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Professional Notes 55.3
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Cinema Journal

Professional Notes 55.3


Edited by Chris Robé, with Stephen Charbonneau

 

Recent Books

Beck, Jay. Designing Sound: Audiovisual Aesthetics in 1970s American Cinema. New Brunswick, NJ: Rutgers University Press, 2016.

Betancourt, Michael. Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space. New York: Routledge, 2016.

Bordwell, David. The Rhapsodes: How 1940s Critics Changed American Film Culture. Chicago: University of Chicago Press, 2016.

Choe, Youngmin. Tourist Distractions: Traveling and Feeling in Transnational Hallyu Cinema. Durham, NC: Duke University Press, 2016.

Ellcessor, Elizabeth. Restricted Access: Media, Disability, and the Politics of Participation. New York: New York University Press, 2016.

Faulkner, Sally, ed. Middlebrow Cinema. New York: Routledge, 2016.

Fraser, Benjamin, ed. Cultures of Representation: Disability in World Cinema Contexts. London: Wallflower Press,  2016.

Frey, Mattias. Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture.  New Brunswick, NJ: Rutgers University Press, 2016.

Gear, Matthew Asprey. At the End of the Street in the Shadow: Orson Welles and the City. London: Wallflower Press, 2016.

Gürsel, Zeynep Devrim. Image Brokers: Visualizing World News in the Age of Digital Circulation. Berkeley: University of California Press, 2016.

Gwynne, Joel. Transgression in Anglo-American Cinema: Gender, Sex and the Deviant Body. London: Wallflower Press, 2016.

Higgins, Scott. Matinee Melodrama: Playing with Formula in the Sound Serial. New Brunswick, NJ: Rutgers University Press, 2016.

Horak, Laura. Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934. New Brunswick, NJ: Rutgers University Press, 2016.

Kaes, Anton, Nicholas Baer, and Michael Cowan, eds. The Promise of Cinema: German Film Theory, 1907–1933. Berkeley: University of California Press, 2016.

Kelley, Casey Ryan. Abstinence Cinema: Virginity and the Rhetoric of Sexual Purity in Contemporary Film. New Brunswick, NJ: Rutgers University Press, 2016.

Klein, Amanda Ann and R. Barton Palmer, eds. Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television. Austin: University of Texas Press, 2016.

Mazierska, Ewa and Alfredo Suppia, eds. Red Alert: Marxist Approaches to Science Fiction Cinema. Detroit: Wayne State University Press, 2016.

Nichols, Bill. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. Berkeley: University of California Press, 2016.

Nieuwkerk, Karin van, Mark LeVine and Martin Stokes, eds.. Islam and Popular Culture. Austin: University of Texas Press, 2016.

Palmer, R. Barton. Shot on Location: Postwar American Cinema and the Exploration of Real Place. New Brunswick, NJ: Rutgers University Press, 2016.

Payne, Matthew. Playing War: Military Video Games After 9/11. New York: New York University Press, 2016.

Petty, Miriam J. Stealing the Show: African American Performers and Audiences in 1930s Hollywood. Berkeley: University of California Press, 2016.

Smith, Frances and Timothy Shary, eds. ReFocus: The Films of Amy Heckerling. Edinburgh: Edinburgh University Press, 2016.

Telotte, J.P. Robot Ecology and the Science Fiction Film. New York: Routledge, 2016.


Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Al-Rawi, Ahmed. “Facebook as a Virtual Mosque: The Online Protest against Innocence of Muslims,” Culture and Religion 17, no. 1 (2016): 19-34. 

Aydemir, Murat. “Queer Orientation with Gus Van Sant’s Elephant,” Culture, Theory and Critique 57, no. 1 (2016): 32-47. 

Bourget, Carine. “Claiming Integration, Performing Exclusion: Yamina Benguigui’s Documentaries,” French Cultural Studies 27, no. 2 (May 2016): 178-189. 

Coles, Amanda. “Creative Class Politics: Unions and the Creative Economy,” International Journal of Cultural Policy 22, no. 3 (2016): 456-472.

Evans, Richard T. “‘Faggots, Fame and Firepower’: Teenage Masculinity, School Shootings, and the Pursuit of Fame,” Canadian Review of American Studies 46, no. 1 (Spring 2016): 1-21.

Flanagan, Kevin M. “‘Green and Pleasant Land’?: Ben Wheatley’s British Cinema between Romanticism and Modernism,” Critical Quarterly 58, no. 1 (April 2016): 16-22.

Galt, Rosalind. “Down Terrace’s Duplicitous Geographies,” Critical Quarterly 58, no. 1 (April 2016): 23-28.

Gardner, Paula and Barbara Jenkins. “Bodily Intra-actions with Biometric Devices,” Body & Society 22, no. 1 (March 2016): 3-30.

