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Professional Notes
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This quarterly feature lists recent books published in media studies, as well as articles on film and TV published in non-media journals. Contributions are welcome - please send them to Colleen Glenn or submit via this form.
 
Professional Notes Editors: Colleen Glenn and Paul Flaig

Notes from the most current issue are listed below. Past issues of Professional Notes are located here.


Journal of Cinema and Media Studies

Professional Notes 58.3

Recent Books
Compiled by Colleen Glenn (College of Charleston)


Abend-David, Dror, ed. Representing Translation:The Representation of Translation and Translators in Contemporary Media. London: Bloomsbury Academic, 2019.

Allan Seán. Screening Art: Modernist Aesthetics and the Socialist Imaginary in East German Cinema. New York: Berghahn Books, 2019.

Archer, Neil. Twenty-First-Century Hollywood. Rebooting the System. New York: Columbia University Press, 2019.

Asava, Zelie. Mixed Race Cinemas: Multiracial Dynamics in America and France. Bloomsbury Academic, 2019.

Ayers, Drew. Spectacular Posthumanism. The Digital Vernacular of Visual Effects. London: Bloomsbury Academic, 2019.

Baetens, Jan. The Film Photonovel: a Cultural History of Forgotten Adaptations. Austin: University of Texas Press, 2019.

Barnett, Daniel. Movement as Meaning in Experimental Cinema: the Musical Poetry of Motion Pictures Revisited. London: Bloomsbury Academic, 2019.

Barnett, Daniel. Movement as Meaning in Experimental Cinema: the Musical Poetry of Motion Pictures Revisited. London: Bloomsbury Academic, 2019.

Bevan, Alex. The Aesthetics of Nostalgia TV: Production Design and the Boomer Era. London: Bloomsbury Academic, 2019.

Bhrugubanda, Uma Maheswari. Deities and Devotees: Cinema, Religion, and Politics in South India. Oxford: Oxford University Press, 2019.

Blinder, Caroline. The American Photo-Text: 1930-1960. Edinburgh: Edinburgh University Press, 2019.

Bose, Nandana. Madhuri Dixit. London: Bloomsbury on Behalf of the British Film Institute, 2019.

Bradbury-Rance, Clara. Lesbian Cinema After Queer Theory. Edinburgh: Edinburgh University Press, 2019.

Brown, Simon. Creepshow. New York: Auteur Publishing, 2019.

Bubbio, Paolo Diego, and Chris Fleming, eds. Mimetic Theory and Film. London: Bloomsbury Academic, 2019.

Burnetts, Charles. Improving Passions: Sentimental Aesthetics and American Film. Edinburgh: Edinburgh University Press, 2019.

Cahill, James Leo. Zoological Surrealism: the Nonhuman Cinema of Jean Painlevé. Minneapolis: University of Minnesota Press, 2019.

Chion, Michel. Audio-Vision: Sound on Screen. New York: Columbia University Press, 2019.

Colling, Samantha. The Aesthetic Pleasures of Girl Teen Film. London: Bloomsbury Academic, 2019.

Compesi, Ronald J. Video Field Production and Editing. London: Routledge, Taylor & Francis Group, 2019.

Connelly, Thomas J. Capturing Digital Media: Perfection and Imperfection in Contemporary Film and Television. London: Bloomsbury Academic, 2019.

Davies, Chris. Blockbusters and the Ancient World: Allegory and Warfare in Contemporary Hollywood. London: Bloomsbury Academic, 2019.

Donnelly, K. J., and Beth Carroll, eds. Contemporary Musical Film. Edinburgh: Edinburgh University Press, 2019.

Doyle, Barbara Freedman. Understanding Design in Film Production: Using Art, Light & Locations to Tell Your Story. London: Routledge, 2019.

Easley, Alexis, Clare Gill, and Beth Rodgers, eds. Women, Periodicals and Print Culture in Britain, 1830S-1900S: the Victorian. Edinburgh, Edinburgh University Press, 2019.

Erigha, Maryann. The Hollywood Jim Crow: the Racial Politics of the Movie Industry. New York: New York University Press, 2019.

Ernst, Wolfgang. The Delayed Present: Media-Induced Tempor(e)alities & Techno-traumatic Irritations of "the Contemporary". Cambridge: MIT Press, 2019.

Fisher, Austin. Blood in the Streets: Histories of Violence in Italian Crime Cinema. Edinburgh: Edinburgh University Press, 2019.

