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Professional Notes
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This quarterly feature lists recent books published in media studies, as well as articles on film and TV published in non-media journals. Contributions are welcome - please send them to Colleen Glenn or submit via this form.
 
Professional Notes Editors: Colleen Glenn and Paul Flaig

Notes from the most current issue are listed below. Past issues of Professional Notes are located here.


Journal of Cinema and Media Studies

Professional Notes 58.2
 

Recent Books
(Compiled by Colleen Glenn, College of Charleston)

Aaron Han Joon, Magnan-Park, Gina Marchetti, and See Kam Tan, eds. The Palgrave Handbook of Asian Cinema. London: Palgrave Macmillan, 2018.

Arnold, Darren. The Devils. Leighton Buzzard, UK: Auteur, 2019.

Babington, Bruce, and Charles Barr, eds. The Call of the Heart: John M. Stahl and Hollywood Melodrama. Bloomington: Indiana University Press, 2018.

Baer, Nicholas, Maggie Hennefeld, Laura Horak, and Gunner Iversen, eds. Unwatchable. New Brunswick: Rutgers University Press, 2019.

Banet-Weiser, Sarah. Empowered: Popular Feminism and Popular Misogyny. Durham: Duke University Press, 2018.

Barnwell, Jane. The Fundamentals of Film Making. London: Bloomsbury Publishing, 2019.

Bayman, Louis, and Natália Pinazza, eds. Journeys on Screen. Edinburgh: Edinburgh University Press, 2018.

Bennett, Eve. Gender in Post-9/11 American Apocalyptic TV: Representations of Masculinity and Femininity at the End of the World. London: Bloomsbury Publishing, 2019.

Bertellini, Giorgio. The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America. Oakland: University of California Press, 2019.

Betancourt, Michael. Typography and Motion Graphics: The ‘Reading-Image’. London: Routledge, 2018.

Birkett, Danielle, and Dominic McHugh, eds. Adapting The Wizard of Oz: Musical Versions from Baum to MGM and Beyond. Oxford: Oxford University Press, 2018.

Bosworth, Melissa, and Lakshmi Sarah. Crafting Stories for Virtual Reality. London: Routledge, 2018.

Bruckner, Franziska, et al., editors. Global Animation Theory: International Perspectives at Animafest Zagreb. 1st ed., London: Bloomsbury Publishing, 2018.

Burns, Eric. The Politics of Fame. New Brunswick: Rutgers University Press, 2018.

Cammaer, Gerda, Blake Fitzpatrick, and Bruno Lessard, eds. Critical Distance in Documentary Media. London: Palgrave Macmillan, 2018.

Carrera, Alessandro. Fellini’s Eternal Rome: Paganism and Christianity in the Films of Federico Fellini. 1st ed., London: Bloomsbury Publishing, 2018.

Carter, David. Inception. Leighton Buzzard, UK: Auteur, 2019.

Cates, Jon. Chicago New Media, 1973-1992. Champaign: University of Illinois Press, 2018.

Chabot, Pascal. Global Burnout. London: Bloomsbury Publishing, 2019.

Cheney-Lippold, John. We Are Data: Algorithms and the Making of Our Digital Selves. New York: New York University Press, 2018.

Chris, Cynthia. The Indecent Screen: Regulating Television in the Twenty-First Century. New Brunswick: Rutgers University Press, 2019.

Click, Melissa, ed. Anti-Fandom: Dislike and Hate in the Digital Age. New York: New York University Press, 2019.

Colling, Samantha. The Aesthetic Pleasures of Girl Teen Film. 1st ed., London: Bloomsbury Publishing, 2019.

Cuonz, Daniel, Scott Loren, and Jörg Metelmann, eds. Screening Economies: Money Matters and the Ethics of Representation. Bielefeld: Transcript-Verlag, 2018.

Dancyger, Ken. The Technique of Film and Video Editing: History, Theory, and Practice., 6th ed., London: Routledge, 2018.

Danesi, Marcel. Understanding Media Semiotics. London: Bloomsbury Publishing, 2018.

Dasgupta, Rohit K., and Sangeeta Datta. 100 Essential Indian Films. Lanham: Rowman & Littlefield Publishers, 2018.

Drieu, Cloé. Cinema, Nation, and Empire in Uzbekistan, 1919-1937. Bloomington: Indiana University Press, 2019.

