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Professional Notes
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This quarterly feature lists recent books published in media studies, as well as articles on film and TV published in non-media journals. Contributions are welcome - please send them to Colleen Glenn.
 
Professional Notes Editors: Colleen Glenn and Paul Flaig

Notes from the most current issue are listed below. Past issues of Professional Notes are located here.


Journal of Cinema and Media Studies

Professional Notes 58.1


 

Recent Books
(Compiled by Colleen Glenn, College of Charleston)

Aasman, Susan, Andreas Fickers, and Joseph Wachelder, eds. Materializing Memories: Dispositifs, Generations, Amateurs. London: Bloomsbury Publishing, 2018.

Adamson, Morgan. Enduring Images: A Future History of New Left Cinema. Minneapolis: University of Minnesota Press, 2018.

Arnold, Darren. The Devils. New York: Columbia University Press, 2018.

Arras, Paul. The Lonely Nineties: Visions of Community in Contemporary US Television. London: Palgrave Macmillan, 2018.

Asava, Zélie. Mixed Race Cinemas: Multiracial Dynamics in America and France. London: Bloomsbury Publishing, 2018.

Austin, Thomas, ed. The Films of Aki Kaurismäki: Ludic Engagements. London: Bloomsbury Publishing, 2018.

Babington, Bruce and Charles Barr, eds. The Call of the Heart. Bloomington: Indiana University Press, 2018.

Balmain, Colette. Introduction to Japanese Horror Film. Edinburgh: Edinburgh University Press, 2018.

Banerjee, Sikata. Gender, Nation and Popular Film in India: Globalizing Muscular Nationalism. London: Routledge, 2018.

Barnett, Christopher B. and Clark J. Elliston, eds. Theology and the Films of Terrence Malick. London: Routledge, 2018.

Baumbach, Nico. Cinema-Politics-Philosophy. New York: Columbia University Press, 2018.

Beckman, Frida, ed. Control Culture. Edinburgh: Edinburgh University Press, 2018.

Berenstein, Rhona. Attack of the Leading Ladies. New York: Columbia University Press, 2018.

Biesen, Sheri Chinen. Film Censorship. New York: Wallflower Press, 2018.

Biesen, Sheri Chinen. Film Censorship: Regulating America’s Screen. New York: Wallflower Press, 2018.

Birzache, Alina G. The Holy Fool in European Cinema. London: Routledge, 2018.

Boyle, Raymond. The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways. London: Palgrave Macmillan, 2018.

Breuer, Johannes, Daniel Pietschmann, Benny Liebold, and Benjamin P. Lange, eds. Evolutionary Psychology and Digital Games: Digital Hunter-Gatherers. London: Routledge, 2018.

Brevini, Benedetta and Justin Lewis, eds. Climate Change and the Media. Bern: Peter Lang Publishing, 2018.

Bruhn, Jørgen and Anne Gjelsvik. Cinema Between Media. Oxford: Oxford University Press, 2018.

Buckland, Warren. Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis. London: Bloomsbury Publishing, 2018.

Bugeja, Michael. Living Media Ethics: Across Platforms. London: Routledge, 2018.

Cai, Shenshen. Television Drama in Contemporary China: Political, social and cultural phenomena. London: Routledge, 2018.

Cayley, John. Grammalepsy: An Essay on Digital Language Art. London: Bloomsbury Publishing, 2018.

Cinquegrani, Maurizio. Journey to Poland. Oxford: Oxford University Press, 2018.

Conde, Maite. Foundational Films: Early Cinema and Modernity in Brazil. Oakland: University of California Press, 2018.

Connor, J.D. Hollywood Math and Aftermath: The Economic Image and the Digital Recession. London: Bloomsbury Publishing, 2018.

Crossley, Laura, Nicholas Barnett, and Alan Burton. Spies on British Screens. Oxford: Oxford University Press, 2018.

Cuff, Paul. Abel Gance and the End of Silent Cinema: Sounding out Utopia. London: Palgrave Macmillan, 2018.

D’Arcy, Geraint. Critical Approaches to TV and Film Set Design. London: Routledge, 2018.

Dagnino, Gloria. Branded Entertainment and Cinema: The Marketisation of Italian Film. London: Routledge, 2018.

Dellmann, Sarah and Frank Kessler, eds. A Million Pictures. Bloomington: Indiana University Press, 2018.