Fleury, James, Bryan Hikari Hartzheirm, and Stephen Mamber, eds. Franchise Era: Managing Media in the Digital Economy. Edinburgh: Edinburgh University Press, 2019.

Fox, Alastair. Coming-of-Age Cinema in New Zealand: Genre, Gender and Adaptation. Edinburgh: Edinburgh University Press, 2019.

Geduld, Harry M. View Larger Charlie Chaplin's Own Story. Bloomington: Indiana University Press, 2019.

Golding, Dan. Star Wars after Lucas: A Critical Guide to the Future of the Galaxy. Minneapolis: University of Minnesota Press, 2019.

Gorton, Kristyn, and Joanne Garde-Hansen. Remembering British Television: Audience, Archive and Industry. London: Bloomsbury on Behalf of the British Film Institute, 2019.

Groo, Katherine. Bad Film Histories: Ethnography and the Early Archive. Minneapolis: University of Minnesota Press, 2019.

Guarné Blai, et al. Persistently Postwar: Media and the Politics of Memory in Japan. New York: Berghahn Books, 2019.

Harbison, Isobel. Performing Image. Cambridge: MIT Press, 2019.

Harlap, Itay. Television Drama in Israel: Identities in Post-Tv Culture. London: Bloomsbury Academic, 2019

Hermansson, Casie E. Filming the Children's Book: Adapting Metafiction. Edinburgh: Edinburgh University Press, 2019.

Hjort, Mette and Eva Jørholt, eds. African Cinema and Human Rights. Bloomington: Indiana University Press, 2019.

Hodgson, Naomi, and Stefan Ramaekers. Philosophical Presentations of Raising Children: the Grammar of Upbringing. London: Palgrave Macmillan, 2019.

Holtmeier, Matthew. Contemporary Political Cinema. Edinburgh: Edinburgh University Press, 2019.

Houwen, Janna. Film and Video Intermediality: the Question of Medium Specificity in Contemporary Moving Images. London: Bloomsbury Academic, 2019.

Hueth, Alan Craig. Scriptwriting for Film, Television and New Media. London: Routledge, 2019.

Jacobs, Steven, Susan Felleman, and Vito Adriaensens, eds. Screening Statues: Sculpture and Cinema. Edinburgh: Edinburgh University Press, 2019.

Jaeckle, Jeff and Susan Ryan, eds. Refocus: the Films of Barbara Kopple. Edinburgh: Edinburgh University Press, 2019.

Kaganovsky Lilya, Scott MacKenzie and Anna Westerstahl Stenport, eds. Arctic Cinemas and the Documentary Ethos. Bloomington: Indiana University Press, 2019.

Keating, Patrick. The Dynamic Frame: Camera Movement in Classical Hollywood. New York: Columbia University Press, 2019.

King, Geoff. Positioning Art Cinema: Film and Cultural Value. London: I.B. Tauris & Co. Ltd, 2019.

Lancaster, Kurt. Basic Cinematography: a Creative Guide to Visual Storytelling. London: Routledge, 2019.

Landry, Olivia. Movement and Performance in Berlin School Cinema. Bloomington: Indiana University Press, 2019.

Leigh, Jacob. Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity. London: Bloomsbury Academic, 2019.

Leuven, Holly Van. Ray Bolger: More than a Scarecrow. Oxford: Oxford University Press, 2019.

Leuzzi Laura, Elaine Shemilt and Stephen Partridge, eds. EWVA: European Women’s Video Art in the 70s and 80s. Bloomington: Indiana University Press, 2019.

Levy, Bob. Television Development: How Hollywood Creates New TV Series. London: Routledge, Taylor & Francis Group, 2019.

Liu, Xiao. Information Fantasies: Precarious Mediation in Postsocialist China. Minneapolis: University of Minnesota Press, 2019.

Lütticken, Sven. History in Motion: Time in the Age of the Moving Image. Cambridge: MIT Press, 2019.

Marchessault, Janine, and Will Straw. The Oxford Handbook of Canadian Cinema. Oxford: Oxford University Press, 2019.

McAllister, Robbie. Steampunk Film. A Critical Introduction. London: Bloomsbury Academic, 2019.

McFadzean, Angus. Suburban Fantastic Cinema. Growing up in the Late Twentieth Century. New York: Columbia University Press, 2019.

McGowan, David. Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. Austin: University of Texas Press, 2019.

