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Professional Notes 57.1
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Cinema Journal

Professional Notes 57.1


 

Recent Books
(compiled by Colleen Glenn)

Aitken, Ian. The Major Realist Film Theorists: A Critical Anthology. Edinburgh, UK: Edinburgh University Press, 2017.

 

Bernardi, Daniel and Julian Hoxter. Off the Page: Screenwriting in the Era of Media Convergence. Oakland: University of California Press, 2017.

 

Black, Jeremy. The World of James Bond: The Lives and Times of 007. Lanham, MD: Rowman and Littlefield Publishing Group, 2017.

 

Bordwell, David. Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling. Chicago: University of Chicago Press, 2017.

 

Burry, Alexander and Frederick White. Border Crossing: Russian Literature into Film. Edinburgh, UK: Edinburgh University Press, 2017.

Byrne, Wayne. The Cinema of Tom DiCillo: Include Me Out. New York: Wallflower Press, 2017.

 

DeRoo, Rebecca J. Agnes Varda between Film, Photography, and Art. Oakland: University of California Press, 2017.

 

Dilley, Whitney Crothers. The Cinema of Wes Anderson: Bringing Nostalgia to Life. New York: Wallflower Press, 2017.

Dixon, Wheeler Winston. The Films of Terence Fisher: Hammer Horror and Beyond. New York: Columbia University Press, 2017.

Donnelly, Kevin J. and Beth Carroll. Contemporary Musical Film. Edinburgh, UK: Edinburgh University Press, 2017.

 

Ebert, Roger. Herzog by Ebert. Chicago: University of Chicago Press, 2017.

 

Ellcessor, Elizabeth and Bill Kirkpatrick. Disability Media Studies. New York: New York University Press, 2017.

 

Fuller-Seeley, Kathryn H. Jack Benny and the Golden Age of American Radio Comedy. Oakland: University of California Press, 2017.
Fox, Alistair. Coming-of-Age Cinema in New Zealand: Genre, Gender and Adaptation. Edinburgh, UK: Edinburgh University Press, 2017.

Gray, Jonathan, Cornel Sandvoss, and C. Lee Harrington. Fandom, Second Edition: Identities and Communities in a Mediated World. New York: New York University Press, 2017.

Hanaway-Oakley, Cleo. James Joyce and the Phenomenology of Film. Oxford, UK: Oxford UP, 2017.

 

Harris, Rachel S. Warriors, Witches, Whores: Women in Israeli Cinema. Detroit: Wayne State University Press, 2017.

 

Jeffries, Dru. Comic Book Film Style: Cinema at 24 Panels Per Second. Austin: University of Texas Press, 2017.

Jordan-Zachery, Julia S. Shadow Bodies: Black Women, Ideology, Representation, and Politics. New Brunswick: Rutgers University Press, 2017.

Kee, Chera. Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks. Austin: University of Texas Press, 2017.

Knöppler, Christian. The Monster Always Returns: American Horror Films and Their Remakes. New York: Transcript Verlag/Columbia University Press, 2017.

Kraszewski, Jon. Reality TV. New York: Routledge, 2017.

 

Lerner, Jesse and Luciano Piazza. Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America: Oakland: University of California Press, 2017.

Marchessault, Janine. Ecstatic Worlds: Media, Utopias, Ecologies. Cambridge: MIT Press, 2017.

Monteiro, Stephen. Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon. Edinburgh, UK: Edinburgh University Press, 2017.

 

Napper, Lawrence. Silent Cinema: Before the Pictures Got Small. New York: Columbia University Press, 2017.

Naremore, James. Charles Burnet: A Cinema of Symbolic Knowledge. Oakland: University of California Press, 2017.

O’Brien, Adam. Film and the Natural Environment: Elements and Atmospheres. New York: Columbia University Press, 2017.

 

Perriam, Chris and Darren Waldron. French and Spanish Queer Film: Audiences, Communities and Cultural Exchange. Edinburgh, UK: Edinburgh University Press, 2017.

Pippin, Robert B. The Philosophical Hitchcock. “Vertigo” and the Anxieties of Unknowingness. Chicago: University of Chicago Press, 2017.