Duke, Bill. Bill Duke: My 40-Year Career on Screen and Behind the Camera. Lanham: Rowman & Littlefield Publishers, 2018.

Duvall, John A. The Environmental Documentary: Cinema Activism in the 21st Century. 1st ed., London: Bloomsbury Publishing, 2018.

Dwyer, Tessa. Speaking in Subtitles. Edinburgh: Edinburgh University Press, 2018.

El Shakry, Omnia, Sarah Pursley, and Caroline McKusick, eds. Psychoanalysis and the Middle East: Discourses and Encounters. Edinburgh: Edinburgh University Press, 2018.

Eldridge, Richard. Werner Herzog: Filmmaker and Philosopher. 1st ed., London: Bloomsbury Publishing, 2018.

Elleström, Lars. Transmedial Narration: Narratives and Stories in Different Media. London: Palgrave Macmillan, 2019.

Elsaesser, Thomas. European Cinema and Continental Philosophy: Film As Thought Experiment. 1st ed., London: Bloomsbury Publishing, 2018.

Fairchild, Charles. Sounds, Screens, Speakers: An Introduction to Music and Media. 1st ed., London: Bloomsbury Publishing, 2019.

Garibotto, Verónica. Rethinking Testimonial Cinema in Postidictatorship Argentina: Beyond memory Fatigue. Bloomington: Indiana University Press, 2019.

Geraghty, Christine, and Julie Anne Taddeo, eds. Doing History in the Age of Downton Abbey. Edinburgh: Edinburgh University Press, 2019.

Gere, Charlie. Unnatural Theology: Religion, Art and Media after the Death of God. London: Bloomsbury Publishing, 2018.

Gleich, Joshua, and Lawrence Webb, eds. Hollywood on Location: An Industry History. New Brunswick: Rutgers University Press, 2019.

Gleich, Joshua. Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline. Austin: University of Texas Press, 2018.

Grant, Barry Keith. Robin Wood on the Horror Film: Collected Essays and Reviews. Detroit: Wayne State University Press, 2018.

Greven, David. Queering The Terminator: Sexuality and Cyborg Cinema. London: Bloomsbury Publishing, 2018.

Grimm, Joshua. It Follows. Leighton Buzzard, UK: Auteur, 2018.

Gueneli, Berna. Fatih Akin’s Cinema and the New Sound of Europe. Bloomington: Indiana University Press, 2019.

Hannan, Brian. In Theaters Everywhere: A History of the Hollywood Wide Release, 1913-2017. Jefferson: McFarland, 2018.

Harle, Matthew. Afterlives of Abandoned Work: Creative Debris in the Archive. London: Bloomsbury Publishing, 2018.

Hemansson, Casie E. Filming the Children’s Book. Edinburgh: Edinburgh University Press, 2019.

Hischak, Thomas S. The Woody Allen Encyclopedia. Lanham: Rowman & Littlefield Publishers, 2018.

Holtmeier, Matthew. Contemporary Political Cinema. Edinburgh: Edinburgh University Press, 2019.

Hoser, Tania. Introduction to Cinematography: Learning Through Practice. London: Routledge, 2018.

Houwen, Janna. Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images. 1st ed., London: Bloomsbury Publishing, 2019.

Hudson, Dale. Vampires, Race, and Transnational Hollywoods. Edinburgh: Edinburgh University Press, 2018.

Hunter, I. Q., and Jamie Sherry. Psychomania. Leighton Buzzard, UK: Auteur, 2018.

Ireland, David. Identifying and Interpreting Incongruent Film Music. London: Palgrave Macmillan, 2018.

Jinhua, Dai, and Lisa Rofel ed. After the Post-Cold War: The Future of Chinese History. Durham: Duke University Press, 2018.

Johnson, Mark R. The Unpredictability of Gameplay. 1st ed., London: Bloomsbury Publishing, 2018.

Joo, Woojeong. The Cinema of Ozu Yasujiro. Edinburgh: Edinburgh University Press, 2018.

Ka Yee Chan, Jessica. Chinese Revolutionary Cinema: Propaganda, Aesthetics and Internationalism 1949–1966. London: Bloomsbury Publishing, 2019.

Keegan, Cáel M. Lana and Lilly Wachowski. Champaign: University of Illinois Press, 2018.

