chicago Press, 2015. 

Bao, Weihong. Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945. Minneapolis: University of Minnesota Press, 2015.

Bayman, Louis. The Operatic and the Everyday in Postwar Italian Film Melodrama. Oxford, UK: Oxford University Press, 2015.

Beach, Christopher. A Hidden History of Film Style: Cinematographers, Directors, and the Collaborative Process. Berkeley: University of California Press, 2015.

Carter, Matthew. Myth of the Western: New Perspectives on Hollywood's Frontier Narrative.  Oxford, UK: Oxford University Press, 2015.

Casetti, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come.  New York: Columbia University Press, 2015.

Cook, Bernie. Flood of Images: Media, Memory, and Hurricane Katrina. Austin: University of Texas Press, 2015.

Doherty, Thomas. Hollywood and Hitler, 1933-1939. New York: Columbia University Press, 2015.

Elliott, Andrew B.R. The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Oxford, UK: Oxford University Press, 2015.

Elwes, Catherine. Installation and the Moving Image. New York: Columbia University Press, 2015.

Fan, Victor. Cinema Approaching Reality: Locating Chinese Film Theory. Minneapolis: University of Minnesota Press, 2015.

Filippo, Maria San. The B Word: Bisexuality in Contemporary Film and Television. Bloomington: Indiana University Press, 2015.

Fischer, Lucy, ed. Art Direction and Production Design. New Brunswick, NJ: Rutgers University Press, 2015.

Franklin, Peter. Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores. Oxford, UK: Oxford University Press, 2015.

Frey, Mattias and Cecilia Sayad, eds. Film Criticism in the Digital Age. New Brunswick, NJ: Rutgers University Press, 2015.

Gaal-Holmes, Patti. A History of 1970s Experimental Film: Britain's Decade of Diversity. New York: Palgrave Macmillan, 2015.

Garwood, Ian. The Sense of Film Narration. Oxford, UK: Oxford University Press, 2015.

Gaycken, Oliver. Devices of Curiosity: Early Cinema and Popular Science. Oxford, UK: Oxford University Press, 2015.

Geiger, Jeffrey and Karin Littau. Cinematicity in Media History. Oxford, UK: Oxford University Press, 2015.

Govil, Nitin. Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay. New York: New York University Press, 2015.

Gunckel, Colin. Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II. New Brunswick, NJ: Rutgers University Press, 2015.

Joshi, Priya. Bollywood's India: A Public Fantasy. New York: Columbia University Press, 2015.

Kerner, Aaron Michael. Torture Porn in the Wake of 9/11: Horror, Exploitation, and the Cinema of Sensation. New Brunswick, NJ: Rutgers University Press, 2015.

Khalil, Andrea, ed. North African Cinema in a Global Context Through the Lens of Diaspora. New York: Routledge, 2015.

Magagnoli, Paolo. Documents of Utopia: The Politics of Experimental Documentary. New York: Columbia University Press, 2015.

McGarry, Fearghal and Jennie M. Carlsten, eds. Film, History and Memory. New York: Palgrave Macmillan, 2015.

Milburn, Colin. Mondo Nano: Fun and Games in the World of Digital Matter. Durham, NC: Duke University Press, 2015.

Mittell, Jason. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press, 2015.

Nama, Adilifu. Race on the QT: Blackness and the Films of Quentin Tarantino. Austin: University of Texas Press, 2015.

Neroni, Hilary. The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film.  New York: Columbia University Press, 2015.

Okada, Jun. Making Asian American Film and Video: History, Institutions, Movements. New Brunswick, NJ: Rutgers University Press, 2015.

Rastegar, Kamran. Surviving Images: Cinema, War, and Cultural Memory in the Middle East. Oxford, UK: Oxford University Press, 2015.

Razsa, Maple. Bastards of Utopia: Living Radical Politics after Socialism. Bloomington: Indiana University Press, 2015.

Rentschle, Eric. The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present. New York: Columbia University Press, 2015.

Shaw, Deborah. The Three Amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. Oxford, UK: Oxford University Press, 2015.

Standish, Isolde. Myth and Masculinity in the Japanese Cinema: Towards a Political Reading of the Tragic Hero. New York: Routledge, 2015.

Stanfield, Peter. The Cool and the Crazy: Pop Fifties Cinema. New Brunswick, NJ: Rutgers University Press, 2015.

Turnock, Julie A. Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics. New York: Columbia University Press, 2015.

Wick, James. Transnational Representations: The State of Taiwan Film in the 1960s and 1970s.  New York: Columbia University Press, 2015

Willis, Sharon. The Poitier Effect: Racial Melodrama and Fantasies of Reconciliation. Minneapolis: University of Minnesota Press, 2015.

Yu, Sabrina Qiong. Jet Li: Chinese Masculinity and Transnational Film Stardom. Oxford, UK: Oxford University Press, 2015.


Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Baer, Brian James. “Go East, Young Man! Body Politics and the Asian Turn in Putin-Era Cinema The Russian Review 74, no. 2 (April 2015): 230-246. 

 

Calhoun, Claudia. “Where Houston Met Hollywood: Giant, Glenn McCarthy, and the Construction of a Modern City,” Journal of Urban History 41, no. 3 (May 2015): 404-419.

 

Chiluwa, Innocent and Presley Ifukor. “‘War against Our Children’: Stance and Evaluation in #BringBackOurGirls Campaign Discourse on Twitter and Facebook,” Discourse & Society 26, no. 3 (May 2015): 267-296. 

