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Professional Notes 55.2
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Cinema Journal

Professional Notes 55.2


Edited by Chris Robé, with Stephen Charbonneau

   

Recent Books

Barclay, Barry. Our Own Image: A Story of a Māori Filmmaker. Minneapolis: University of Minnesota Press, 2016.

Bayer, Gerd and Oleksandr Kobrynskyy. Holocaust Cinema in the Twenty-First Century Images, Memory, and the Ethics of Representation. London: Wallflower Press, 2016.

Bell-Metereau, Rebecca and Colleen Glenn. Star Bodies and the Erotics of Suffering. Detroit, MI: Wayne State University Press, 2016.

Canjels, Rudmer. Distributing Silent Film Serials: Local Practices, Changing Forms, Cultural Transformation. New York: Routledge, 2016.

Carmen, Emily, Independent Stardom: Freelance Women in the Hollywood Studio System. Austin: University of Texas Press, 2016.

Kaplan, E. Ann, Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction. New Brunswick, NJ: Rutgers University Press, 2016.

Kelly, Emma Jean. The Adventures of Jonathan Dennis: Bicultural Film Archiving Practice in Aotearoa New Zealand. Bloomington: Indiana University Press, 2016

Lewis, Jon, ed. Producing. New Brunswick, NJ: Rutgers University Press, 2016.


List, Christine. Chicano Images: Refiguring Ethnicity in Mainstream Film. New York: Routledge, 2016.

Martin, Kevin W. Syria's Democratic Years: Citizens, Experts, and Media in the 1950s. Bloomington: Indiana University Press, 2016.

Mukherjee, Srimati. Women and Resistance in Contemporary Bengali Cinema: A Freedom Incomplete. New York: Routledge, 2016.

Murtagh, Ben. Genders and Sexualities in Indonesian Cinema: Constructing Gay, Lesbi and Waria Identities on Screen. New York: Routledge, 2016.

Rice, Tom. White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan. Bloomington: Indiana University Press, 2016.

Ritzenhoff, Karen A. and Angela Krewani, eds. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World. Lanham, MD: Rowman and Littlefield, 2016.

Sperb, Jason. Flickers of Film: Nostalgia in the Time of Digital Cinema. New Brunswick, NJ: Rutgers University Press, 2016.

Telotte, J.P. Robot Ecology and the Science Fiction Film. New York: Routledge, 2016.

Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Acevedo-Callejas, Liliana. “Queens and Jesters of YouTube: Communicating Gay/Lesbian Identities Through Humor in YouTube Channel Spanish Queens,” Sexuality & Culture 20, no. 1 (2016): 140-152.

 

Bahmad, Jamal. “Mapping Moroccan Neoliberalism: Melodrama and Realist Aesthetics in the Films of Hakim Noury,” The Journal of North African Studies 21, no. 1 (2016): 108-115.

 

Batista, Anamarija and Carina Lesky. “Sidewalk Stories: Janet Cardiff’s Audio-Visual Excursions,” Word & Image 31, no. 4 (2015): 515-523.

 

Beatriz MacManus, Viviana. “‘Ghosts of Another Era’: Gender and Haunting in Visual Cultural Narratives of Mexico’s Dirty War,” Journal of Latin American Cultural Studies 24, no. 4 (2015): 435-452.

 

Bollmer, Grant. “Infrastructural Temporalities: Facebook and the Differential Time of Data Management,” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 20-31.

 

Caquot-Baggett, Marie-Pierre and Alexis Annes. “L’Amour est dans le pré: Cultural Representations and Social Hierarchisation of Farmers,” Modern & Contemporary France 24, no. 1 (2016): 35-50.

 

Covell, Tim. “To Know Ourselves: Possible Meanings of Canadian Pornography,” Sexuality & Culture 20, no. 1 (2016): 124-139.

 

Culp, Andrew. “The State, Concept not Object: Abstraction, Empire, Cinema,” Parallax 21, no. 4 (2015): 429-447.

 

Dobrić, Nikola and Franzisca Weder. “Media Conceptualizing Illnesses – The Case of the Flu,” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 126-142.

 

Fathallah, Judith. “Statements and Silence: Fanfic Paratexts for ASOIAF/Game of Thrones,” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 75-88.

 

Giroux, Henry A. “Selfie Culture in the Age of Corporate and State Surveillance,” Third Text 29, no. 3 (2015): 155-164.

 

Haddu, Miriam. “Political Violence and Fiction in Mexican Film: The Case of Carlos Bolado’s Colosio: el asesinato/Colosio: The Assassination (2012),” Journal of Latin American Cultural Studies 24, no. 4 (2015): 453-473.

                                                                                                                           

Haidegger, Ingrid. “What’s in a Name? The Art of Movie Titling,” Word & Image 31, no. 4 (2015): 425-441.

 

Heyes, Cressida J. “Dead to the World: Rape, Unconsciousness, and Social Media,” Signs 41, no. 2 (Winter 2016): 361-383.

 

Holmberg, Jan and Anna Sofia Rossholm. “Screened Writing: Notes on Bergman’s Hand,” Word & Image 31, no. 4 (2015): 459-472.

