Miranda Banks is a former Board Member. This page is for archival purposes only; therefore, her bio may not be current.
Member, Board of Directors, 2017-2020
Biography: Miranda Banks is Associate Dean of Academic Affairs at Loyola Marymount University’s School of Film and Television and an Associate Professor within LMU’s Department of Film, Television, and Media Studies. Her primary area of research is the American film and television industries, with a specific focus on power dynamics in creative production. She authored The Writers: A History of American Screenwriters and Their Guild (Rutgers 2015) and co-edited the collections Production Studies (Routledge, 2009) and Production Studies, The Sequel (Routledge, 2015). Her massively multiplayer game, Room at the Top, challenges implicit bias in collaborative labor and illuminates tensions that arise between individual gain and team building. It has been played at numerous film and media production programs across the country.
School of Film and Television
Loyola Marymount University
1 LMU Drive
Los Angeles, CA 90045
M.A. & Ph.D., University of California, Los Angeles
BA, Stanford University
Production Studies and Media Industries; Gender and creative labor; Guilds and unions; Games for social change.
The Writers: A History of American Screenwriters and Their Guild. Monograph. Rutgers University Press. 2015.
With Bridget Conor and Vicki Mayer, eds. Production Studies, The Sequel!: Cultural Studies of Global Media Industries. Routledge Press. 2015.
“How to Study Media Makers and Making.” Handbook of Television Studies. Eds. Manuel Alvarado, Milly Buonanno, Herman Gray, and Toby Miller. Sage, 2015
With Lauren Steimer. “The Heroic Body: Toughness, Femininity, and The Stunt Double.” Gender and Creative Labour. Eds. Rosalind Gill, Bridget Conor. Sociological Review, 2015.
“Oral History and Media Industries: Theorizing the Personal in Production History.” Cultural Studies. v.28 n. 4 (2014) 545-560.
“I Love Lucy.” How To Watch TV. Eds. Jason Mittell and Ethan Thompson. NYU Press, 2013.
“The Picket Line Online: Hollywood Creative Labor and Digital Activism.” Popular Communication. v. 8. n. 1. (2010) 20-33.
With Vicki Mayer and John Caldwell, eds. Production Studies: Cultural Studies of Media Industries. Routledge, 2009.
“Gender Below-the-Line: Defining Feminist Production Studies” Production Studies: Cultural Studies of Media Industries. Routledge, 2009.
Advisory Board, Moving Image Crafts Documentation (MICD) Alliance, Academy of Motion Picture Arts & Sciences.
Board Member, Console-ing Passions: International Conference on Television, Video, Audio, New Media and Feminism.
Academy of Television Arts and Sciences Foundation, Faculty Fellow. 2010.
National Association of Television Producers and Educators (NATPE) Fellowship, 2008.