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Professional Notes 56.1
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Cinema Journal

Professional Notes 56.1


Edited by Chris Robé, with Stephen Charbonneau

 

Recent Books

Anderson, Johan and Lawrence Web, eds. Global Cinematic Cities: New Landscapes of Film and Media. New York: Wallflower Press, 2016.

Beaster-Jones, Jayson and Natalie Sarrazin. Music in Contemporary Indian Film: Memory, Voice, Identity. New York: Routledge, 2016.

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. New York: Routledge, 2016.

Gillespie, Michael Boyce. Film Blackness: American Cinema and the Idea of Black Film.  Durham, NC: Duke University Press, 2016.

Griffiths, Alison. Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America. New York: Columbia University Press, 2016.

Guynn, William. Unspeakable Histories: Film and the Experience of Catastrophe. New York: Columbia University Press, 2016.

Lewis, Tania, Fran Martin and Wanning Sun. Telemodernities: Television and Transforming Lives in Asia. Durham: NC: Duke University Press, 2016.

Mazierska, Ewa, Matilda Mroz, and Elzbieta Ostrowska, eds. The Cinematic Bodies of Eastern Europe and Russia. Edinburgh: Edinburgh University Press, 2016.

Musser, Charles. Politicking and Emergent Media: US Presidential Elections of the 1890s. Berkeley: University of California Press, 2016.

Ndaliko, Chérie Rivers. Necessary Noise: Music, Film, and Charitable Imperialism in the East of Congo. Oxford, UK: Oxford University Press, 2016.

Peleg, Yaron. Directed by God: Jewishness in Contemporary Israeli Film and Television. Austin: University of Texas Press, 2016.

Perry, Leah. The Cultural Politics of U.S. Immigration: Gender, Race, and Media. New York: New York University Press, 2016.

Reich, Elizabeth. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema. New Brunswick, NJ: Rutgers University Press, 2016.

Rickels, Laurence, The Psycho Records. New York: Wallflower Press, 2016.

Rushing, Robert A. Descended from Hercules: Biopolitics and the Muscled Male Body on Screen. Bloomington: Indiana University Press, 2016.

Russworm, TreaAndrea M. Blackness Is Burning: Civil Rights, Popular Culture, and the Problem of Recognition. Detroit: Wayne State University Press, 2016.

Stead, Lisa. Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain. Edinburgh: Edinburgh University Press, 2016.

Teo, Stephen. Eastern Westerns: Film and Genre Outside and Inside Hollywood. New York: Routledge, 2016.

Tsika, Noah A. Pink 2.0: Encoding Queer Cinema on the Internet. Bloomington: Indiana University Press, 2016.

Venkatesh, Vinodh. New Maricón Cinema: Outing Latin American Film. Austin: University of Texas Press, 2016.

White, John. European Art Cinema. New York: Routledge, 2016.

Zhou, Xuelin. Youth Culture in Chinese Language Film. New York: Routledge, 2016.


Articles on Film and TV in Non-media Journals (compiled by Stephen Charbonneau)

Bassi, Camila. “What’s Radical about Reality TV? An Unexpected Tale from Shanghai of a Chinese Lesbian Antihero,” Gender, Place & Culture 23, no. 11 (2016): 1619-1630. 

 

Bruno, Tim. “Nat Turner after 9/11: Kyle Baker’s Nat Turner,” Journal of American Studies 50, no. 4 (November 2016): 923-951.

 

Celik Rappas, Ipek A. “Corporeal Violence in Art-House Cinema: Cannes 2009,” Continuum 30, no. 6 (2016): 670-678. 

 

Cohen, Harvey G. “The Struggle to Fashion the NRA Code: The Triumph of Studio Power in 1933 Hollywood,” Journal of American Studies 50, no. 4 (November 2016): 1039-1066. 

 

Coly, Ayo A. “Carmen Goes Postcolonial, Carmen Goes Queer: Thinking the Postcolonial as Queer,” Culture, Theory and Critique 57, no. 3 (2016): 391-407. 

 

Dinnen, Zara. “Understanding the Funny Military Music Video,” Journal of American Studies 50, no. 4 (November 2016): 899-921. 

 

Ewart, Jacqui. “The Rules of Engagement: Talkback Radio Audiences’ Understandings of the Conditions of Access to Programs,” Continuum 30, no. 6 (2016): 679-687.

 

Fast, Karin and Johan Lindell. “The Elastic Mobility of Business Elites: Negotiating the ‘Home’ and ‘Away’ Continuum,” European Journal of Cultural Studies 19, no. 5 (October 2016): 435-449. 

 

Fay, Jennifer. “Atomic Screen Test,” Modernism/Modernity 23, no. 3 (September 2016): 611-630.

 

Funk, Steven and Jaydi Funk. “Transgender Dispossession in Transparent: Coming Out as a Euphemism for Honesty,” Sexuality & Culture 20, no. 4 (2016): 879-905. 

 

González, Jorge C. and Kameron C. Cavazos. “Serving Fishy Realness: Representations of Gender Equity on Rupaul’s Drag Race,” Continuum 30, no. 6 (2016): 659-669.

 

Grant, David. “State of the Union: The Play, the Film, and the Progress of the Isolationist Bogey,” Journal of American Studies 50, no. 4 (November 2016): 1021-1038. 

 

Greer, Amanda. “‘This is the End, My Friend’: Aural Focalizations of Trauma in Apocalypse Now and Vietnam Combat Films,” The Journal of American Culture 39, no. 3 (September 2016): 313-322. 