Kendrick, James, editor. Studies General Film Studies A Companion to the Action Film. Hoboken: Wiley-Blackwell, 2018.

King, Geoff. Positioning Art Cinema: Film and Cultural Value. London: Bloomsbury Publishing, 2019.

Klenner, Robert. Directing Screen Performances. London: Bloomsbury Publishing, 2019.

Kresse, Kai. Swahili Muslim Publics and Postcolonial Experience. Bloomington: Indiana University Press, 2018.

Larke-Walsh, George S, editor. A Companion to the Gangster Film. Hoboken: Wiley-Blackwell, 2018.

Larkin, George. Post-Production and the Invisible Revolution of Filmmaking: From the Silent Era to Synchronized Sound. London: Routledge, 2018.

Le Fanu, Mark. Believing in Film: Christianity and Classic European Cinema. London: Bloomsbury Publishing, 2019.

Lobato, Ramon. Netflix Nations: The Geography of Digital Distribution. New York: New York University Press, 2019.

Marks, Laura Helen. Alice in Pornoland: Hardcore Encounters with the Victorian Gothic. Champaign: University of Illinois Press, 2018.

Mazierska, Ewa, and Zsolt Gyori, editors. Popular Music and the Moving Image in Eastern Europe. 1st ed., London: Bloomsbury Publishing, 2018.

McKim, Joel. Architecture, Media, and Memory: Facing Complexity in Post-9/11 New York. London: Bloomsbury Publishing, 2018.

Meek, Michele, ed. Independent Female Filmmakers: A Chronicle through Interviews, Profiles, and Manifestos. London: Routledge, 2019.

Meikle, Kyle. Adaptations in the Franchise Era: 2001-16. London: Bloomsbury Publishing, 2019.

Milburn, Colin. Respawn: Gamers, Hackers, and Technogenic Life. Durham: Duke University Press, 2018.

Murray, Jonathan, and Nea Ehrlich, eds.  Drawn from Life. Edinburgh: Edinburgh University Press, 2018.

Murray, N. Michelle. Home Away from Home: Immigrant Narratives, Domesticity, and Coloniality in Contemporary Spanish Culture. Chapel Hill: University of North Carolina Press, 2018.

Neibaur, James L. The Hall Roach Comedy Shorts of Thema Todd, ZaSu Pitts and Patsy Kelly. Jefferson: McFarland, 2018.

Neuman, W. Russell. The Digital Difference: Media Technology and the Theory of Communication Effects. Cambridge: Harvard University Press, 2018.

O'Day, Andrew, editor. Doctor Who - Twelfth Night: Adventures in Time and Space with Peter Capaldi. London: Bloomsbury Publishing, 2018.

Odorico, Stefano. The Interactive Documentary Form: Aesthetics, Practice, and Research. Bielefeld: Transcript-Verlag, 2019.

Past, Elena. Italian Ecocinema Beyond the Human. Bloomington: Indiana University Press, 2019.

Peretti, Luca, and Karen T Raizen, editors. Pier Paolo Pasolini, Framed and Unframed: A Thinker for the Twenty-First Century. 1st ed., London: Bloomsbury Publishing, 2018.

Pomerance, Murray. Cinema, If You Please. Edinburgh: Edinburgh University Press, 2018.

Prince, Stephen. Digital Cinema. New Brunswick: Rutgers University Press, 2019.

Qiong, Sabrina, and Guy Austin, eds. Revisiting Star Studies. Edinburgh: Edinburgh University Press, 2018.

Redman, Lena. Knowing with New Media: A Multimodal Approach for Learning. London: Palgrave Macmillan, 2018.

Reeves, Joshua. Citizen Spies: The Long Rise of America’s Surveillance Society. New York: New York University Press, 2019.

Riddle, Nick. The Damned. Leighton Buzzard, UK: Auteur, 2019.

Rogers, Anna Backman. Sofia Coppola: The Politics of Visual Pleasure. New York: Berghahn Books, 2018.

Rogers, Brett M, and Benjamin Eldon Stevens, editors. Once and Future Antiquities in Science Fiction and Fantasy. London: Bloomsbury Publishing, 2018.

Rosenbaum, Jonathan. Cinematic Encounters: Interviews and Dialogues. Champaign: University of Illinois Press, 2018.