 

Jarrin, Alvaro. “Towards a Biopolitics of Beauty: Eugenics, Aesthetic Hierarchies and Plastic Surgery in Brazil,” Journal of Latin American Cultural Studies 24, no. 4 (2015): 535-552.

 

Joseph, Rachel. “‘Eat My Fear’: Corpse and Text in the Films and Art of David Lynch,” Word & Image 31, no. 4 (2015): 490-500.

 

Jurriëns, Edwin. “Intimate Video? Creative Bodies in the Age of the Selfie,” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 1-19.

 

Karupiah, Premalatha. “Hegemonic Femininity in Tamil Movies: Exploring the Voices of Youths in Chennai, India,” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 114-125.

 

Katsourides, Yiannos. “Negative Images of Europe in an Era of Crisis: The Media and Public Opinion in Cyprus,” Journal of Contemporary European Studies 24, no. 1 (2016): 61-85.

 

Klarer, Mario. “Allegorizing Cinema: Word, Image, and Motion in Billy Wilder’s Sunset Boulevard,” Word & Image 31, no. 4 (2015): 450-458.

 

Klecker, Cornelia. “The Other Kind of Film Frames: A Research Report on Paratexts in Film,” Word & Image 31, no. 4 (2015): 402-413.

 

Kronz, Victoria. “Women with Beards and Men in Frocks: Gender Nonconformity in Modern American Film,” Sexuality & Culture 20, no. 1 (2016): 85-110.

 

Labbé, Danielle. “Media Dissent and Peri-urban Land Struggles in Vietnam: The Case of the Văn Giang Incident,” Critical Asian Studies 47, no. 4 (2015): 495-513.

 

Lems, Annika and Sandy Gifford, Raelene Wilding. “New Myths of OZ: The Australian Beach and the Negotiation of National Belonging by Refugee Background Youth,” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 32-44.

 

Mahlknecht, Johannes. “Three Words to Tell a Story: The Movie Poster Tagline,” Word & Image 31, no. 4 (2015): 414-424.

 

Naimou, Angela. “Double Vision: Refugee Crises and the Afterimages of Endless War,” College Literature 43, no. 1 (2016): 226-233.

 

Orlando, Valérie K. “Women, Madness, Myth and Film: Exploring Moroccan Psychological Trauma and Postmemory in Pegase (Mohamed Mouftakir, 2010),” The Journal of North African Studies 21, no. 1 (2016): 90-107.

 

Pajnik, Mojca and Nelli Kambouri, Matthieu Renault, Iztok Šori. “Digitalising Sex Commerce and Sex Work: A Comparative Analysis of French, Greek and Slovenian Websites,” Gender, Place & Culture 23, no. 3 (2016): 345-364.

 

Pettersen, David. “Transnational Blackface, Neo-Minstrelsy and the ‘French Eddie Murphy’ in Intouchables,” Modern & Contemporary France 24, no. 1 (2016): 51-69.

 

Potter, George. “(De)constructing Nationalist Imagery: Jordanian Cinema in Times of Crisis,” British Journal of Middle Eastern Studies 43, no. 1 (2016): 21-39.

 

Quendler, Christian. “‘Mon Dieu, il faut que je l’écrive!’: Cinematography between Writing, Speaking, and Seeing in Robert Bresson’s Journal d’un cure de campagne (1951),” Word & Image 31, no. 4 (2015): 473-489.

 

Santa Ana, Otto. “The Cowboy and the Goddess: Television News Mythmaking about Immigrants,” Discourse & Society 27 (January, 2016): 95-117.

 

Selimovic, Inela. “The Social Spaces in Mutation: Sex, Violence and Autism in Albertina Carri’s La rabia (2008),” Journal of Latin American Cultural Studies 24, no. 4 (2015): 517-533.

 

Shilina-Conte, Tanya. “Black Screen, White Page: Ontology and Genealogy of Blank Space,” Word & Image 31, no. 4 (2015): 501-514.

 

Smith, Christina M. “Gaze in the Military: Authorial Agency and Cinematic Spectatorship in ‘Drone Documentaries,’” Continuum: Journal of Media & Cultural Studies 30, no. 1 (2016): 89-99.

 

Smith, James. “How Safe Do You Feel?: James Bond, Skyfall, and the Politics of the Secret Agent in an Age of Ubiquitous Threat,” College Literature 43, no. 1 (2016): 145-172.

 

Szendy, Peter. “All the Marxes at the Big Store; or, General Fetishism,” boundary 2 43, no. 1 (2016): 209-218.

 

Tiidenberg, Katrin and Edgar Gómez Cruz. “Selfies, Image and the Re-making of the Body,” Body & Society 21 (2015): 77-102.

 

Vogt, Naomi. “Small Monuments: Recording and Forgetting in the Work of Steve McQueen,” Third Text 29, no. 3 (2015): 123-140.

 

Weiss, Amanda. “Contested Images of Rape: The Nanjing Massacre in Chinese and Japanese Films,” Signs 41, no. 2 (Winter 2016): 433-456.

 

Zons, Alexander. “Projecting the Title,” Word & Image 31, no. 4 (2015): 442-449.

 

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