Deutsch, Stephen, Larry Sider, and Dominic Power, eds. The New Soundtrack. Edinburgh: Edinburgh University Press, 2018.

Devasundaram, Ashvin Immanuel, ed. Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution. London: Routledge, 2018.

Diamond, Diana and Bruce Sklarew, eds. Cinematic Reflections on The Legacy of the Holocaust: Psychoanalytic Perspectives. London: Routledge, 2018.

DiPaolo, Marc. Fire and Snow: Climate Fiction from the Inklings to Game of Thrones. Albany: SUNY Press, 2018.

Dobson, Nichola, Annabelle Honess Roe, Amy Ratelle, and Caroline Ruddell, eds. The Animation Studies Reader. London: Bloomsbury Publishing, 2018.

duCille, Ann. Technicolored: Reflections on Race in the Time of TV. Durham: Duke University Press, 2018.

Ekman, Ulrik, Daniela Agostinho, Nanna Bonde Thylstrup, and Kristin Veel, eds. The Uncertain Image. London: Routledge, 2018.

Evans, Leighton. The Re-Emergence of Virtual Reality. London: Routledge, 2018.

Fassone, Riccardo. Every Game is an Island: Endings and Extremities in Video Games. London: Bloomsbury Publishing, 2018.

Feng, Lin. Chow Yun-fat and Territories of Hong Kong Stardom. Edinburgh: Edinburgh University Press, 2018.

Fonoroff, Paul. Chinese Movie Magazines: From Charlie Chaplin to Chairman Mao, 1921-1951. Oakland: University of California Press, 2018.

Foucault, Michel, Patrice Maniglier, and Dork Zabunyan. Foucault at the Movies. Edited by Clare O’Farrell, New York: Columbia University Press, 2018.

Fox, Ragan. Inside Reality TV: Producing Race, Gender, and Sexuality on “Big Brother”. London: Routledge, 2018.

Garcia, Antero, and Niemeyer, Greg, eds. Alternate Reality Games and the Cusp of Digital Gameplay. London: Bloomsbury Publishing, 2018.

Gates, Racquel J. Double Negative: The Black Image and Popular Culture. Durham: Duke University Press, 2018.

Gerhardt, Christina and Sara Saljoughi, eds. 1968 and Global Cinema. Detroit: Wayne State University Press, 2018.

Gerhardt, Christina. Screening the Red Army Faction: A Historical and Cultural Memory. London: Bloomsbury Publishing, 2018.

Girgus, Sam B. Time, Existential Presence and the Cinematic Image. Edinburgh: Edinburgh University Press, 2018.

Gorfinkel, Elena and Tami Williams, eds. Global Cinema Networks. New Brunswick: Rutgers University Press, 2018.

Gregory, Fiona. Actresses and Mental Illness: Histrionic Heroines. London: Routledge, 2018.

Griggs, Yvonne. Adaptable TV: Rewiring the Text. London: Palgrave Macmillan, 2018.

Haltof, Marek. Polish Cinema: A History. New York: Berghahn Books, 2018.

Hansen, Anders. Environment, Media and Communication. London: Routledge, 2018.

Harper, Stephen. Screening Bosnia: Geopolitics, Gender and Nationalism in Film and Television Images of the 1992-95 War. London: Bloomsbury Publishing, 2018.

Harrow, Kenneth W, and Carmela Garritano, eds. Companion to African Cinema. Hoboken: John Wiley & Sons, 2018.

Harvey, James. Jacques Rancière and the Politics of Art Cinema. Oxford: Oxford University Press, 2018.

Hawreliak, Jason. Multimodal Semiotics and Rhetoric in Videogames. London: Routledge, 2018.

Hayon, Kaya Davies. Sensuous Cinema: The Body in Contemporary Maghrebi Film. London: Bloomsbury Publishing, 2018.

Hellmich, Christina and Lisa Purse, eds. Disappearing War. Edinburgh: Edinburgh University Press, 2018.

Hellmich, Christina and Lisa Purse. Disappearing War. Oxford: Oxford University Press, 2018.

Herzogenrath, Bernd, ed. Sonic Thinking: A Media Philosophical Approach. London: Bloomsbury Publishing, 2018.

Hidaka, Katsuyuki. Japanese Media at the Beginning of the 21st Century: Consuming the Past. London: Routledge, 2018.