Safran, Meredith E. Screening the Golden Ages of the Classical Tradition. Edinburgh: Edinburgh University Press, 2018.

San Juan, Eric. Akira Kurosawa: A Viewer’s Guide. Lanham: Rowman & Littlefield Publishers, 2018.

Shelley, Peter. Gene Hackman: The Life and Work. Jefferson: McFarland, 2018.

Singer, Marc. Breaking the Frames: Populism and Prestige in Comics Studies. Austin: University of Texas Press, 2019.

Slugan, Mario. Noël Carroll and Film: A Philosophy of Art and Popular Culture. London: Bloomsbury Publishing, 2019.

Smith, Iain Robert. The Hollywood Meme. Edinburgh: Edinburgh University Press, 2018.

Smukler, Maya Montañez. Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema. New Brunswick: Rutgers University Press, 2018.

Spinelli, Martin, and Lance Dann. Podcasting: The Audio Media Revolution. 1st ed., London: Bloomsbury Publishing, 2019.

Steintrager, James A., and Rey Chow, eds. Sound Objects. Durham: Duke University Press, 2019.

Strachan, Alan. Dark Star: A Biography of Vivien Leigh. 1st ed., London: Bloomsbury Publishing, 2018.

Taylor, Alison. Troubled Everyday. Edinburgh: Edinburgh University Press, 2018.

Taylor, Larry. Tony Scott: A Filmmaker on Fire. Jefferson: McFarland, 2018.

Thussu, Daya Kishan. International Communication: Continuity and Change. London: Bloomsbury Publishing, 2018.

Toft Hansen, Kim, Steven Peacock, and Sue Turnbull, eds. European Television Crime Drama and Beyond. London: Palgrave Macmillan, 2018.

Tomasulo, Frank P.  Michelangelo Antonioni: Ambiguity in the Modernist Cinema. Saarbrücken:

Lambert Academic Publishing, 2019.

 

Turnock, Bryan. Studying Horror Cinema. Leighton Buzzard, UK: Auteur, 2018.

 

Van Leeuwen, Evert. House of Usher. Leighton Buzzard, UK: Auteur, 2018.

Vavrus, Mary Douglas. Postfeminist War: Women in the Media-Military-Industrial Complex. New Brunswick: Rutgers University Press, 2018.

Wai Sim Lau, Dorothy. Chinese Stardom in Participatory Cyberculture. Edinburgh: Edinburgh University Press, 2018.

West, Steven. Scream. Leighton Buzzard, UK: Auteur, 2018.

White, Rosie. Television Comedy and Femininity: Queering Gender. London: Bloomsbury Publishing, 2018.

Wong, Aliza S. Spaghetti Westerns: A Viewer’s Guide. Lanham: Rowman & Littlefield Publishers, 2018.

Woofter, Kristopher Karl, and Lorna Jowett, editors. Joss Whedon vs. the Horror Tradition: The Production of Genre in Buffy and Beyond. 1st ed., London: Bloomsbury Publishing, 2018.

Yang, Li. The Formation of Chinese Art Cinema: 1990-2003. London: Palgrave Macmillan, 2018.

Young, Damon R. Making Sex Public and Other Cinematic Fantasies. Durham: Duke University Press, 2018.

Yu, Kiki Tianqi. ‘My’ Self on Camera. Edinburgh: Edinburgh University Press, 2018

Articles on Film and TV in Non-media Journals

(compiled by Paul Flaig, University of St. Andrews)

 

Alonso, Isabel Huacuja. “Radio, Citizenship, and the ‘Sound Standards’ of a Newly Independent India.” Public Culture 31.1 (2019): 117-144.

 

Bailie, Joanna. “Film Theory and Synchronization.” CR: The New Centennial Review 18.2 (Fall 2018): 69-74.

 

Barker, Timothy. “Cultural Techniques of Play: A Media Philosophical Approach to the Study of Time, History, and Memory in Games.” Configurations 27.1 (Winter 2019): 87-110.

 

Braddock, Jeremy and Morton, Timothy. “How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre.” CR: The New Centennial Review 18.2 (Fall 2018): 39-68.

 

Burke, Brianna. “Beasts of the Southern Wild and Indigenous Communities in the Age of the Sixth Extinction.” Resilience: A Journal of the Environmental Humanities 6.1 (Winter 2019): 61-85.