McLennan, Matthew R. Philosophy and Vulnerability: Catherine Breillat, Joan Didion, and Audre Lorde. London: Bloomsbury Academic, 2019.

McSweeney, Terence. Studying the Hurt Locker. New York: Auteur Publishing, 2019.

Menne, Jeff. Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture. New York: Columbia University Press, 2019.

Mennel, Barbara Caroline. Women at Work in Twenty-First-Century European Cinema. Champaign: University of Illinois Press, 2019.

Mokhtari, Tara. The Bloomsbury Introduction to Creative Writing. London: Bloomsbury Academic, 2019.

Mollet, Tracy. Cartoons In Hard Times: the Animated Shorts of Disney and Warner Brothers in Depression and War 1932-1945. London: Bloomsbury Academic, 2019.

Murphy, J. J. Rewriting Indie Cinema. Improvisation, Psychodrama, and the Screenplay. New York: Columbia University Press, 2019.

Naremore, James. Film Noir: a Very Short Introduction. Oxford: Oxford University Press, 2019.

O’ Brien, Charles. Movies, Songs, and Electric Sound: Transatlantic Trends. Bloomington: Indiana University Press, 2019.

Özgen, Erkan. Giving Voices. Cambridge: MIT Press, 2019.

Phillips, James. Sternberg and Dietrich: the Phenomenology of Spectacle. Oxford: Oxford University Press, 2019.

Pomerance, Murray. Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Edinburgh: Edinburgh University Press, 2019.

Prichard, Franz. Residual Futures: the Urban Ecologies of Literary and Visual Media of 1960s and 1970s Japan. New York: Columbia University Press, 2019.

Propst, Andy. They Made Us Happy: Betty Comden and Adolph Green's Musicals & Movies. Oxford: Oxford University Press, 2019.

Purves, Barry J.C. Stop-Motion Animation: Frame by Frame Film-Making with Puppets and Models. London: Bloomsbury Academic, 2019.

Renga, Dana. Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond. London: Palgrave Macmillan, 2019.

Rocha, Glauber. On Cinema. Edited by Ismail Xavier. Translated by Charlotte Smith, Stephanie Dennison, and Cecilia Mello. London: I.B. Tauris, 2019.

Seger, Linda. The Collaborative Art of Filmmaking: from Script to Screen. London: Routledge, Taylor & Francis Group, 2019.

Slugan, Mario. Noël Carroll and Film: a Philosophy of Art and Popular Culture. London: Bloomsbury Academic, 2019.

Spohr, Susan J., Barbara Clark, Dawn Higginbotham, Kumari Bakhru. The Guide to Managing Postproduction for Film, TV, and Digital Distribution. London: Routledge, 2019.

Steele, Jamie. Francophone Belgian Cinema. Edinburgh: Edinburgh University Press, 2019.

Steinbock, Eliza. Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change. Durham: Duke University Press, 2019.

Steinhart, Daniel. Runaway Hollywood: Internationalizing Postwar Production and Location Shooting. Berkley: University of California Press, 2019.

Stojanova, Christina, ed. The New Romanian Cinema. Edinburgh: Edinburgh University Press, 2019.

Street, Sarah, and Joshua Yumibe. Chromatic Modernity: Color, Cinema, and Media of the 1920s. New York: Columbia University Press, 2019.

Stubbs, Jonathan. Hollywood and the Invention of England: Projecting the English Past in American Cinema, 1930-2017. London: Bloomsbury Academic, 2019.

Sullivan, Carol, and Jean-Francois Cornu. The Translation of Films, 1900-1950. Oxford: Oxford University Press, 2019.

Taylor-Jones, Kate E. Divine Work, Japanese Colonial Cinema and Its Legacy. London: Bloomsbury Academic, 2019.

Thornham, Sue, and British Film Institute. Spaces of Women's Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking. London: British Film Institute, 2019.

Torre, Dan. Animation - Process, Cognition and Actuality. London: Bloomsbury Academic, 2019.

Tucker, Patrick. Secrets of Screen Directing: the Tricks of the Trade. London: Routledge, 2019.

Turnock, Bryan. Studying Horror Cinema. New York: Auteur Publishing, 2019.

Uelzmann, Jan. Staging West German Democracy: Governmental PR Films and the Democratic Imaginary, 1953-1963. London: Bloomsbury Academic, 2019.