Hileman, Kristen. John Waters: Indecent Exposure. Oakland: University of California Press, 2018.

Hobbs, Simon. Cultivating Extreme Art Cinema. Edinburgh: Edinburgh University Press, 2018.

Hobbs, Simon. Cultivating Extreme Art Cinema. Oxford: Oxford University Press, 2018.

Hogan, Erin K. The Two Cines Con Niño. Edinburgh: Edinburgh University Press, 2018.

Hole, Kristin Lené and Dijana Jelača. Film Feminisms: A Global Introduction. London: Routledge, 2018.

Hollyfield, Jerod Ra’Del. Framing Empire. Edinburgh: Edinburgh University Press, 2018.

Holmes, Nathan. Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination. Albany: SUNY Press, 2018.

Holmes, Su, Sarah Ralph, and Martin Barker, eds. Celebrity Audiences. London: Routledge, 2018.

Hu, Brian. Worldly Desires. Edinburgh: Edinburgh University Press, 2018.

Jacobs, Steven, Eva Hielscher, and Anthony Kinik. The City Symphony Phenomenon: Cinema, Art, and Urban Modernity Between the Wars. London: Routledge, 2018.

Jaramillo, Deborah L. The Television Code: Regulating the Screen to Safeguard the Industry. Austin: University of Texas Press, 2018.

Jenner, Mareike. Netflix and the Re-invention of Television. London: Palgrave Macmillan, 2018.

Jensen, Jakob Linaa, Mette Mortensen, Jacob Ørmen, eds. News Across Media: Production, Distribution and Consumption. London: Routledge, 2018.

Johnson, Sally, and Ensslin, Astrid, eds. Language in the Media: Representations, Identities, Ideologies. London: Bloomsbury Publishing, 2018.

Kim, Dong Hoon. Eclipsed Cinema. Edinburgh: Edinburgh University Press, 2018.

Kishore, Shweta. Indian Documentary Film and Filmmakers. Edinburgh: Edinburgh University Press, 2018.

Koutsourakis, Angelos. Rethinking Brechtian Film Theory and Cinema. Edinburgh: Edinburgh University Press, 2018.

Laderman, Scott and Tim Gruenewald, eds. Imperial Benevolence: U.S. Foreign Policy and American Popular Culture since 9/11. Oakland: University of California Press, 2018.

Larke-Wals, George S, ed. Companion to the Gangster Film. Hoboken: John Wiley & Sons, 2018.

Lawson, Matt and Laurence Macdonald. 100 Greatest Film Scores. Lanham: Rowman & Littlefield Publishers, 2018.

Lázaro-Reboll, Antonio and Ian Olney, eds. The Films of Jess Franco. Detroit: Wayne State University Press, 2018.

Leonard, Kendra Preston and Mariana Whitmer, eds. Re-Locating the Sounds of the Western. London: Routledge, 2018.

Leuzzi, Laura, Elaine Shemilt, and Stephen Prtridge, eds. European Women’s Video Art in the 70s and 80s. Bloomington: Indiana University Press, 2018.

Lingold, Mary Caton, Darren Mueller, and Whitney Trettien, eds. Digital Sound Studies. Durham: Duke University Press, 2018.

Llewellyn-Jones, Lloyd. Designs on the Past. Edinburgh: Edinburgh University Press, 2018.

Losada, Matt. The Projected Nation: Argentine Cinema and the Social Margins. Albany: SUNY Press, 2018.

Marston, Kendra. Postfeminist Whiteness. Edinburgh: Edinburgh University Press, 2018.

Martin, Michael T. The Birth of a Nation. Bloomington: Indiana University Press, 2018.

Martin-Jones, David. Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History. London: Routledge, 2018.

Marx, Nick and Matt Sienkiewicz, eds. The Comedy Studies Reader. Austin: University of Texas Press, 2018.

McKelvey, Fenwick. Internet Daemons: Digital Communications Possessed. Minneapolis: University of Minnesota Press, 2018.

McPherson, Katrina. Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed). London: Routledge, 2018.

McSweeny, Terence. Studying The Hurt Locker. New York: Columbia University Press, 2018.

Menne, Jeff and Christian B. Long, eds. Film and the American Presidency. London: Routledge, 2018.

