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Professional Notes 56.2
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Cinema Journal

Professional Notes 56.2


Edited by Chris Robé, with Colleen Glenn

 

Recent Books

Aitken, Ian and Camille Deprez, eds. The Colonial Documentary Film in South and South-East Asia. Edinburgh: Edinburgh University Press, 2017.

Allred, Mason Kamana. Weimar Cinema, Embodiment, and Historicity: Cultural Memory and the Historical Films of Ernst Lubitsch. New York: Routledge, 2017.

Aston, Judith, Sandra Gaudenzi, and Mandy Rose, eds. I-Docs: The Evolving Practices of Interactive Documentary. New York: Wallflower, 2017.

Atwood, Blake. Reform Cinema in Iran: Film and Political Change in the Islamic Republic. New York: Columbia University Press, 2016.

Bell, Matt, ed. The Boys in the Band: Flashpoints of Cinema, History, and Queer Politics. Detroit, MI: Wayne State University Press, 2016.

Bennahum, Ninotchka, Wendy Perron, and Bruce Robertson, eds. Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972. Berkeley: University of California Press, 2016.

Burnett, Colin. The Invention of Robert Bresson: The Auteur and His Market. Bloomington: Indiana University Press, 2016.

Chen, Xiaomei. Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda. New York: Columbia University Press, 2016.

Corkin, Stanley. Connecting The Wire: Race, Space, and Post-Industrial Baltimore. Austin: University of Texas Press, 2017.

Gott, Michael and Todd Herzog. East, West and Centre: Reframing Post-1989 European Cinema. Edinburgh: Edinburgh University Press, 2017.

Grant, Barry Keith and Malisa Kurtz, eds. Notions of Genre: Writings on Popular Film Before Genre Theory. Austin: University of Texas Press, 2016.

Griffin, F. Hollis. Feeling Normal: Sexuality and Media Criticism in the Digital Age. Bloomington: Indiana University Press, 2017.

Herhuth, Eric. Pixar and the Aesthetic Imagination: Animation, Storytelling, and Digital Culture. Berkeley: University of California Press, 2017.

Hidaka, Katsuyuki. Japanese Media at the Beginning of the 21st Century: Consuming the Past. New York: Routledge, 2017.

Kuc, Kamila. Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism. Bloomington: University of Indiana Press, 2016.

Liew, Kai Khiun and Stephen Teo, eds. Singapore Cinema: New Perspectives. New York: Routledge, 2016.

Lindenfeld, Laura and Fabio Parasecoli. Feasting Our Eyes: Food Films and Cultural Identity in the United States. New York: Columbia University Press, 2016.

Mayer, Vicki. Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy. Berkeley: University of California Press, 2017.

Napper, Lawrence. Silent Cinema: Before the Pictures Got Small. New York: Wallflower, 2017.

Prokhorov, Alexander and Elena Prokhorova. Film and Television Genres of the Late Soviet Era. New York: Bloomsbury, 2016.

Rouse, Carolyn Moxley, John L. Jackson, Jr. and Marla F. Frederick. Televised Redemption: Black Religious Media and Racial Empowerment. New York: New York University Press, 2016.

Schoonover, Karl and Rosalind Galt. Queer Cinema in the World. Durhman, NC: Duke University Press, 2016.

Traverso, Enzo. Left-Wing Melancholia: Marxism, History, and Memory. New York: Columbia University Press, 2017.

Wright, Neelam Sidhar. Bollywood and Postmodernism. Edinburgh: Edinburgh University Press, 2017.

Yau, Esther and Tony Williams. Hong Kong Neo-Noir. Edinburgh: Edinburgh University Press, 2017.

Yuen, Nancy Wang. Reel Inequality: Hollywood Actors and Racism. New Brunswick, NJ: Rutgers University Press, 2016.

 

Articles on Film and TV in Non-media Journals (compiled by Colleen Glenn)

Akil, Hatem N. “Cinematic Terrorism: Deleuze, ISIS and Delirium.” Journal for Cultural Research 20.4 (2016): 366-379.

 

Betancourt, Manuel. “Cruising and Screening John: John Rechy’s The Sexual Outlaw, Documentary Form, and Gay Politics.” GLQ: A Journal of Lesbian and Gay Studies 23.1 (2017): 31-49.

 

Binelli, Andrea. “Rhetoric and Pragmatics in Ulysses: How Joyce Invented Twitter.” Irish Studies Review 25.1 (2017): 101-115.

 

Gates, Philippa. “Home Sweet Home Front Women: Adapting Women for Hollywood’s World War II Home-Front Films”. Americana 15.2  

 

Hardin, Ashleigh.Race and Trajectories of Addiction in Robert Zemeckis’s Cast Away (2000) and Flight (2012).” Arizona Quarterly 72.4 (2016): 137-153.

 

Harmer, Colleen. “Spiritualized Market Subjectivity and New Resistances: Russell Brand’s Concept of Revolution.” Continuum 31.1 (2017): 31-42.

 

Hornbeck, Elizabeth Jean. “Who’s Afraid of the Big Bad Wolf?: Domestic Violence in The Shining.” Feminist Studies. 42.3 (2016): 689-719.

 

Hunt, Megan. “‘Fictional Others’: Analyzing Hollywood's Relationship with Evangelical Christianity.” Journal of American Studies 51.1 (2017): 241-248.

 

O'Sullivan, Shannon. “Who Is Always Already Criminalized? An Intersectional Analysis of Criminality on Orange Is the New Black. Journal of American Culture 39.4 (2016): 401–412

 

Jelača, Dijana. “Women’s Cinema of Trauma: Affect, Movement, Time.” European Journal of Women’s Studies 23.4 (2016): 335-352.

 

Mubarki, Meraj Ahmed. Violence, Victimhood and Trauma: Exploring the Partition Narratives of Bombay Cinema.” Visual Anthropology 30.1 (2017): 45-64.

 

Radner, Hilary. “Transnational Celebrity and the Fashion Icon: The Case of Tilda Swinton, ‘Visual Performance Artist at Large.’” European Journal of Women’s Studies 23.4 (2016): 401-414.

 

Swink, Robyn Stacia. “Lemony Liz and Likeable Leslie: Audience Understandings of Feminism, Comedy and Gender in Women-led Television Comedies.” Feminist Media Studies 17.1 (2017): 14-28.

 

Symes, Katerina. “Orange is the New Black: the Popularization of Lesbian Sexuality.” Feminist Media Studies 17.1 (2017): 29-41.

 

Tripodi, Francesca. “Fifty shades of consent?Feminist Media Studies Vol. 17. 1 (2017): 93-107.

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