Usai, Paolo Cherchi. Silent Cinema: a Guide to Study, Research and Exhibition. London: Bloomsbury on Behalf of the British Film Institute, 2019.

Vaughan, Hunter. Hollywood's Dirtiest Secret: the Hidden Environmental Costs of Our Screen Culture. New York: Columbia University Press, 2019.

Walsh, Christopher. Stop Motion Filmmaking: the Complete Guide to Fabrication and Animation. London: Bloomsbury Academic, 2019.

Ward, Meredith C. Static in the System: Noise and the Soundscape of American Cinema Culture. Berkley: University of California Press, 2019.

Weinstein, Valerie. Antisemitism in Film Comedy in Nazi Germany. Bloomington: Indiana University Press, 2019.

West, Steven. Scream. New York: Auteur, 2019.

Wilkins, Kim. American Eccentric Cinema. London: Bloomsbury Publishing Inc, 2019.

Williams, James S. Ethics and Aesthetics in Contemporary African Cinema: the Politics of Beauty. London: Bloomsbury Academic, 2019.

Williams, Lyneise E. Latin Blackness in Parisian Visual Culture, 1852-1932. London: Bloomsbury Publishing Inc., 2019.

Yomota, Inuhiko, and Phil Kaffen. What Is Japanese Cinema?: a History. New York: Columbia University Press, 2019.

 

Articles on Film and TV in Non-media Journals
(compiled by Paul Flaig, University of St. Andrews)

Alshiban, Afra. “Group Psychology and Crowd Behaviour in Ira Levin's The Stepford Wives.” Mosaic: an interdisciplinary critical journal 52.1 (March 2019): 33-49.

Biddle-Perry, Geraldine. “Ingrid Bergman, ‘The Maria Cut,’ and the Construction of a Hollywood Persona.” Fashion Theory 22 (2018): 657-675.

Bueno, Claudio Celis. “From Spectacle to Deterritorialisation: Deleuze, Debord and the Politics of Found Footage Cinema.” Deleuze and Guattari Studies 13.1 (February, 2019): 54–78.

Carroll, Siobhan. “Lost in Space: Surviving Globalization in Gravity and The Martian.” Science Fiction Studies 46.1 (March 2019): 127-142

Casarino, Cesare. “Let It Burn (Gillo Pontecorvo's 1968.” Cultural Critique 103 (Spring 2019): 28-35.

Ciccoricco, David. “Where the Transmedial Things Are.” Poetics Today 40.1 (March 2019): 159-166.

Cohen, Ed. “A ‘Special’ Difference: For a Foucauldian/Feminist Genealogy of Freud.” History of the Present. 9.1 (Spring 2019): 1-26.

Conway, Joe. “Currencies of Control: Black Mirror, In Time, and the Monetary Policies of Dystopia.” CR: The New Centennial Review 19.1 (Spring 2019): 229-254.

Criddle, Alison. “Narrative Twists: Spiraling Time and Projected Identities in the Hair of Vertigo’s Madeleine.” Fashion Theory 22 (2018): 677-697.

Davis, Elizabeth. “Structures of seeing: blindness, race, and gender in visual culture.” The Senses and Society 14.1 (2019):  63-80.

Derrida, Jacques and Grossman, Évelyne. “The Truth That Hurts, or the Corps à Corps of Tongues.” Parallax 25 (2019): 8-24.

Dima, Vlad. “Waiting for (African) Cinema: Jean-Pierre Bekolo's Quest.” African Studies Review 62.1 (March 2019): 49-66.

Eason, Edward. “‘A Suspended State’: The Body of an American as Cinematic Doppelgänger.” Mosaic: an interdisciplinary critical journal 52.1 (March 2019): 121-137.

Emmer, Michele. “How a Mathematician Started Making Movies.” Leonardo 52.2 (2019): 184-191.

Fair, Freda L. and Little, Mahaliah. “Erotic Illegibility and Desire in Representations of Black Sexuality.” American Quarterly 71.1 (March 2019): 151-159.

Flynn, Meghanne and Hardstaff, Sarah. “‘Trust Me’: Volatile Markets in Twilight and The Hunger Games.” CR: The New Centennial Review 19.1 (Spring 2019): 205-228.

Franks, Matt. “Crip/Queer Aesthetics in the Great War.” MFS Modern Fiction Studies 65.1 (Spring 2019): 60-88.