Met, Philippe, ed. The Cinema of Louis Malle: Transatlantic Auteur. New York: Wallflower Press, 2018.

Miller, Cynthia J., and Van Riper, A. Bowdoin, eds. What’s Eating You?: Food and Horror on Screen. London: Bloomsbury Publishing, 2018.

Moine, Caroline. Screened Encounters: The Leipzig Documentary Film Festival, 1955-1990. New York: Berghahn Books, 2018.

Monahan, Barry. The Films of Lenny Abrahamson: A Filmmaking of Philosophy. London: Bloomsbury Publishing, 2018.

Motrescu-Mayes, Annamaria and Heather Norris Nicholson. British Women Amateur Filmmakers. Edinburgh: Edinburgh University Press, 2018.

Murray Levine, Alison J. Vivre Ici. Oxford: Oxford University Press, 2018.

Nash, Meredith and Imelda Whelehan, eds. Reading Lena Dunham’s Girls: Feminism, post feminism, authenticity and gendered performance in contemporary television. London: Palgrave Macmillan, 2018.

Nevin, Barry. Cracking Gilles Deleuze’s Crystal. Edinburgh: Edinburgh University Press, 2018.

Nguyen-Thu, Giang. Television in Post-Reform Vietnam: Nation, Media, Market. London: Routledge, 2018.

Nicoli, Marina. The Rise and Fall of the Italian Film Industry. London: Routledge, 2018.

O’Rawe, Des. Regarding the Real. Oxford: Oxford University Press, 2018.

O'Reilly, Sean. Re-Viewing the Past: the Uses of History in the Cinema of Imperial Japan. London: Bloomsbury Publishing, 2018.

Paraskeva, Anthony. Samuel Beckett and Cinema. London: Bloomsbury Publishing, 2018.

Pateman, Matthew. Joss Whedon. Oxford: Oxford University Press, 2018.

Penderson, Trevor C. Psychoanalysis and Hidden Narrative in Film: Reading the Symptom. London: Routledge, 2018.

Perez, Domino Renee and Rachel González-Martin, eds. Race and Cultural Practice in Popular Culture. New Brunswick: Rutgers University Press, 2018.

Perez, Maya and Barbara Morgan, eds. On Story—The Golden Ages of Television. Austin: University of Texas Press, 2018.

Peters, Chris. The Places and Spaces of News Audiences. London: Routledge, 2018.

Pettey, Homer B. and R. Barton Palmer, eds. Rule Britannia!: The Biopic and British National Identity. Albany: SUNY Press, 2018.

Power, Aidan. Contemporary European Science Fiction Cinemas. London: Palgrave Macmillan, 2018.

Pramaggiore, Maria, and Roe, Annabelle Honess, eds. Vocal Projections: Voices in Documentary. London: Bloomsbury Publishing, 2018.

Raengo, Alessandra. Critical Race Theory and Bamboozled. London: Bloomsbury Publishing, 2018.

Read, Rupert. A Film-Philosophy of Ecology and Enlightenment. London: Routledge, 2018.

Reddell, Trace. The Sound of Things to Come: An Audible History of the Science Fiction Film. Minneapolis: University of Minnesota Press, 2018.

Redström, Johan, and Wiltse, Heather. Changing Things: The Future of Objects in a Digital World. London: Bloomsbury Publishing, 2018.

Regeve, Ronny. Working in Hollywood: How the Studio System Turned Creativity into Labor. Chapel Hill: University of North Carolina Press, 2018.

Rhodes, Gary D. and Robert Singer, eds. ReFocus: The Films of Budd Boetticher. Edinburgh: Edinburgh University Press, 2018.

Risner, Jonathan. Blood Circuits: Contemporary Argentine Horror Cinema. Albany: SUNY Press, 2018.

Saguisag, Lara. Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics. New Brunswick: Rutgers University Press, 2018.

Samm, Deighan. M. New York: Columbia University Press, 2018.

Santas, Constantine and James M. Wilson. The Essential Films of Ingrid Bergman. Lanham: Rowman & Littlefield Publishers, 2018.

Sawadogo, Boukary. African Film Studies: An Introduction. London: Routledge, 2018.

Schiller, Naomi. Channeling the State: Community Media and Popular Politics in Venezuela. Durham: Duke University Press, 2018.