 

Guo, Shaohua. “The Appeal of Style: Han Han and the Microcultural Contention in Digital China,” Modern Chinese Literature and Culture 28, no. 2 (2016): 90-138. 

 

Herrnstein Smith, Barbara. “Scientizing the Humanities: Shifts, Collisions, Negotiations,” Common Knowledge 22, no. 3 (2016): 353-372. 

 

Huffer, Ian. “NZ Film on Demand: Searching for National Cinema Online,” Continuum 30, no. 6 (2016): 697-705. 

 

Jansson, André. “How to Become an ‘Elite Cosmopolitan’: The Mediatized Trajectories of United Nations Expatriates,” European Journal of Cultural Studies 19, no. 5 (October 2016): 465-480. 

 

Khubchandani, Kareem. “Terrifying Performances: Black-Brown-Queer Borrowings in Loins of Punjab Presents,” Journal of Asian American Studies 19, no. 3 (October 2016): 275-297. 

 

Kvaran, Kara M. “‘You’re All Doomed!’ A Socioeconomic Analysis of Slasher Films,” Journal of American Studies 50, no. 4 (November 2016): 953-970. 

 

Lee, Joonseong. “Commodifying Magic: Cyber Shamans and Neoliberalised Culture in Korea,” Culture and Religion 17, no. 3 (2016): 295-311.

 

Malherbe, Nick and Shahnaaz Suffla, Mohamed Seedat, Umesh Bawa. “Visually Negotiating Hegemonic Discourse through Photovoice: Understanding Youth Representations of Safety,” Discourse & Society 27, no. 6 (November 2016): 589-606. 

 

McWilliam, Kelly. “Digital Storytelling as ‘National Cinema’?” Continuum 30, no. 6 (2016): 706-713.

 

Murphy, Kaitlin M. “Memory Mapping: Affect, Place, and Testimony in El Lugar Más Pequeño,” Journal of Latin American Cultural Studies 25, no. 4 (2016): 571-595. 

 

Newman, Emily L. “From That Girl to Girls: Rethinking Ann Marie/Marlo Thomas as a Feminist Icon,” The Journal of American Culture 39, no. 3 (September 2016): 285-297. 

 

Paasonen, Susanna. “Visceral Pedagogies: Pornography, Affect, and Safety in the University Classroom,” Review of Education, Pedagogy, and Cultural Studies 38, no. 5 (2016): 427-444. 

 

Page, Philippa Jane and Nadia Lie. “(Re)Writing with the Feet: The Flâneur as Urban Cartographer in Alicia Scherson’s Film, Play,” Journal of Latin American Cultural Studies 25, no. 4 (2016): 533-553. 

 

Patterson, Anne and Rachel Fyson. “I Was Just Gobsmacked: Care Workers’ Responses to BBC Panorama’s Undercover Care: The Abuse Exposed; Invoking Mental States as a Means of Distancing from Abusive Practices,” Discourse & Society 27, no. 6 (November 2016): 607-623. 

 

Patterson, Christopher B. “Heroes of the Open (Third) World: Killing as Pleasure in Ubisoft’s Far Cry Series,” American Quarterly 68, no. 3 (September 2016): 769-792.

 

Perry, Rachel E. “Holocaust Hospitality: Michal Rovner’s Living Landscape at Yad Vashem,” History & Memory 28, no. 2 (2016): 89-122. 

 

Risner, Jonathan. “How I Learned to Stop Worrying and Grudgingly Accept Product Placement: Nicolás López, Chilewood and Criteria for a Neoliberal Cinema,” Journal of Latin American Cultural Studies 25, no. 4 (2016): 597-612. 

 

Roberts, Ben. “An ‘Exemplary Contemporary Technical Object’: Thinking Cinema Between Hansen and Stiegler,” New Formations no. 88 (Autumn 2016): 88-104.

 

Sanos, Sandrine. “My Body was Aflame with His Memory: War, Gender and Colonial Ghosts in Hiroshima mon amour (1959),” Gender & History 28, no. 3 (November 2016): 728-753. 

 

St-Georges, Charles. “Brazilian Horrors Past and Present: José Mojica Marins and Politics as Reproductive Futurism,” Journal of Latin American Cultural Studies 25, no. 4 (2016): 555-570. 

 

Stevens, Elise M. and Kyla P. Garrett. “Girls and Sex: A Content Analysis of Sexual Health Depictions in HBO’s Girls,” Sexuality & Culture 20, no. 4 (2016): 923-935. 

 

Suh, Stephen Cho. “Introducing K-Town: Consumption, Authenticity, and Citizenship in Koreatown’s Popular Reimagining,” Journal of Asian American Studies 19, no. 3 (October 2016): 397-422. 

 

Townsend, Rebecca. “Prisoner of Love: Sexual Violence on Thai Television,” Critical Asian Studies 48, no. 4 (2016): 579-596. 

 

Ulmber, Gordon L. and Jeffrey H. Cohen. “Ethnographic Inquiry in the ‘Digitized’ Fields of Madre de Dios, Peru and Oaxaca, Mexico: Methodological and Ethical Issues,” Anthropological Quarterly 89, no. 2 (2016): 539-560. 

 

Waggoner, Erin B. “Imagined Interactions and Identity in the Works of Joss Whedon,” Continuum 30, no. 6 (2016): 714-725.

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