 

Plate, S. Brent. Religion and Film: Cinema and the Re-Creation of the World. New York: Columbia University Press, 2017.

 

Pomerance, Murray and Steven Rybi. Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Edinburgh, UK: Edinburgh University Press, 2017.

 

Pullen, Christopher. Straight Girls and Queer Guys: The Hetero Media Gaze in Film and Television. Edinburgh, UK: Edinburgh University Press, 2017.

 

Ravetto-Biagioli, Kriss. Mythopoetic Cinema: On the Ruins of European Identity. New York: Columbia University Press, 2017.

Samer, Roxanne and William Whittington. Spectatorship: Shifting Theories of Gender, Sexuality, and Media. University of Texas Press, 2017.

Scovell, Adam. Folk Horror: Hours Dreadful and Things Strange. New York: Columbia University Press, 2017.

Smith, Paul Julian. Queer Mexico: Cinema and Television Since 2000. Detroit: Wayne State University Press, 2017.

Tapper, Michael. Ingmar Bergman’s Face to Face. New York: Wallflower Press, 2017.

Violane, Roussel. Representing Talent: Hollywood Agents and the Making of Movies. Chicago: University of Chicago Press, 2017.

Wexman, Virginia Wright. Directing. New Brunswick: Rutgers University Press, 2017.

Wilkins, Heidi. Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema. Edinburgh, UK: Edinburgh University Press, 2017.



Recent Articles

(compiled by Paul Flaig)

 

Auslander, Philip. “Film Acting and Performance Capture: The Index in Crisis.” PAJ: A Journal of Performance and Art 39.3 (September 2017): 7-23.

 

Bellour, Raymond. “Art Resists, Even If It Is Not the Only Thing That Resists.” Critical Inquiry 44.1 (Autumn 2017): 40-53.

 

Besser, Stephan. “How Patterns Meet: Tracing the Isomorphic Imagination in Contemporary Neuroculture.” Configurations 25.4 (Fall 2017): 415-445.

 

Bollmer, Grant and Katherine Guinness. “Phenomenology for the Selfie.” Cultural Politics 13.2 (July 2017): 156-176.

 

Butter, Michael. “Think Thrice, It's Alright: Mad Men's ‘The Wheel’ and the Future Study of Television Narratives.” Narrative 25.3 (October 2017): 374-389.

 

Buse, Peter. “Psychoanalysis on Sunday: Lacan, Cinema, Comedy.” Genre 50.2 (July 2017): 219-238.

 

Chen, Shaopeng. “The Chinese animation blockbuster and Lotus Lantern (1999).” East Asian Journal of Popular Culture 3.2 (August 2017): 231-248.

 

Cosimini, Seth. “‘I'm a Motherfuckin' Monster!’: Play, Perversity, and Performance of Nicki Minaj.” Feminist Formations 29.2 (Summer 2017): 47-68.

 

Gana, Nouri. “Sons of a Beach: The Politics of Bastardy in the Cinema of Nouri Bouzid.” Cultural Politics 13.2 (July 2017): 177-193.

 

Gibson, Pamela Church. “The Fashion Narratives of Tom Ford: Nocturnal Animals and Contemporary Cinema.” Fashion Theory 21 (2017): 629-646.

 

Grimaldi, Carmine. “Televising Psyche: Therapy, Play, and the Seduction of Video.” Representations 139.1 (Summer 2017): 95-117.

 

Harlap, Itay. “The New Normative: Gay Fatherhood on Israeli Television.” GLQ: A Journal of Lesbian and Gay Studies 23.4 (2017): 559-587.

 

Humphreys, Laura-Zoë. “Paranoid Readings and Ambivalent Allegories in Cuban Cinema.” Social Text 35.3 (September 2017): 17-40.

 

Johnson, Russell L. “‘Better Gestures’: A Disability History Perspective on the Transition from (Silent) Movies to Talkies in the United States.” Journal of Social History 51.1 (Fall 2017): 1-26.

 

Karam, Kojo. “‘Order Is the Best We Can Hope For’: Sicario and the Sacrificial Violence of the Law.” Discourse 39.2 (Spring 2017): 230-252.