 

Colleoni, Federica. “Fanon, Violence and Rebellion in Italian Cinema,” Interventions 17, no. 3 (2015): 329-342.

 

Davis, Rocío G. “Layering History: Graphic Embodiment and Emotions in GB Tran’s Vietamerica,” Rethinking History 19, no. 2 (2015): 252-267. 

 

Deller, Ruth A. “Religion as Makeover: Reality, Lifestyle and Spiritual Transformation,” International Journal of Cultural Studies 18, no. 3 (May 2015): 291-303.

 

Dezuanni, Michael. “The Building Blocks of Digital Media Literacy: Socio-Material Participation and the Production of Media Knowledge,” Journal of Curriculum Studies 47, no. 3 (2015): 416-439. 

 

Frichot, Hélène. “Matthew Barney’s Cremaster Cycle Revisited: Towards Post-Human Becomings of Man,” Angelaki 20, no. 1 (2015): 55-67. 

 

Fugikawa, Laura Sachiko. “Shifting the Gaze: Gender and Resilience in The Exiles,” American Quarterly 67, no. 1 (March 2015): 1-24.

 

Fuller, Glen. “In the Garage: Assemblage, Opportunity and Techno-Aesthetics,” Angelaki 20, no. 1 (2015): 125-136. 

 

Han, Gil-Soo. “K-Pop Nationalism: Celebrities and Acting Blackface in the Korean Media,” Continuum 29, no. 1 (2015): 2-16. 

 

Hashamova, Yana. “Looking for the Balkan (Br)other: The National Gaze in Dzhanik Faiziev’s The Turkish Gambit,” The Russian Review 74, no. 2 (April 2015): 211-229.

 

Hills, Matt. “Rebranding Doctor Who and Reimagining Sherlock: ‘Quality’ Television as ‘Makeover TV Drama,’” International Journal of Cultural Studies 18, no. 3 (May 2015): 317-331.

 

Hovey, Jaime. “Tyrion’s Gallantry,” Critical Quarterly 57, no. 1 (April 2015): 86-98. 

 

Marshall, Kate. “Atlas of a Concave World: Game of Thrones and the Historical Novel,” Critical Quarterly 57, no. 1 (April 2015): 61-70. 

 

Myers, Cayce and James F. Hamilton. “Open Genre, New Possibilities: Democratizing History via Social Media,” Rethinking History 19, no. 2 (2015): 222-234.

 

O’Leary, Peter. “Sacred Fantasy in Game of Thrones,” Critical Quarterly 57, no. 1 (April 2015): 6-19. 

 

Patil, Tejaswini Vishwanath. “‘You Can’t Have the Struggle Without the Ugly Fringe’ – Publicness in Australian National Imagination: Media Representations of the Muslim Demonstrations in Sydney in 2012,” Continuum 29, no. 1 (2015): 57-69.

 

Pham, Minh-Ha T. “Visualizing ‘The Misfit’: Virtual Fitting Rooms and the Politics of Technology,” American Quarterly 67, no. 1 (March 2015): 165-188. 

 

Revesz, Eva. “The Legend of Greta Garbo, or Woman as Thing: Hollywood Creations in Max Frisch’s Stiller,” The German Quarterly 88, no. 1 (Winter 2015): 1-21. 

 

Raun, Tobias. “Video Blogging as a Vehicle of Transformation: Exploring the Intersection between Trans Identity and Information Technology,” International Journal of Cultural Studies 18, no. 3 (May 2015): 365-378.

 

Ruiz, Jason. “Dark Matters: Vince Gilligan’s Breaking Bad, Suburban Crime Dramas, and Latinidad in the Golden Age of Cable Television,” Aztlan 40, no. 1 (Spring 2015): 37-62.

 

Scott, D. Travers. “Productive Possessions: Masculinity, Reproduction and Territorializations in Techno-Horror,” Angelaki 20, no. 1 (2015): 87-104. 

 

Smith, Trevor. “The Possibility of an Online Political Realm,” New Political Science 27, no. 2 (2015): 241-258. 

 

Spring, Dawn. “Gaming History: Computer and Video Games as Historical Scholarship,” Rethinking History 19, no. 2 (2015): 207-221.

 

Strach, Patrica and Katherine Zuber, Erika Franklin Fowler, Travis N. Ridout, Kathleen Searles. “In a Different Voice? Explaining the Use of Men and Women as Voice-Over Announcers in Political Advertising,” Political Communication 32, no. 2 (2015): 183-205. 

 

Stratton, Jon. “The Sapphires Were Not the Australian Supremes: Neoliberalism, History and Pleasure in The Sapphires,” Continuum 29, no. 1 (2015): 17-31.

 

Verma, Neil. “Wall of Sound: Listening to Game of Thrones,” Critical Quarterly 57, no. 1 (April 2015): 71-85. 

 

Wang, Chih-ming. “Memory Films and the Politics of Revisiting: On Amir Muhammad’s Films about the Communist Party of Malaya,” Inter-Asia Cultural Studies 16, no. 1 (2015): 128-133.

 

Weiser, Frans. “The Conventions of Unconventionality: Reconsidering the Cinematic Historian in Even the Rain,” Rethinking History 19, no. 2 (2015): 268-284. 

 

Wilkinson, Maryn. “The Makeover and the Malleable Body in 1980s American Teen Film,” International Journal of Cultural Studies 18, no. 3 (May 2015): 385-391. 

 

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