Fraser, Alison. “Diasporic Object Lessons: Material Identity and the Korean Diaspora in the Work of Theresa Hak Kyung Cha.” WSQ: Women's Studies Quarterly 47.1/2 (Spring/Summer 2019): 31-47.

Fraser, Barbara. “Hyperrealism as Postmemory in Pablo Larraín's No (2012).” Hispanic Review 87.1 (Winter 2019): 99-120.

García, Christina. “Baroque Revolutionaries, Communist Fags, and Risky Friendships: Reading the Politics of Friendship in Fresa y chocolate.” Cuban Studies 47 (2019): 222-243.

García, Frank. “Entre Maricones y Locos: Disidentifications, Counterpublics, and Dino Dinco’s Homeboy.” “MELUS: Multi-Ethnic Literature of the U.S.” 44.1 (Spring 2019): 132-159.

Germain, Gil. “Questioning the Anthropocene: A Critical Assessment of the Age of Humankind.” Journal of Posthuman Studies 2.2 (2018): 129-146.

Gordon, Paul. “Judith and Beatrix: Oedipal Echo-Effects in Kill Bill.” American Imago 76.1 (Spring 2019): 49-66.

Herrmann, Mareike. “The Work of Moving Through Nature: A New Materialist Reading of Human/Non-Human Interactions in Thomas Arslan's Gold (2013) and Kelly Reichardt's Meek's Cutoff (2010).” German Studies Review 42.1 (February 2019): 79-102.

Holmes, Steven. “From The Day After to The 100: Nuclear Weapons on Television.” Studies in the Fantastic 6 (Winter 2018/Spring 2019): 70-94.

Hunter, Lindsay Brandon. “‘We Are Not Making a Movie’: Constituting Theatre in Live Broadcast.” Theatre Topics 29.1 (March 2019): 15-27.

Isaacson, Johanna. “Riot Horror: Rape-Revenge and Reproductive Labor in American Mary.” Theory & Event 22.2 (April 2019): 436-450.

Kim, Boosung. “Shock and Astonishment: The Rise of Cinema Spectatorship and What Maisie Knew.” The Henry James 40.1 (Winter 2019): 1-17.

Klotz, Marcia. “Of Time Loops and Derivatives: Christopher Nolan's Interstellar and the Logic of the Futures Market.” CR: The New Centennial Review 19.1 (Spring 2019): 277-298.

Layne, Priscilla. “The Darkening of Europe: Afrofuturist Ambitions and Afropessimist Fears in Damir Lukacevic's Dystopian Film Transfer (2010).” Seminar: A Journal of Germanic Studies 55.1 (February 2019): 54-75.

Leslie, Esther. “This other atmosphere: against human resources, emoji and devices.” Journal of Visual Culture 18.1 (April 2019): 3–29.

Lütticken, Sven. “Gestural Study.” Grey Room 74 (Winter 2019): 86–111.

Marriott, David. “The X of Representation: Rereading Stuart Hall.” Qui Parle 27.2 (2018): 355-430.

Matthews, Malcolm. “Posthumanism and Miss Representation: Scarlett Johansson Is Getting Under the Skin of Men.” Journal of Posthuman Studies 2.2 (2018): 166-183.

Matthews, Malcolm. “Why Sheldon Cooper Can't Be Black: The Visual Rhetoric of Autism and Ethnicity.” Journal of Literary & Cultural Disability Studies 13.1 (2019): 57-74.

Miller, Barbara L. “Transdimensional Space: From Moholy-Nagy to Doctor Who.” Leonardo 52.2 (2019): 128-134.

Mohan, Sriram and Punathambekar, Aswin. “Localizing YouTube: Language, cultural regions, and digital platforms.” International Journal of Cultural Studies 22.3 (May 2019): 317–333.

Muigai, Wangui. “‘Something Wasn’t Clean’: Black Midwifery, Birth, and Postwar Medical Education in All My Babies.” Bulletin of the History of Medicine 93.1 (Spring 2019): 82-113.

O'Connell, Hugh Charles. “Can We Imagine a World Without Funds or Banks?” Abderrahmane Sissako's Bamako as African-Utopian Speculative Fiction.”. Utopian Studies 30.1 (2019): 67-86.

Panagia, Davide. “On the Political Ontology of the Dispositif.” Critical Inquiry 45.3 (Spring 2019): 714–746.

Papp, Susan M.  and Polin, Antony Polonsky. “The Politics of Exclusion: The Turbulent History of Hungarian and Polish Film, 1896–1945.” Studies in Polish Jewry 31 (2019): 289-311.