Semati, Mehdi, Piotr M. Szpunar, Robert Alan Brookey, eds. ISIS Beyond the Spectacle: Communication Media, Networked Publics, and Terrorism. London: Routledge, 2018.

Singh, Amardeep. The Films of Mira Nair: Diaspora Vérité. Jackson: University Press of Mississippi, 2018.

Smith, Ian Haydn. Selling the Movie: The Art of the Film Poster. Austin: University of Texas Press, 2018.

Stahl, David C. Trauma, Dissociation and Re-enactment in Japanese Literature and Film. London: Routledge, 2018.

Štoll, Martin. Television and Totalitarianism in Czechoslovakia: From the First Democratic Republic to the Fall of Communism. London: Bloomsbury Publishing, 2018.

Szczepaniak-Gillece, Jocelyn. The Optical Vacuum. Oxford: Oxford University Press, 2018.

Talmacs, Nicole. China’s Cinema of Class: Audiences and Narratives. London: Routledge, 2018.

Thanouli, Eleftheria. History and Film: A Tale of Two Disciplines. London: Bloomsbury Publishing, 2018.

Tompkins, Cynthia Margarita. Affectual Erasure: Representations of Indigenous Peoples in Argentine Cinema. Albany: SUNY Press, 2018.

Tranter, Kieran. Living in Technical Legality. Oxford: Oxford University Press, 2018.

Trivedi, Poonam and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: “Local Habitations”. London: Routledge, 2018.

Tsika, Noah. Traumatic Imprints: Cinema, Military Psychiatry, and the Aftermath of War. Oakland: University of California Press, 2018.

Tzioumakis, Yannis and Claire Molloy, eds. The Routledge Companion to Cinema and Politics. London: Routledge, 2018.

Uhrig, Meike. Emotion in Animated Films. London: Routledge, 2018.

Ungar, Steven. Critical Mass: Social Documentary in France from the Silent Era to the New Wave. Minneapolis: University of Minnesota Press, 2018.

Van de Peer, Stefanie. Negotiating Dissidence. Edinburgh: Edinburgh University Press, 2018.

Waldron, Dara. New Nonfiction Film: Art, Poetics, and Documentary Theory. London: Bloomsbury Publishing, 2018

Wardyga, Brian J. The Video Games Textbook: History, Business, Technology. London: Routledge, 2018.

Watkins, Elizabeth. Film Theories and Philosophies of Colour: The Residual Image. London: Routledge, 2018.

Wilde, Alison. Film, Comedy, and Disability: Understanding Humour and Genre in Cinematic Constructions of Impairment and Disability. London: Routledge, 2018.

Wilken, Rowan and Justin Clemens, eds. The Afterlives of Georges Perec. Edinburgh: Edinburgh University Press, 2018.

Williams, Deane, ed. Ten Years of Studies in Documentary Film. London: Routledge, 2018.

Wojcik, Pamela Robertson, ed. The Apartment Complex: Urban Living and Global Screen Cultures. Durham: Duke University Press, 2018.

Wood, Jon and Ian Christie, eds. Sculpture and Film. London: Routledge, 2018.

 

Articles on Film and TV in Non-media Journals

(compiled by Paul Flaig, University of St. Andrews)

 

Aldridge, Casey. “‘Watch the Blood-Soaked Old General in Action’: Blochian Atheism, Exodus, and Utopia in Doctor Who.” Journal of Religion and Popular Culture 30.2 (Summer 2018): 106-119.

 

Burr, Steven A. “Transcending the Paradox of Violence: A Dialectical/Dialogical Interrogation of the Colonial/Anti-Colonial Struggle in Algeria.” Soundings: An Interdisciplinary Journal 101.4 (2018): 322-340.

 

Bullen, Elizabeth, Rutherford, Leonie and Urquhart, Ilona. “Cinema and the Book: Intermediality in The Invention of Hugo Cabret.” The Lion and the Unicorn 42.1 (January 2018): 73-87.

 

Charles, Matthew. “Secret Signals from Another World: Walter Benjamin’s Theory of Innervation.” New German Critique 45.3 (2018): 39-72.

 

Chaudhary, Zahid R. “This Time with Feeling: Impunity and the Play of Fantasy in The Act of Killing.” boundary 2 45.4 (2018): 65-101.

 

“Coco Chanel in Hollywood: Selling Movies through Fashion.” The Missouri Review 41.3 (2018): 113-125.