Gauthier, Jennifer L. “Digital Not Diversity? Changing Aboriginal Media Policy at the National Film Board of Canada,” International Journal of Cultural Policy 22, no. 3 (2016): 331-352.

Gazi, Jeeshan. “Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics,” SubStance 45, no. 1 (2016): 66-80. 

Grodach, Carl. “Mapping the Arts: Industry Concentrations, Distribution, and Change in the U.S., 1980-2010,” International Journal of Cultural Policy 22, no. 3 (2016): 353-375.

Heins, Laura. “The ‘Psyche of the White Man’ and the Mass Face on Film: Béla Balázs between Racialist and Marxist Physiognomics,” New German Critique 43, no. 1 127 (2016): 59-89. 

Hernández Adrián, Francisco-J. “Excess Spaces: Movement and Ethnoscapes in Brian De Palma’s Scarface and Edward James Olmos’ American Me,” Cultural Dynamics 28, no. 1 (March 2016): 85-102.

Hoek, Lotte. “Urban Wallpaper: Film Posters, City Walls and the Cinematic Public in South Asia,” South Asia: Journal of South Asian Studies 39, no. 1 (2016): 73-92. 

Hutchinson, Jonathon P. “Moving Convergence Culture Towards Cultural Intermediation: Social Media and Cultural Inclusion,” Continuum 30, no. 2 (2016): 158-170.

Kennedy, Jenny and James Meese, Emily van der Nagel. “Regulation and Social Practice Online,” Continuum 30, no. 2 (2016): 146-157. 

Kord, T.S. “Gangs and Guilt: Towards a New Theory of Horror Film,” Cultural Dynamics 28, no. 1 (March 2016): 69-83.

Lee, Hye-Kyung. “Politics of the ‘Creative Industries’ Discourse and its Variants,” International Journal of Cultural Policy 22, no. 3 (2016): 438-455. 

Lowenstein, Adam. “A Cinema of Disorientation: Space, Genre, Wheatley,” Critical Quarterly 58, no. 1 (April 2016): 5-15.

Lupher, Sonia. “Slow Burn, Interrupted: On Tone and Horror in Ben Wheatley’s Kill List,” Critical Quarterly 58, no. 1 (April 2016): 29-35.

Majumdar, Rochona. “Art Cinema: The Indian Career of a Global Category,” Critical Inquiry 42, no. 3 (Spring 2016): 580-610. 

Martin, Niall. “The (Dis)Locative Effect of Noise: Globalisation, Disorientation and Noise in Marc Isaac’s Lift,” Culture, Theory and Critique 57, no. 1 (2016): 62-76.

McKim, Joel. “The Digital Anachronisms of Ben Wheatley’s A Field in England,” Critical Quarterly 58, no. 1 (April 2016): 46-51.

Nitschke, Claudia. “The Free Zone: Gang Dynamics, De-Differentiation, and Pseudo-Statehood in The Wire,” Cultural Dynamics 28, no. 1 (March 2016): 103-118. 

Nitschke, Claudia and Luke Sunderland. “Dynamics of Exemption: ‘Gang’ Ethos in Literature and Film,” Cultural Dynamics 28, no. 1 (March 2016): 3-11. 

Pérez, Raúl and Viveca S. Greene. “Debating Rape Jokes vs. Rape Culture: Framing and Counter-Framing Misogynistic Comedy,” Social Semiotics 26, no. 3 (2016): 265-282. 

Rankin, Tom. “Looking and Telling, Again and Again: The Documentary Impulse,” Southern Cultures 22, no. 1 (Spring 2016): 3-9. 

Robé, Chris, Todd Wolfson, and Peter N. Funke. “Screen Theory, Media Activism, and Working-Class Subjectivities,” Rethinking Marxism 28, no. 1 (2016): 57-72.

Sanz, Esteve. “The Creation of Value in Contemporary Television: A Grounded Approach,” International Journal of Cultural Policy 22, no. 3 (2016): 419-437.

Shenker, Noah. “Through the Lens of the Shoah: The Holocaust as a Paradigm for Documenting Genocide Testimonies,” History & Memory 28, no. 1 (Spring/Summer 2016): 141-175.

Somaini, Antonio. “Walter Benjamin’s Media Theory: The Medium and the Apparat,” Grey Room No. 62 (Winter 2016): 6-41.

Tyree, J.M. “Murder, Considered as One of the Fine Arts of Women’s Liberation: Notes on Sightseers,” Critical Quarterly 58, no. 1 (April 2016): 36-40. 

Watson, Jini Kim. “Aspirational City: Desiring Singapore and the Films of Tan Pin Pin,” Interventions 18, no. 4 (2016): 543-558. 

White, Rosie. “Funny Peculiar: Lucille Ball and the Vaudeville Heritage of Early American Comedy,” Social Semiotics 26, no. 3, 2016): 298-310.


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