 

Cavanagh, Sheila L. “Transcryptums: An Ettingerian Reading of the Trans-subjective Landscape in Transparent.” TSQ  6.1 (2019): 20-42.

 

Cheng, Jih-Fei. “AIDS, Black Feminisms, and the Institutionalization of Queer Politics.” GLQ: A Journal of Lesbian and Gay Studies 25.1 (January 2019): 169-177.

 

Coley, Rob. “‘Destabilized Perception’: Infrastructural Aesthetics in the Films of Adam Curtis.” Cultural Politics 14.3 (2018): 304-326.

 

Cho, Lily. “Darkroom Material: Race and the Chromogenic Print Process.” Postmodern Culture 28.2 (January 2018).

 

Fawaz, Ramzi. “Legions of Superheroes: Diversity, Multiplicity, and Collective Action against Genocide in the Superhero Comic Book.” Social Text 36.4 (2018): 21-55.

 

Fazi, M. Beatrice. “Digital Aesthetics: The Discrete and the Continuous.” Theory, Culture & Society 36.1 (January 2019): 3–26

 

Feldman, Allen. “Information War Under Erasure: Contretemps, Disappearance, Anthropophagy, Survivance” Theory & Event 22.1 (January 2019).

 

Fox, Claire F. “The Documentary Films of José Gómez Sicre and the Pan American Union Visual Arts Department.” ARTMargins 7.3 (October 2018): 34–56.

 

Halperin, David M. “Queer Love.” Critical Inquiry 45.2 (Winter 2019): 396–419.

 

Handley, George. “Anthropocentrism and the Postsecularity of the Environmental Humanities in Aronofsky’s Noah.” Modern Fiction Studies 64.4 (Winter 2018): 617-638.

 

Haustein, Katja. “How to Be Alone with Others: Plessner, Adorno, and Barthes on Tact.” The Modern Language Review 114.1 (January 2019): 1-21.

 

Heiduschke, Sebastian. “Emerging from the Niche: DEFA's Afterlife in Unified Germany.” Monatshefte 105.4 (Winter 2013): 625-640.

 

Heynen, Robert. “Cultures of Confinement: Health, Illness, and Madness in The Cabinet of Dr. Caligari and The Magic Mountain.” 683-708.

 

Horn, Eva. “Air as Medium.” Grey Room 73 (Fall 2018): 6–25.

 

Jin, Hengshan. “The Meaning of Liberation: From The Joy Luck Club to Face and Saving Face.” Partial Answers: Journal of Literature and the History of Ideas 17.1 (January 2019): 65-80.

 

Johnson, Rosser and Trelease, Rebecca. “Glocalization, Hard-won Status, and Performative Femininity: A Case Study of The Real Housewives Format.” Journal of Asia-Pacific Pop Culture 3.2 (2018): 324-341.

 

Krell, David Farrell. “Shudder Speed: The Photograph as Ecstasy and Tragedy.” Mosaic: an interdisciplinary critical journal 51.4 (December 2018): 139-154.

 

Kumar, Akshaya. “Media Portfolios after Credit Scoring: Attention, Prediction, and Advertising in Indian Media Networks.” Postmodern Culture 28.2 (January 2018).

 

Malherek, Joseph. “The Industrialist and the Artist: László Moholy-Nagy, Walter Paepcke, and the New Bauhaus in Chicago, 1918–46.” Journal of Austrian-American History 2.1 (2018): 51-76.

 

Manley, Pauline. “Beyoncé and the Frump: Cover-Versioning in Dance.” Journal of Asia-Pacific Pop Culture 3.2 (2018): 258-284.

 

McGrail, J. Patrick, McGrail, Ewa  and Rieger, Alicja. “A Teacher Goes Gothic: Walter White, Heisenberg, and the Dark Revenge of Science.” Interdisciplinary Literary Studies 20.4 (2018): 486-506.

 

Nakassis, Constantine V. and Weidman, Amanda. “Vision, Voice, and Cinematic Presence.” differences 29.3 (2018): 107-136.

 

Nancy, Jean-Luc. “Variations on the Reprise,” translated by Irving Goh. CR: The New Centennial Review 18.2 (Fall 2018): 203-240.