Pierson, David P. “Speculative Finance and Network Temporality in Duncan Jones's Moon and Source Code.” CR: The New Centennial Review 19.1 (Spring 2019): 255-276.

Pruett, Jordan. “On Feeling Productive: Videogames and Superfluous Labor.” Theory & Event 22.2 (April 2019): 402-416.

Rancière, Jacques. “The Politics of Fiction.” Qui Parle (December 2018) 27.2: 269-289.

Rellier, Sandra. “Fragmenting Colonial Stereotypes in the Films Chocolat (1988) and Tabu (2012). Portuguese Studies 35.1 (2019): 90-104.

Santanera, Giovanna. “'Films that don't seem Cameroonian': Professional video making and self-styling among Douala youth.” Africa: The Journal of the International African Institute 89.1 (February 2019): 165-186.

Sedgwick, John , Miskell, Peter and Nicoli, Marina. “The Market for Films in Postwar Italy: Evidence for Both National and Regional Patterns of Taste.” Enterprise & Society 20.1 (March 2019): 199-228.

Solovieva, Olga V. “Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini's Salò and Mauri's Intellettuale.” TDR: The Drama Review 63.1 (Spring 2019): 64-82.

Special Issue, “On Chantal Akerman.” Camera Obscura 34.1 (100) (May 2019).

Special Issue “From Emergence to Convergence: New critical perspectives, innovative methods & innovate approaches to the digital subject.” Convergence 25.2 (April 2019).

Special Issue, “GLQ at Twenty-Five.” GLQ 25.1 (January 2019).

Special Issue. “Intensities: Affect, Media, Social Change.” Culture, Theory and Critique 60.2 (2019).

Special Issue, “Neoliberalism’s Authoritarian (Re)Turns.” South Atlantic Quarterly 118.2 (April 2019).

Special Issue, “The Politics of Space and Place.” The Velvet Light Trap 83 (Spring 2019).

Special Issue, “Questioning the Super-Rich.” Cultural Politics 15.1 (March 2019).

Special Issue, “Satire Today.” Studies in American Humor 5.1 (2019).

Special Issue, “Star Wars and Religion.” Journal of Religion and Popular Culture 31.1 (Spring 2019).

Special Issue, “Sex and the Materiality of Adult Media.” Feminist Media Histories 5.2 (Spring 2019).

Special Issue, “Visual History: The Past in Pictures.” Representations 145.1 (Winter 2019).

Special Issue, “When the Astronaut Is a Woman.” Science Fiction Film and Television 12.1 (Spring 2019).

Stine, Kyle. “Critical Hardware: The Circuit of Image and Data.” Critical Inquiry 45.3 (Spring 2019): 762–786.

Szalay, Michael. “Melodrama and Narrative Stagnation in Quality TV.” Theory & Event 22.2 (April 2019): 465-488.

Townsend, Rebecca. “The Adulterer: Censorship, Morality, and Foreign Films in Thailand.” Journal of Women's History 31.1 (Spring 2019): 86-108.

Weissman, Gary. “On Photographing Nazi Camps.” Shofar: An Interdisciplinary Journal of Jewish Studies 37.1 (Spring 2019): 9-40.

Williams, Linda. “Motion and e-motion: lust and the ‘frenzy of the visible’.” Journal of Visual Culture 18.1 (April 2019): 97-129.

Yusoff, Kathryn. “Geologic Realism: On the Beach of Geologic Time.” Social Text 37.1 (2019): 1-26.

 

AVPN: Audio-Visual Professional Notes
Film & Media Scholars on Podcasts, Blogs, and Video Essays

(compiled by Paul Flaig, University of St. Andrews)

Álvarez, Cristina López and Martin, Adrian. “The Thinking Machine 26: Only Free Gestures.” De Filmkrant (March 2019): https://vimeo.com/320261029.

Álvarez, Cristina López and Martin, Adrian. “The Thinking Machine 27: Poem in the Shape of a Rose.” De Filmkrant (March 2019): https://vimeo.com/327932002.

Blair, Paul. “Rebecca Harrison.” Audiovisual Cultures Podcast 42 (April 3, 2019): https://www.patreon.com/posts/audiovisual-42-25203822.