 

Kiss, Erika A. “Between Mimesis and Technē: Cinematic Image as a Site for Critical Thinking.” Journal of Aesthetic Education 51.3 (Fall 2017): 42-57.

 

Kouvaros, George. “‘It's not quite right yet’: Realism and Affect in A Woman Under the Influence and A Nos Amours.” Paragraph 40.2 (July 2017): 228-243.

 

Krzych, Scott. “Improvisational Ethics and Moral Technologies in Déjà Vu.” Cultural Critique 97 (Fall 2017): 105-127.

 

Lazar, Alon and Tal Litvak Hirsch. “No Laughing Matter: Film Advisory Boards’ Evaluations of Award-Considered Comedies.” Comedy Studies 8.2 (2017): 116-125.

 

Miller, Steven. “The Coup: Behind the Scenes of the Act with Philippe Petit.” differences: A Journal of Feminist Cultural Studies 28.2 (September 2017): 116-133.

 

Multiple Authors. Inaugural Issue. Media Theory 1.1 (2017).

 

Multiple Authors. “Comics and the Anarchist Imagination.” Special Issue of SubStance 46.2 (2017): 3-185.

 

Noble-Olson, Matthew. “Reviving the Elephant; or, Cinema Plays Dead.” Cultural Critique 97 (Fall 2017): 84-104.  

 

Olszynko-Gryn, Jesse, Patrick Ellis, and Caitjan Gainty, eds. “Film and Reproduction.” Special Issue of The British Journal for the History of Science 50.3 (2017).

 

Pattison, Dale. “Performing the Post-Traumatic City: Treme and the Politics of Urban Space.” American Studies 55/56.4 (2017): 119-139.

 

Pattison, Dale. “Domestic Violence: The Narrative Architectures of Michael Haneke's Funny Games.” Journal of Narrative Theory 47.2 (Summer 2017): 197-223.

 

Reid, Darren R. “The Clown Suicides: The Death and Cinematic Afterlife of Marceline Orbes and Francis ‘Slivers’ Oakley, New York's Superstar Clowns, in Charlie Chaplin's Limelight.” Studies in American Humor 3.2 (2017): 157-177.

 

Sakaki, Atsuko. “Surfaces for Practices in Kanai Mieko's When Treading on Soft Earth: Translating Sensation from Screen to Novel.” Comparative Literature Studies 54.3 (2017): 610-640.

 

Severiche, Guillermo. “Through the Wall of Words: The Ruinous Cuban Body in Fernando Pérez’s Film La pared de las palabras (2014).” Studies in Latin American Popular Culture 35 (2017): 160-173.

 

Sturken, Marita. “Advertising and the Rise of Amateur Photography: From Kodak and Polaroid to the Digital Image.” Advertising & Society Quarterly 18.3 (2017).

 

Ssu-Fang Liu, Jessie. “From Visual Fantasies to Bodily Trajectories: The Insular Epistemology of Around-the-Island Journeys in Taiwan Cinema.” East Asian Journal of Popular Culture 3.2 (August 2017):199-214.

 

Thon, Jan-Noël. “Transmedial Narratology Revisited: On the Intersubjective Construction of Storyworlds and the Problem of Representational Correspondence in Films, Comics, and Video Games.” Narrative 25.3 (October 2017): 286-320.

 

Trafí-Prats, Laura. “Girls’ Aesthetics of Existence in/With Hayao Miyazaki’s Films.” Cultural Studies ↔ Critical Methodologies 17.5 (October 2017): 376-383.

 

Tronsgard, Jordan. “Drawing the Past: The Graphic Novel as Postmemory in Spain.” Romance Notes 57.2 (2017): 267-279.

 

Väliaho, Pasi. “Shadows of Expectation: Robert Hooke's Picture Box and the Visual Economy of Projection.” grey room 68 (2017): 6-31.

 

Watanabe, Takehiro. “Debts of Redemption: Usury Manga and the Morality of Money in Contemporary Japan.” positions: east asia cultures critique 25.3 (August 2017): 565-593.

 

Young, Liam Cole. “Innis's Infrastructure: Dirt, Beavers, and Documents in Material Media Theory.” Cultural Politics 13.2 (July 2017): 227-249.

 

 


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