 

Navas, Eduardo. “The Originality of Copies: Cover Versions and Versioning in Remix Practice.” Journal of Asia-Pacific Pop Culture 3.2 (2018): 168-187.

 

Neer, Richard. “Lightweight: Mizoguchi, Ugetsu, and the Displacement of Criteria.” Critical Inquiry 45.2 (Winter 2019): 471–505.

 

Picherit, Hervé. “Making a Modernist Masterpiece: The Elusive Location of Cultural Significance in Les Vampires.” Modernism/modernity 25.4 (November 2018): 655-681.

 

Reader, Keith. “Jean Eustache’s La Maman et la putain: A film maudit twice over?” French Cultural Studies 29.4 (November 2018): 360–366.

 

Rodríguez, Richard T. “Undead White.” GLQ: A Journal of Lesbian and Gay Studies 25.1 (January 2019): 63-66.

 

Sheets-Johnstone, Maxine. “Why Kinesthesia, Tactility and Affectivity Matter: Critical and Constructive Perspectives.” Body & Society 24.4 (December 2018): 3-31. 

 

Sides, Kirk Bryan. “Seed Bags and storytelling: Modes of Living and Writing after the End in Wanuri Kahiu’s Pumzi.” Critical Philosophy of Race 7.1 (2019): 107-123

 

Simon, Bart and Wershler, Darren. “Childhood’s End (or, We Have Never Been Modern, Except in Minecraft).” Cultural Politics 14.3 (2018): 289-303.

 

Sorace, Christian. “Extracting Affect: Televised Cadre Confessions in China.” Public Culture 31.1 (2019): 145-171.

 

Special Issue, “Asian Feminist Media: Intersections and Interventions.” Feminist Media Studies 5.1 (Winter 2019).

 

Special Issue: “SF and the Climate Crisis.” Science Fiction Studies 45.3 (November 2018).

 

Special Section, “Arthur Miller: Writer: A Symposium on Rebecca Miller's HBO Documentary.” The Arthur Miller Journal 13.2 (Autumn 2018): 103-128.

 

Special Section, “Queer Media Temporalities,” edited by Maria Pramaggiore and Páraic Kerrigan. Alphaville Journal of Film and Screen Media 16 (2019).

 

Special Section, “A Cluster of Essays on Serial Narrative,” Narrative 27.1 (January 2019): 47-128.

 

Special Section, “The End of Area: Biopolitics, Geopolitics, History.” Positions: Asia Critique 27.11 (February 2019).

 

Special Section, “Women’s Film Authorship in Neoliberal Times: Revisiting Feminism and German Cinema.” Camera Obscura: Feminism, Culture, and Media Studies 33.3 (2018).

 

Taimre, Ilmar. “Andy Warhol, Sarah Bernhardt, and the ‘Original Copy’.” Journal of Asia-Pacific Pop Culture 3.2 (2018): 188-233.

 

Thurston, Timothy. “A Korean, an Australian, a Nomad, and a Martial Artist meet on the Tibetan Plateau: Encounters with Foreigners in a Tibetan Comedy from Amdo.” Journal of Folklore Research 55.3 (September/December 2018): 1-24.

 

Tomasulo, Frank P. “Independent Cinema: El Topo and the Midnight Movie

Phenomenon.” The Projector: a Journal on Film, Media, and Culture (Winter 2019).

 

--------------------------. “Teaching Creativity: A Practical Guide for Training Filmmakers, Screenwriters, and Cinema Studies Students.” Journal of Film and Video 68.4 (Winter 2018): 3-20.

---------------------------. “The Sopranos and Long-Form Television Narrative.” Quarterly Review of Film and Video 35.3 (2018): 3-22.

Watts, Eric King. “‘Zombies Are Real’: Fantasies, Conspiracies, and the Post-truth Wars.” Philosophy & Rhetoric 51.4 (2018): 441-470

 

Wölfflin, Heinrich. “On Right and Left in Images,” translated by Marlo Alexandra Burks. Grey Room 73 (Fall 2018): 88–95.

 

Wood, Bethany. “Adapting Traditions: Lacunae Surrounding the 1934 Film Adaptation of Edith Wharton's The Age of Innocence.” Edith Wharton Review 34.2 (2018): 101-123.