Dennis, Dannah. “Crystal Abidin: Internet Celebrity Understanding Fame Online.” New Books Podcast (April 29, 2019): https://newbooksnetwork.com/crystal-abidin-internet-celebrity-understanding-fame-online-emerald-publishing-2018/.

Garwood, Ian. “Hands(-)On Film (Studies)” (April 2019): https://vimeo.com/329290320.

Goren, Lily. “Racquel J. Gates: Double Negative The Black Image and Popular Culture.” New Books Podcast (April 3, 2019): https://newbooksnetwork.com/racquel-j-gates-double-negative-the-black-image-and-popular-culture-duke-up-2018/.

[in]Transition: Journal of Videographic Film & Moving Image Studies 6.1 (2019): http://mediacommons.org/intransition/intransition-journal-videographic-film-moving-image-studies-61-2019-6.

Lesley, C.P. “Joan Neuberger: This Thing of Darkness Eisenstein’s Ivan the Terrible in Stalin’s Russia.” New Books Podcast (March 21, 2019): https://newbooksnetwork.com/joan-neuberger-this-thing-of-darkness-eisensteins-ivan-the-terrible-in-stalins-russia-cornell-up-2019/.

Pierce, Lee. “Kendall Phillips: A Place of Darkness The Rhetoric of Horror in Early American Cinema.” New Books Podcast (February 20, 2019): https://newbooksnetwork.com/kendall-phillips-a-place-of-darkness-the-rhetoric-of-horror-in-early-american-cinema-u-texas-2018/.

Pimpare, Stephen. “Nathan Holmes: Welcome to Fear City Crime Film, Crisis, and the Urban Imagination.” New Books Podcast (February 11, 2019): https://newbooksnetwork.com/nathan-holmes-welcome-to-fear-city-crime-film-crisis-and-the-urban-imagination-suny-press-2018/.

Labuza, Peter. “Episode #114 - Katherine Groo (Archives de la Planète).” The Cinephiliacs Podcast (April 21, 2019: http://www.thecinephiliacs.net/2019/04/episode-114-katherine-groo-archives-de.html.

Labuza, Peter. “Episode #113 - Jane Gaines (The Girl Spy Before Vicksburg).” The Cinephiliacs Podcast (March 28, 2019: http://www.thecinephiliacs.net/2019/03/episode-113-jane-gaines-girl-spy-before.html.

Labuza, Peter. “Episode #112 — Maya Montañez Smukler (Old Boyfriends).” The Cinephiliacs Podcast (February 6, 2019): http://www.thecinephiliacs.net/2019/02/episode-112-maya-montanez-smukler-old.html.

Lee, Kevin B. and Galibert-Laîné, Chloé. “Re-enacting the Future” (January 2019): https://vimeo.com/309902800.

Multiple Authors. “Feminist Flashpoints: Sexual Harassment in the Academy.” Birkbeck Institute for the Humanities Podcast (March 2019): https://backdoorbroadcasting.net/2019/03/feminist-flashpoints-sexual-harassment-in-the-academy/.

Mulvey, Laura and Rose, Jacqueline. “Marilyn Monroe: A Reappraisal.” Birkbeck Institute for the Humanities Podcast (February 2019): https://backdoorbroadcasting.net/2019/02/marilyn-monroe-a-reappraisal/.

Restivo, Angelo. “Breaking Bad and Surrealism” (March 2019): https://vimeo.com/321540981.

Robinson, Michael F. “Michael Benson: Stanley Kubrick, Arthur C. Clark and The Making of a Masterpiece.” New Books Podcast (April 29, 2019): https://newbooksnetwork.com/michael-benson-space-odyssey-stanley-kubrick-arthur-c-clark-and-the-making-of-a-masterpiece-simon-and-schuster-2018/.

Tscherne, Joel. “Maggie Hennefeld: Specters of Slapstick and Silent Film Comediennes.”  New Books Podcast (March 5, 2019): https://newbooksnetwork.com/margaret-hennefeld-specters-of-slapstick-and-silent-film-comediennes-columbia-up-2018

Vincendeau, Ginette. “La vérité: Women on Trial.” Criterion Collection Essays on Film (February 12, 2019): https://www.criterion.com/current/posts/6195-la-v-rit-women-on-trial

Ulen, Eisa Nefertari. “Skimming the Surface: A Way of Looking at Us.” BLARG Blog Los Angeles Review of Books (04/25/2019): http://blog.lareviewofbooks.org/essays/skimming-surface-way-looking-us/


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