
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
<title>CARNEGIE MUSEUM OF ART PRESENTS MISFITS 2015</title>
<link>https://www.cmstudies.org/forums/posts.aspx?topic=1142707</link>
<description></description>
<lastBuildDate>Tue, 9 Jun 2026 08:41:27 GMT</lastBuildDate>
<pubDate>Thu, 10 Sep 2015 19:27:28 GMT</pubDate>
<copyright>Copyright &#xA9; 2015 Society For Cinema and Media Studies</copyright>
<atom:link href="https://www.cmstudies.org/forums/topic_rss.asp?id=1142707" rel="self" type="application/rss+xml"></atom:link>
<item>
<title>CARNEGIE MUSEUM OF ART PRESENTS MISFITS 2015</title>
<link>https://www.cmstudies.org/forums/posts.aspx?topic=1142707</link>
<guid>https://www.cmstudies.org/forums/posts.aspx?topic=1142707</guid>
<description><![CDATA[CARNEGIE MUSEUM OF ART PRESENTS MISFITS 2015<br>
October 23–24, 2015<br>
General $50 / Students $25<br>
<br>
Misfits 2015: Time-Based Media and the Museum is a two-day symposium<br>
(October 23–24, 2015) that focuses on the ways that “misfit” artworks—film,<br>
video, sound, and digital works—entered into collecting institutions, and the<br>
ongoing challenges these works present for exhibition and preservation. Drawing<br>
on CMOA’s own history as a significant catalyst during the 1970s—as a nexus of<br>
avant-garde film practice and presentation, and as pioneering publisher of The<br>
Film and Video Makers Travel Sheet—"Misfits 2015" will focus on the contexts in<br>
which time-based collections were formed and explore the potential of a<br>
coordinated preservation model for time-based works that ensures ongoing<br>
access.<br>
Register now at http://www.cmoa.org/misfits/.<br>
While attending Misfits 2015, guests will also have an opportunity to view<br>
CMOA’s exhibition The Living Need Light, The Dead Need Music, a visual and<br>
musical journey through the spectacular funerary traditions of South Vietnam.<br>
Created by artist collective The Propeller Group, the video follows brass band<br>
musicians, spiritual mediums, professional criers, and street performers through<br>
the mournful and euphoric public ceremonies of a multi-day wake: a set of<br>
colorful rituals that resonate with funeral traditions in New Orleans and other<br>
parts of the “global south.”<br>
<br>
Shot in ultra-high-definition video, and produced with the technical sophistication<br>
of a Hollywood film, it immerses viewers in a lush and captivating dreamlike<br>
atmosphere.<br>
<br>
Misfits Presenters include:<br>
<br>
Philip Auslander: Professor, School of Literature, Media, and Communication,<br>
Georgia Institute of Technology, Atlanta<br>
Benjamin Balcom: Curator, Microlights, and Associate Lecturer in Film, Video,<br>
Animation, and New Genres, University of Wisconsin, Milwaukee<br>
Erika Balsom: Lecturer in Film Studies and Liberal Arts, King’s College, London<br>
Maeve Connolly: Lecturer in Film and Animation, Dun Laoghaire Institute of Art,<br>
Design &amp; Technology, Dublin<br>
Matthew Cowan: Archivist, Moving Images and Photography, Oregon Historical<br>
Society, Portland<br>
Brad Epley: Chief Conservator, The Menil Collection, Houston<br>
Kathy Geritz: Film Curator, Berkeley Art Museum and Pacific Film Archive<br>
Martina Haidvogl and Peter Oleksik: Fellow, Contemporary Art Conservation,<br>
San Francisco Museum of Modern Art; and Assistant Media Conservator,<br>
Museum of Modern Art, New York, respectively<br>
Mona Jimenez: Associate Professor, Cinema Studies, Tisch School of the Arts,<br>
and Associate Director, Moving Image Archiving and Preservation Program, New<br>
York University<br>
John Klacsmann: Archivist, Anthology Film Archives, New York<br>
Ross Lipman: independent archivist/Conner Family Trust/Milestone Films<br>
Lindsay Mattock: Assistant Professor, School of Library and Information<br>
Science, University of Iowa, Iowa City<br>
Megan McShea: Audiovisual Archivist, Archives of American Art, Smithsonian<br>
Institution, Washington, D.C.<br>
Sheryl Mousley: Senior Curator, Moving Image, Walker Art Center, Minneapolis<br>
Stephanie Sapienza: Project Manager, Maryland Institute for Technology in the<br>
Humanities, College Park<br>
Michelle Silva: Conner Family Trust and Estate of George Kuchar<br>
Rani Singh: Principal Project Specialist &amp; Consulting Curator, Modern and<br>
Contemporary Collections, Getty Research Institute, and Director of Harry Smith<br>
Archives, Los Angeles<br>
Amy Sloper: Film Archivist, Wisconsin Center for Film and Theater Research,<br>
University of Wisconsin, Madison<br>
Linda Tadic: Founder and CEO, Digital Bedrock<br>
Andrew Uroskie: Associate Professor of Modern &amp; Contemporary Art and<br>
Director, MA/PhD Program in Art History, Criticism &amp; Theory, Stony Brook<br>
University<br>
Haidee Wasson: Associate Professor of Cinema Studies, Concordia University,<br>
Montreal<br>
Michael Zryd: Associate Professor in Cinema &amp; Media Studies, York University,<br>
Toronto]]></description>
<pubDate>Thu, 10 Sep 2015 20:27:28 GMT</pubDate>
</item>
</channel>
</rss>