 

Colless, Edward. “Glitch_gli._ltc._.” Journal of Asia-Pacific Pop Culture 3.1 (2018): 75-89.

 

Davis, Hugh H. “Miles to Go: The Prince and the Pauper in Film and Television.” The Mark Twain Annual 16.1 (2018): 155-166.

 

Dassanowsky, Robert. "The Anschluss as Viennese Film Noir: Reading Leo Perutz's Novel Fragment Mainacht in Wien (1938) as Cinematic Text." Journal of Austrian Studies 50.1-2 (Spring-Summer 2017): 33-54.

 

Diaz, Robert. “Biyuti from Below: Contemporary Philippine Cinema and the Transing of Kabaklaan.” Transgender Studies Quarterly 5.3 (2018): 404-424.

 

El Moncef, Salah. “Judgment and Shock Esthetic in the Twitter Age: The case of Ruben Östlund’s The Square.” Angelaki Journal of the Theoretical Humanities 23.5 (September 2018): 3-10.

 

Green-Simms, Lindsey. “Queer African Cinema, Queer World Cinema.” College Literature 45.4 (Fall 2018): 652-658.

 

Haile III, James B. “Good kid, m.A.A.d city: Kendrick Lamar's Autoethnographic Method.” The Journal of Speculative Philosophy 32.3 (2018): 488-498.

 

Hellberg, Dustin. “Funny in the Bones: The Neural Interrelation of Humor, Irony, and Metaphor as Evolved Mental States.” Interdisciplinary Literary Studies 20.3 (2018): 237-254.

Hochman, Brian. “Wiretapping Stuff: Notes on Sound, Sense, and Technical Infrastructure.” Resilience: A Journal of the Environmental Humanities 5.3 (Fall 2018): 96-108.

 

Hurst, Rachel Alpha Johnston and Dolezal, Luna. “Cosmetic Surgery as ‘Cut-Up’: The Body and Gender in Breyer P-Orridge's Pandrogeny.” Configurations 26.4 (Fall 2018): 389-409.

 

Kirsch, Sharon J. and Stancliff, Michael. “‘How Do You Not Understand a Word?’: Language as Contagion and Cure in Pontypool.” Journal of Narrative Theory 48.2 (Summer 2018): 252-278.

 

Knight, Claire. “Nelli Morozova on Censors, Censorship and the Soviet Film Famine, 1948–52.” The Slavonic and East European Review 96.4 (October 2018): 704-730.

 

Landsberg, Alison. “Post-Postracial America: On Westworld and the Smithsonian National Museum of African American History and Culture.” Cultural Politics 14.2 (2018): 198-215.

 

Layoun, Mary. “Comparative Formations: Reading Relations.” Comparative Literature Studies 55.3 (2018): 477-482.

 

Leeder, Murray. X-Ray (1981), the Final Woman, and the Medical Slasher Film.” Postmodern Culture 28.1 (September 2017).

 

Lor, Prathna. “Daydreaming Transgender in Cemetery of Splendor.” Transgender Studies Quarterly 5.3 (August 2018): 394-403.

 

Marini, Alessandro. “Conscience and Fractures of Dialogue in Il Conformista by Bernardo Bertolucci.” The Modern Language Review 113.4 (October 2018): 742-752.

 

Matthews, Malcolm. “Ex Machina and the Fate of Posthuman Masculinity: The Technical Death of Man.” Journal of Posthuman Studies 2.1 (2018): 86-105.

 

McLaughlin, Cahal. “What Happens When an Interview Is Filmed? Recording Memories from Conflict.” Oral History Review 45.2 (Summer/Fall 2018): 294-310.

 

Morris Robert. “Toward the Cartoon.” Critical Inquiry 45.1 (Autumn 2018): 122-129.

 

Moss-Wellington, Wyatt. “Emotional Contagion and Co-Authored Family Narratives in Parenthood.” Style 52.3 (2018): 302-320.

 

Ogunnaike, Oludamini. “Performing Realization: The Sufi Music Videos of the Taalibe Baye of Dakar.” African Arts 51.3 (Autumn 2018): 26–39

 

Palmer, Lucia Mulherin. “The Final Girl at the U.S.-Mexico Border: The Politics of Saving and Surviving in Undocumented (2010).” Postmodern Culture 28.1 (September 2017).