 

AVPN: Audio-Visual Professional Notes

Film & Media Scholars on Podcasts, Blogs, and Video Essays

(compiled by Paul Flaig, University of St. Andrews)

Azevedo, Luís. “Witnessing the Western.” NECSUS Audiovisual Essays (November 23, 2018): https://necsus-ejms.org/witnessing-the-western/

Blair, Paula and Shail, Andrew. “Netflix” Audiovisual Cultures Podcast 37 (January 23, 2019): https://player.fm/series/audiovisual-cultures-podcast/ep-37-netflix.

Bordwell, David . “Cerebral Blockbusters Meet Blunt-Force Cinephilia.” Observations on Film Art Blog (January 2018, 2019) http://www.davidbordwell.net/blog/.

Calaciura, Greta and Bayramian, Shant. “Marxism, Metropolis.” NECSUS Audiovisual Essays (November 23, 2018): https://necsus-ejms.org/marxism-in-metropolis/.  

Daigle, Allain. “Negative Space.” [in]Transition Journal of Videographic Film and Moving Image Studies 5.4 (2018): http://mediacommons.org/intransition/negative-space.

Dollman, Melissa. “Gone Estray.” [in]Transition Journal of Videographic Film and Moving Image Studies 5.4 (2018): http://mediacommons.org/intransition/gone-estray.

Duarte, Miguel Mesquita. “The Birds After Hithcock.” [in]Transition Journal of Videographic Film and Moving Image Studies 5.4 (2018): http://mediacommons.org/intransition/birds-after-hitchcock.

Faden, Eric. “Visual Disturbances.” [in]Transition Journal of Videographic Film and Moving Image Studies 5.4 (2018): http://mediacommons.org/intransition/visual-disturbances.

Fuhrmann, Arnika. “Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema.” New Books Podcast (January 22, 2019): https://newbooksnetwork.com/arnika-fuhrmann-ghostly-desires-queer-sexuality-and-vernacular-buddhism-in-contemporary-thai-cinema-duke-up-2016/.

Garwood, Ian. “The L/Song Take in Before Sunrise.” NECSUS Audiovisual Essays (November 23, 2018): https://necsus-ejms.org/the-l-song-take-in-before-sunrise/

Kackman, Michael and Brown, Stephanie. “New Year, New Opportunities.” Aca-Media Podcast 46 (January 18, 2019): http://www.aca-media.org/news/2019/1/18/episode-46-new-year-new-opportunities.

LaRocca, David. "The Philosophy of War Films." New Books Podcast (December 31, 2018): https://newbooksnetwork.com/david-larocca-the-philosophy-of-war-films-u-press-of kentucky-2018/.

López, Christina Álvarez and Martin, Adrian. “When you read this letter.” De Film Krant (November 11, 2018): https://filmkrant.nl/video/the-thinking-machine-24-english/.

Ong, Corpus Jonathan. "Data Colonialism: Rethinking Big Data’s Relation to the Contemporary Subject." Television and New Media Podcast (December 2018): https://player.fm/series/1094648/223333523.

Parkinson, Richard and Harloe, Katherine. “Tales of Love and History - James Ivory in Conversation.” University of Oxford Podcasts (December 18, 2018): https://podcasts.ox.ac.uk/tales-love-and-history-james-ivory-conversation

Pramaggiore, Maria and Kerrigan, Páraic. “Queer Media Temporalities.” Alphaville Journal of Film and Screen Media Podcast (January 2019): http://www.alphavillejournal.com/Issue16.html.

Rich, B. Ruby and Qureshi, Bilal. “Reflections on Film in 2017.” Film Quarterly Podcast (January 1, 2018): http://filmquarterly.org/2018/01/01/2017-in-review/.  

Safin, David. “The Death of a Text.” [in]Transition Journal of Videographic Film and Moving Image Studies 5.4 (2018): http://mediacommons.org/intransition/death-text.

Street, Joe. “Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash.” New Books Podcast (January 7, 2019): https://newbooksnetwork.com/joe-street-dirty-harrys-america-clint-eastwood-harry-callahan-and-the-conservative-backlash-up-of-florida-2016/.

Symposium, “Are Human Rights Neoliberal?” Birkbeck Institute for the Humanities Podcasts (November 22, 2018): https://backdoorbroadcasting.net/2018/11/are-human-rights-neoliberal/

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