 

Paszkiewicz, Katarzyna and Rusnak, Stacy. “Revisiting the Final Girl Looking Backwards, Looking Forwards.” Postmodern Culture 28.1 (September 2017).

 

Paterson, Mark. “The Biopolitics of Sensation, Techniques of Quantification, and the Production of a ‘New’ Sensorium.” Resilience: A Journal of the Environmental Humanities 5.3 (Fall 2018): 67-95.

Payne, Catherine and Pitsis, Alexandra. “On Nature and the Tactility of the Senses in Blade Runner 2049.” Journal of Asia-Pacific Pop Culture 3.1 (2018): 55-74.

 

Phillips, W. D. “Smokers, Club Films, and Blue Movies: A Cinematic Genealogy of the Stag Film.” Genre 51.2 (2018): 133-158.

 

Ramón-Laca, Luis. “A Virtual Three-Dimensional Model of Las Meninas: Paradox or Mirror Image?” Leonardo 51.5 (2018): 492-497.

 

Robinson, Sandra. “Databases and Doppelgängers: New Articulations of Power.” Configurations 26.4 (Fall 2018): 411-440.

 

Siegel, Daniel. “Griffith’s Silent Cricket.” Dickens Quarterly 35.3 (September 2018): 245-261.

 

Smith, Sarah E.K. and Taunton, Carla. “Unsettling Canadian Heritage: Decolonial Aesthetics in Canadian Video and Performance Art.” Journal of Canadian Studies/Revue d'études canadiennes 52.1 (Winter/hiver 2018): 306-341.

 

Special Dossier on Kevin Spacey. QED: A Journal in GLBTQ Worldmaking 5.2 (Summer 2018): 53-117.

 

Special Dossier on Critical Theory and Psychoanalysis in Spanish Cinema. Revista de Estudios Hispánicos 52.2 (June 2018).

 

Special Issue on Expanded Cinema in Canada. Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques 27.1 (Spring / printemps, 2018).

 

Special Issue on The Cinema of Fernando Vendrell. Portuguese Studies 34.2 (2018).

 

Special Issue on SF and the Climate Crisis. Science Fiction Studies 45.3 (November 2018).

 

Special Issue on Media Dialogues. The Velvet Light Trap 82 (Fall 2018): 1-60.

 

Special issue on Pornocracy. Cultural Critique 100 (Summer 2018).

Special Issue on Queer Production Studies. Journal of Film and Video 70.3-4 (Fall/Winter 2018).

Special Section on Conceptual Games, or the Language of Video Games. Critical Inquiry 45.1 (Autumn 2018): 130-233.

 

Special Section on Idrissa Ouedraogo (1954–2018). African Studies Review 61.3, (September 2018): 178-213.

 

Special Section on Orphan Black. Science Fiction Film and Television 11.3 (Autumn 2018).

 

Stevenson, Brenda E. “Filming Black Voices and Stories: Slavery on America's Screens.” The Journal of the Civil War Era 8.3 (September 2018): 488-520.

 

Tahmahkera, Dustin. “Hakaru Maruumatu Kwitaka? Seeking Representational Jurisdiction in Comanchería Cinema.” Native American and Indigenous Studies 5.1 (Spring 2018): 100-135.

 

Tracy, Dale. “Sincerity, Selfishness, and Comedic Timing.” Mosaic 51.3 (September 2018): 161-177.

 

Trumbull, Robert. “Freud Beyond Foucault: Thinking Pleasure as a Site of Resistance.” The Journal of Speculative Philosophy 32.3 (2018): 522-532.

 

Uecker, Matthias. “Experimental Fiction or Classical Story-Telling? Alexander Kluge's Multi-Media Authorship.” Monatshefte 110.3 (Fall 2018): 364-386.

Pugh, Tison. “The Queer Narrativity of the Hero's Journey in Nintendo's The Legend of Zelda Video Games.” Journal of Narrative Theory 48.2 (Summer 2018): 225-251.

 

Vera-Rosas, Gretel H. “Friendship, Sex Work, and Transnational Motherhood: A Feminist Analysis of Beatriz Flores Silva's En la Puta Vida (Tricky Life).” Feminist Formations 30.2 (Summer 2018): 90-117.

 

Vernon, Alex. “A Kinetoscope of War: The Cinematic Effects of Tim O'Brien's The Things They Carried.” Journal of Narrative Theory 48.2 (Summer 2018): 194-224.

 

Vogman, Elena. “Dance of Values: Reading Eisenstein's Capital.” Grey Room 72 (Summer 2018): 94–124.

 

Vollgraff, Matthew. “Vegetal Gestures: Cinema and the Knowledge of Life in Weimar Germany.” Grey Room 72 (Summer 2018): 68-93.

 

Wanlin, Li. “A Cross-Cultural Comparison of Infernal Affairs and The Departed.” Style 52.3 (2018): 321-344.

 

Wennberg, Teresa. “Virtual Reality—Virtual Brain: Questioning Reality.” Leonardo 51.5 (2018): 453-459.

 

 

AVPN: Audio-Visual Professional Notes

Film & Media Scholars on Podcasts, Blogs, and Video Essays

(compiled by Paul Flaig, University of St. Andrews)

Ahmed, Sara. “What’s the Use?” https://feministkilljoys.com/2018/10/18/whats-the-use/ (October 2018).

Álvarez, Cristina López and Martin, Adrian. “The Thinking Machine 21: The Gauntlet – Place and Space in a Scene from Notorious.” https://vimeo.com/284887623 (August 2018).

Álvarez, Cristina López and Martin, Adrian. “The Thinking Machine 22: The Dressmaker and the Cook.” https://vimeo.com/289936969 (September 2018).

Álvarez, Cristina López and Martin, Adrian. “The Thinking Machine 23: An Awesome Picture.” https://vimeo.com/297049915 (October 2018).

Blair, Paula and Shail, Andrew. “The Miseducation of Cameron Post.” Audiovisual Cultures Podcast 29 https://www.patreon.com/posts/audiovisual-29-21529829 (October 2018).

Bordwell, David. “On the Criterion Channel: Five reasons why Hiroshima mon Amour still matters.” http://www.davidbordwell.net/blog/2018/09/25/on-the-criterion-channel-five-reasons-why-hiroshima-mon-amour-still-matters/ (Sept 2018).

Cannon, Sarita. “A Raisin in the Sun: Resistance and Joy.” https://www.criterion.com/current/posts/5942-a-raisin-in-the-sun-resistance-and-joy (September, 2018)

Edwards, Steve. “Photography as Social Research.” Birkbeck Institute for the Humanities Podcast https://backdoorbroadcasting.net/2018/09/steve-edwards-photography-as-social-research/ (September 2018).

Iten, Oswald. “Melodramatic Railway Sounds.” https://vimeo.com/291452767 (September 2018).

Jenkins, Henry. “Rediscovering 1940s American Film Culture: An Interview with David Bordwell” http://henryjenkins.org/blog/2018/10/15/interview-with-david-bordwell-part-one (October 2018).

Labuza, Peter. “James Naremore (A Cottage on Dartmoor).” Cinephiliacs Podcast 108 http://www.thecinephiliacs.net/2018/09/episode-108-james-naremore-cottage-on.html (September 12, 2018).

Labuza, Peter. “Terri Francis (Losing Ground).” Cinephiliacs Podcast 109 http://www.thecinephiliacs.net/2018/10/episode-109-terri-francis-losing-ground.html (October 17, 2018).

Llinares, Dario and Fox, Neil. “Film-Philosophy Conference 2018.” Cinematologists Podcast 67 http://www.cinematologists.com/podcastarchive/2018/9/15/ep67-film-philosophy-conference-2018  (September 15, 2018).

Shaviro, Steven. “On Lisa Adkins, The Time of Money” http://www.shaviro.com/Blog/?p=1520 (Sept 21, 2018).

Tscherne, Joel. “Richard Baxstrom and Todd Meyers: Violence’s Fabled Experiment.” New Books Podcast https://newbooksnetwork.com/richard-baxstrom-and-todd-meyers-violences-fabled-experiment-august-verlag-2018/ (October 11, 2018).

Weigel, Moira. “Eight Hours Don’t Make a Day: The Utopia Channel.” https://www.criterion.com/current/posts/5972-eight-hours-don-t-make-a-day-the-utopia-channel (October 9, 2018).

Warner, Rick. “Women with a Movie Camera: American Female Directors, 1990-Present.” https://vimeo.com/283791182 (August 7, 2018).

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